Art by Medium: Handmade Paper

Photography on paper

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean artist. He is indeed graduated of Ecole Nationale...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Pencil on paper

Pencil on paper

Pencil on paper

Pencil on paper

Watercolor and pencil on paper

Watercolor on paper

Oil on canvas

Watercolor on paper

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Pigments on Arches paper with anti-reflective glass white wood frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Pigments on paper Arches with anti-reflective glass metal black frame, 54 x 42 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 44 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Indian ink on paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Indian ink on paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Set of twelve antique Chinese pith paintings with flowers and butterflies Chinese, 19th Century Height 33cm, width 38cm, depth 1.5cm This delightful collection of paintings is craf...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Uncommon Ground, a botanical paper and fabric relief sculpture by Maggie Ramirez-Burns, uses vintage and handmade paper to create a cascade of unnatural beauty. It's expertly framed ...

Yellow Color Study is part painting, part handmade and vintage paper collage of whimsical and textural flora by Pacific Northwest artist Maggie R...

Big Blooms No. 7 is a botanical collage artwork created with Hand Cut dyed paper by Deborah Weiss. The artwork is 28x22 and is in a white frame. The fr...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

ENSO SERIES II by Kim Fonder is a Mixed Media on Handmade Paper with Plexi that measures 12.00 X 12.00 in and is priced at $600.00. Kim Fonder loves texture and touch. Her paintings...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

Caviar20 has long admired Lizz Aston's evolving career and body of work. We are pleased to be offering her incredible creations. Like the best of Aston's...

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

Beeswax, ink, metallic powder on vintage hand made paper. Does not include framing.

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues i...

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues i...

ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues i...

Monks Series, # III, Cold wax, monoprints, oil stick on canvas, 2025. Layers of Reality Series is an ongoing exploration through the visual arts of the idea that there is no single ...

Complete title: Origin of Desire: Positive Energies Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techn...

Monks Series, # II, Cold wax, monoprints, oil stick on canvas, 2025, 24 Layers of Reality Series is an ongoing exploration through the visual arts of the idea that there is no sing...

Portfolio of eleven prints. Photoengraving and aquatint on Twinrocker handmade 400 gsm paper. Sheet: 17.25 x 14 in. Image: 12 x 9 in. Edition 12/30. Order of prints: Ada, Ahn, Alba, ...

Beeswax, ink, metallic powder on vintage hand made paper

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

After Utagawa Hiroshige (安藤 徳太郎, Japanese, 1797 – 1858) Evening Cherry on Mt. Yoshino Woodblock on paper Unsigned From the artist’s Forty-Eight Selected Views of Edo series Inscribed...

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

Slight Fragments 13 - Pigment print from a Pinhole Analogue Negative printed on traditional Japanese handmade Ise - Washi paper Image 15 3/8 × 15 3/8 “, total paper size 16” x 23 3/8 Print only $ 2,000 Limited Edition of 12+ 3 AP Framed 20x22” $ 2,300 Image 23 1⁄4 × 23 1⁄4, Paper size 33 7/8 x 37 3/8 Print only $ 3,000 Limited Edition of 10+ 3 AP Framed 39 x 43 $ 3,400 Image 30 x 30” (29 1/2)“, total paper size 33 7/8 x 39 3/8 Print only $ 4,600 Limited Edition of 7+ 3 AP Framed $ 5,200 Image 40 × 40”, total paper size 43 3⁄4 x 47 3⁄4 Print only $ 6,700 Limited Edition of 5+ 3 AP Framed 47x50 3/4 $ 7,400 A Shiga-born photographer Reiko Yagi...

Watercolor and natural mineral pigments on handmade paper. Framed dimensions 11.25" x 11".

All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative made with a lensless pinhole camera. The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller sizes. We propose a white mat frame or a natural wood frame. Japanese photographer Reiko Yagi...