Art by Medium: Handmade Paper

A lovely, well-inked impression true to the "Little Master" style. Copper engraving on cream laid paper, 2 1/2 x 1 3/4 inches (64 x 45 mm), the full sheet. Thread margins. In very g...

Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...

Full title: Wakening of Love and Comfort. The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese s...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Pale Blue Dots...

Artist: Heiner Meyer Title: Coca-Cola Portfolio: Soda Pop Medium: Screenprint on handmade paper Year: 2022 Edition: 48/50 Frame Size: 24 7/8" x 24 7/8" Sheet Size: 19 3/4" x 19 3/4" ...

"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100 Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez. Signed "Carol Summers" in the lower right corner. Numbered and titled "93/100 Casa Marquez" in the upper right corner. Presented in a silver colored aluminum frame. Frame size: 19.25"H x 23.25"W Paper size: 16"H x 20"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two figures fighting wind gusts along the Mei River. Signed in Kanji upper right, "Hiroshige Ga" for Utaga...

Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFROMATION: Drypoint print, ...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Blood...

Taro Yamamoto Untitled Abstract Expressionist watercolor, ca. 1957 Watercolor wash, drips & splatter on rice paper Pencil signed on the front 12 × 16 inches Unframed Mid century mod...

Over 150 year old map of early United States of America with Western Districts from 1844. Original hand color. Districts shown include Hurons, Sioux, Mandans, Osages, and Ozark. Note independent Republic of Texas...

Pejac, So Far, So Close, 2022 So Far, So Close, 2022, by acclaimed urban-contemporary artist Pejac is a limited-edition fine art print (edition of 60) that masterfully blends techni...

Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFROMATION: Drypoint print, ...

Hiroshi Yoshida (Japanese, 1876-1950) Signed: Hiroshi Yoshida, (in pencil, lower, right) " Himeji Castle - Morning ", 1926 (titled, lower, left) Color woodblock print 14 9/16" x...

4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...

"Internal Release" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scal...

Acrylic on marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a p...

Full title: "Origin of Desire: The Unfolding of Little Joys " The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed by h...

Born in 1934 in the city of Tlaxcala. He began his artistic training at the National School of Plastic Arts in 1966, remaining there until 1970. He continued his studies at the Colle...

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge, "1/5 Stage 1 Kimono 3 Patricia A Pearce" (images altered for better viewing). Presented in a new off-white mat with foam core backing. Mat size: 30"H x 25"W Paper size: 27"H x 22"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and was the Adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...

Fine quality three character mid 19th century (circa 1850) watercolor on pith paper; a Chinese painting; depicting an Emperor with. perhaps, a concubine by his side and a page or eun...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

Playful pop art style depiction of the Chrysler Building Tower in New York on a yellow/metallic gold leopard print background by Marc Foster Grant (America...

Friedel Dzubas Untitled, 1981 Hand-painted monotype on pulp paper 30 1/4 x 24 3/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field p...

Blue Floating Mobile IV is a unique handmade cyanotype on watercolor paper, presented as a striking abstract triptych. The artist layers fluid, organic shapes in luminous shades of b...

Title: Landscape Brown Artist: Marilina Marchica (b. 1984, Italy) Year: 2023 Medium: Pure pigment on paper Size: 50 × 70 cm Framing: Unframed; optional wooden frame available (ready ...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: V from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Si...

"PaperLandscape" by Marilina Marchica – Original Collage on Papyrus and Antique Wallpaper, One-of-a-Kind with Custom Handmade Frame – 60x50 cm, 2025 Description: PaperLandscape i...

This unique group brings together two successive etching states from 1973 and a closely related oil painting from 1974, offering a rare insight into David Hockney’s early exploration...

Abstract Expressionist Composition with Stairs in Gouache and Ink on Paper Bold abstract composition by Pacific Northwest artist Karen Guzak (American, b. 1939). A large, dark blue ...

PaperLandscape mixed media, oil paint and collage on canvas original artwork Original Created:2019 Subjects:Landscape Materials: Canvas Styles: #Abstract #AbstractExpressionism #...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...

In creating this artwork, I explored the juxtaposition of the vintage and modern, the real and the imagined. Using collage materials juxtaposed with delicate pencil and bold ink, I s...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

Vibrant Post War Bay Area Landscape - Original Watercolor Painting Lively landscape of hills with trees and houses by Turkish-American artist Ömer Şahingil (Turkish/American, 1915-1...

"Verbindunden-Verletzungen" ("Injuries-Connections") is an original screen print on hand-made Japanese paper from 1998 by internationally acclaimed German ZERO group artist Günther U...

Gabrielle Benot (Latvian, born 1978) "Breaking Barriers" 2024 Acrylic paint, Rice Paper, Resin, Mixed Media, Canvas, Stretcher bars The artist signed the bottom right of the painting...

Signed lower right "Muriel Backman" for Muriel Durgin Backman (American, 1902-1996) and titled verso "The Cool Gray City". An elegant mid-century view of the San Francisco skyline a...

PaperLandscape mixed media and collage on Canvas 2019 Original Artwork Ready to Hang Original Created:2019 Subjects: #Landscape Materials:Canvas Styles:#Abstract #Minimalism #Moder...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Peter Schmidt Title: Flowing in the Right Direction Year: 1970 Medium: Lithograph on Japanese paper Edition: XXXV/XXXV Signed in Pencil Size: 26 x 20 inc...

Nancy Charak Title: Geologies Series 9050 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 30"x22" Nancy Charak makes paintings and drawings in her studio in Tuc...

Mid Century Abstract Expressionist Painting of Yosemite's Half Dome 1950's abstract expressionist painting of Yosemite's iconic Half Dome by San...

Artist: Lowell Nesbitt (1933–1993) Title: Stargazer Lily '86 Year: 1986 Medium: Pastel on handmade paper Size: 24 x 23 inches Condition: Excellent Inscription: Signed, dated by the a...

Volkmar Schulz-Rumpold Title: Pumpkinhead Medium: Original Pigment Print, on handmade cotton paper Year: 2017 Signed by hand Size: 19.5 × 16.0 on 23.8 × 19.5 inches COA provided Vol...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...