Art by Medium: Lithograph

Watermelon is a colored lithograph realized by the Sicilian artist Renato Guttuso in 1982. The artwork is from  XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Not ...

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 5/8 inches (230 x 1...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Published ...

Offset lithograph poster Signed exhibiton poster for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hand signed, dated '88 and inscribed 'To Osc...

'1. Hestia idea 2. Ideopsis daos' Late 19th century colour lithograph of butterflies.

Offset lithograph card Provenance: Collection of Dan Pope, CBS News photographer who amassed an impressive collection of signed artist cards during the 1980s-1990s, acquired directly...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

This is an exclusive handprinted limited edition cyanotype. Exquisite landscape of a "Mystic Louisiana Marsh". Details: + Title: Mystic Louisiana Marsh + Year: 2025 + Edition Size:...

Janick LEDERLE Women of Guatemala Original lithograph Handsigned in pencil Numbered on /275 copies On vellum 53 x 68 cm (c. 20.8 x 26.7 in) Excellent condition

Barnet,Will (Amerian1911–2012). GRAMERCY PARK. Lithograph in colors, 2012. Edition of 100. Signed, titled, and numbered 48/100 10 1/4 × 12 3/4 inches (image), 15 3/4 × 18 1/4 inches ...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

Artist: Joan Miro Medium: Lithograph Title: Composition Year: 1965 Edition: 1150, unnumbered, as issued Sheet Size: 10" x 7 1/2" Framed Size: 17 3/4" x 14 1/2" Reference: Cramer 104...

Vintage pencil signed and numbered limited edition lithograph on deckle edged Arches paper. Shalom of Sefad (Shulem der Zeigermacher in Yiddish Shalom Moskowitz) Shalom of Tzfat liv...

Pegge Hopper “Three-Strand Illima” serigraph signed and numbered. Print appears to be in good shape. Frame has some cracks. Print appears to be very good shape. measures 50x34

⚓️ "The U.S. Marines Want You" Vintage WWII Recruitment Poster, 1942. Archival linen-backed and in very good condition. A tear at the top was repaired during linen backing. Note th...

Pablo Picasso (1881-1973) - Le Bacchanale Lithograph from 1957. The edition 153/275. With Arches watermark. Dimensions of work: 65 x 44 cm Publisher: Fernand Mourlot Éditeur, Pa...

Medium: original lithograph. Catalogue reference: Mourlot 192a. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. Chagall contributed this composition for the ...

Artist: Leonor Fini (Buenos Aires, 1907 – Paris, 1996) Title: Sorcière Bleue (Blue Witch) Date: ca. 1970–1972 Technique: Color lithograph on Arches paper Edition: E.A. 4/35 (Épreuve ...

Pablo Picasso (1881-1973) - Four original lithographs - A Los Toros series Lithograph from 1961. Dimensions of each work: 31 x 25 cm. Reference: Bloch 1014-1017; Cramer 113. Print...

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

Joan MIRO Espana, Surrealist figure, 1982 Original lithograph in colors (atelier Arte, Maeght) Printed signature in the plate On thin paper 95 x 60 cm (c. 37.4 x 23.6 in) Referenc...

Artist: Romare Bearden Title: The Open Door Year: 1979 Print: Lithograph on Somerset Paper Paper size : 22'' x 30'' Edition: Signed in pencil and marked 4/175 Romare Bearden is r...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

ARTIST: Salvador Dali TITLE: Time Stillness of Time MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine, New York EDITION NUMBER: EA MEASUREMENTS...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Artist: Marc Chagall (1887–1985) Title: Before the Painting (Devant le Tableau) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 ...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents (Blue Border)" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell...

Joan Miró Litografia Original VI Color Lithograph Year: 1975 Size: 13.25 × 10 inches (33.65 x 25.4 cm) Catalogue Raisonné: Weber, Genf, 949 (p86) Publisher: Maeght Editeur, Paris, Fr...

Medium: original lithograph. Catalogue reference: Mourlot 81. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriad...

Pablo Picasso (1881-1973) - Picador II Lithograph from 1961. Dimensions of work: 25 x 31 cm. Publisher: André Sauret, Monte Carlo. Reference: Bloch 1017; Mourlot 350; Cramer 113....

Andy Warhol - SPORTSWEAR JEANS INTERN. (Hand Signed by Warhol), from the estate of Warhol's last boyfriend Offset lithograph cover page Hand signed by Warhol in the front Provenance:...

Medium: original lithograph. Reference: Mourlot 282. Printed in Paris in 1960 at the Mourlot atelier for the frontispiece of the "Chagall Lithographe I" catalogue. Sheet size: 12 1/2...

Lithograph on paper realized by Alberto Mastroianni in 1970s. Hand signed and numbered in pencil. Edition of 150. Good condition.

Alexandra Nechita Can this be real From the my journey collection - 1999 Print - Lithograph on Arches Archival Paper   35½'' x 23¾'' inches Edition: Signed in pencil, dated and marked 139/199 Embossed with Mourlot Paris Stamp "I am so blessed to have a younger brother named Maximillian. Can this be real? I feel so infinitely happy, so full of life, so complete to have Maximillian. Loving to open up a chest full of race cars and trucks or kicking a ball the way boys do, was something unknown to me.""Having my pony tail pulled so much was another surprise of having a little brother. Even wild adventures like building pyramids out of live snails was nothing compared to trying to hold our garden spiders...

Jean COCTEAU Portrait of Charlie Chaplin, 1945 Original lithograph Printed signature in the plate On vellum 28 x 21 cm (c. 11 x 8 in) Excellent condition

Lithograph on BFK Rives-Velin, realized in 1981. Hand signed in pencil. One of 4 CTP Proofs, preceding the edition of 24. Printed by Georges Page at Litho Shop, Santa Monica. Blin...

Artist: Pablo Picasso Title: Le Ballet Medium: Lithograph Date: 1954 Edition: 10,000 Framed Size: 20 1/4" x 16 3/4" Sheet Size: 12 1/2" x 8 3/4" Signature: Signed in the stone Refere...

Pablo Picasso (1881-1973) - La Pique Lithograph from 1961. Dimensions of work: 25 x 31 cm. Publisher: André Sauret, Monte Carlo. Reference: Bloch 1014; Cramer 113. The work is i...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

ELLA FITZGERALD is a limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed using traditional lithography techniques on archival printmaking...

Offset lithograph poster Boldly signed in black marker by Ed Ruscha on the front This is one of only 23 hand signed posters that the artist contributed to the Venice Art Walk in 1988...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

Fernand LÉGER (1881 - 1955)(After) The Builders in blue Colored Lithograph Signed on the plate Numbered / 250 copies (Sample photo of the number) On Arches vellum 65 x 50 cm (c. 25....

Color lithograph after the 1961 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

Medium: lithograph (after the collage). Printed in 1976 and published in Lugano by Editore-Stampatore Giulio Topi in an edition of 500 for the "Pensieri Poesie Disegni Collages" port...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on the front. One of only 100 the artist signed in 1981 for the St. Louis Art Museum. with Artist's copyright (unnumbered) Frame included (vintage frame) This rare 1981 offset lithograph poster depicting Roy Lichtenstein's "Apple" is one of only 100 prints the artist signed for the Saint Louis Art Museum on the occasion of this 1981 ten year survey. It is extremely rare. It is held in the original vintage wood frame to preserve provenance. The gallery reserves the right to remove the glass for safe shipping. Measurements: Framed: 37 inches x 27 inches Sheet alone: 34.25 inches x 25 inches Roy Lichtenstein: A key figure in the Pop art movement and beyond, Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he chose for his art, Richard Hamilton, a fellow Pop artist, wrote in 1968: “Parthenon, Picasso or Polynesian maiden are reduced to the same kind of cliché by the syntax of the print: reproducing a Lichtenstein is like throwing a fish back into water.”1 Lichtenstein later recalled that 1961, the year he completed Girl with Ball, marked a break with both his own abstract style and “prevailing taste” in the art world. “Although almost anything seemed to be fair subject matter for art,” he recalled, “commercial art and particularly cartooning were not considered to be among those possibilities.”2 The figure from Girl with Ball came from a printed advertisement for the Mount Airy Lodge, in Pennsylvania’s Pocono Mountains, and he based another painting, Drowning Girl, on a comic book cover. In these two paintings and throughout his other work, Lichtenstein would copy the source image by hand, adjusting its composition to suit his narrative or formal aims, and then trace this altered sketch onto the canvas, aided by a projector. In this rigorously manual process, he used perforated templates to replicate and often exaggerate the dot patterning commonly used in printing imagery. Known as Ben-Day dots, this patterning became a signature element of his style, which incorporated the look of mechanical reproduction into the fine-art world of painting. His transformations of the source image typically included reducing the color palette to saturated primaries, eliminating incidental details, heightening contrasts, and “emphasizing the pictorial clichés and graphic codes of commercially printed imagery.”3 In Drowning Girl, for example, Lichtenstein cropped out much of the original scene and modified the statement in the text bubble, amplifying this image of a damsel in distress. Lichtenstein soon turned his attention from the clichés of commercial print culture to the aesthetic clichés of high art.4 With bold, graphic simulations of brushstrokes in prints like Brushstroke and Brushstrokes, for example, he parodied the autographic mark-making of Abstract Expressionism. Yet where Jackson Pollock had been seen to imbue his skeins of paint with a bravura energy and force, Lichtenstein turned that device into something clichéd, commercial, and reproducible. “Visible brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture,” he later said.5 Art history proved an enduringly rich field for Lichtenstein’s transformations. Concurrent with his Brushstrokes series were explorations of the landscape genre and, in 1969, two volleys at Claude Monet. Monet had also worked serially, devoting multiple canvases to a sustained study of the changing sun as it moved across the facade of the Rouen Cathedral or haystacks in a field. With his Cathedral Series and Haystack Series, Lichtenstein reprised those motifs in his signature Ben-Day dots, making Impressionism, in his words, “industrial.”6 In Artist's Studio “The Dance”, Henri Matisse’s Dance...

Joan Miró Litografia Original IV Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.36 Publisher: Ma...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...

Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...

ITZCHAK TARKAY "Small Talk" Hand Signed Numbered Serigraph. In good condition measures 52x32

Medium: original lithograph. The catalogue reference is Mourlot 857. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2...

Pierre Alechinsky (1927) - Résumé Original Lithograph from 1997. The edition of 125. Dimensions of work: 21 x 16 cm. Publisher: Atelier Franck Bordas, Paris. The work is in Exce...