Art by Medium: Illustration Board

Artist: Mohammad Reza Sharify (alt. Sharifi) (Iranian 1970-) Title: Untitled Year: 1997 Medium: watercolor and gouache on artist’s board Size: 19 x 25 inches. Framed size: 30.25 x 36.25 inches Signature: Signed, dated lower right “M R Sharify 1997” by the artist. Artist’s stamp on reverse Condition: Very good Frame: Framed in original frame This painting is by the Iranian artist Mohammad Reza Sharify (1970-). The painting depicts a fanciful, fantastic horse. Sharify has studied with a number of noted Iranian masters including Mahmoud Farshchian...

Mid Century Original Oil Impressionist Painting - The Farm House Wonderful impressionist oil painting of field of hay ready for harvest with farmhouse and barn in the background. I...

Little Benny Wanted a Pony, from Little Golden Books, is a classic in the children's book genre. Famed Illustrator Richard Scarry succeeds in connecting people's lives, but in his c...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Signed "Stout" on lower right Description William Stout is a multi-media artist who has won numerous awards for his artwork in pulp fiction, dioramas for natural museums, and film work, including two Conan movies, Indiana Jones, Raiders of the Lost Ark, and Pan’s Labyrinth. Stout’s painting, Brunhilde, represents a compilation of the artist’s interests and was inspired by the 19th-century composer Richard Wagner’s epic opera, The Ring of the Nibelung, as part of an art project with the Los Angeles Opera’s 2010 performance of The Ring. The subject, Brunhilde, is based on Norse mythology from the Medieval Poetic Edda and represents the story of a beautiful warrior maiden, a Valkyrie, who was cruelly deceived by her lover. Her father, the supreme god Odin, punished Brunhilde for disobeying him and caused her to fall into everlasting sleep surrounded by a wall of fire. The hero, Siegfried, crossed through the flames and woke the maiden with a kiss. In Stout’s version, Brunhilde is seen as a mighty Shieldmaiden and Valkyrie in the forest surrounded by spirit animals. The barred owl...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

French Coastal Scene in Brittany with a merchant ship onloading fish and people by an unknown artist. A sailing vessel is anchored at a beach. A r...

An unsigned mid century modern American abstract painting

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

The cave paintings at Lascaux, adorned with primitive animals, inspire a caveman to invent the first calendar. The joke is that it's a Pin-Up calendar featuring a Palaeolithic Pin-U...

Gorgeous pointillist egg tempera portrait of young blonde girl by Robert Joseph Collins (American, 1922-2011), 1947. Signed "Collins" and dated "'47." U...

Mid Century Fauvist Swiss Lake Village Landscape Colorful mid century fauvist Swiss Village and Lake landscape by Central California artist R. Step...

A satirical, surreal depiction of a pig at a lunch counter by an unknown artist (20th Century). This scene, full of symbols and satire, portrays the anth...

Trees at the Top of the Coastal Bluffs - California Coastal Landscape in Oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" #65, 7/94 on verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner (some age spots to the linen.) Frame size, 29.5"H x 35.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel...

Early 20th century Italian figurative landscape of a traditional wheat field harvest scene, by S. Frosini (Italian, 20th Century). This figurative landscape in gouache depicts in gre...

Original watercolor and gouache on archival Molvin arches paper by the well known American illustrator Fred Sweney. The scene depicts Central Park in New York City in a winter landscape with figures in conversation under an illuminated lamp post. Signed lower right. Titled verso in pencil with American Scene magazine #32 and page 30...

Today's highly touted ultra-contemporary fine art market has crashed. Why? The artist's lack of talent, concepts, and basic technical skills was overrated and, in some cases, acutely...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

Historical late 19th century portrait of Hiram H. Hobbs, Foreman of the Grand Jury of San Francisco y Richard Langtry Partington (American, ...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Two Ballerinas - Acrylic and Ink on Cardstock Colorful portrait of two ballerinas by Jassen Marek (20th Century). Two ballerinas are shown in white, green, and blue. They are bendin...

Colorful landscape by American artist Walter F. MacGregor (American, 1890-1979). Dated and signed "1969 Walter F. MacGregor" in the lower right corner. Presented in a dark wood frame...

Bright and dynamic abstract by William Aldridge (20th Century). Layers of acrylic paint have been applied to a smooth surface, creating a transparent ...

Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer. Signed and dated "Art Pastusak 18" in the lower left corner. Titled "Solitude" on verso. No frame. Board size: 11"H x 14"W Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...

"Engulfed" - Turbulent Seascape by Cynthia Sachse Prewitt Saturated and dynamic seascape by Cynthia Ann Sachse Prewitt (American, 1955-1998). Boldly color...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Ferd Sondern (b.1923) Puppy and Bluebird, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 6 x 7.5 inches. Signed lower left. Credited on verso...

Robert Childers (1924-1984) Oktoberfest Dogs, 1977. Gouache, watercolor and pencil on illustration board measuring 10 x 17 inches. Signed lower left. Credited on verso. Printer's notations in margins. Protective cellophane sheet which can easily be removed. Childers attended Medford schools, graduating in 1941 from Medford High School. While a student he had small parts in early Oregon Shakespearean Festival productions in Ashland. Following graduation he served in the U.S. Navy for six years. He attended the Philadelphia Museum School of Art, and Pennsylvania Academy of Fine Arts, from which he received his master’s degree. He received a gold medal upon graduating from the Museum School of Art and attended the Academy of Fine Arts on a Cresson scholarship. He also attended evening classes at Fleisher Memorial and performed for two years with the Philadelphia Dance Theater. His paintings – oil on canvas and wood – are exhibited in Philadelphia galleries, including three permanent exhibits in Wagner, Pa., and Minsky History of Theater. He was sponsored for three one-man shows in Philadelphia. While in Florida he worked for Ron Rico Rum. Following his studies, he worked in fabrics, film production, toys and illustrations for publishers with du Pont in New York City. At the same time he maintained a studio and old twine factory over the Cherry Lane Theater. He lived in Greenwich Village for 19 years before accepting a position developing new products for American Greetings Inc. While there he designed the Holly...

Sketchy and expressive depiction of an artist painting at an easel by an unknown artist (20th Century). Dresses in a white smock, an artist works at an easel. The background is parti...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Beautiful mid century coastal landscape painting of driftwood at the beach by California artist Genevieve Rogers (American, 1904-1984). From a collection of her work. Unframed. Image...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

This is an original painting on canvas featuring a child's ballerina tutu in soft shades of pink, mauve and touches of green. The painting comes to life with soft, flowing brushstrok...

Acrylic painting of white, red, and pink "Swingtime" varietal of fuchsia flowers, hanging from a vine on grey art board by Barbara Gibson (20th Century). Signed by the artist in the ...

Two charming paintings of a little girls dress and tiara hairpiece capturing the innocence and wonder of childhood. The paintings comes to life with soft, flowing brushstrokes. Layer...

If you do not want to be noticed, the idea is to blend in. Having a distinctive look will call attention to you, and that is the downfall of Ed's duplicity. The humor comes from the ...

Nsu Quick Advertising is an original illustration realized at the beginning of the XX century, in the 1930s. Good condition- Glued on black cardboard (21 x 14.7 cm). This little ...

Lincoln Souplesse is a beautiful double-sided sheet of original color illustrations realized at the beginning of XX century. A wonderful original French automobile advertisement for ...

Husband-and-wife illustration phenoms team up to produce another highly stylized yet charming visual narrative that speaks not only to children but also to anyone with a curious mind. The wise man Pundabi tries to help the wealthy king see the poverty and suffering in his kingdom by inventing the mystery of the Golden Serpent. The king visits the villagers. 1980. Mixed media on Bristol board. Unframed Inscribed and signed in lower right image, "For Rich, Martin and Alice Provensen...

Continental Ballon is a beautiful original black and white illustration on ivory-colored paper, realized at the beginning of the XX century, a vintage illustration...

Nsu Automobile Advertising is an original illustration realized at the beginning of the XX century, in the 1920s. Good condition- Glued on black cardboard (14.7 x 21 cm). This il...

Doug Fraser Graphic design illustration artist. Doug was born in Lethbridge, Alberta, Canada. He attended the Alberta College of Art & Design in Calgary where he studied graphic design and illustration. After four years at ACAD he went to New York for graduate school, attaining a masters degree, MFA, from the School of Visual Arts. Without missing a beat, Doug became an award winning illustrator, (in a cartoon, bold comic book sort of style) having executed commissioned works for an array of international clients including The New York Times, the Washington Post, TIME, Newsweek, BusinessWeek, Wirtschafts Woche (Germany), Rolling Stone, Mother Jones, Motor Trend, NHL, IBM, and Levis. His technique originally involved traditional media of oils on canvas and evolved over the years to incorporate digital aspects both exclusive and combined with paint. During the early 90's, he was approached by the ACAD(Alberta College of Art & Design in Calgary) to teach and accepted a part-time position. Doug has sat on several juries and spoken in numerous cities including New York and Los Angeles. His illustration work has been exhibited in the US, England, Japan and Canada. Memberships have included the prestigious Society of Illustrators(NY) for eighteen years, the advisory panel of ICON5, the American Illustrator Partnership (founding member status), CAPIC and the Graphic Artists Guild of New York. 2004 recipient of the Alberta College of Art & Design Board of Governors Alumni Award of Excellence. His style is similar to the graphic novel style of Art Spiegelman, Shepard Fairey, Ben Katchor or Robert Crumb in its graphic expressiveness After a long successful career as an illustrator, the desire to create works of a different nature and purpose began to surface. Building on the technical knowledge developed professionally as a visual communicator in the graphics world for 30 years, he began to experiment once again, without the burden of client and other constraints. This freedom enabled Doug to move beyond his past and develop a body of work which is more personal in subject. This new body of paintings strongly links artistic influences with personal observations. Influences affecting structure include graphic design, abstract and figurative art. A two dimensional quality is embraced and the construction becomes as important as the subject. The subject, which is somewhat banal in tone, is derived from his own first hand experience. Exploring subject that which is usually only seen in passing, but is now observed more closely. Intense visual study precedes a process of disassembling and then reconstruction. Throughout, there's an internal dialogue between the objective and the subjective. The experiential challenge of this process has Douglas tracing the edges of where the figurative meets abstraction. EDUCATION; Alberta College of Art & Design, Calgary, Alberta, Canada. Visual Communication Arts. School of Visual Arts, New York, New York, M.F.A. degree. ILLUSTRATION CLIENTS; Editorial: Boston Globe, Business Week, BUZZ, Esquire, Forbes, Globe & Mail, GQ, L.A. Times, Mademoiselle, Manhattan Inc, Mother Jones, Newsweek, New York Times, New York Woman,Omni, Penthouse, FORTUNE, TIME, Washington, Self, Sports Illustrated, Texas Monthly, Washington Post, Rolling Stone Book: David R. Godine, Houghton-Mufflin, Knopf, Macmillan, Rabbit Ears Video & Book, Simon Schuster, The Progressive, Turner Publishing (CNN), BLAB!, Telstar Comic compilation Corporate: Air Canada, Allen-Bradley [a Division of Rockwell International],Citibank, Coca-Cola, Danzas (Europe), IBM, Kingston Electronics, Kohler, Levis, Lowenbrau Beer, Concept-1 Calgary, Memorex, Oakland A's Baseball Team, National Football League, National Hockey League, Nike, Northern Telecom, Nynex NY, Pfizer, RCA, Roundtree U.K., Samsung Electronics, Sony, Suzuki Motorcycles, Tamko, USF&G [financial investment group]. Graphic Novel, Comic Book: Adhouse Press, story titles; "Electric Sheep...

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

The present work is a factory illustration for the GM subsidiary Corvette, which features a classic blue C1 Corvette with distinctive dual headlights introduced in 1958. Design Deta...

In 1962, the fine art and museum worlds were absorbed by the later stages of Abstract Expressionism, the introduction of Hard Edge Abstraction, and the rise of Pop Art. Realism was ...

Wanderer is a beautiful original black and white illustration on ivory colored paper, applied on black cardboard, realized at the beginning of XX century by an anonymous artist. A wo...

Wartburg Car Advertising is an original illustration realized at the end of the XIX century. Good condition- Glued on black cardboard (21 x 14.7 cm)....

Who said painting isn't a team sport? Two artists of different styles collaborate to achieve a seamlessly unified picture. Arthur M. Fitzpatrick's photorealism of the car joins Van ...

This Oldsmobile Cutlass advertisement from 1977 depicts a complex figural composition integrated with a car and a homey landscape. Beyond its status as a historical document of an Ol...

Watercolor on board intended for a greeting card design, painted in the 1980s. Illegibly signed at lower right. Presented in an archival mat. Small light stain.

Fitzpatrick & Kaufmann team up for another high performance art work. It combines a pre-photorealistic painting of a 1965 Pontiac by Fitzpatrick with a highly stylized modernist...

Signed lower right, 'Jack B. Bevier' for Jack Bernard Bevier (American, 1923-1996) and painted circa 1985. Born in Michigan, Bevier was primarily a watercolor painter who specialized in rural country landscapes, seascapes of the Monterey Peninsula, boat and harbor scenes. Jack Bevier was educated in Ann Arbor, Michigan before serving 3 years in the Army Air Corp during World War II. After the war he attended the Art Institute of Chicago where he graduated with honors. After six years of painting and working in the commercial art business in Chicago, Bevier moved to California. He settled in the Salinas area on the Monterey Peninsula in 1956 and operated a gallery in Carmel, California for many years. His works have been exhibited widely and with success including at the National Watercolor Society...

'Young Woman with Doves' by Nura Ulreich. Art Institute of Chicago, Salon d'Automne, Paris, Art Deco ----- Signed verso 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and pai...

Sleeping Female Nude Signed, l.r. Charcoal on paper, mounted to paperboard 16.5 x 25.875 inches, mount 9.75 x 20.5 inches, sheet This work is offered by ClampArt in New York City.

Disney Legend Mary Blair was also a commercial illustrator for national brands such as Maxwell House Coffee and Beatrice Foods, and two complete national campaigns for Pall Mall cigarettes. The present work was part of her Pall Mall cigarette campaign "'So friendly to your taste!'". We are unsure whether this work was a reproduced, or was only used in a test market , or for a client comp. Nonetheless, as a piece of commercial work-for-hire art, it rises to the realm of fine art. Even though the look of the work has a quick, loose and playful feel to it, each element is carefully placed to strike a perfect balance. In this campaign, the artist created the background, and the art director stripped in the product label. The cigarette to the left is also a cut-out and pasted into position to achieve the ideal look. Commercial art is, in almost all cases, a collaborative effort between the Art Director, the Artist, Account People, and the Client, yet in this case, the Mary Blair signature flat graphic and colorful style is dominant and the packaging is secondary. We have to assume the client, American Tobacco Company's brand Pall Mall was trying to sell the sizzle and not the steak. Nothing in advertising is done by chance. This Pall Mall campaign was acutely tested, and apparently, the Mary Blair style was the brand identity that the ad agency chose over other submissions. Blair's warm personal feel fits perfectly with the tag line "'So friendly to your taste!'" and connects with the audience. In the 1950s - 1960s, Mary Blair was one of the few women artists to design and execute a major mainstream advertising campaign that was not solely women-oriented subject matter: babies, women's clothes, and household products. Cigarette ads had some of the most significant budgets and visibility. Typically, they were a full page back or inside cover and pervasive billboards. The ad agencies could have called any artist in the world, and they would have jumped at the opportunity for such a sought-after, lucrative and prestigious job. In the commercial art field, Mary Blair was somewhat like Margaret Burke...

NIGHTIE NIGHT 1 - In this original artwork, focus is placed on the blending of delicate detail and expressive brush work. A subtle tone on tone texture is built up in the background ...

Original gouache illustrations collaged onto watercolored board. Original art for "Treasure Book Anual #3." London, 1972.

Page size: 8 x 10 in. Frame size: 10.5 x 12.5 in. Signed, bottom left. Inscribed with title, bottom right. The rectangular picture plane can hardly contain energic mark-making in th...

Artist: Ian Hornak (1944-2002) Title: (Hudson River Landscape) Untitled Year: 1985 Medium: Acrylic on illustration board Size: 12.5 x 10 inches Condition: Good Provenance: Estate of ...

Signed lower left "W.C. Eisen" (American 19/20th century), a listed artist, and painted circa 1900. A substantial, antique landscape showing a view of a picturesque rustic cottage s...