Art by Medium: Lithograph

This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...

Claude VENARD (1913-1999) Woman by the Sea Original Lithograph Signed in pencil Numbered / 100 copies On Arches vellum, 74.5 x 52.5 cm Very good condition, minor handling defects o...

Marc CHAGALL (1887-1985) Bible : Dove and Menorah candlestick, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalog raisonné #366 ...

Amen - From "Pater Noster" is an original lithograph by Salvador Dalí, from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1966. This beautiful and peaceful print re...

Original Vintage 1933 French Automobile Poster – Roby Ranty Marot Art Deco Calendar Art Print Classic Car Advertisement. Archival linen backed in...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Marilyn Monroe, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the ...

ECLIPSE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Original linen-backed World War 1 YMCA poster. "Workers Lend Your Strength the Red Triangle, YMCA, Help the "Y" help the fighters fight, United War Work C...

Felipe Pantone - CHROMADYNA MICAP #2 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph...

Vintage French fashion poster, original lithograph, by Jean Choiselat, (1947). Take a step back to the 1940s to immerse yourself in the surprising work ...

Artist: Maurice de Vlaminck (French, 1876-1958) Title: Paysage Year: 1952 Medium: Original color lithograph Edition: Numbered 66/75 in pencil Paper: Arches Image size: 14.5 x ...

Joerg Reme Untitled VII from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed ...

Collotype in colours with collage and hand-colouring Edition 24 of 98 75.8 x 55.8 cm (29.8 x 22 in) Signed with initials and numbered on the front Condition upon request Published by...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original vintage poster: La 18 ch Peugeot. Archival linen-backed art deco early antique French automobile poster. Notable artist Rene Vincent. Excellent condition. Black and white lithograph on natural unbleached paper. Ready to frame. This is a full-size poster and not a magazine ad. From our research, it has been almost a decade since the last copy of this poster was available. Rare Rene Vincent automobile poster. Black and white posters are a rarity as far as vintage posters are concerned. The original idea was to catch the attention of passersby in every possible way. Color was an essential tool in advertising when posters were an essential source for name-brand recognition. The absence of color gives these auto posters a touch of class. They can also be compared to old photographs. Either way, you're looking at something special. This one is incredibly cool since it came from the talented artist Rene Vincent. If his name doesn't ring a bell, his poster "Porto Ramos" probably will if you look it up on our site. You will find that he also created automobile posters as early as 1905, which are all extremely rare and hard to find. Don’t let this excellent-condition vintage poster pass you by. Vincent only got to devote a little time to posters once he was in his forties, after working for many years in various publications--mainly humor and fashion magazines--and in decorative design. However, once he made the switch, he produced prolifically posters, even using additional pseudonyms. He preferred sleek automotive posters...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

'Indian-Persian - Indo-Persian - Indisch-Persisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Raci...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Alexander Calder (1898-1976) - Spiral with pumpkin Lithograph from 1972. Edition of 75 on Arches paper, numbered 31/75; total edition includes 20 hors-commerce and 7 artist’s proof...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a red orange skirt, multicolored floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography! Print size - 36.25 x 25.5 inches, unframed, mint condition, pencil signed and numbered by James Denmark, Certificate of Authenticity provided. Image size - 27.75 x 16.5 in. Edition size - 250, plus proofs Year published - 1996 Printer - J K Fine Art Editions Co., NJ Publisher - Mojo...

Vintage Montmousseau Methode Champenoise original poster — Linen-backed and ready to frame. Condition B+, but presents extremely well. No paper loss. Why did I give the poster a B+...

The 1988 poster for “David Hockney: A Retrospective” at The Metropolitan Museum of Art is a vibrant and visually striking representation of the artist’s distinct style. Featuring Hoc...

This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Bleus (The Three Blues), from the folio Derriere le miroir, Sur Quatre Murs (Behind the Mirror, On Four Walls), N...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Medium: original lithograph. Printed in 1958 for the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 560 mm)...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Coucher De Soleil Sur La Mediterranee (Sunset Over the Mediterranean), from Verve, Revue Artistique et Litteraire, Vol...

Lithograph realized by Virgilio Guidi in 1960s. Hand signed on the lower margin. Numbered on the lower left margin Edition of 75 Good conditions except for some lights foxing and...

Untitled is a modern artwork realized by Wifredo Lam in 1970s. Mixed colored lithograph, realized after one of the Artist's paintings. Hand monogrammed in the right lower margin wi...

Collage by Eduardo Chillida is a limited edition lithograph, expertly printed on Stonehenge Super White mat finish paper and published by ARTE in Paris in 1995. This print features a...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

ITZCHAK TARKAY "Small Talk" Hand Signed Numbered Serigraph. In good condition measures 52x32

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

Original 'La France Manque d’Huile, cultivez des Oleagineux' vintage French poster. Linen backed in excellent condition, ready to frame. FREE Continential USA shipping. Transpor...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

Artist: Marc Chagall Medium: Lithograph Title: Solomon Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 126 Framed Size: 22 1/2...

Medium: original lithograph. Printed in Paris in 1930 at the Atelier Desjobert for "Alice's Adventures in Wonderland". This is from the edition of 350 on Rives paper printed under th...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 3/8 x 4 5/8 inches (238 x 122 mm). Sheet size: ...

Untitled is an artwork realized by Giovanni Dova, 1970. Color lithograph, signed lower right. Edition number III/XXX lower left. 76.5 x 51 cm. Excellent condition.

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

This artwork "Untitled" is a color off set lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 23/3...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle D.A. (Miss D.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...

Philippe Henri Noyer, French (1917 - 1985) Lovely to Look at Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition Size: 250 Size: 28.5 x 41 in. (72.39 x 104.14...

This is a Peter Max signed and number lithograph “quiet lake”. In good condition. Frame has some minor scratches. 33 Out of 50

Artist: Andre Minaux, French (1923 - 1986) Title: Goldfish Year: circa 1979 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 120 Image Size: 21 x 26 inches ...

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). There is printed text on the back, as issued. Signed ...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires Lithograph from 1969. The edition: A 246/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: Éditions Cer...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Inspire (Inspiration), from Chagall Lithographe II (Chagall Lithographer II), originates from the September 1963 issue...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Ciel a Honfleur (Sky at Honfleur), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, P...

Medium: original lithograph. Printed in 1956 for the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). Signed in the...