Art by Medium: Handmade Paper

Each a watercolor with graphite on watercolor paper adhered to a single sketchbook page, sheet measures 10 1/4 x 14 3/8 inches (261 x 365 mm). The top painting is initialed and dated...

In this artwork, I've used oil on paper to blend the essence of realism with strokes of impressionism, crafting a vibrant scene that breathes life into an architectural ensemble. Eve...

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

Paris: Cadart & Luce, 1869. Etching with drypoint and engraving on Guillaume Fort paper with the "G F" watermark; 6 1/4 x 9 1/2 inches (158 x 242 mm); 12 x 16 1/4 inches (305 x 419 ...

Gazette des Beaux-Arts, 1866 Etching on Chine collé with engraving mounted to cream laid paper with an uknown, partial watermark bearing the letters "ST," 5 3/4 x 9 3/8 inches (147 x...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

"Pictures Of Noh" - 1922 Original Japanese Woodblock Print Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869-1927...

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Details: + Title: Parting of the Sky + Year: 2026 + Medium: Cyanotype on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100cm ( 28x40 in.), a...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Mt. Fuji warmly illuminated by the morning sky. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (...

Henri Cassiers Antwerp 1858 – 1944 Ixelles Belgian Painter 'Canal View in Katwijk' Signature: signed lower right 'HCassiers' Medium: oil on canvas Dimensions: image size 24 x 23 cm...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the a...

"**Paper Landscape**" is a unique artwork created by Marilina Marchica, combining collage and painting on canvas. The piece measures 100x120 cm with a 3.5 cm edge. This non-reproduci...

An image of Jerusalem from the first comprehensive collection of documentary images of the Holy Land. London: Cassell, Petter & Galpin, circa 1850. Lithograph with hand coloring an...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

In Poppies and Wildflower, Romina Milano presents a vibrant diptych where expressive florals evoke the intimacy of springtime. Blooming poppies and delicate wildflowers rise in rhyth...

“Gray and Black Ribbon” is a contemporary geometric painting by Ryan Rivadeneyra that channels the graphic clarity of color field abstraction with a bold, design-driven edge. A conti...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

A lovely and curious composition, circa 1780. Ink and wash on tissue thin Japon paper, adhered to period cream laid paper, 5 1/4 x 3 3/8 inches (132 x 84 mm), the full sheet. With ...

A quintessential example of the Picturesque tradition, popular among both professional artists and "gentleman sketchers" of the Georgian and Victorian eras. c1840. Ink and wash on w...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers entering the coastal town of Oiso on a rainy evening, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. Two sets of travelers arrive in the town of Oiso on a bleak, rainy day. The subtitle of the print is "Tora’s Rain," named after the lover of one of the Soga brothers in the Soga Monogatari, an epic tale of revenge set in the twelfth-century. In the story, the Soga brothers commit a massacre to avenge their father’s murder, and are in turn put to death by the shogun. Tora weeps after learning of her lover's fate and her tears cause a torrential downpour over the town...

An exquisite work of geometric abstraction by this celebrated artist Winston Roeth Untitled, ca. 1996 Pastel on handmade paper Hand signed on the front Frame included: Floated and fr...

Each a watercolor and graphite on watercolor paper, each adhered to a sketchbook page matrix, sheet measures 14 1/4 x 10 1/4 inches (362 x 260 mm). The top painting is initialed in p...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Imagiri Beach and Promontory near Maisaka, circa 1850. Signed in Kanji center left, "Hiroshige Ga" for Uta...

c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered ...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...

Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Black And White Minimal Painting is an original artwork realized by TUSET in 2019. The work is unframed but has a rigid support on the back. The title of this works is "From the A...

A late-Boroque study of relief-style carvings adorned with scrolling acanthus leaves, mythical figures, and floral swags. Graphite on cream laid paper, 6 x 4 1/2 inches (154 x 115 m...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Lot of 2 original works by TUSET (A Coruña, 1997) made with ink and seawater on paper. The works can be framed on request or sent to you in a protected envelope for you to place, onc...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

A superb impression from the artist's own collection. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper, 10 3/4 x 9 7/8 inches (272 x 252 mm); sheet 18 1/8 x 14 ...

c1780. Red crayon on cream laid Japon paper, 6 3/4 x 3 7/8 inches (171 x 97 mm), the full sheet. In very good condition with some light scattered surface soiling, unobtrusive and con...

Hiroshi Yoshida (Japanese, 1876-1950) signed: Hiroshi Yoshida, in pencil, lower, right " Temple in the Wood "(titled, lower, left) signed with the jizuri seal, (self-printed), upp...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 1 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

PaperLandscape mixed media, oil paint and collage on canvas original artwork Original Created:2019 Subjects:Landscape Materials: Canvas Styles: #Abstract #AbstractExpressionism #...

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...

Acrylic on marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a p...

Amate Bark Painting - Harvest Dance with Giant Rabbits In this scene, people are carrying baskets to the village, through dense foliage. There are...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Rosanna Gaddoni Stillness 50 x 41 cm ( framed in wood frame with museum glass) Measurement with included frame: 57 x 65 cm Italian artist Rosanna Gadd...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Walasse Ting 1929-2010 Chinese-American Beauties with Flowers Signed with artist's seal (lower right) Watercolor on rice paper Exceptionally bold and dynamic, Beauties with Flowe...

Passé Blanc, 2002 Artwork is titled in Pencil Betye Saar Serigraph (Hand Printed Silkscreen) on rice paper 51" × 27" P.P. (Printer's Proof), believed to be the only Printer's Proof E...

A Grand Tour study of a decorative object at the Louvre. English School, early 20th century Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very goo...

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure Sur Rouge (Figure on Red)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983 Medium: Origina...

circa 1840. Watercolor and pencil on wove paper, 4 1/4 x 6 7/8 inches (109 x 175 mm), the full sheet. In good condition with moderate attenuation and some toning, especially around t...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Blood...

Details: Title: Birds of Paradise Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 cm) Year...

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

Patti Warashina Walking the Dog Original 3 Color Lithograph with chine collé on Rives BFK, White & Mulberry Year: 2017 Edition: 9 of 14 Paper Size: 23.5 × 22.25 inches (59.69 × ...

This handmade monotype cyanotype presents a serene composition of layered blue forms that evoke distant mountain ridges dissolving into atmosphere. Built through subtle tonal transit...

A fine work with masterful detail by an exceptional artist whose name is lost to history. European School, 17th century Ink and wash in black, sepia and grayish brown ink with white...