Art by Medium: Lithograph

Buky Schwartz (pronounced BOO-kie) (Hebrew: בוקי שוורץ‎; June 16, 1932 – September 1, 2009, Tel Aviv) was an Israeli sculptor and video artist. Moshe (Buky) Schwartz was born in Jer...

Fleur d'Helice, 1969 Lithograph in colors on Chiffon de Mandeure paper Maeght Editeur, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition 62 of 75 Professionally framed...

Mark di Suvero - Planetaire Stone lithograph on paper Signed and numbered 5/25 in graphite pencil on the front Published by Galerie Christian Cheneau, Paris. Unframed This work is la...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Color lithograph, 1979. An artist's proof impression, aside from the numbered edition of 175. Signed by the artist in pencil, lower right. Inscribed "AP" (artist's proof) in pencil...

Benton Spruance, 'Nero', 2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered) Lithograph, 1904 Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...

Medium: original lithograph. Published in Milan in 1969 by Alfonso Ciranna and printed on quality wove paper. Size: 14 x 10 inches (360 x 255 mm). A soulful self-portrait by Surreali...

Original c. 1930 "La Bretagne Pittoresque Lannion" Vintage French Travel Poster – Rare Art Deco France Wall Décor. Archivally linen-backed and in B+ to A- condition. There was a tear...

Yves GANNE (1931-2019) In the Poppy Field Original Lithograph Signed on pencil Justified EA (artist's proof) Numbered out of 35 copies On vellum Arches 76 x 54 cm (c. 29.92 x 21.25 ...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

Le Corbusier Hand with Enigmatic Symbol, 1964 Original lithograph Printed signature in the plate On vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forces-Vives (Paris) in 1964...

Artist: Chagall (After), Marc Title: Lovers at the Isbah Series: Derriere le Miroir Date: 1981 Medium: Offset Lithograph Unframed Dimensions: 15" x 22" (double page, with fold...

Artist: Peter Max (1937) Title: Sailboat East on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 17 x 13 inches Condition: Excellent I...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

This delightful original avant la lettre poster created in 1904 by celebrated French caricaturist and illustrator Adrien Barrère was produced for "Le Sire de Vergy", the immensely po...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Artist: Henri Matisse (1869–1954) (after) Title: Blue Nude XII (Nu Bleu XII) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26....

Medium: lithograph (after the original lithograph for La Liberte des Mers). Printed for Derriere le Miroir (issue no. 121-122) in 1960, and published in Paris by the Maeght atelier. ...

Joan Miro (1893-1983) - Dans la rivière basse (In the Low River) Lithograph from 1967. The edition of 99/100 on Arches paper with full margins. Dimensions of sheet: 31.1 x 23.2 cm...

Kees VAN DONGEN Brigitte Bardot : Blond Woman with Tall Eyes Original lithograph (printed in Mourlot workshop) Printed signature in the plate On paper 77 x 52 cm (c. 31 x 21 inch) ...

Beautiful psychedelic poster of 1966 by John H. Myers to promote the concert of The Yardbirds and Country Joe and the fish. The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup included vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja, and bassist/producer Paul Samwell-Smith. The band launched the careers of three of rock's most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page, all of whom made the top five of Rolling Stone magazine...

Medium: original lithograph. Printed in 1962 for the art revue Derriere le Miroir (issue number 131) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 558 mm). There is a...

Hommage a Rene Char litho by Moulot Imprimerie After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized Europe...

This is an exclusive handprinted limited edition cyanotype. This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond. Details: + Title: Ja...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 188) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). Not signed...

This impressive circa 1900 original poster by L. Vignères promotes the celebrated French manufacturer Gladiator, a company known at the turn of the 20th century for producing bicycles, motorcycles, and early automobiles. The poster reflects the optimism and technological enthusiasm of the Belle Époque, when personal mobility and mechanical innovation captured the public imagination. The striking central image shows a rider astride a rearing horse balanced atop a globe — a powerful allegory suggesting speed, strength, and global ambition. This symbolic imagery connects traditional horsepower with modern mechanical power, effectively positioning Gladiator as a leader in the transition from horse-drawn transport to motorized travel. Stylistically, the poster combines late 19th-century academic illustration with emerging advertising dynamism. The bold typography, dramatic composition, and vivid color contrasts make the image immediately eye-catching, typical of early commercial posters designed for urban display. Today, this poster stands as both a historical document of early automotive culture and a compelling example of Belle Époque advertising art, illustrating how industry, modernity, and artistic creativity converged at the dawn of the motor age. Original Poster Advertisement - Transportation - Automobile - France Horse Printed by Courbet...

Artist: Alexander Calder (1898–1976) Title: Celebrations (Fêtes) Year: December 1971 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Notes: This exquisite lithograph by Alexander Calder (1898–1976), titled Fêtes (Celebrations), originates from the December 1971 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1971. The composition exemplifies Calder’s distinctive exploration of movement, balance, rhythm, and abstraction, translating into the graphic medium the dynamic visual language that transformed twentieth-century sculpture. Through an economy of line, shape, and color, Calder creates a composition animated by a sense of buoyancy and spontaneous movement, demonstrating how the principles underlying his celebrated mobiles and stabiles could be reimagined within the two-dimensional space of the printed image. Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned simultaneously as an exhibition catalogue and as an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. ALEXANDER CALDER (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized modern sculpture and transformed visual language. Born in Lawnton, Pennsylvania, into a family of artists, he trained as a mechanical engineer before moving into art, a combination that shaped his lifelong engagement with balance, structure, and motion. After relocating to Paris in 1926, he entered the avant-garde circle and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose influences helped shape his vision. Calder’s Cirque Calder introduced performance, humor, and engineering into sculpture, and he later invented the mobile, named by Duchamp, as well as its stationary counterpart, the stabile. His delicately balanced moving works and monumental public sculptures redefined the possibilities of abstraction and spatial experience, influencing artists such as Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson. His gouaches, prints, and jewelry extended his vocabulary of rhythm and color across media. Represented in every major modern museum including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, he stands alongside Picasso, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray as one of the defining voices of modern art. Calder’s highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for 25.9 million USD at Christie’s, New York, on May 15, 2014, affirming his enduring influence and collectibility. Alexander Calder Fêtes (Celebrations), Calder Derriere le Miroir, Calder Maeght Editeur Paris, Calder Imprimerie Arte, Calder 1971...

Artist: Juan Garcia Ripolles (1932 - ) Title: Harlequin Leaping Date: 1971 Medium: Lithograph, signed and numbered in pencil Edition of E.A. XX (20) Size: 25.5 in. x 19 in. (64.77 cm...

Marc Chagall (1887-1985) - David and Bathsheba Original Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 132. On the reverse: a...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

The Trapped is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. ...

Abstract is an original lithograph on paper by Jean Mailhe (born1912), realized in 1967 as cover for the invitation to Mailhe's vernissage organized by "L'...

This is an original poster created circa 1975 by the well known French poster artist Michel Canetti. Canetti was first trained as an illustrator and then progressed to posters. He us...

Johns, Jasper (American, born 1930). ALE CANS (I). Wesleyan 202. Lithograph from two plates (blue background, black image), 1975. Edition of 41 plus 11 Artist's Proofs. Signed in pen...

Medium: original lithograph by artist Regina Cassolo Bracchi, better known simply as Regina. Printed in 1955 for the very rare Documenti d'Arte d'Oggi. Size: 8 1/2 x 12 1/2 inches (2...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

Beautiful lithograph by the great Parisian Art Nouveau artist. It depicts with rare effectiveness the unmatched atmosphere of the Belle Époque with a snobbish noblewoman sitting in h...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Joerg Reme Untitled IV from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed i...

''FMSWNL'' from the limited edition of 100. Pencil hand signed and dated. Joan Snyder, (born April 16, 1940), is an American painter from New York. She is a MacArthur Fellow, a Gu...

Cannes AM After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized European painting and sculpture in the earl...

'Mode degl' Indiani in Mechoacan' / 'Idoli del Messico'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...

"Untitled 2 from the Shtetl Portfolio" is a lithograph by William Gropper (1897-1977). The print's lively caricature style captures a scene of dance and celebration within the artist...

“Le Chapeau Épinglé (The Pinned Hat) 1E Planche” is a lithograph on paper by Pierre-Auguste Renoir. The work exists in two plates (the 1ère and 2ème Planche) which is a deliberate ...

ARTIST: Salvador Dali TITLE: Sol Y Dali MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 153/200 MEASUREMENTS: 16.5" x 21.9" YEAR: 1967 FRAMED: Yes CONDITION: Excelle...

Gustavo Montoya Chess Game, 1985, (15/100) Lithograph on paper 37.10 x 30.10 inches A Mahatma Gandhi-like person is seating over a chess game and the reflection is seen on the indiv...

Marcel Vertes (French /Hungarian 1895-1961) Tango, from the suite Dancing, Jazz age in Paris. lithograph in colors on paper, published by Gustave Pellet-Paris, hand signed in pencil,...

Artist : Nile Jade Title: HARP Year: 1998 Lithograph on Arches Archival Paper Paper Size 29" x 35" inches Signed in pencil and marked 100/299 Printed by Mourlot Paris Nile Jade was...

Medium: original lithograph. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart f...

Artist: Peter Max (1937) Title: Angel with Sun II Year: 2002 Edition: 427/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Insc...

Very interesting colored lithograph, representing a winged woman bust with erotic and surreal symbols. Hand numbered and signed in white pencil on the plate, on the lower margin. Edi...

Original French poster: CORDIAL TOPAZE; Marie Brizard & Roger Bordeaux wine; original lithographic French 1924 antique poster. Signed but an illegible signature. Size: 18" x 24"...

Alexander Calder (American, 1898-1976) The Red Sun (Soleil Rouge), 1965 Lithograph in Colors Sheet Size: 22” x 32” Printed by Maeght Editeur, Paris Edition: 10/90 Alexander Calder w...

Gina Pellon Untitled Lithograph on paper Ed. IX of X

Medium: original lithograph. The catalogue reference is Mourlot 1106. Printed in 1976 for the art revue XXe Siecle (issue number 46) and published in Paris by San Lazzaro. Sheet size...