Handmade Paper Drawings and Watercolor Paintings

Each a watercolor and graphite on watercolor paper, each adhered to a sketchbook page matrix, sheet measures 14 1/4 x 10 1/4 inches (362 x 260 mm). The top painting is initialed in p...

Watercolor and graphite on watercolor paper adhered along the left sheet edge to a sketchbook page, 11 1/4 x 9 1/8 inches (285 x 232 mm), the full sheet. Titled and dated in pencil i...

Watercolor with graphite on watercolor paper adhered to a sketchbook page, 9 x 12 inches (228 x 305 mm), the full sheet. In very good condition with minor toning and a few scattered ...

Watercolor with graphite on watercolor paper, 4 1/2 x 6 1/2 inches (115 x 165 mm), the full sheet. Initialed, dated and titled in pencil in the lower right recto. In very good condit...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, 5 5/8 x 7 7/8 inches (143 x 200 mm), the full sheet. In very good condition with minor toning. Ellen Brooke...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed and dated in pencil in the lower left recto,...

Each a watercolor with pencil on watercolor paper adhered to a single sketchbook page, sheet measures 10 1/4 x 14 3/8 inches (261 x 365 mm). The top painting is titled and dated in p...

Watercolor with graphite on watercolor paper 4 3/4 x 10 5/8 inches (120 x 270 mm), the full sheet. Initialed and dated in pencil in the lower right recto. In very good condition with...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 14 3/8 x 10 1/4 inches (365 x 261 mm). Titled and dated in pencil in the lower right recto an...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Initialed and dated in pencil in the lower right recto...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

Gheyn II, Jacques (Jacob) de (after Karel van Mander) c1590. Engraving on cream laid paper, 5 7/8 x 4 1/4 inches (150 x 108 mm), the full sheet. Narrow margins. In good condition wi...

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Watercolor with graphite on watercolor paper adhered to a sketchbook page, 5 x 9 inches (127 x 228 mm), the full sheet. Initialed, dated and titled in pencil in the lower right recto...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

Each a watercolor with graphite on watercolor paper adhered to a single sketchbook page, sheet measures 10 1/4 x 14 3/8 inches (261 x 365 mm). The top painting is initialed and dated...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

Amate Bark Painting - Harvest Dance with Giant Rabbits In this scene, people are carrying baskets to the village, through dense foliage. There are...

Historic, institutional quality unique Rauschenberg signed work on paper, with storied provenance: a real gem: Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collec...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom left. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Watercolor and graphite on watercolor paper adhered to a sketchbook page, sheet measures 10 1/4 x 14 1/4 inches (260 x 362 mm). Titled and dated in pencil on the sheet below the pain...

A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pe...

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

Details: Title: Coral Bodies Medium: Gouache Crayon and Acrylic Paint on Watercolor Paper Size: Size: 40x28 Inches (100x70cm) Year: 2026 * Certificate of Authenticity provided. * Fr...

Each a watercolor with graphite on watercolor paper adhered to a single sketchbook page, sheet measures 10 1/4 x 14 3/8 inches (261 x 365 mm). The top painting is initialed and dated...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly. These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space. Details: + Title: Desert Palm Trio + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the a...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 1 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

A lovely and curious composition, circa 1780. Ink and wash on tissue thin Japon paper, adhered to period cream laid paper, 5 1/4 x 3 3/8 inches (132 x 84 mm), the full sheet. With ...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

circa 1840. Watercolor and pencil on wove paper, 4 1/4 x 6 7/8 inches (109 x 175 mm), the full sheet. In good condition with moderate attenuation and some toning, especially around t...

This is an exclusive handprinted limited edition cyanotype. This beautiful diptych is titled "Low Tide in Northern Waters", and depicts abstract flowing ocean ripples at low tide. ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Mary Frank Untitled 3-D Cast Paper Collage, 1985 3D Cast Paper with Deckled Edges Hand signed, numbered 78/85 and dated by the artist on lower left front 21 3/4 × 28 1/2 × 1 3/4 inch...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Walasse Ting 1929-2010 Chinese-American Beauties with Flowers Signed with artist's seal (lower right) Watercolor on rice paper Exceptionally bold and dynamic, Beauties with Flowe...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

A luminous landscape of the Roman ruins at Timgad, with the Aurès mountains aglow in the background. Watercolor on artist board, 9 7/8 x 7 inches (252 x 178 mm), the full sheet. Tit...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...

A quintessential example of the Picturesque tradition, popular among both professional artists and "gentleman sketchers" of the Georgian and Victorian eras. c1840. Ink and wash on w...

John Giorno LET IT COME LET IT GO, 2017 Watercolor on handmade paper Hand signed and dated by the artist on the back of the artwork. The frame features a die-cut window on the back t...

A late-Boroque study of relief-style carvings adorned with scrolling acanthus leaves, mythical figures, and floral swags. Graphite on cream laid paper, 6 x 4 1/2 inches (154 x 115 m...

James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

A 19th century study of a mounted Life Guard; a member of the military unit charged with protecting high-ranking individuals, such as a monarch. c1890. Black crayon with white heigh...

circa 1650 Ink and wash on laid paper, 3 3/8 x 2 1/4 inches (87 x 58 mm), the full sheet. In very good condition, adhered to a slip of archival paper at the top and bottom sheet edge...

Watercolor with graphite on watercolor paper adhered to a sketchbook page, 7 x 5 inches (178 x 127 mm), the full sheet. Initialed and dated in pencil in the lower left recto, titled ...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...

A fine work with masterful detail by an exceptional artist whose name is lost to history. European School, 17th century Ink and wash in black, sepia and grayish brown ink with white...

A lovely, well-inked impression true to the "Little Master" style. Copper engraving on cream laid paper, 2 1/2 x 1 3/4 inches (64 x 45 mm), the full sheet. Thread margins. In very g...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (doe...

Black And White Minimal Painting is an original artwork realized by TUSET in 2019. The work is unframed but has a rigid support on the back. The title of this works is "From the A...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Goldilocks - Green Goblin...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...