Art by Medium: Illustration Board

Foggy Coastal Seascape in Oil on Illustration Board Dramatic seascape with coastal cliffs by unknown artist "Kelly" (20th Century). The viewer stands at the edge of the ocean, atop ...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Anita Johnson Untitled (Monochrome Construct), c. 1960s Oil on illustration board Framed dimensions: 21 in. H × 16 in. W Presented in a contemporary black frame In this striking bla...

Original watercolor of a waterfall with birch trees on illustration board by the well known American artist, William Paskell. Signed lower left. Condi...

Very interesting illustration painting of People's Photo Service Store, location unknown, Gouache on illustration board, measuring 9 x 12.5 inches, 12 x 16 inches in original mattin...

Hudson River School Style - The Homestead and Grist Mill 1942 In the Hudson River School style by A (K) Mathieu (American, 19th-20th C). Harvest time at the Homestead with a hay wago...

Lou (Louis) Sackman (American, 1911-2000) Signed: Lou Sackman 7-78 (Lower, Left) " Friday Market, Ocotlan ", 1978 (Mexico) Acrylic on Board 19 1/4" x 32" Housed in its original ...

Landscape with Ducks and Water - Early 20th Century Original California Painting Expressive landscape showing a marshy environment with ducks flying through it by Californian painte...

Expressionistic Portrait of a Man in Red - Original Oil Painting Airy 1970s close up portrait of a man (Art Danner) by listed artist Jon Blanchette (American, 1908-1987). The image ...

A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand. Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920". Unframed. Measures 10.25"H x 14.25"W. Right corner has a crease from being bent. Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin. In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910). In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor. In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland. His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Titled, verso, 'Childhood', signed with artist's Paris address and dated 1926. This early twentieth-century...

Ferd Sondern (b.1923) Christmas Toys, 1978. Ink and watercolor on illustration board. Complete panel measures 10 x 18 inches. Signed lower left. Credited on verso. Printer nota...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, si...

Portrait of a Woman in the Style of Modigliani in Acrylic (Red Background) Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The woman has d...

Mid Century Figurative Landscape -- Aptos Village Apple Shed and Market Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist ...

This lithograph by Robert Naly is from my private collection. It is a limited edition 192/200, artist signed in the lower left corner. Guilde de la Gravure Robert Naly was a Swiss a...

Oil paint on heavy illustration board by the Spanish artist, Cecilio Pla. Signed lower right. Titled and signed verso. “Tipos” means types; different type...

Douglas Safranek's Hovering captures the tension of liminal space. Bees and dragonflies appear pinned, and specimen-like, yet achieve loftiness with their wings. Their hyperbolized d...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

"Maria" Portrait of a Girl New Hope Pennsylvania Artist Edna Gass "Enfant" portrait of a child by New Hope Artist Edna Gass (American, 1904–1993). This portrait is one of rare Monoty...

Late 19th Century Original English Landscape of a Cottage in Cambria Wonderful original antique painting of a thatched cottage in Cambria by...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Trees in Bloom Along the River Landscape in Oil on Heavy Cardstock Bold oil landscape by Honora Berg (American, 1897-1985). Trees with pink and white blooms line the bank of a river. The river is shown in streaks of pink, green, and yellow, reflecting the surrounding landscape. At the far edge of the river, bright green mountains sharply rise from the bank. Acquired with a collection of the artist's work. Stamp from the Larry Miller Fine Art on verso. Unframed. Board size: 14.75"H x 22"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

Vibrant painting of the Utah desert range by an unknown artist. Unsigned. Presented in a painted wood frame with linen fillet. Image size, 24"H x 30"L.

Painted by Nura Woodson Ulreich (American, 1899-1950) as a full-page illustration for the book 'The Buttermilk Tree', unsigned and dated circa 1935. A rare example of a fully-develop...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

"Santa Catalina Island Harbor" Seascape at Sunset in Oil on Board Vibrant harbor seascape by Gary J. Schildt (American, 1938-2021). Several boats are anchored in the harbor, with the shore stretching out into the distance along the right side of the composition. The water reflects the yellow and orange sky, creating a shimmering effect. Signed "G Schildt" in the lower left corner. Titled and signed on verso "Santa Catalina Island Harbor by Gary Schildt...

Post War impasto painting of high desert of Southern California, looking toward the San Gabriel Mountain Range . California landscape depicting rugged, sunlit foothills beneath the ...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lenn...

1996: Gianluca Peruzzi - Juventus Goalkeeper, Champion of the UEFA Champions League Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1936 - Albiss...

An interesting, American School Mid-century tempera painting showing a view of a seated clown rehearsing his dogs for a dance routine while a bareback rider in costume observes in th...

Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

Signed lower right, 'Marie Pascal' (French-American, 20th century) and painted circa 1990. Exhibited: Gallery Concord, December 1991. Marie Pascal studied at the École Nationale Sup...

Early 20th century Italian figurative landscape of a traditional wheat field harvest scene, by S. Frosini (Italian, 20th Century). This figurative landscape in gouache depicts in gre...

Robert Azensky is pleased to offer a signed vintage original oil portrait of a woman "I see you" Compelling mid century modern portrait of a woman with expression that gets a wide v...

Artist: Mohammad Reza Sharify (alt. Sharifi) (Iranian 1970-) Title: Untitled Year: 1997 Medium: watercolor and gouache on artist’s board Size: 19 x 25 inches. Framed size: 30.25 x 36.25 inches Signature: Signed, dated lower right “M R Sharify 1997” by the artist. Artist’s stamp on reverse Condition: Very good Frame: Framed in original frame This painting is by the Iranian artist Mohammad Reza Sharify (1970-). The painting depicts a fanciful, fantastic horse. Sharify has studied with a number of noted Iranian masters including Mahmoud Farshchian...

Monterey Customs House and Sailboats on the Bay by unknown California artist (American, 1930+-) Some age wear to paint. frame is contemporary with slight wear and included at no cost...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...

Basket Weaver with his Baskets for the Market 1950s Figurative in Oil on Board Expressive and detail portrait of a weaver and his baskets, heading to market by California impression...

Signed lower right, "Keith Halonen" (American, b. 1946), dated 1969, and titled lower left, "Life Among the Clouds". Richly patterned, ink figurative showing a man lounging on the f...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

Acrylic painting of white, red, and pink "Swingtime" varietal of fuchsia flowers, hanging from a vine on grey art board by Barbara Gibson (20th Century). Signed by the artist in the ...

Benz Automobile Advertising is an original illustration realized at the beginning of the XX century. Good condition- Glued on black cardboard (21 x 29.5cm). This vintage illustration is advertising from a newspaper printed at the beginning of the XX century. It advertises Benz automobile and airplane...

Mid Century Fields of Wheat Landscape - Oil on Canvas-Wrapped Illustration Board Idyllic landscape of a path winding through a field of wheat, punctua...

Little Benny-like character, Brave Cowboy Bill, is shown in profile as he triumphantly ropes, rounds up, and gets the guns of three nasty bandit bank robbers. He delivers them to the...

Still Life with Cantaloupe and Chianti Bottle in Oil on Canvas Classically styled still life by Ben Dominguez (American, 20th Century). Several pieces of fruit sit on a table, surrounding a bottle of Chianti wine...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer. Signed and dated "Art Pastusak 18" in the lower left corner. Titled "Solitude" on verso. No frame. Board size: 11"H x 14"W Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...

Small, serene winter landscape by L. Treurniet (French, 20th Century). The viewer is positioned in the middle of the road, looking past an old gate into the ...

Colorful landscape by American artist Walter F. MacGregor (American, 1890-1979). Dated and signed "1969 Walter F. MacGregor" in the lower right corner. Presented in a dark wood frame...

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower left "Sackas" On verso: "Rota Farm Hovel (Cadiz) By John Sackas" Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

Simon’s automotive illustrations have been featured in Road & Track, Sports Car International, Automobile, Thoroughbred and Classic Cars, Classic and Sportscar, and Vintage Motorsport magazines. Favorite projects document automotive racing history, and he has designed over 60 original automotive racing posters for such clients as UNOCAL, Michelin, BF Goodrich, SVRA’s Bahama Vintage Grand Prix, and a series of Monterey Auction posters. Simon designed and illustrated the cover of the Indianapolis 500...

For those over 60, it's likely that Alice and Martin Provensen influenced your childhood. We all read the classic Golden Books with Fuzzy Ki...

Trees at the Top of the Coastal Bluffs - California Coastal Landscape in Oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" #65, 7/94 on verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner (some age spots to the linen.) Frame size, 29.5"H x 35.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel...

An unsigned mid century modern American abstract painting

Artist: Ian Hornak (1944-2002) Title: (Hudson River Landscape) Untitled Year: 1985 Medium: Acrylic on illustration board Size: 12.5 x 10 inches Condition: Good Provenance: Estate of ...

Nude study by Honora Berg (American, 1897-1985). Image, 26"H x 20"W on artsits cardboard. Signed/stamped "Estate of Honora Berg" on verso, from a collection of her works. Berg studi...