Art by Medium: Illustration Board

Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Lighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

Evelyn Harper, "Untitled: Cadillac Automobile Show" , Mixed Media on Illustration Board, 15 x 10, Mid-20th Century, 1948 Colors: Black and White A 15 x 10 Black and White Illustrat...

Artist: Dan May (American, 1955-) Title: "Portrait of a Girl" *Signed by May in collage lower left Circa: 2010 Medium: Original Acrylic Painted Collage on boar...

Margaret Michel (American, 20th Century) Signed: Michel (Lower, Right) " Ramono's Foods ", c. 1960s Gouache and Watercolor on Illustration Board 20" x 30" Housed in a 3/4" Frame...

"Greco Roman Nuko Lok - The Forefront" is an original oil pastel on illustration board by Reginald K. Gee. The artist signed the piece in the upper left. This piece depicts multiple ...

Girl with Umbrella and Baskets - Basket Seller in Old Mexico Original Oil Original oil painting depicting a small black haired woman by Pat Marker (A...

Robert Azensky is pleased to offer a signed vintage original oil portrait of a woman "I see you" Compelling mid century modern portrait of a woman with expression that gets a wide v...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

The present work, Harper's Bazaar Mid Century Fashion Illustration, was done on assignment, most likely for a major women's magazine, such as Harper's Bazaar, Vogue, or Cosmopolitan ...

Bill Shields "Micro Biomorphic Abstract Drawing " 1990's Pastel, pencil charcoal on illustration board Site measures 3"x3" silver wood frame 9.75"x10.75" Unsigned came from artist's ...

Mid Century Original Oil Impressionist Painting - The Farm House Wonderful impressionist oil painting of field of hay ready for harvest with farmhouse and barn in the background. I...

Trees by the Pond at Sunset - Landscape in Acrylic on Artist's Board Signed "Bobbi Doyle Maher" in the lower left corner. Signed on verso. No frame. Panel size: 8"H x 10"W Bobbi ...

"Catching A Fish" is an original gouache and watercolor painting on illustration board. It is signed in the lower left by the artist Tom Rost. 25" x 20 5/8" art 30 5/8" x 24 3/4" framed with museum glass Tom Rost spent most of his life in Wisconsin, graduating from the Milwaukee State Teacher's College (now the University of Wisconsin-Milwaukee). He began his artistic career as an illustrator for the Civilian Conservation Corps, the Works Progress Administration, and the Treasury Department. Later, he began illustrating for the Milwaukee Journal and then left to work in New York with the Field...

Today's newly minted fine art stars are from the mid-century surrealism school and include Gertrude Abercrombie, Remedios Varo, and Leonora Carrington, who were mostly unknown five y...

Highly detailed drawing of a windmill on a farm in Portugal by M. Mayer (20th Century). A large, rustic windmill is the central focus of the piece, towering above the nearby trees an...

"Looks Like a Nice Getaway Spot" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features a surrealisti...

Original watercolor and gouache on archival Molvin arches paper by the well known American illustrator Fred Sweney. The scene depicts Central Park in New York City in a winter landscape with figures in conversation under an illuminated lamp post. Signed lower right. Titled verso in pencil with American Scene magazine #32 and page 30...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Today's highly touted ultra-contemporary fine art market has crashed. Why? The artist's lack of talent, concepts, and basic technical skills was overrated and, in some cases, acutely...

Romance Love Triangle on Fishing Boat his artwork appeared on pages 22-23 of the December 1957 issue of Playboy Magazine, illustrating the fiction story by Budd Schulberg titled "Bar...

Abstracted fall landscape by Claire Weist (American, 1930-2014). Bare treetrunks and limbs crisscross the composition, creating a contrast between dark lines and bold color. Warm reds and yellows fill in the spaces between the limbs. Beyond the foliage, a grey sky can be seen. Signed and dated "Weist 69" in the lower right corner. Title and artist's name on verso. No frame. Board size: 16"H x 20"W Claire Weist (American, 1930-2014) was an artist known primarily for her watercolor compositions. She won several awards throughout her career, including the jury award for graphics from the Illinois Watercolor Society. Weist was originally from the Boston area and studied at the Massachusetts College of Art and then Harvard. After spending time teaching art and as an illustrator, Weist moved to Crete, Illinois and opened her own studio, where she spent the remainder of her professional career. Education: 1949-50 Lomma, Sweden 1951, Massachusetts College of Art, Boston, MA 1953, B.F.A. Degree, Harvard University, Cambridge, MA Work: 1953, Commercial Artist, Vincent Edwards Art Agency, Boston, MA 1954-1957, Art Editor and Illustrator, Baby Post Magazine, New York, NY 1960-1964, Painter and Art Teacher, Lynchburg, VA 1965-1971, Book and Magazine Illustrator, Delafield, WI 1972, Studio, Crete, IL Exhibitions and Memberships: 1971 - Alverno Art Fair, Milwaukee, WI 1971 - Elmwood Plaza Art Fair (Best in Show), Racine WI 1971 - Brookfield Square Winter Art Show (First Place, Watercolors), Waukesha, WI 1973 - Marathon County Historical Museum, Wausau, WI 1982 - Park Forest Art Fair, Park Forest, IL Member, Wisconsin Watercolor Society Member, Kettle Moraine...

Turbulent seascape by an unknown artist (20th Century). Just offshore, waves crash up against jagged rocks. The waves and rocks are rendered with impasto, creating texture and thickn...

Highly detailed drawing of a windmill on a farm in Denmark by M. Mayer (20th Century). A large rustic windmill is the central focus of the piece, towering above the nearby trees and ...

Highly detailed drawing of a windmill on a farm in Denmark by M. Mayer (20th Century). A large rustic windmill attached to a barn is the central focus of the piece. The landscape and...

Japanese-American Artist George Suyeoka paints an attacking eagle with talons outstretched, poised to kill its prey. With an overall blue hue, the artw...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Stunning portrait with a killer smile by Golden Age of Illustration female Illustrator Zoë Mozert. Signed lower right. Framed under glass, silk matted and i...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

"Baghdad Rain" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts some abstracted figures in a dream-like...

Beauty and the Beast-like theme is realized in one side of this work by famed Childens Book illustrators Alice and Martin Provensen. Study for "The Pr...

"Some More of Those Toothbrushes - Part 2" is an original oil pastel drawing by Reginald K. Gee. The artist created this piece with gestural, abstract marks in yellow, blue, red, gre...

"The Sound of Color" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist initialed the piece lower right. This piece features an abstract figure in...

A charming, colorful painting of a pretty little dress capturing the innocence and wonder of childhood. The painting comes to life with soft, flowing brushstrokes. Layers of paint c...

Playboy Magazine ran this joke cartoon illustration in color on page 43 for the October 1960 edition. Signed lower right. The work is executed on a heavy Whatman Illustration board....

This is a set of three original paintings on canvas featuring girls ballerina tutus in complimentary shades of pink, mauve and green. The dresses comes to life with soft, flowing bru...

This is an original painting on canvas featuring a child's ballerina tutu in soft shades of pink, mauve and touches of green. The painting comes to life with soft, flowing brushstrok...

This is an original painting on canvas featuring a girls ballerina tutu in soft shades of green, mauve and touches of pink. The painting comes to life with soft, flowing brushstrokes...

This is an original painting on canvas featuring a child's white ballerina tutu with soft shades of mauve, pink and green in the background. The painting comes to life with soft, flo...

Mid-century Artist Victory Kalin was too good an artist for his paperback assignments. He was as much a virtuoso graphic designer as an illustrator. The present work exemplifies his ...

This poster-like mid-century illustration of Little Miss Sunbeam in her Brownie uniform depicts her in a patriotic three-finger salute against an American Flag. It's by the celebrat...

Acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imager...

Manifesto Istituto Olandese is a beautiful illustration on ivory-colored paper. Hand-signed on the center and dated 1959s. This interesting document is in good conditions.

Oil on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by...

"Please Don't Offer Me Billions or Rivers, Rifles, Roigs, & Rogues or... But They Still Think Fear Is Good" is an original oil pastel drawing on illustration board by Reginald K. Gee...

The Card Players Size: 32"x20" framed 48"x36" Waldemar Swierzy (1931 -2013) was born in Katowice Poland. A graduate of the Cracow Academy of Fine Ar...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for Broadway Comedy, `Uncle Willie` with Menasha Skulnik, Edith F...

Date: 1996 Medium: Mixed Media on Illustration Board Dimensions: 28.50" x 18.75" Signature: Signed and Dated Lower Right Wraparound cover for the barbarian fantasy novel Iron Dawn by Matthew Woodring Stover. Birdsong, Keith: A self-taught artist, Oklahoma native Keith Birdsong became the primary Star Trek artist for licensed products and books for over a decade. He has painted covers for Star Trek novels, the Shadowrun RPG (a cyberpunk themed role playing game), and Young Reader books for Scholastic Books and other publishers. His work has appeared in films, on collectible plates, and even U.S. postage stamps. He transformed the collectible plate industry while employed by The Hamilton Collection...

Cartoon art is the original Conceptual Art. Renowned British Illustrator Smilby (Francis Wilford Smith) conceptualizes a Playboy cartoon so good that no caption is needed. The exist...

"Black Cloud Over Chenequa" is an original oil pastel and watercolor piece on museum board by David Barnett. The artist signed the piece in the lower right. It features a dark cloud ...

"All in Day" is an original oil pastel drawing by Reginald K. Gee. The artist signed the piece on the back. It depicts multiple scenes of figures in motion—running, shoveling, liftin...

Children's Coloring Book Cover Art - Merrill Company - Female Illustrator Board 20 x 14.75, Publisher's Stamp lr recto, publication instruction recto verso Betty Anne Gartrell inscr...

Oil on illustration board

Sleeping Female Nude Signed, l.r. Charcoal on paper, mounted to paperboard 16.5 x 25.875 inches, mount 9.75 x 20.5 inches, sheet This work is offered by ClampArt in New York City.

Lorraine Fox was a pioneering female Illustrator/artist who championed a unique style immediately identified as hers. This work, in two parts, was most likely for a newsstand woman's...

Mario Armond Zamparelli was Howard Hughes corporate designer/artist. The present portrait conveys are sense of high style, cultured elegance and sophistication. Although she was pain...

Richard Taylor is one of the great Cartoonists. He is celebrated for his dry sense of humor and skill in depicting people through subtle narratives in a single image. He is a maste...

PRETTY IN PINK 3 - This original artwork on board combines delicate detail with expressive brushwork. The piece offers a soft, feminine aesthetic, featuring a pink dress with an acce...