Art by Medium: Handmade Paper

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Frame size approx. 26 x 33 in....

Original print from feathers and stencil on five layers of Japanese paper, limited edition. framed dimensions: 50 x 50 cm Artist's infromation: Ruth Thomas RCA is a contemporary pr...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

Wrens, Ferns and Snails an intimate, gilded relief by contemporary artist Tricia Wright, whose practice merges hand papermaking, drawing, embossing, and gilding into a single meticul...

A sentimental moment between women and children during times of hardship. [Two chatting women with two children] Munich: Alexander von der Becke, 1930. Crayon lithograph on heavy w...

Signed lower left, 'Sam Colburn' for Samuel Colburn (American, 1909-1993) and dated 1982. A powerful, late work by this well-listed American regionalist and long-time member of the ...

Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...

VALERIE HIRD AKVO ASCENDANT, 2012 oil on BFK paper 25 x 33 in. 63.5 x 83.8 cm.

Cups “G” by Nancy Mintz is a one-of-a-kind, hand-crafted wall sculpture that has a quiet, ethereal presence, formed from fine brass wire that moves across the wall like drawn lines. ...

Gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Ar...

sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed) b. 1942, Nagoya, Japan Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...

Butterfly Blue metamorphoses in a world of electric blue, turquoise, and coral. Through color and perspective (shallow depth of field), butterfly wings alight upon a luminous human h...

Bai Ming Untitled IV 2013 Ink Wash on Hand-made Paper Size: approx. 25 x 39 inches (63.5 x 99.1 cm) Signed lower left Inscribed and dated lower left Gallery-issued COA upon request ...

Six Antique Pith Rice Paper Chinese Watercolour Paintings Birds Chinese, 19th Century Height 33cm, width 42.5cm, depth 1.5cm This captivating set of six Chinese paintings, dati...

Covers 3 - orange (Abstract painting) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. Unframed. "Edition 5/20 This piece is ...

Barbie is Pop Art doing what it does with a toy that already is an icon. Febo splits the doll down the middle in two pinks, parks silver glitter cat-eyes on the face, and lets the ha...

Kim Fonder INIZIO AVORIO II Mixed media on handmade paper, pigment, mica, on burlap over panel 24.00 X 24.00 in $800.00 Kim Fonder loves texture and touch. Her paintings and furnitu...

Robert Motherwell (American, 1915-1991), "At the Edge", Etching and Aquatint on Auvergne a la Main Richard de Bas Handmade Paper, 1984, signed in pencil and numbered edition "30/34" ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Studio 54 - Cherry Blossom sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC146 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Georges Saillant (20th century) Portrait of a Woman on Couch, 1968. Oil on sized textured paper applied to masonite panel, 24 x 36 inches. Framed measurement: 34 x 46 inches. Sig...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Complete title: La Transformación del Deseo - Quiero Estar Dentro de Alegría (The Transformation of Desire - I want to be Inside of Happiness) Mari Ito was born in Tokyo, Japan in ...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm. About the artist: Ruth Thomas RCA is a contemporary printmaker b...

"Double Reflection" by Joan Giordano Mixed media, photo lithograph on yupo paper Award-winning artist Joan Giordano has created a new series of unique, mixed media works on paper...

Tohoyara Chikanobu "Women in a Garden" Woodcut print on Paper Tryptich totalling 13 x 29" Framed size 20 x 35" The triptych of woodcut prints features a classic scene of a garden in...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

An original early 18th-century English country-house engraving by Johannes Kip (Dutch, c. 1653–1721), combining architectural precision with a wonderfully decorative bird’s-eye view ...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

Mezzotint on cream laid paper with an indiscernible alpha numeric watermark, 8 1/4 x 10 1/2 inches (210 x 267 mm), the full sheet. In very good condition with minor uniform age tone ...

Paesaggio di Gamogna, 2024 Ink on Toned Paper, 4.5 x 3.75 inches With a gentle pastoral view, “Paesaggio di Gamogna,” is a simple, heartfelt pen-and-ink rendering by Justas Varpuca...

The Silent Bastion by Jing Zhiyong, 2026. A signed and numbered limited-edition giclée print from an edition of 100, printed on Hahnemühle FineArt Bamboo Paper, 270 gsm. Sold out upo...

Full title: Awakening of Motivation and Energy. The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japa...

Full title: "Awakening to Routine" The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese style. ...

Patty deGrandpre’s “I Can’t See Much from Here” is a 14.5 x 11 inch unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking techniques an...

Ink on handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Space secti...

Louise Nevelson (1899-1988) is one of the most revered and unique artists of the 20th century. There has been a tremendous renewal of interest and appreciation for Nevelson’s work...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

Artist: Robert Motherwell Title: Redness of Red (B. 377) Year: 1985 Medium: Lithograph and screenprint in colors with collage on handmade paper Edition: 100; signed and numbered in p...

K. Laxma Goud - Untitled Mixed Media on Rice Paper 9 x 6 inches, 2021 (Framed & Door Delivered) This vibrant mixed-media work on rice paper by K. Laxma Goud is a powerful celebratio...

Alexander Calder Le Bateau Lavoir, 1969 Signed in pencil and numbered, published by Maeght, Paris, the full sheet Lithograph in colors on wove paper 55.2 x 75.2cm 21 3/4 × 29 5/8 inc...

Mezzotint on cream laid paper with multiple watermarks including the Strasbourg Lily (left sheet quadrant), 10 5/8 x 11 1/4 inches (270 x 286 mm), the full sheet. Trimmed at the plat...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed, dated and titled in brown ink in the lower ...

Artist: Mark Kostabi (1960) Title: Pose Year: 1997 Medium: Mixed media on hand made paper Size: 34.25 x 23.75 inches (87.00 x 60.33 cm) Condition: Well preserved, consistent with age...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Salvador Dali (Spanish, 1904-1989), "Le Chateau de Gala" [Gala's Castle], Drypoint Etching with Pochoir coloring on Japan paper, 1974, from After 50 Years of Surrealism, published At...

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

Includes a Certificate of Authenticity

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

Paris: Delâtre, 1844. Etching on Chine-collé mounted to white wove paper, 4 1/2 x 3 3/4 inches (109 x 95 mm); sheet 11 1/4 x 9 1/8 inches (286 x 232 mm), full margins. With a French...

Details: Title: Colorful Coral Branches Medium: Gouache Crayon and Acrylic Paint on Watercolor Paper Size: Size: 40x28 Inches (100x70cm) Year: 2026 * Certificate of Authenticity pro...

Mezzotint on cream wove paper, 13 7/8 x 10 inches (353 x 254 mm); sheet 14 1/2 x 10 1/4 inches (368 x 261 mm), narrow margins. In good condition with some minor uniform toning and ag...