Art by Medium: Lithograph

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

JOSE CLEMENTE OROZCO (Mexican 1883 – 1949) WILD PARTY 1935 (Orozco 28) (aka - Borrachos en la cama quebrada, Borracho’s & Fin de Fiesta - Miseria) Lithograph signed and numbered 91...

This first release lithograph titled Spirales by Alexander Calder is a captivating piece of art that showcases Calder's signature style of bold, swirling forms. The lithograph is pla...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph by the renowned African American artist Jacob Lawrence, printed using traditional hand ...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

This artwork "Un Vase de Fleurs III (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is...

Medium: original lithograph. Catalogue reference: Mourlot 81. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriad...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). NEW DREAMS was printed from hand d...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

Yayoi Kusama - Rare historic mid 1960s "Floor Show" invitation announcement at Richard Castellane Gallery, New York, 1965 Offset lithograph poster, bearing Richard Castellane Gallery's distinctive stamp logo Scarce and absolutely historic original exhibition poster invitation for Yayoi Kusama’s seminal 1965 exhibition at the Richard Castellane Gallery on Madison Avenue in York City – bearing Castellane Gallery's original official stamp on the verso. This work has been framed in a museum quality painted wood frame under UV plexiglass, with a circular die-cut window in the back to reveal the distinctive Castellane Gallery logo. Provenance: Estate of Richard Castellane Measurements: Framed 28.5 inches (vertical) by 23.5 inches (horizontal) by 2 inches Poster 21 inches (vertical) by 16 inches (horizontal) Background/Discussion In November 1965, Yayoi Kusama debuted her historic "Floor Show" exhibition at the Castellane Gallery in New York City. The gallery was exclusively owned and operated by Richard Castellane, a pioneering Ivy league educated art dealer and Renaissance man who opened the venue on Madison Avenue in 1959. Castellane champion-funded Kusama’s career, actively sold her art, and personally amassed a massive collection of her pieces. (He also hosted groundbreaking exhibitions by artists such as Robert Smithson). Castellane described Kusama as entirely "fearless" and "gutsy," noting that she never demonstrated self-doubt despite navigating a highly exclusionary, white, male-dominated 1960s art market Kusama’s 1965 "Floor Show" was one of the most vital moments in modern art history because it introduced the world's first-ever immersive mirror installation: Infinity Mirror Room—Phalli's Field. The Installation: Inside an enclosed room, the floor was covered with hundreds of stuffed, fabric phallic sculptures...

Etching with pochoir and gold overlay. Edition of 121/250. Hand signed and numbered in pencil. Ref. Michler-Lopsinger 477c. Very good condition. The artwork is from the series So...

Lithograph page from XXieme siecle, a publication of art magazines first published in 1938 by Gualtieri di San Lazzaro until his death in 1974. The magazine reviewed new art, poetry...

Jadé Fadojutimi, A Season's Echo, 2022 Lithograph 65.7 × 48.1 cm sheet size 76 x 60 - Framed Edition of 50 + 7AP hand-signed and numbered by the artist Jadé Fadojutimi is a British...

This original lithograph in black ink was created by the artist in 1961. From A Los Toros avec Picasso, this lithograph is dated 6.3.61.I in the stone and measures 10 x 13 in. (25.4 ...

Original Lithographic Poster created 1895 by Henri de Toulouse-Lautrec. Title: “La Revue Blanche” Medium: Stone Lithograph on Paper Signed: Lower left with the artist’s monogra...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

This lithograph in 24 colors on wove paper was created in 1961. Dated twice by the artist within the original lithograph plate, unsigned as issued. Published by Andre Sauret, Monte C...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king sin...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Paper Size: 45 x 30 inches ( 114.3 x 76.2 cm ) Image Size: 45 x 30 inches ( 114.3 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Original color abstract surrealist lithograph by Joan Miro, Spanish (1893–1983), titled "Star Scene", 1969. A bright and bold composition by the Spanish master of surrealism, Joan Mi...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Collage by Eduardo Chillida is a limited edition lithograph, expertly printed on Stonehenge Super White mat finish paper and published by ARTE in Paris in 1995. This print features a...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of ...

This powerful 1941 Soviet poster by Dmitri Shmarinov is a striking example of wartime propaganda produced during the early months of the German invasion of the Soviet Union, known as...

Pablo Picasso (1881-1973) - Picador Original lithograph from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Dimensions of frame: 52 x 42 cm. Publishe...

The 1936 original poster by Ludwig Hohlwein, created for Deutsche Lufthansa, presents a striking image that intertwines aviation and Olympic symbolism. This poster, though not an off...

This untitled lithograph by Johnny Friedlaender was published as part of Editions du XXème Siècle and exemplifies the artist’s distinctive abstract style. Known for his innovative te...

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on the front in graphite pencil (there is...

Joan MIRO (1893–1983) Woman Celebrating Victory, 1965 Colour lithograph (Arte / Maeght studio) based on a drawing Signed on the plate On fine vellum, 56 x 45 cm (22 x 17.7 in) REFE...

One of the many Iconic images by Shepard Fairey from the 2008 Campaign trail. This is a print that will stand the test of time in both artist and political forums. Edition Detail...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

'1. 2. Pseudolycaena marsyas 3. 4. Evenus regalis' Late 19th century colour lithograph of butterflies.

“Light is not so much something that reveals, as it is itself the revelation.” - James Turrell James Turrell Key Lime, Rare LACMA Exhibition print, 2013 Scarce Offset lithograph pos...

This original lithograph in black ink was created by the artist in 1961. From A Los Toros avec Picasso, this lithograph is dated 6.3.61.IV in the stone and measures 10 x 13 in. (25.4...

Andre DERAIN (1880-1954) (after) Fauvist View of the Harbour of Collioure Lithograph after a 1905 painting (Mourlot Studio) Signed in the plate On Arches Vellum 50 x 65 cm (c. 20 x...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 6) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Rare early 1980s exhibition catalogue published on the occasion of: “Expressive Painting After Picasso”- a group featuring works by: Pablo Picasso, Jean-Michel Basquiat, Francis Baco...

ECLIPSE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

This circa 1960 Soviet propaganda poster is a powerful visual representation of communist ideology, prominently featuring Vladimir Lenin, Friedrich Engels, and Karl Marx—the foundati...

The 1890 original poster by Eugène Grasset for the Théâtre National de l'Odéon is a prime example of the elegant and refined design that defined the French Belle Époque period. This ...

Marc Chagall (1887-1985) - Maternity and Centaur Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...

Paul Signac Bridges Seen from Seine River (Paris : La Passerelle des Arts vue des Quais de la Seine) Lithograph and stencil (Jacomet process) after a wa...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

'1. Castnia eudesmia 2. Castnia huebneri 3. Synemon catocaloides 4. Neocastnia nicevelli' Late 19th century colour lithograph of butterflies.

Paper Size: 27.25 x 21 inches ( 69.215 x 53.34 cm ) Image Size: 27.25 x 21 inches ( 69.215 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...