Art by Medium: Lithograph

Herve Telemaque Untitled Composition (Poligrafa, Redfern, French Modern Art) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Siz...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

Medium: lithograph (after the painting). Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 2...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Fernand Leger created a series of posters at the atelier of Mourlot Frere...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L'Écuyère (The Horsewoman)" *Unsigned edition, though signed by Picasso in the plate (printed signature) lower right Year: 1960 Med...

Pierre GARCIA-FONS Orange Fruits Original lithograph Signed in pencil Justified E.A (artist proof) On vellum 57 x 76 cm (c. 22.4 x 29.9 inch) Very good condition, little defects in...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical paradise, evoking a realm of harmony, innocence, and divine presence through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of spiritual unity and transcendence, capturing the timeless serenity and mystical beauty of Eden within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of paradise and the enduring connection between humanity and the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradise I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, July 29, 1960 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, published by Editions de la revue Verve, Paris, 1960 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradise...

This is an exclusive handprinted limited edition cyanotype. Exquisite landscape of a "Mystic Louisiana Marsh". Details: + Title: Mystic Louisiana Marsh + Year: 2025 + Edition Size:...

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). N...

1960s Salvador Dalí­ Signed and Dated Work on Paper The work shown here is a famous piece by Salvador Dalí, taken from the suite dedicated to Wil...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Rev...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

TAKASHI MURAKAMI - PHANTASMA Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition: 300 Size: 68 x 68 cm Observations: Offset lithograph with silver on paper ...

'Blattpflanzen I' (Leaf Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (s...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (volume 1, number 2). Kandinsky was invited to contribute an original compositi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Regards Sur Paris (Views of Paris), originates from the January 22, 19...

Medium: original lithograph. Printed in 1961 for Derrière le Miroir (issue number 124) and published in Paris by Maeght. Size: 15 x 22 inches (377 x 557 mm). There is text on verso w...

Medium: original lithograph. Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 14 3/4 x 22 inches (377 x 557 mm). ...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. Image size: 9 1/2 x 7 1/4 inches (240 x 183 mm). Sheet size: 12 1/8 x...

Eduardo Chillida Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (2...

This exquisite lithograph after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 31-...

Mid-Century Shapes X is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussian b...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, thi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Chandelier (The Candelabrum), from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition pu...

Artist: Keith Haring (American, 1958-1990) Title: "Keith Haring for Emporium Capwell (South of Market)" *Signed by Haring in the plate (printed signature) lower right Year: 1985 (Fir...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Lucio Fontana (1899-1968) - Concetto Spaziale Lithograph from 1975. This impression comes from the special edition of 55 copies reserved for artists, editors, friends, and collabor...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...

This exquisite lithograph by Kees van Dongen (1877–1968), titled Montmartre (Montmartre), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue publishe...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu III (Blue Nude III), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

This exquisite lithograph by Marc Chagall (1887–1985), titled Bateau-Mouche au Bouquet (Excursion Boat with Bouquet), from Regards Sur Paris (Views of Paris), originates from the Jan...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Published ...

Medium: original lithograph. Printed in 2012 on BFK Rives paper for a special issue celebrating the re-launch of the legendary art revue Cahiers d'Art. Size: 12 3/8 x 9 1/2 inches (3...

Medium: original lithograph. Printed in 1960 for the "Poetes, Peintres, Sculpteurs" issue of the art revue Derriere le Miroir (issue number 119) and published in Paris by Maeght. Siz...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...

Edition Details: Year: 2008 Class: Art Print Status: Official Technique: Offset Lithograph Paper: Thick manila Size: 24 X 36 Given away at Obama campaign events to show support for ...

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate Numbered / 500 Published in "Edition d'Art Henri Piazza" Authenticated by the blind...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This artwork titled "Plate #4 from Album 19" 1961, is an original color lithograph on watermarked BFK Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Tete (Head), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Jeanne Bu...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

This is an exclusive handprinted limited edition cyanotype of gorgeous rolling clouds. Details: + Title: Dense Rolling Clouds + Year: 2025 + Edition Size: 100 + Stamped and Certifi...

Lithograph on paper realized by Alberto Mastroianni in 1970s. Hand signed and numbered in pencil. Edition of 150. Good condition.

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Plafond de l’Opera de Paris (The Ceiling of the Paris Opera), from the album Le plafond de l’Opera de Paris par Ma...

This limited edition color lithograph, titled The Drunkard, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each prin...

Joerg Reme Untitled IX from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed i...

ELLA FITZGERALD is a limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed using traditional lithography techniques on archival printmaking...