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Medium: Illustration Board
1990s Mixed Media "Micro Biomorphic Abstract Drawing II"
Located in Arp, TX
Bill Shields
"Micro Biomorphic Abstract Drawing II"
1990's
Pastel, pencil charcoal on illustration board
Site measures 3.5"x2.5" silver wood frame 10.5"x10.5"
Unsigned came from arti...
Category
1990s Abstract Art by Medium: Illustration Board
Materials
Charcoal, Pastel, Illustration Board, Pencil
Moreno Torricelli - Juventus Football Legend, UEFA Champions League 1995-96
Located in Firenze, IT
Moreno Torricelli - Juventus Football Legend, UEFA Champions League 1995-96 - Determination
Technique: Charcoal on paper, Signed and dated '96
Author: Marco Silombria (Savona, 1936 ...
Category
1990s Post-Modern Art by Medium: Illustration Board
Materials
Paint, Carbon Pencil, Illustration Board, Charcoal, Paper
Mid Century Young Blonde Girl Portrait Egg Tempera - Style of Thomas Hart Benton
By Robert Collins
Located in Soquel, CA
Gorgeous pointillist egg tempera portrait of young blonde girl by Robert Joseph Collins (American, 1922-2011), 1947. Signed "Collins" and dated "'47." U...
Category
1940s Photorealist Art by Medium: Illustration Board
Materials
Egg Tempera, Illustration Board
Outside the Synagogue Russian Judaica Oil Painting
By Emmanuel Snitkovsky
Located in Surfside, FL
This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City.
Emmanuil Snitkovsky is an internationally known artist, sculpture and poet.
Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique.
Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were
exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart
Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture.
Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she
achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...
Category
1980s Modern Art by Medium: Illustration Board
Materials
Canvas, Oil, Illustration Board
Ramono's Foods, Chicago Street Scene, Vintage, 1960s City Scene
Located in Grand Rapids, MI
Margaret Michel (American, 20th Century)
Signed: Michel (Lower, Right)
" Ramono's Foods ", c. 1960s
Gouache and Watercolor on Illustration Board
20" x 30"
Housed in a 3/4" Frame...
Category
Mid-20th Century Art by Medium: Illustration Board
Materials
Watercolor, Gouache, Illustration Board
Jagged Rocks in the Sea - Mid Century Seascape in Oil
Located in Soquel, CA
Turbulent seascape by an unknown artist (20th Century). Just offshore, waves crash up against jagged rocks. The waves and rocks are rendered with impasto, creating texture and thickn...
Category
Mid-20th Century Impressionist Art by Medium: Illustration Board
Materials
Oil, Laid Paper, Postcard, Illustration Board
St. Raphael, Quebec, Canada - Hyper Realistic Windmill Illustration
Located in Soquel, CA
Highly detailed drawing of a windmill on a farm in Denmark by M. Mayer (20th Century). A large rustic windmill attached to a barn is the central focus of the piece. The landscape and...
Category
21st Century and Contemporary Contemporary Art by Medium: Illustration Board
Materials
Illustration Board, Pencil
The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape
Located in Soquel, CA
The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape
Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...
Category
1880s Realist Art by Medium: Illustration Board
Materials
Paper, Watercolor, Illustration Board
Vintage Red and White Fuchsia
Located in Soquel, CA
Acrylic painting of white, red, and pink "Swingtime" varietal of fuchsia flowers, hanging from a vine on grey art board by Barbara Gibson (20th Century). Signed by the artist in the ...
Category
1980s American Realist Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board
Mid-Century Cigarette Ad Illustration
Located in Miami, FL
Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall cigarettes. The present work was part of her Pall Mall cigarette campaign "'So friendly to your taste!'". We are unsure whether this work was a reproduced, or was only used in a test market , or for a client comp. Nonetheless, as a piece of commercial work-for-hire art, it rises to the realm of fine art. Even though the look of the work has a quick, loose and playful feel to it, each element is carefully placed to strike a perfect balance. In this campaign, the artist created the background, and the art director stripped in the product label. The cigarette to the left is also a cut-out and pasted into position to achieve the ideal look. Commercial art is, in almost all cases, a collaborative effort between the Art Director, the Artist, Account People, and the Client, yet in this case, the Mary Blair signature flat graphic and colorful style is dominant and the packaging is secondary. We have to assume the client, American Tobacco Company's brand Pall Mall was trying to sell the sizzle and not the steak. Nothing in advertising is done by chance. This Pall Mall campaign was acutely tested, and apparently, the Mary Blair style was the brand identity that the ad agency chose over other submissions. Blair's warm personal feel fits perfectly with the tag line "'So friendly to your taste!'" and connects with the audience. In the 1950s - 1960s, Mary Blair was one of the few women artists to design and execute a major mainstream advertising campaign that was not solely women-oriented subject matter: babies, women's clothes, and household products. Cigarette ads had some of the most significant budgets and visibility. Typically, they were a full page back or inside cover and pervasive billboards. The ad agencies could have called any artist in the world, and they would have jumped at the opportunity for such a sought-after, lucrative
and prestigious job. In the commercial art field, Mary Blair was somewhat like Margaret Burke...
Category
1950s Feminist Art by Medium: Illustration Board
Materials
Illustration Board, Pencil, Gouache
'Young Woman with Doves', AIC, Salon d'Automne, Paris, Art Deco
By Nura Ulreich
Located in Santa Cruz, CA
'Young Woman with Doves' by Nura Ulreich.
Art Institute of Chicago, Salon d'Automne, Paris, Art Deco
-----
Signed verso 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and pai...
Category
1930s Art by Medium: Illustration Board
Materials
Oil, Illustration Board
Wanderer - Vintage Advertising on Paper - 1930s
Located in Roma, IT
Wanderer is a beautiful original black and white illustration on ivory colored paper, applied on black cardboard, realized at the beginning of XX century by an anonymous artist. A wo...
Category
1930s Art Deco Art by Medium: Illustration Board
Materials
Illustration Board
Nightie Night - 5"x9", Small Framed Artwork, White, Beige, Feminine
Located in Mississauga, Ontario
A soft neutral palette used in this artwork adds to the graceful, feminine quality of the subject matter. Focus is placed on the blending of delicate detail and expressive brush wor...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Pencil, Illustration Board
Whimsical Illustration Skiing Cartoon, 1938 Mt Tremblant Ski Lodge William Steig
Located in Surfside, FL
Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig
Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938.
Mont Tremblant, P.Q., Canada
Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed.
In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper.
William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988.
Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each.
Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage.
In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator.
Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand."
Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me."
According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...
Category
1930s Naturalistic Art by Medium: Illustration Board
Materials
Archival Ink, Watercolor, Illustration Board
Whimsical Fishing Illustration Cartoon 1938 Mt Tremblant Ski Lodge William Steig
Located in Surfside, FL
Lighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig"
Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938.
Mont Tremblant, P.Q., Canada
Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed.
In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper.
William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988.
Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each.
Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage.
In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator.
Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand."
Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me."
According to the Los Angeles Times, fellow New Yorker artist...
Category
1930s American Modern Art by Medium: Illustration Board
Materials
India Ink, Watercolor, Illustration Board
Nightie Night - 5.25" x 9.25", Original Artwork, White, Beige, Framed
Located in Mississauga, Ontario
In this original artwork, focus is placed on the blending of delicate detail and expressive brush work. A tone on tone texture is built up in the background through the use of paint ...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Pencil, Illustration Board
Exploding Nude Orgasm, Original Illustration for Oui Magazine by Dennis Magdich
Located in Long Island City, NY
Dennis Magdich is one of America's leading illustrators and artists. His work has been published around the world in PLAYBOY and OUI magazines since 1975....
Category
1970s Pop Art Art by Medium: Illustration Board
Materials
Gouache, Illustration Board
Wartburg Car Advertising - Original Vintage Advertising on Paper - End of 1800
Located in Roma, IT
Wartburg Car Advertising is an original illustration realized at the end of the XIX century.
Good condition- Glued on black cardboard (21 x 14.7 cm)....
Category
Late 19th Century Art by Medium: Illustration Board
Materials
Illustration Board
Gopher Tortoise, Hawksbill, Loggerhead, Leatherback and Map Turtles.
Located in New York, NY
Original gouache illustrations collaged onto watercolored board. Original art for "Treasure Book Anual #3." London, 1972.
Category
1970s Art by Medium: Illustration Board
Materials
Gouache, Illustration Board
'Sunset Landscape with Cottage', Large 19th c. American Watercolor
By W.C.Eisen
Located in Santa Cruz, CA
Signed lower left "W.C. Eisen" (American 19/20th century), a listed artist, and painted circa 1900.
A substantial, antique landscape showing a view of a picturesque rustic cottage s...
Category
Early 1900s Art by Medium: Illustration Board
Materials
Paper, Watercolor, Illustration Board
Sleeping Female Nude
By Paul Manship
Located in New York, NY
Sleeping Female Nude
Signed, l.r.
Charcoal on paper, mounted to paperboard
16.5 x 25.875 inches, mount
9.75 x 20.5 inches, sheet
This work is offered by ClampArt in New York City.
Category
Early 20th Century Contemporary Art by Medium: Illustration Board
Materials
Paper, Charcoal, Illustration Board
Pretty In Pink - 3, (5.75" x 8.5") Framed Original Artwork, Dress Painting
Located in Mississauga, Ontario
This original artwork on board combines delicate detail with expressive brushwork. The outcome offers a soft, feminine aesthetic, with a flowing pink draped gracefully against a fine...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Pencil, Illustration Board
Mid Century Blond Beauty Make Up the Airport Customs
Located in Miami, FL
At some point, the fine art/museum world will recognize how truly brilliant a trailblazing artist like Coby Whitmore is.
His exploration of bold colors, flattened, simplified space, ...
Category
1950s American Modern Art by Medium: Illustration Board
Materials
Gouache, Illustration Board, Pencil, Graphite
Vintage Bi-Plane Watercolor
Located in San Francisco, CA
Vintage bi-plane
Category
20th Century Art by Medium: Illustration Board
Materials
Watercolor, Illustration Board
The Black Businessman "Black Enterprise Magazine"
Located in Nashville, TN
Inspired by history, the beauty of nature, and the play of light, Higgins Bond has created a distinguished career for herself as an illustrator and fine artist.
After earning her BFA in Advertising Design from The Memphis College of Art, Bond began her career as an illustrator. She illustrated over 40 books for both children and adults and created three paintings for the Great Kings and Queens of Africa...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board
Whimsical Illustration Hiking Cartoon, 1938 Mt Tremblant Ski Lodge William Steig
Located in Surfside, FL
Lighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig"
Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938.
Mont Tremblant, P.Q., Canada
Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed.
In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper.
William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988.
Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each.
Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage.
In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator.
Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand."
Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me."
According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...
Category
1930s Naturalistic Art by Medium: Illustration Board
Materials
Archival Ink, Watercolor, Illustration Board
Lichens
Located in Paris, FR
Illustrated Book, 1983
Handsigned by the artist in pencil and numbered 22/60
Poems by Jacques Lacarrière, illustrated with 5 original etchings by Arthur-Luiz Piza, full page, all si...
Category
1980s Abstract Art by Medium: Illustration Board
Materials
Illustration Board
Double Diddle Phlebotomy Movement #16
Located in Philadelphia, PA
Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 15"h x 12"w. This piece ships in the pictured black frame.
Charles Clary wa...
Category
21st Century and Contemporary Abstract Art by Medium: Illustration Board
Materials
Paper, Ink, Illustration Board
"Double Diddle Phlebotomy Movement #5" drawing and layered paper sculpture
Located in Philadelphia, PA
Original multicolored hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 9"h x 11"w. This piece ships in the pictured black frame.
Char...
Category
21st Century and Contemporary Contemporary Art by Medium: Illustration Board
Materials
Paper, Ink, Illustration Board
Double Diddle Phlebotomy Movement #15
Located in Philadelphia, PA
Original hand-cut, layered paper and ink on illustration board by Charles Clary measuring 15"h x 12"w. This piece ships in the pictured black frame.
Charles Clary was born in 1980 ...
Category
21st Century and Contemporary Abstract Art by Medium: Illustration Board
Materials
Paper, Ink, Illustration Board
"Marblehead Harbor, Grey Day" John Rettig, 1919 Marine Landscape Work
Located in New York, NY
John Rettig
Marblehead Harbor, Grey Day, 1919
Signed and dated lower right
Oil on academy board
15 x 18 inches
Dubbed as the “Wizard of Scenic Creation”, John Rettig was best known...
Category
1910s American Impressionist Art by Medium: Illustration Board
Materials
Oil, Illustration Board
Arch Rock, Pacific Grove, California, Vintage 1970s Painting, Coastal Landscape
Located in Grand Rapids, MI
Filastro Mottola (American, 1915 - 2008)
Signed: Mottola (Lower, Right)
" Arch Rock " Pacific Grove, Calif., circa 1970s-1980s
(Titled on Verso)
Acrylic on Illustration Board
21"...
Category
Mid-20th Century Modern Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board
Word trap
Located in Paris, FR
Illustrated Book, 1991
Handsigned by the artist in pencil and numbered 6/40
Publisher : Fata Morgana (Saint-Clément-de-Rivière)
Printer : Atelier Leblanc (Paris)
25.00 cm. x 19.00 cm...
Category
1990s Abstract Art by Medium: Illustration Board
Materials
Illustration Board
Pac-Man from Homage to Andy Warhol, Pop Art Screenprint by Rupert Jasen Smith
Located in Long Island City, NY
Artist: Rupert Jasen Smith, American (1953 - 1989)
Title: Pac-Man from the Homage to Andy Warhol Portfolio
Year: 1989
Medium: Screenprint on Lenn...
Category
1980s Pop Art Art by Medium: Illustration Board
Materials
Glitter, Illustration Board, Screen
"The Frank Lloyd Wright House", Oil Landscape Painting by Richard Rosenblatt
Located in New York, NY
"The Frank Lloyd Wright House, Spring Green, Wisconsin" by Richard Rosenblatt
Oil on canvas
Architecture, House, Home, Building, Mid-Century Modern...
Category
21st Century and Contemporary Impressionist Art by Medium: Illustration Board
Materials
Paint, Oil, Board, Illustration Board, Cardboard
Old City Jerusalem City Walls landscape Scene Painting, Judaica
By Jossi Stern
Located in Surfside, FL
Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. 31x34.75, 23.5x27.5 without frame.
Hungary, b. 1923, d. 1992
Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923. He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest.
Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy intercepted the ship and declared Stern and all those aboard illegal immigrants. Stern was sent to a prison camp where he remained incarcerated by the British for six months.
In 1943, having spent a few years doing agricultural work, Stern was encouraged by close friends who recognized his artistic talent to enroll in the prestigious Bezalel School of the Arts in Jerusalem. An outstanding student, he eventually became a highly respected teacher of Graphic Arts at Bezalel.
Stern is recognized in Israel as having been one of the country's premier artists...
Category
20th Century Modern Art by Medium: Illustration Board
Materials
Watercolor, Gouache, Illustration Board
The Card Players
Located in Lake Worth Beach, FL
The Card Players Size: 32"x20" framed 48"x36"
Waldemar Swierzy (1931 -2013) was born in Katowice Poland. A graduate of the Cracow Academy of Fine Ar...
Category
1990s Modern Art by Medium: Illustration Board
Materials
Illustration Board, Acrylic
Israeli Motke Blum Modernist Abstract Expressionist Oil Painting Bezalel Artist
By Motke Blum
Located in Surfside, FL
Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bucharest where they settled in a house situated near a circus. The circus would become young Blum's greatest love. He befriended several of the clowns and other performers and, when not painting or playing in clay, Blum could be found enjoying the company of these spirited entertainers. These experiences would later become a recurring theme in many of his works of art.
In 1938, he was taken by the Romanian Iron Guard. When the Germans invaded Romania, Blum was taken to a forced labor camp. Even during his imprisonment, he continued to create art, painting on the walls of the camp. He escaped the Nazi camp in 1944 and boarded an immigrants' ship to Israel. One of the three ships in the convoy was sunk by a German torpedo. Motke later incorporated shipwrecks, boats, and other maritime subjects into several of his paintings.
Studies, Bezalel, Jerusalem, Enamel, Silversmithing, Painting and Sculpture.
1956 Seminar in the dep. of design in the royal silver factory of Zeist, The Netherlands.
Over the course of his long and fruitful career, Blum showed internationally at over fifty one-man-shows with exhibits in Israel, Holland, England, Belgium, the United States, France, Australia, and more. His art has been commissioned for public buildings and by prominent figures in Israel and around the world, and a series of posters were commissioned by the Justice Ministry and the Ministry of Tourism.
Group exhibition
Rina Gallery, Jerusalem
Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi...
Category
20th Century Modern Art by Medium: Illustration Board
Materials
Mixed Media, Oil, Illustration Board
Imperial Woodpecker, aka Ivory Billed Woodpecker, Ornithology, Birdwatching
Located in Grand Rapids, MI
John Livzey Ridgeway (American, 1859-1947)
Signed: J. L. Ridgway
Imperial Woodpecker, aka Ivory Billed Woodpecker, c. 1898
Gifted to Doris B...
Category
Late 19th Century American Realist Art by Medium: Illustration Board
Materials
Watercolor, Gouache, Illustration Board
Sci-Fi Mind Bending Alien Head with Scary Bulging Eyeball - Giuseppe Arcimboldo
Located in Miami, FL
Inspired by Italian Artist Giuseppe Arcimboldo, Illustrator Bernard D'Andrea creates a startled person in profile. Unlike Arcimboldo, D'Andrea constructs a girl's head out of people ...
Category
1970s Art by Medium: Illustration Board
Materials
Mixed Media, Pencil, Illustration Board, Acrylic
"Panda Love"
Located in Astoria, NY
Eva Bouzard-Hui (American, 1936-2023), "Panda Love", Mixed Media on Illustration Board, apparently unsigned, artist's estate label with title, numbered "Oil Painting Thirty Six", and...
Category
21st Century and Contemporary Art by Medium: Illustration Board
Materials
Mixed Media, Oil, Illustration Board
Bold Graphic Illustration Pop Art Image of Large Truck, Orignal Alkyd Painting
Located in Surfside, FL
Doug Fraser Graphic design illustration artist. Doug was born in Lethbridge, Alberta, Canada. He attended the Alberta College of Art & Design in Calgary where he studied graphic design and illustration. After four years at ACAD he went to New York for graduate school, attaining a masters degree, MFA, from the School of Visual Arts. Without missing a beat, Doug became an award winning illustrator, (in a cartoon, bold comic book sort of style) having executed commissioned works for an array of international clients including The New York Times, the Washington Post, TIME, Newsweek, BusinessWeek, Wirtschafts Woche (Germany), Rolling Stone, Mother Jones, Motor Trend, NHL, IBM, and Levis.
His technique originally involved traditional media of oils on canvas and evolved over the years to incorporate digital aspects both exclusive and combined with paint. During the early 90's, he was approached by the ACAD(Alberta College of Art & Design in Calgary) to teach and accepted a part-time position. Doug has sat on several juries and spoken in numerous cities including New York and Los Angeles.
His illustration work has been exhibited in the US, England, Japan and Canada. Memberships have included the prestigious Society of Illustrators(NY) for eighteen years, the advisory panel of ICON5, the American Illustrator Partnership (founding member status), CAPIC and the Graphic Artists Guild of New York. 2004 recipient of the Alberta College of Art & Design Board of Governors Alumni Award of Excellence.
His style is similar to the graphic novel style of Art Spiegelman, Shepard Fairey, Ben Katchor or Robert Crumb in its graphic expressiveness
After a long successful career as an illustrator, the desire to create works of a different nature and purpose began to surface. Building on the technical knowledge developed professionally as a visual communicator in the graphics world for 30 years, he began to experiment once again, without the burden of client and other constraints. This freedom enabled Doug to move beyond his past and develop a body of work which is more personal in subject. This new body of paintings strongly links artistic influences with personal observations. Influences affecting structure include graphic design, abstract and figurative art. A two dimensional quality is embraced and the construction becomes as important as the subject. The subject, which is somewhat banal in tone, is derived from his own first hand experience. Exploring subject that which is usually only seen in passing, but is now observed more closely. Intense visual study precedes a process of disassembling and then reconstruction. Throughout, there's an internal dialogue between the objective and the subjective. The experiential challenge of this process has Douglas tracing the edges of where the figurative meets abstraction.
EDUCATION; Alberta College of Art & Design, Calgary, Alberta, Canada. Visual Communication Arts. School of Visual Arts, New York, New York, M.F.A. degree.
ILLUSTRATION CLIENTS; Editorial: Boston Globe, Business Week, BUZZ, Esquire, Forbes, Globe & Mail, GQ, L.A. Times, Mademoiselle, Manhattan Inc, Mother Jones, Newsweek, New York Times, New York Woman,Omni, Penthouse, FORTUNE, TIME, Washington, Self, Sports Illustrated, Texas Monthly, Washington Post, Rolling Stone Book: David R. Godine, Houghton-Mufflin, Knopf, Macmillan, Rabbit Ears Video & Book, Simon Schuster, The Progressive, Turner Publishing (CNN), BLAB!, Telstar Comic compilation Corporate: Air Canada, Allen-Bradley [a Division of Rockwell International],Citibank, Coca-Cola, Danzas (Europe), IBM, Kingston Electronics, Kohler, Levis, Lowenbrau Beer, Concept-1 Calgary, Memorex, Oakland A's Baseball Team, National Football League, National Hockey League, Nike, Northern Telecom, Nynex NY, Pfizer, RCA, Roundtree U.K., Samsung Electronics, Sony, Suzuki Motorcycles, Tamko, USF&G [financial investment group]. Graphic Novel, Comic Book: Adhouse Press, story titles; "Electric Sheep...
Category
20th Century American Modern Art by Medium: Illustration Board
Materials
Alkyd, Illustration Board
Mid-Century Cosmopolitan Illustration Surreal Family Narrative
By Jon Whitcomb
Located in Miami, FL
A complex story is portrayed in one picture.
American Glamour Illustrator Jon Whitcomb interprets a Mid-Century Cosmopolitan story about a beautiful blond actress who, on set, appea...
Category
1950s Surrealist Art by Medium: Illustration Board
Materials
Gouache, Illustration Board
Untitled
Located in Buffalo, NY
An unsigned mid century modern American abstract painting
Category
1950s American Modern Art by Medium: Illustration Board
Materials
Board, Illustration Board, Oil
$750
Whimsical Illustration "Snow" Cartoon, 1938 Mt Tremblant Ski Lodge William Steig
Located in Surfside, FL
Lighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig"
Provenance: from Mrs. Joseph B. Ryan, Commissioned by ...
Category
1930s American Modern Art by Medium: Illustration Board
Materials
India Ink, Watercolor, Illustration Board
Church Interior
By Ray Quigley
Located in Buffalo, NY
A modern illustration by American artist Ray Quigley depicting two men inside of a church.
Category
1950s Realist Art by Medium: Illustration Board
Materials
Gouache, Illustration Board, Ink
Twisted People. Time Magazine Cover Proposal - Like Antony Gormley
Located in Miami, FL
Boundless whimsical creativity defines this Time Magazine Cover proposal. In 1970, famed illustrator/artist Robert Grossman visualized a cover story i...
Category
1970s Art by Medium: Illustration Board
Materials
Gouache, Illustration Board
Rabbi in Prayer, Western Wall, Jerusalem Bar Mitzva Scene, Judaica
By Jossi Stern
Located in Surfside, FL
Vibrant Gouache and watercolor painting by israeli master JOSSI STERN. on paper mounted to board.
Hungary, b. 1923, d. 1992
Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923.
He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest.
Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy...
Category
20th Century Modern Art by Medium: Illustration Board
Materials
Watercolor, Gouache, Illustration Board
Hovering, surrealist egg tempera insect and skyscape painting
Located in New York, NY
Douglas Safranek's Hovering captures the tension of liminal space. Bees and dragonflies appear pinned, and specimen-like, yet achieve loftiness with their wings. Their hyperbolized d...
Category
2010s Surrealist Art by Medium: Illustration Board
Materials
Egg Tempera, Illustration Board
Orange Envelope, Watercolor and pencil realist still life, 2016
By Margot Glass
Located in New York, NY
Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Watercolor, Illustration Board, Pencil
Light Envelope with Tape, realist watercolor and pencil still life, 2016
By Margot Glass
Located in New York, NY
Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Watercolor, Illustration Board
Little Dancer - 1, 8"x8", Original Painting, Girls Art, Children, Ballet
Located in Mississauga, Ontario
A charming, colorful painting of a pretty little dress capturing the innocence and wonder of childhood. The painting comes to life with soft, flowing brushstrokes. Layers of paint c...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board, Pencil
"Greco Roman Nuko Lok - The Forefront, " Oil Pastel signed by Reginald K. Gee
Located in Milwaukee, WI
"Greco Roman Nuko Lok - The Forefront" is an original oil pastel on illustration board by Reginald K. Gee. The artist signed the piece in the upper left. This piece depicts multiple ...
Category
1980s Art by Medium: Illustration Board
Materials
Oil Pastel, Illustration Board
Little Ballerina - 2, 8"x8", Original Painting, Childrens-Girls Art, Pink, Green
Located in Mississauga, Ontario
This is an original painting on canvas featuring a girls ballerina tutu in soft shades of green, mauve and touches of pink. The painting comes to life with soft, flowing brushstrokes...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board, Pencil
Little Ballerina - 1, 8"x8", Original Painting, Childrens-Girls Art, Pink, White
Located in Mississauga, Ontario
This is an original painting on canvas featuring a child's white ballerina tutu with soft shades of mauve, pink and green in the background. The painting comes to life with soft, flo...
Category
2010s Contemporary Art by Medium: Illustration Board
Materials
Acrylic, Illustration Board, Pencil
"Looks Like a Nice Getaway Spot, " Blue Landscape Oil Pastel scene signed
Located in Milwaukee, WI
"Looks Like a Nice Getaway Spot" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features a surrealisti...
Category
1990s Contemporary Art by Medium: Illustration Board
Materials
Oil Pastel, Illustration Board
"Catching A Fish, " Gouache and Watercolor, Signed
By Tom Rost
Located in Milwaukee, WI
"Catching A Fish" is an original gouache and watercolor painting on illustration board. It is signed in the lower left by the artist Tom Rost.
25" x 20 5/8" art
30 5/8" x 24 3/4" framed with museum glass
Tom Rost spent most of his life in Wisconsin, graduating from the Milwaukee State Teacher's College (now the University of Wisconsin-Milwaukee). He began his artistic career as an illustrator for the Civilian Conservation Corps, the Works Progress Administration, and the Treasury Department. Later, he began illustrating for the Milwaukee Journal and then left to work in New York with the Field...
Category
1950s American Realist Art by Medium: Illustration Board
Materials
Watercolor, Gouache, Illustration Board
"Autumn Nocturne" - Abstracted Forest Landscape in Oil on Artist's Board
Located in Soquel, CA
Abstracted fall landscape by Claire Weist (American, 1930-2014). Bare treetrunks and limbs crisscross the composition, creating a contrast between dark lines and bold color. Warm reds and yellows fill in the spaces between the limbs. Beyond the foliage, a grey sky can be seen.
Signed and dated "Weist 69" in the lower right corner.
Title and artist's name on verso.
No frame.
Board size: 16"H x 20"W
Claire Weist (American, 1930-2014) was an artist known primarily for her watercolor compositions. She won several awards throughout her career, including the jury award for graphics from the Illinois Watercolor Society. Weist was originally from the Boston area and studied at the Massachusetts College of Art and then Harvard. After spending time teaching art and as an illustrator, Weist moved to Crete, Illinois and opened her own studio, where she spent the remainder of her professional career.
Education:
1949-50 Lomma, Sweden
1951, Massachusetts College of Art, Boston, MA
1953, B.F.A. Degree, Harvard University, Cambridge, MA
Work:
1953, Commercial Artist, Vincent Edwards Art Agency, Boston, MA
1954-1957, Art Editor and Illustrator, Baby Post Magazine, New York, NY
1960-1964, Painter and Art Teacher, Lynchburg, VA
1965-1971, Book and Magazine Illustrator, Delafield, WI
1972, Studio, Crete, IL
Exhibitions and Memberships:
1971 - Alverno Art Fair, Milwaukee, WI
1971 - Elmwood Plaza Art Fair (Best in Show), Racine WI
1971 - Brookfield Square Winter Art Show (First Place, Watercolors), Waukesha, WI
1973 - Marathon County Historical Museum, Wausau, WI
1982 - Park Forest Art Fair, Park Forest, IL
Member, Wisconsin Watercolor Society
Member, Kettle Moraine...
Category
Late 20th Century Modern Art by Medium: Illustration Board
Materials
Oil, Illustration Board
"Solitude" - Dock on the Lake - Landscape in Oil on Artist's Board
Located in Soquel, CA
Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer.
Signed and dated "Art Pastusak 18" in the lower left corner.
Titled "Solitude" on verso.
No frame.
Board size: 11"H x 14"W
Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...
Category
2010s American Impressionist Art by Medium: Illustration Board
Materials
Oil, Illustration Board
Cal Nord, Denmark - Hyper Realistic Windmill Illustration
Located in Soquel, CA
Highly detailed drawing of a windmill on a farm in Denmark by M. Mayer (20th Century). A large rustic windmill is the central focus of the piece, towering above the nearby trees and ...
Category
21st Century and Contemporary Contemporary Art by Medium: Illustration Board
Materials
Illustration Board, Pencil
Illustration Board art for sale on 1stDibs.
Find a wide variety of authentic Illustration Board art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include George Wachsteter, Reginald K. Gee, Charles Clary, and Charlotte Sternberg. Frequently made by artists working in the Contemporary, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Illustration Board art, so small editions measuring 0.01 inches across are also available