Art by Medium: Lithograph

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Plafond de l’Opera de Paris (The Ceiling of the Paris Opera), from the album Le plafond de l’Opera de Paris par Ma...

This authorised Lithography " Portrait of a Young man" by Van Gogh was published in Munich, Germany by Franz Hanfstaengl in 60s. It is in mint condit...

This gorgeous, large vintage lithographic print, is a rare hand signed and numbered print from the limited edition of 150, the present work numbered 61/150. (There was, separately, a...

Medium: lithograph (after the painting). Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 2...

North Yorkshire By David Hockney 1997 Medium: Offset Lithograph Paper Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Image Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Edition Size: Un...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

David Hockney Rencontres 1964 Color Lithograph Size: 12.68 × 19.21 inches (32.2 x 48.8 cm) Signed in plate Edition: 1,500 Publisher: Galerie Krugier & Cie, Geneva, Switzerland Fr...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Artist: Slonem, Hunt Title: Peach Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Fernand Leger created a series of posters at the atelier of Mourlot Frere...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Salvador Dalí was born in May 11, 1904 in the small agricultural town of Figueres, Spain. Figueres is located in the foothills of the Pyrenees, only sixteen miles from the French bor...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Tete (Head), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Jeanne Bu...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La chambre de Vuillard aux Clayes (Vuillard's Bedroom at Clayes), from the folio Vuillard, Douze...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Mary Hutchinson (Mrs. Mary Hutchinson), from the album Portraits par Henri Matisse (Portraits by Henri Mati...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/8 inches (130 x 85 mm)...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VI (Blue Nude VI), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Rev...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mme Monique Mercier (Mrs. Monique Mercier), from the album Portraits par Henri Matisse (Portraits by Henri Matisse...

'Blattpflanzen I' (Leaf Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (s...

This artwork titled "Plate #4 from Album 19" 1961, is an original color lithograph on watermarked BFK Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

Picture stepping into the electric energy of Chicago's lakefront in 1934—a moment when the entire world seemed to converge to celebrate human achievement and technological possibilit...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches,...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art...

Offset lithograph poster Signed exhibiton poster for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hand signed, dated '88 and inscribed 'To Osc...

Medium: pochoir (after the mixed media collage). Printed in Paris at the atelier Daniel Jacomet and published in 1960 by Berggruen. The image measures 4 x 3 3/4 inches (105 x 96 mm)....

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

This exquisite lithograph by Joan Miro (1893–1983), titled Japan, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Bijutsu Shupan Sha, Tokyo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Japan Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Bijutsu Shupan Sha, Tokyo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 194 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 937. Condition: Well preserved, consistent with age and medium Provenance: Published by Bijutsu Shupan Sha, Tokyo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Bijutsu Shupan Sha in Tokyo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Bijutsu Shupan Sha’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Japan...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). Not signed. This original Andre Brasilier lithograph...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

Medium: original lithograph. Printed in 1914 on chine-colle paper by E. Duchatel and published in Paris by Gazette des Beaux-Arts. The catalogue reference is Sanchez and Seydoux 1914...

This limited edition color lithograph, titled The Drunkard, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each prin...

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Creole (Creole Dancer), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Creole (Creole Dancer) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

Jean-Michel Basquiat Enrico Navarra Gallery Paris 1999-2000: A set of 2 rare vintage Basquiat announcement cards published on the occasion(s) of: Jean-Michel Basquiat, Gallery Enri...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

Medium: original lithograph. Executed in 1982 for what was planned to have been the very last issue of Derrière le Miroir (issue No. 250), and published in Paris by the Maeght atelie...

Limited edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). Offered unframed. Ships rolled This li...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Plan ciner Maschinenanlage (Plan of a Machine Installation), from the folio Paul Klee, 12 aquarelles (Paul K...

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Lotus, originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Trib...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Jaune (Yellow Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght ...

Pablo Picasso (1881-1973) - Le Ballet Technique: Lithograph Year: 1954 Dimensions of the sheet: 31 × 22 cm (12.2 × 8.7 in) Dimensions of the frame: 52 × 42 cm (20.5 × 16.5 in) Publi...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue no. 161) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a ce...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Boxers is an original lithograph on paper realized by the artist Giuseppe Gallo in 2008. Edition 59/260, it is part of the suite "Olympic Games Beijing 2008". Excellent condition. ...

Lithograph from Editions Verve, Paris, 1952. Paper Size: 14 x 10.25 inches ( 36 x 26 cm ) Image Size: 6.75 x 8.5 inches ( 17 x 22 cm ) Framed: Framing available upon request. Ask o...

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...