Art by Medium: Illustration Board

This is an original painting on canvas featuring a child's ballerina tutu in soft shades of pink, mauve and touches of green. The painting comes to life with soft, flowing brushstrok...

This is an original painting on canvas featuring a girls ballerina tutu in soft shades of green, mauve and touches of pink. The painting comes to life with soft, flowing brushstrokes...

This is an original painting on canvas featuring a child's white ballerina tutu with soft shades of mauve, pink and green in the background. The painting comes to life with soft, flo...

"Space Sense" is an original oil pastel drawing on illustration board. The artist signed the piece lower right. It features three distinct scenes--a green rainy scene with two figure...

"Dedicated to Harold Washington, Mayor of Chicago, IL, USA" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It de...

Oil on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by...

"Looks Like a Nice Getaway Spot" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features a surrealisti...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

"Not Intended For Office Viewing Series, Section F" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. This piece fe...

"Snappy Answers to Stupid Questions" is one of Al Jaffee's signature series. This work was a double-page work that appeared on pages 60 - 61 in Mad Magazine in 1968. Although this w...

Manifesto Istituto Olandese is a beautiful illustration on ivory-colored paper. Hand-signed on the center and dated 1959s. This interesting document is in good conditions.

"Catching A Fish" is an original gouache and watercolor painting on illustration board. It is signed in the lower left by the artist Tom Rost. 25" x 20 5/8" art 30 5/8" x 24 3/4" framed with museum glass Tom Rost spent most of his life in Wisconsin, graduating from the Milwaukee State Teacher's College (now the University of Wisconsin-Milwaukee). He began his artistic career as an illustrator for the Civilian Conservation Corps, the Works Progress Administration, and the Treasury Department. Later, he began illustrating for the Milwaukee Journal and then left to work in New York with the Field...

"Creatures" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It features abstracted "creatures" in bright colors. ...

Oil on illustration board

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Drawing by George Wachsteter (1911-2004), promoting `Oklahoma!` the Broadway Musical, with Harold (Howard) Keel replacing Alfred Drake in the lead role of Curley, ca 1946. He is depicted with (l to r), Bruce Hamilton as Jud Fry, Ruth Weston as Aunt Eller, Mary Hatcher...

"I Met a Virtuous Woman" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece upper left. This piece features an expansive, surreal...

"Baghdad Rain" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts some abstracted figures in a dream-like...

"Passionate People, 'They Work Like Dogs To Get It'" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece f...

"Surrealist Composition" is an original ink on fourply museum board by Marvin Hil. It depicts a man balancing on a point over a faceless man and hovering above pyramids. 15 1/4" x ...

"Nourishment, Shelter, Clothing, Art" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece features an abst...

"No More Electric Toothbrushes - Part I" is an original oil pastel drawing on illustration board by Reginald K. Gee. The Artist signed the piece on the back. This piece features abst...

"Please Don't Offer Me Billions or Rivers, Rifles, Roigs, & Rogues or... But They Still Think Fear Is Good" is an original oil pastel drawing on illustration board by Reginald K. Gee...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Drawing by George Wachsteter (1911-2004) for Bertolt Brecht`s 1947 biographical ...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Center Caricature by George Wachsteter (1911-2004) of Alan Young, circa early 1950s, possibly to promote the comedy-variety series, `The Alan Young Show` on CBS-TV (1950-53). His popularity with critics earned him various forms of praise such as `The Charlie...

Apocalypse in 1962? At the height of the Cold War, Life Magazine commissions an illustration that describes the world's end by means other than a nuclear war with Russia. Richard Erdoes brilliantly illustrates the work with his highly stylized painting technique. My favorite part of the work is on the left side showing a group of people packed together as they fall into oblivion. A clear reference would be Hieronymus Bosch's "The Last Judgment " Once Again the World Ends." Illustration published in Life Magazine, Feb. 9, 1962 Signed in lower right image. Unframed Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,[1] to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.[2] After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,[3] He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Inspired by history, the beauty of nature, and the play of light, Higgins Bond has created a distinguished career for herself as an illustrator and fine artist. After earning her BFA in Advertising Design from The Memphis College of Art, Bond began her career as an illustrator. She illustrated over 40 books for both children and adults and created three paintings for the Great Kings and Queens of Africa...

Inspired by history, the beauty of nature, and the play of light, Higgins Bond has created a distinguished career for herself as an illustrator and fine artist. After earning her BFA in Advertising Design from The Memphis College of Art, Bond began her career as an illustrator. She illustrated over 40 books for both children and adults and created three paintings for the Great Kings and Queens of Africa...

A complex story is portrayed in one picture. American Glamour Illustrator Jon Whitcomb interprets a Mid-Century Cosmopolitan story about a beautiful blond actress who, on set, appea...

Medium: Watercolor over Graphite on Illustration Board Dimensions: 13.75" x 19.75" Signature: Signed Lower Left Patrick Block "Donald Duck and the Golden Helmet...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Viktor Schreckengost paints an ocean scene and moon with precise attention. The painting is part document and part flat abstraction. The uniqueness in this work is how Schreckengos...

Medium: Pen and Ink on Illustration Board Signature: Signed Left and Right This piece is on 15.00" x 11.00" illustration board with an images that measure to 11.00" x 9.00." Caricatures by George Wachsteter (1911-2004) of the cast from the endearing CBS-TV family comedy-drama `Mama`, based on John Van Druten`s 1944 play `I Remember Mama`, derived from Kathryn Forbes` book, `Mama`s Bank Account`, which was a smash on Broadway and an equally successful 1948 film before inspiring the live TV series about the Hanson...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Left Drawing by George Wachsteter (1911-2004), of Sam Jaffe & Ruth Ford in the Broadway dr...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left This piece is on 20.00" x 15.00" illlustration board with an image that measures to 15.00" x 11.00." Caricature by George Wachsteter (1911-2004) for `Father Knows Best`, the enduring and endearing CBS-TV family sitcom (1954-1960), here featuring Robert Young...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left This illustration is on 15.00" x 20.00" illustration board with a 12.50" x 12.00" image. Fine condition, editor's notations in margins. Caricature by George Wachsteter (1911-2004) for the opening of Zero Mostel...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right This piece is on 15.00" x 22.00" illustration board with an image that measures to 13.00" x 16.00." Pasted on ...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Original illustration was done by Renna for the novel "Journey to the Center of the Earth" by Jules Verne, published in 1963. What makes this work special is how brilliantly the subj...

Date: 1996 Medium: Mixed Media on Illustration Board Dimensions: 28.50" x 18.75" Signature: Signed and Dated Lower Right Wraparound cover for the barbarian fantasy novel Iron Dawn by Matthew Woodring Stover. Birdsong, Keith: A self-taught artist, Oklahoma native Keith Birdsong became the primary Star Trek artist for licensed products and books for over a decade. He has painted covers for Star Trek novels, the Shadowrun RPG (a cyberpunk themed role playing game), and Young Reader books for Scholastic Books and other publishers. His work has appeared in films, on collectible plates, and even U.S. postage stamps. He transformed the collectible plate industry while employed by The Hamilton Collection...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Medium: Pen and Ink on Illustration Board Signature: Signed "W" Lower Left Ink on Illustration Board Portrait of Tennessee Ernie Ford, probably for the New York Journal-American, 10...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1965 Broadway musical `Half ...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Caricature by George Wachsteter (1911-2004) of Dr Albert Hibbs on NBC-TV`s Saturday morning educational progra...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Ink on Illustration Board Caricature Cover Design of E.G. Marshall & Robert Reed for `The Defenders`, CBS-TV Show that ran 132 episodes from 1961-65, this cover for the Sunday, April 14, 1963 New York Journal American Pictorial Magazine & TView Section, 12" x 9 1/2" image on 22" x 14" board, good condition, edge toning. Includes copies of the original magazine cover...

A drawing from The New Orleans Drawing Project, ten years of on-site drawing trips to post-Katrina New Orleans, by Jeffrey Marshall (b. 1969). Jef...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left On 15.00" x 20.00" illustration board with a 11.00" x 13.75" image. Mediums include blue indicating halftone. The illustration was commissioned for the New York Journal-American, clipping included. Caricature by George Wachsteter (1911-2004) for Broadway Comedy `Four Winds...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 15.00" x 20.00" illustration board, with an image that measures to 12.00" x 15.00." Caricature by George Wachsteter (1911-2004) for the 1954 Broadway Musical...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for the Oct 2, 1957 telecast of `The Barefoot Soldier` starring Sal Mineo...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right and Center Date: 1951-52 These illustrations are on 10.50" x 9.00" and 8.25" x 7 .50" sized boards. The images measure to 4.00" x 3.25" and 5.00" x 4.00." Drawings by George Wachsteter (1911-2004) of Playwright George Bernard Shaw...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imager...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for Broadway Comedy, `Uncle Willie` with Menasha Skulnik, Edith F...

Modesto Aceves Dallas, TX 25 x 21 in Technique: Mixed Media – Coffee Grind Ink on Illustration Board

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Ink on Illustration Board Caricature Portraits of Lucille Ball portraying Lucy Carmichael as an aspiring painter with Vivian Vance...

Medium: Pastel on Illustration Board Sight Size 18.50" x 23.50"; Framed 22.50" x 27.50" Signature: Signed Lower Right Shaw Barton Calendar Company

Oil and Acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creatin...