Art by Medium: Handmade Paper

Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...

Lithograph on washi paper Exemplaire B/165

Black and white abstract cast paper, ink, Size: 48x38, new frame under plexiglass. Pencil signed, Artist Proof. Richard Royce was born in New York on August 18, 1941. After getting his BA and MA in fine art at the University of Wisconsin, Richard went to France to study with Stanley W. Hayter, (the father of modern printmaking). On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media. COLLECTIONS Bibliotheque Nationale, Paris, France State Historical Society of Wisconsin Portland Art Museum, Oregon Fine Arts Museum of Long Island, New York International Paper Corporation, New York Isla Center, University of Guam, Micronesia Byer Museum of the Arts, Evanston, Illinois Musee du Petite Format, Couvin, Belgique Yasuda Life Insurance Company, Japan SOLO EXHIBITIONS 1991 Prestige Gallery, Danvers, MA 1989 Watermark/Cargo Gallery.. Kingston, NY 1986 ARRAS Gallery, NYC, NY 1985 The Tremellen Gallery, Lancaster, PA 1982 Linden Gallery, New York, NY 1979 Contemporary Crafts Gallery, Portland, OR Keller Gallery, Salem, OR The Tremellen Gallery, Lancaster, PA 1970 Ventura College, Ventura, CO University of Wisconsin, Madison, WI 1969 Comsky Gallery, Boston, MA Ohio University, OH 1968 Thompson Gallery, Boston, MA The Galor Hagen Gallery, Dallas, TX University of Southern California Gallery SELECTED GROUP EXHIBITIONS 2004 Living Space Gallery, Cornville, AZ 2001 Rodman Gallery, Stockbridge, MA 1997 Dalton Fine Art, Boston, MA Boston Corporate Art, Boston, MA Prestige Gallery, Atelier Royce Group Show, Danvers, MA 1996 Copley Society Gallery, Group Sculpture Show, Boston, MA 1995 Barbara’s Hang Up Gallery, Group Show, Beverly, MA 1991 Creative Framing Gallery, Boston, MA 1989 5e Exposition International "Petit Format de Papier" Cul-Des-Arts (Couvin), Belgique 1988 Premiere Triennale Mondiale D'Estampes Petit Format (Traveling show to museums throughout France) 1987 "Eight Upstate Sculptors", Woodstock Artist Assn., NY 1986 First International Biennial of Paper Art, Leopold-Hoesch Museum, Dueren, Germany 1985 '85 Mini-Exhibition, Isla Center, University of Guam, Micronesia 1984 Paperworks: A National Invitational, Chevey Cowles Memorial Museum, Spokane, WA Paper, Canvas & Glass, Gallery Mack, Seattle, WA Atelier Royce Group Show, Eclipse Gallery, New York Contemporary Paperworks, Hurlbutt Gallery, Greenwich, CT 1983 Paper As Images - Traveling exhibition: Six galleries throughout England 1982 Papermaking USA, American Crafts Museum, New York Atelier Royce Group Show, State University, Purchase, NY New American Graphics 2, Art Museum Association of San Francisco Traveling...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Goldilocks - Green Goblin...

REDOUTÉ, Pierre-Joseph. Fritillaria Imperialis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...

circa 1840. Watercolor and pencil on wove paper, 4 1/4 x 6 7/8 inches (109 x 175 mm), the full sheet. In good condition with moderate attenuation and some toning, especially around t...

Beautiful portrait of an African-American woman, ca. 1965-70. Ink on mulberry kozo paper, sheet measuring 9.5 x 14 inches. Original damaged matting depicted here to corroborate age...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 5 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...

This floral relief sculpture by Maggie Ramirez-Burns uses vintage and handmade paper to create a cascade of un-natural beauty. It's expertly framed in an acrylic box to protect the d...

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

A newly discovered sea creature?? No, just an imaginative artist creating a Gyo-Tako print of large octopus by Jeff Conroy entitled "Cheetahpus". To achieve this remarkable painting, the artist inks the octopus using traditional sumi ink then "prints" it onto Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. Framed as shown. Jeff Conroy Cheetahpus sumi ink and watercolor on mulberry paper 25h x 36.50w in 63.50h x 92.71w cm JEC080 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...

This artwork depicts a view of a red and white building, with white spray painted tags on the red wall, and metallic staircases. This piece was created with a mixed technique of acr...

The work of Sam Gilliam is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, ...

A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extrao...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

An ink and watercolor on handmade paper painting by contemporary Chinese artist Zeng Jianyong. "Spare Time 16" is executed in pastel watercolors and depicts an anthropomorphic portra...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

An old master drawing that can live in a very contemporary environment! Remarkable use of line and expression - should be enjoyed in an important spot - can grace a kitchen or livin...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

"Botanical Rhapsody II" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted. Highly intricate and lavishly depic...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

Tokyo: Kawaji, 1830. Three (3) woodblock prints (nishiki-e) in color on handmade mulberry paper, each 2 5/8 x 3 3/8 inches (67 x 82 mm), the full sheet, margins slightly trimmed. Ea...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

"Jumping Horse" is an original ink drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. This piece...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso and is signed, titled and dated verso. Sandy Kinnee lives and works in Colorado Sp...

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the ...

Michele Brody, America The Beautiful:For Amber Waves of Green, Handmade paper installation with Glass Tubes, 7'h x 5'w x 6'd, 2016 The essence of Michele Brody’s work thrives on th...

A collabroation between Sir William Hamilton & Pietro Fabris Naples: Pietro Fabris, 1776. Engraving with hand coloring in gouache and watercolor on 18th century laid paper with an...

This charming landscape painting masterfully conveys the serenity of the autumn Morterach mountain glacier in the mountains of Switzerland, surrounded by delicate shades of twilight....

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Damien Hirst is arguably the most successful living British artist. He established his reputation, as both an artist and curator, in the 1990s with a new generation of creators known...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

"Mapping the Walk - May to August" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highl...

This is a Colour Woodcut by Japanese artists Kitagawa Utamaro, published c. 1792–93. A Modern reprint first between 1918 and 1923, this is a later print in the 90s from Japan. This p...

David Jonston (1933-1916) #505 Black Mountain, 1969. Watercolor and ink on Japan paper, 12.5 x 18 inches. Framed measurement 20.5 x 26.5 inches. Signed and dted lower left. Tit...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Boo Berry sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC116 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Zodiac Series Ink On Paper Set of 12 each 30x22 inches unframed Watercolor, ink on paper Keith Carrington’s experiences have led him to express his talents through the fluid & exact...

Inscription by the artist in permanent marker on verso: "MI CORAZON QUE LATE, KOZO + AMATE/MIXTA, PAPELHECHO A MANO., 68 X 70 CM., T OLABUENAGA, -1990-"

Textural work by collaborative artists Asya Dodina and Slava Polishchuk created with Japanese paper and acrylic paint on canvas.

Covers 13 Green (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. Wh...

In this vibrant triptych, Romina Milano explores the delicate vitality of fragile ecosystems through coral-like formations that pulse with chromatic intensity. Each panel exists as a...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Woodcut on handmade paper. 1974. 43 x 33 cm hand signed Wolfgang Mattheuer was a German painter, graphic artist, and sculptor. Alongside Werner Tübke and Bernhard Heisig, he is c...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Damien Hirst (British, born 1965) All the children's songs (The Currency), 2016 Medium: Enamel paint on handmade paper Dimensions: 20 x 30 cm (7.8 x 11.8 in) Series: Unique painting ...

Signed, lower left, 'T. Nakayama' for Tadashi Nakayama (Japanese, 1927-2014), dated 1971 and inscribed, lower right, with number and edition limitation, '1/65'. Sheet dimensions: 41...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...