Art by Medium: Illustration Board

This Mid-Century illustration/painting is rendered in a Neo-Classical style and showcases young lovers in a morning embrace. The man is holding a small bouquet as the woman leans int...

A high-impact graphic of a whimsical Lion sporting a bowler hat is depicted for a cover for Holiday Magazine, April 1958. The issue was about England, and the editors finally ran a ...

Medium: Oil on Illustration Board Signature: Signed Lower Left

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

"Techniques of Meditation" is an original oil pastel drawing on illustration board by Reginald K. Gee. It depicts a variety of abstracted figures in brightly-colored landscapes. The ...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

This Harry Beckhoff illustration is masterfully rendered and intricately designed in line and wash. It's as abstract as it's representational with its graphic style, clean lines, and flat patterning. Every element in the composition works in harmony without a line out of place. The flat and abstract nature of the work rivals that of the great modernist painters of the 1930s. Perhaps this was done for a major newsstand magazine like Collier's. Although he studied with Dean Cornwell and Harvey Dunn, he didn't pursue the style of painterly brushstrokes and impastos. Instead, he defined his forms with flat shapes, whose internal forms are defined by thin lines. The emphasis is more on silhouette and line than it is on texture and lighting. Beckhoff also described his work as having been influenced by illustrators like Pierre Brissaud...

Trailblazing Gay Female illustrator of the Golden Age Ida Waugh paints and powerful narrative of a woman cowering in a tree while a hungry pack of wolves wait beneath her for dinner feast. Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries Work is round but is shown in a square frame and some of the artworks edge is exposed Description: ...

This highly innovated Bob Peak Race Track painting is a perfect synthesis of art and commerce. Designed with a radical composition where two-thirds of the picture plane is an alm...

Enter the whimsical world of famed children's book illustrators husband and wife team Alice and Martin Provensen. On top of a heavy tree trunk sits a...

Italian Illustrator Gianni Benvenuti depicts a sword battle in a post-cubist/expressionist style. Without regard for proper perspective, the picture is as representative as it is abs...

Oil and Acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creatin...

Chalk pastel and acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways o...

"The Mood" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. This piece features a double portrait--one man in vibr...

"Coaster Condo" is an original oil pastel drawing on ragboard by Reginald K. Gee. The artist signed the piece lower left. This artwork depicts two people outside of a condo building ...

Signed lower left. Alice Rose Provensen and Martin Provensen were an American couple who illustrated more than 40 children's books together, 19 of which they also wrote and edited. According to Alice, "we were a true collaboration. Martin and I really were one artist. The Provensens were a runner-up for the 1982 Caldecott Medal as illustrators of A Visit to William Blake's Inn by Nancy Willard (who won the companion Newbery Medal). Two years later they won the Caldecott for The Glorious Flight, the story of aviator Louis...

"Please Don't Offer Me Billions or Rivers, Rifles, Roigs, & Rogues or... But They Still Think Fear Is Good" is an original oil pastel drawing on illustration board by Reginald K. Gee...

This work is remarkable for its intense dramatic lighting effects and wide-angle composition. Very few artists conceived and executed with acutely dramatic light in the arc of art hi...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left This piece is on illustration board, matted, 22.00" x 17.00" with a 14.00" x 12.00" image. Caricature by George Wachsteter (1911-2004) of `Wagon Train...

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Drawing by George Wachsteter (1911-2004) for the 1962 release of the book `Fail-Safe`, depicting the Strateg...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Cover of The Saturday Evening Post, June 19, 1954

Beautiful Godzilla-like monster illustration from 1961. Wenzel was a prolific Disney Artist for decades. The work is beautifully matted and framed and looks better in person. Sign...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1947 Broadway drama, `The Whole World Over`, starring Uta Hag...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 15.00" x 20.00" illustration board, the image measures to 13.00" x 15.00." Caricature by George Wachsteter (1911-2004) for 1958 Broadway comedy `Two Gentlemen...

Stunning portrait with a killer smile by Golden Age of Illustration female Illustrator Zoë Mozert. Signed lower right. Framed under glass, silk matted and i...

Signature: light pencil signature lower left in the artwork Front Cover Art Judge Magazine December 1933 In a departure from their typical flapper cov...

Trailblazing Gay Female illustrator of the Golden Age, Ida Waugh, paints a powerful narrative of a young woman coming to the aid of another who, due to an accident, is lying prostrate in an unpaved road. The reason why the work is in black and white is because this was assignment art for a book or magazine and color printing was not yet available for mass publications Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Sight Size 22.00" x 30.00" Framed 33" x 41 1/2" Excellent condition Original use: Bookplate for Tennyson's A Dream of Fair Women A macabre and dark highly inventive large format gouache illustration painting by Harrison Fisher used as a full color book plate in the 1907 edition of "A Dream of Fair Women" by Lord Alfred Tennyson...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left This piece is on 20.00" x 15.00" illlustration board with an image that measures to 15.00" x 11.00." Caricature by George Wachsteter (1911-2004) for `Father Knows Best`, the enduring and endearing CBS-TV family sitcom (1954-1960), here featuring Robert Young...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1964 French movie `Umbrellas of Cherbourg...

2 Pieces in this lot --- PEN & INK ILLUSTRATION - Caricature by George Wachsteter (1911-2004) for NBC-TV's color spectacular 'Arthur Freed's Hollywood Melody' with Shirley Jones, Donald O'Connor & Nanette Fabray, 14" x 9 1/2" image. Caricature by George Wachsteter (1911-2004) for NBC-TV`s color spectacular `Arthur Freed`s Hollywood Melody` with Shirley Jones, Donald O`Connor & Nanette Fabray, in a salute to the veteran producer of MGM`s greatest musicals. The splashy, show stopping special aired on Monday, March 19, 1962. Art rendered for Sunday March 18, 1962 cover of The New York Journal-American TView Magazine. Other top name stars featured in the program paying homage to Freed were Howard Keel, Richard Chamberlain, Juliet Prowse, Yvette Mimieux...

Signed Lower Right Inscribed "Argoflex" on the reverse. The Argus Argoflex was a camera made betwenn 1940 and 1948.

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) of Broadway show `The Assassin with Frank Sundstrom and Lesley Woods, at the National Theatre. Written by Irwin Shaw, directed by Martin Gabel, directed by Boris Aronson...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for Broadway Comedy, `Uncle Willie` with Menasha Skulnik, Edith F...

Date: 1996 Medium: Mixed Media on Illustration Board Dimensions: 28.50" x 18.75" Signature: Signed and Dated Lower Right Wraparound cover for the barbarian fantasy novel Iron Dawn by Matthew Woodring Stover. Birdsong, Keith: A self-taught artist, Oklahoma native Keith Birdsong became the primary Star Trek artist for licensed products and books for over a decade. He has painted covers for Star Trek novels, the Shadowrun RPG (a cyberpunk themed role playing game), and Young Reader books for Scholastic Books and other publishers. His work has appeared in films, on collectible plates, and even U.S. postage stamps. He transformed the collectible plate industry while employed by The Hamilton Collection...

Signature: Signed Verso with His Jamaica Plain, MA Address Probably a magazine illustration. In gold stick frame, with integral grey spandrel, glazed.

Medium: Pen and Ink on Illustration Board Signature: Signed in Various Positions Dimensions: Various different sizes, contact for exact dimensions of each illustration. (17) PEN & ...

Medium: Pen & Ink, (2) Color Comps on Illustration Board Signature: Unsigned, Lower Left and Lower Right This piece is on 15.00" x 20.00" illustration board, with an image that measures to 14.00" x 9.50." Includes two different color versions in watercolor on board, preliminary sketch. Includes original copies of the magazine. (3) Versions Caricatures by George Wachsteter (1911-2004) of Shirley Booth...

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right This piece is on 15.00" x 22.00" illustration board with an image that measures to 13.00" x 16.00." Pasted on ...

Date: 1990 Medium: Mixed Media over Graphite on Illustration Board Dimensions: 10.00" x 9.50" Jack Davis (attributed) Dallas Cowboys Football Illustration Original Art (Hot Shot...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right 8.50" x 8.75" image on 14.75" x 13.25" illustration board. Ink on Illustration Board with overlaid correction...

Medium: Gouache on Illustration Board Signature: Signed Lower Right Magazine story illustration, Cosmopolitan, 1930; Exhibited: Fall 2004: Brandywine River...

Medium: Oil on Illustration Board Signature: Unsigned This piece was produced as the cover art for the box containing a die-cut color lithograph manger set...

Medium: Pen and Ink on Illustration Board and Cardstock Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for the 1945 Broadway show...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Caricature by George Wachsteter (1911-2004) of comedian-singer-banjoist Jerry Van Dyke, brother of Dick Van Dyke, a host for the 1963 new game show `Picture This`, which debuted over CBS-TV on June 25, 1963 as a Tuesday-night summer replacement for `The Jack Benny...

Medium: Pen and Ink on Illustration Board, blue indicating halftone. Signature: Signed Lower Right This piece is on 15.00" x 20.00" illustration board with an image that measures to 11.50" x 17.50." Caricature by George Wachsteter (1911-2004) for 1947 landmark Broadway Musical `Finian`s Rainbow`, starring Albert Sharpe and Ella Logan. Directed by Bretaigne Windust, choreographed by Michael Kidd, designed by Jo Mielziner...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for would-be Broadway production of Paul Osborne`s `Maiden Voyage...

Medium: Pen and Ink on Illustration Board Signature: Signed Center Right and Lower Left This piece is on 15.00" x 11.00" illustration board, each drawing measuring to 7.00" x 9.00." Includes the original invoice. Minor soiling, editors notations. Caricatures by George Wachsteter (1911-2004) of Zachary Scott...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Drawing by George Wachsteter (1911-2004) for 1948 Broadway revival of `Jerome Kern and Oscar Hammerstein II`s Show Boat`, starring Billy House as Cap`n Andy Hawks and Carol Bruce as Julie Dozier, City Center Theatre, directed by Hassard Short, produced by Richard Rodgers...

Medium: Pen and Ink on Illustration Board Signature: Signed Center Right Caricature by George Wachsteter (1911-2004), Henry Fonda as USN Lt Douglas Robert...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Ink on Illustration Board Caricature Cover Design of E.G. Marshall & Robert Reed for `The Defenders`, CBS-TV Show that ran 132 episodes from 1961-65, this cover for the Sunday, April 14, 1963 New York Journal American Pictorial Magazine & TView Section, 12" x 9 1/2" image on 22" x 14" board, good condition, edge toning. Includes copies of the original magazine cover...

Modesto Aceves Dallas, TX 25 x 21 in Technique: Mixed Media – Coffee Grind Ink on Illustration Board

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...