Art by Medium: Ink

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 31" x 55" unframed (79cm x 140cm) 2022 Edition 1/10 *Should you ...

Storm over Sierra Nevada, limited edition photograph, signed, archival ink print Artist Statement The Earth is an ever-changing ecosystem. It existed well before we were here and w...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Celia Lees...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Interior design paintings. The work was done with india ink and acrylic in black and white color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a m...

Interior design paintings. The triptych is made with alcoholic ink in pale pink, turquoise color on Yupo paper. Each work is 11 by 14 inches in size, framed (gold or black) with a s...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of pale magenta, olive green, grey, and pale blue. Signed, dated, and marked with the artist's chop in the lower right corner (Roxanne Lo...

Roberto Fabelo (Cuba, 1950) 'S II', 2002 silkscreen on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 100

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

Signed lower right, 'Riso Aldo' for Aldo Riso (Italian, 1929-2008) and painted circa 1975. Aldo Riso was born in 1927 in Santa Maria di Leuca, near Lecce. He graduated with a degree...

Norman Basil Town (British, 1915 – 1987) Washer woman Pen and ink 8 x 6 in. (20 x 15 cm.) Norman Basil Town (1905–1984) was a British artist known for his evocative religious and al...

A Striking 1950s Mid-Century Modern Ink Drawing of a Standing Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwork...

Still Life is an artwork realized by Louis Gabriel Croison (Paris, 1890 - Paris, 1963) in 1930. Good condition. Ink and watercolour.

This is an exceptional edition that the artist has dedicated to various subjects of bullfighting. Salvador Aulestia published several books on the subject, and his drawings are consi...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N vertical)', 2021 Engraving collagraph on paper Guarro Biblos 250g. 27.2 x 21.1 in. (69 x 53.5 cm.) Edition of 20 ID: NAA-112 Unframed

"Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Resumen de noticias', 2004 collagraph on paper Velin Arches 300 g. 35.9 x 47.7 in. (91 x 121 cm.) ID: CHO-115"

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of the banks of Kanagawa, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the foreground, horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. Travelers pass through a section of the Kanagawa post station, dominated by a variety of shops, each with views looking out over the water. A number are tea houses, outside of which stand waitresses inviting travelers inside. On the water we see several small fishing boats, as well as larger shipping vessels...

18th to 19th Century "Art Presentation" Old Master Drawing Remarkable old master pen, ink and wash drawing of an art presentation Dimensions 14" wide x 8.5" high The lightly distr...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Shou...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 28" x 42" unframed (71cm x 107cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Namiko Prado Arai (Mexico, 1963) 'Untitled 7 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-309 Hand-signed by author Unframed

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

A colorful, charming 1950s Mid-Century, architectural cityscape of Amsterdam by notable Chicago Modern artist Francis Chapin. Artwork size: 7 3/4 x 10 3/4 inches. Archivally matte...

The Hunger is a drawing artwork realized by Gabriele Galantara in early 20th century  Pencil and china ink on paper Good condition.

Finely detailed figurative illustration of a young woman leaning against a fence. The woman is wearing a plaid dress and bonnet with a black ribbon. Some of the landscape has been il...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Title: Geometric Study in Motion 1960s by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.75 (height) x 19.75 (width) inches Provena...

Claes Oldenburg (Hand signed by Claes Oldenburg), 1992 Softback catalogue with stiff wraps (hand signed by Claes Oldenburg hand signed by Claes Oldenburg on the half title page 11 3/...

Jose Sacal (Mexico, 1944-2018) 'Amada', 2002 mezzotint on paper 22.1 x 18.4 in. (56 x 46.5 cm.) Edition of 25 ID: SAC-101 Hand-signed by author

Reclined Nude is an original China Ink Drawing realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Monogrammed by the artist with pencil. Mino Maccar...

Mesmerizing abstract color play of muted tones and surreal shapes, from a series of still life works created entirely in camera Caleidoscope II by Christian Stoll 67 x 48 inches (1...

Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...

Jesus is an Original Pencil and Watercolour realized by Gaston Touissant (1872-1946). Good condition, included a white cardboard passpartout (49x35 cm). No Signature, stamp of the Atelier Touissant, Vendome on the lower right corner. Gaston Toussaint...

Abstract Composition is an Original Ink and Watercolor realized by an Unknown artist of mid-20th century. The artwork is in good condition on a cream colored cardboard. No Signature.

A contemporary drawing with delicate dots and lines in soft shades of indigo blue with pink and dark cobalt details, this intricate composition is inspired by patterns in nature. Thi...

Machina Mundi Rio de Janeiro Archival Pigment Print, mounted and framed Edition of 5 Available sizes: 45 × 60 inches (120 × 150 cm) 64 × 80 inches (160 × 200 cm) Claudio Edinger t...

Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings...

Unique drawing in black ink on printed background Unique 57 × 22.8 cm (22.4 x 9 in) Signed and dated on the front Condition on request This work is sold framed

Henri Matisse (1869-1954) 'Femme souriante' This beautiful Henri Matisse Drawing 'Femme souriante'' was conceived in July of 1942. It is in excellent condition, signed and dated 'H...

Dimensions w/Frame: 17 1/2" x 11 1/2" Arieh Merzer was a prominent Israeli artist and metal worker. Arie Merzer, an artist who worked in hand-hammered copper, was born in Warsaw, P...

This work reflects Satria Nugraha’s intuitive and experimental approach to making, where everyday life, human connection, and the surrounding environment quietly inform the image. Wo...

Louise Marler Tulip and Bees Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1694 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

A study of St. Vincent Ferrer, known as the "Angel of the Apocalypse." Ink and wash on laid paper, laid down to a wove paper matrix, 3 1/4 x 2 inches (83 x 50 mm), the full sheet. I...

Created by Silvana Ilieva (b. 1989), this contemporary abstract wall sculpture is crafted from industrial hemp fibers — a sustainable, renewable material that is exceptionally lightw...

Nick Vedros Brooklyn Bridge 1875 Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2001 Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Georges BARBIER Art Nouveau : Nude with Crystal Ball Original India Ink, Watercolor and Gouache painting Signed in the bottom middle On paper 32 x 50 cm (c. 13 x 20 in) Presented i...

Mikhail Chemiakin (b. 1943) “Ukrainian Cossacks”, 1981 Watercolor, ink on paper 29.5 × 29.5 cm Signed lower right A vivid and theatrical work by the internationally acclaimed Russia...

M.me Lepic is an original drawing in China ink with gray tip on ivory paper, realized by Chas Laborde (1886-1941). Good conditions except for minor cosmetic wear. Unsigned. Titled on the bottom center. Noted "bag". Chas Laborde, born in 1886, of Béarnese origin, he was at the same time a reporter, painter, engraver, humorous draftsman, book illustrator and poet. He was one of the great artists of the early 20th century. He was open to the world and to life. Colette says of him, after having illustrated "Claudine", "He made twenty of these villages bloom, with their colors of a fresh green, of a tulle rose. One has its bell tower, the others who a train, some a row of pioffi, some a house, some a group of...

Stanley Boxer Bathers, 1967 Mixed Media watercolor & ink wash drawing Hand signed by the artist on lower right hand corner on the front 8 1/2 × 11 1/4 inches Unframed This is a uniqu...

Figurative ink and wash drawing of beagles and a terrier leading the hunter to the quarry by an unknown artist (American, 20th Century). Unsigned. Displayed in a rustic black and bro...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: N...

Carlos Garcia de la Nuez (Cuba, 1959) 'Desde una Isla', 2005 engraving on paper Velin Arches 300 g. 28 x 39.8 in. (71 x 101 cm.) Edition of 99 Unframed ID: GAC-111 Hand-signed by author ___________________________________________________________ Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta, José Franco and Moses Finalé.  In 1979 García de la Nuez entered the San Alejandro Academy of Arts and in 1983 completed his studies at the Instituto Superior de Arte in Havana. He received his Masters of Arts in 1988 from the Massachusetts College of Art and Design in Boston, upon receiving a scholarship from the Rockefeller Foundation. He spent a decade working and living in Paris, where he exhibited across Europe and was selected to participate in a silkscreen portfolio, Kinderstem, published by Domberger-Edition in Germany that featured García de la Nuez along with Max Bill, Sol LeWitt, Keith Haring, Christo, among others. In the early 1990’s García de la Nuez relocated in Mexico City, where he currently works and lives.  The artist’s works have been exhibited in various museums around the world including Boston, New York, Miami, Buenos Aires, Sao Paulo, Rio de Janeiro, Bogota, Mexico City, San Jose, Panama City, Canada, Paris, Berlin, Stuttgart, London, Madrid, Moscow and Havana.  His work has been awarded the Painting Award 13 de Marzo...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: AM3_2454 Aaron Knight is an American visua...

This is an abstract 3D wall sculpture in wood, acrylic, rope, and ink. it is from artist Paul Cava's "Wood Work" series, which applies the collage aesthetic he has incorporated into ...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...