Art by Medium: Monotype

Roaming Around is a Monotype with Collage and displays bold and bright colors to highlight this abstract figurative work of art. This is a new series of monotypes/collages by Charlotte Seifert...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 99 × 102 cm. Frame size: 114 x 117 x 5 cm. Acquired directly from the artist. Free shipm...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Reign Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acrylic...

In the Air Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including ac...

Unearthed III Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

The View Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950 on Cannery Row sardine paper. Winner of the Prix Othon Friesz, Victor di Gesu firs...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Printed on one of the artist's characteristic sardine-can wrappings from the Monter...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower right, 'Miklos Pogany' (Hungarian-American, born 1946) and dated '1987'; titled lower left, 'Flight to Byzanthium'. Additionally signed verso, dated, titled and inscribe...

Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a per...

This large-scale, colorful ocean landscape monotype gives the viewer a hidden vantage point: through the dark silhouette of tangled vines can be seen a placid, turquoise sea lapping ...

Printed in black and grey, this large scale abstract monotype depicts an interior scene. While Zalopany typically draws with subtle gradations of color and texture, here the artist e...

Monotype painting of American landscape with sky and sweeping clouds, printed in muted colors and black and white. A large train cuts a path atop a ridge. Michele Zalopany's masterfu...

Paper 44 x 30 in. / Paper 112 x 76 cm Monotype on white paper. Signed by the artist and dated 1989 lower right in pencil. Annotated G verso. Condition is as new except for a small ...

Large scale black and white stunning abstracted floral still life with sweeping brushstrokes and draped cloth. Lush and painterly composition for minimalist, contemporary and modern ...

Color cityscape and landscape with swimmers bathing with friends in a large sapphire blue pool or body of water. This monotype -- a unique painting in ink -- presents an atmospheric scene of European leisure and sports. Turquoise water contrasts with the swimmer's bodies, painted with shades of peach, with black outlines. Paper 35 x 26 in. / 90 x 66 cm. Monotype on white MBM Ingres d'Arches paper. Signed by the artist, annotated "IIC", and dated 1990 lower right in pencil. This large, multi-color monotype depicts a group of young men swimming...

Large scale color monotype of a Western landscape with sapphire blue sky, green trees, river, yellow and orange hills, and red clay cliffs, to enliven minimalist, modern, and contemp...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Clinton Storm was born in Grand Rapids, Michigan and received his bachelor of fine arts from the University of Michigan. He has shown in numerous solo an...

This artwork titled "Too Far II" 2004 is an original mixed media (color monotype and pencil drawing) by noted Swiss artist Francois Burland b.1958. It is hand signed, dated, numbered 1/1 and dedicated in pencil by the artist. The subject size is 7.75 x 10.5, including the pencil drawing is 10.75 x 13 inches, sheet size is 13 x 19.75 inches, framed size is 21 x 28 inches. Custom framed in a wooden black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

Title -Green Light Go Year- 2011 MonoType / Embossment =They are made by drawing on a plate or glass with a substance such as printer"s ink or oil paint. An impression is infused i...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 84 cm. Frame size: 118 × 99 x 5 cm. Acquired directly from the artist. Free shipmen...

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103 × 94 cm. Frame size: 119 × 109 x 5 cm. Acquired directly from the artist. Free shipme...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 64 cm. Frame size: 117 × 78 x 5 cm. Acquired directly from the artist. Free shipmen...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2015 monotype on paper Guarro Biblos 250g. 29 x 33.9 in. (73.5 x 86 cm.) ID: 1D201506 Hand-signed by author ______________________________...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2015 monotype on paper Guarro Biblos 250g. 29 x 33.9 in. (73.5 x 86 cm.) ID: 1D201507 Hand-signed by author ______________________________...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2015 monotype on paper Guarro Biblos 250g. 29 x 33.9 in. (73.5 x 86 cm.) ID: 1D201505 Hand-signed by author ______________________________...

VALERIE HIRD BREAK IN THE HORIZON, 2019 oil, monotypes, gesso, Arches paper, silver leaf, silver amulet 23 1/2 x 22 in. 59.7 x 55.9 cm. mythology

This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

This artwork titled "Popeye" c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and inscribed M.T in pencil by the artist. The image size is 23.5 x 17.5 inches, sheet size is 29.85 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

Ribs 12 (Abstract Print) Monotype - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everyt...

Oil based monotype (ie: not multiple) of horse. Expressionist, grays and browns with powerful textures and movement.

Monotype on paper Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennet...

In her Delft Garden series, artist Christine So first drew the outline of a plant in pencil and then painted it in a dark room —not paint– but with the cyanotype light-sensitive emu...

This artwork "Landscape #II" c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The i...

Carlos Rene Aguilera (Cuba, 1965) 'La fruta perdida', 2001 monotype on paper Deponte 300 g. 26 x 19.7 in. (66 x 50 cm.) ID: AGC-302 Unframed

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

Artist: Lawrence Fodor – American (1951- ) Title: Passing Shaman 17 Year: 1989 Medium: Monotype Image size: 18 x 12 inches Sheet size: 30 x 22 inches Framed size: 32.5 x 24.5 inches Signature: Signed, dated lower right by the artist Condition: Excellent Frame: Floating. Framed in modern wood frame. Frame in good condition. This haunting monotype is by the well-known artist Lawrence Fodor (1951-). It is in excellent condition, archivally mounted and floating in a modern wood frame. The maple frame is in good condition with a few very light scratches. Lawrence Fodor began the pursuit of painting when he was 10. He studied at Orange Coast College and received a BFA from Otis Art Institute in Los Angeles, California where he also did graduate work towards his MFA in printmaking and painting. He has studied, traveled and lived in Europe, Asia, Central and South America. His work is exhibited and collected extensively in private and public collections including the Lannan Foundation in Santa Fe, New Mexico and recently by the Modern Art Museum of Forth Worth, Texas, among others. In addition to a studio art career as a painter and printmaker he has done curating and fine art consulting, residential design and construction, graphic design, gallery management, set design and production for live theater. He has worked and had studios in Los Angeles, Long Beach and Santa Barbara, California, Kathmandu, Nepal, Tucson, Arizona and Santa Fe, New Mexico. He currently lives and works in Los Angeles, California and Santa Fe, New Mexico. Maintaining studios in both locations, his work includes painting using oil, alkyd resin and cold wax on canvas, panels, and wood boxes, monotypes, watercolors, other works on paper and photography. Source: Artist's website C UR R I C U L U M V I T A E BORN 1951, Los Angeles, CA. EDUCATION 1974 – 1976 Graduate Work toward MFA, Otis Art Institute • Los Angeles, CA 1973 Bachelor of Fine Arts, Drawing/Printmaking Major • Otis Art Institute • Los Angeles, CA 1971 Associate of Arts Degree, Fine Arts Major • Orange Coast College • Costa Mesa, CA TRAVEL 2015 – 2016 Independent study & research in Baja del Sur, Mexico 2013 Independent study & research in Key West & surrounding Keys & Islands including Dry Tortugas National Park 2009 – 2010 Independent study & research in Costa Rica, Argentina & Patagonia 1985 – 2008 Independent study & research in England, France, Germany, Italy, Spain, Mexico & Costa Rica 1974 – 1975 Independent study in Katmandu, Nepal 1974 Independent study & research in England, France, Germany, Holland, Italy & Switzerland S E L ECTED EXHIBITIONS 2019 “…a tireless hand.” • Friesen Gallery • Sun Valley, ID 2017 Eclipse: obscured memories • Friesen Gallery • Sun Valley, ID Amended Mythologies • Solo Exhibition • SCAPE • Corona del Mar, CA Purple Haze • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2016 EMERGENCE • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2014 Without Gravity • Solo Exhibition • Chiaroscuro @ Gebert Contemporary • Santa Fe, NM 2013 Friends and Family • Three-Person Exhibition with Florence Pierce & Mala Breuer • Charlotte Jackson Fine Art • Santa Fe, NM Again: Repetition, Obsession and Meditation • Group Exhibition with Agnes Martin, Sol Lewitt, Olafur Eliasson, Uta Barth, Chuck Close, Susan York & others • Lannan Foundation • Santa Fe, NM 2012 Infinite Sequence 2 • Two-Person Exhibition with Chris Richter • Friesen Gallery • Sun Valley, ID Holding Light 4: 315 paintings • Site-specific installation • ALCOVE 12.6: New Mexico Museum of Art • Santa Fe, NM Holding Light 02: 81 paintings • Installation • Laguna Art Museum • Laguna Beach CA Infinite Sequence • Two-Person Exhibition with Chris Richter • SCAPE • Corona del Mar, CA 2010 Ligatures and Kōan Boxes • Solo Exhibition • Friesen Gallery • Seattle, WA Considered • Group Exhibition • Friesen Gallery • Sun Valley, ID Speak for the Trees • Group Exhibition • Friesen Gallery • Sun Valley, ID & Seattle, WA 2009 Kōan Boxes • Solo Exhibition • Lannan Foundation • Santa Fe, NM Ligatures & Kōan Boxes • Solo Exhibition • Friesen Gallery • Sun Valley, ID Ligatures & Kōan Boxes • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2008 Ligatures • Solo Exhibition • SCAPE • Corona del Mar, CA Gold • Group Exhibition • Linda Durham Contemporary Art Stochastic II • Solo Exhibition • R Duane Reed Gallery • St. Louis, MO 2007 Stochastic • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2006 Summer Moon • Solo Exhibition • SCAPE • Corona del Mar, CA 2005 Moment of Inertia • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM Winter Group Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2004 Sustained Resonance • Two-Person Exhibition • SCAPE • Corona del Mar, CA Beneath the Surface • Solo Exhibition • Friesen Gallery • Sun Valley, ID Beneath the Surface • Two-Person Exhibition • Friesen Gallery • Seattle, WA Greek Contributions to Mankind • An Exhibition of Contemporary American Art • Group Exhibition, catalog • United States Embassy • Athens, Greece • Curator: Virginia Shore 2003 A Given Moment – Part 2 • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Jeannie Denholm • The Shed • Newport Beach, CA Outside Within • Group Exhibition • Friesen Gallery • Seattle, WA 2002 The Art Collection • Embassy of the United States of America • Dar Es Salaam, Tanzania 2002 A Given Moment • Solo Exhibition • Friesen Gallery • Sun Valley, ID Group Exhibition • Peyton Wright Gallery • Santa Fe, NM 2001 Stream from the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group Exhibition • Friesen Gallery • Seattle, WA 2000 Group exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Friesen Gallery • Seattle, WA 1999 Vestiges II • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1998 Into the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM The Romantic Landscape • Group Exhibition • Turner Carroll Gallery • Santa Fe, NM Vestiges • Solo Exhibition • Friesen Gallery • Seattle, WA 1997 The Dialogue Within • Solo Exhibition • Friesen Gallery • Sun Valley, ID Setting Prayers on Fire • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1996 Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM Two-Person Exhibition with Lucy Brown • Diane Nelson Fine Art • Laguna Beach, CA • Curator: Jeannie Denholm 1995 Setting Prayers on Fire • Solo Exhibition • Zenith • Denver, CO • Curator: Kyle Belding 1994 Two-Person Exhibition with Peter Joseph • Peyton Wright Gallery • Santa Fe, NM Solo Exhibition • Jan Maiden Contemporary Art • Columbus, OH 1993 Two-Person Exhibition with Holly Roberts • Jeannie Denholm Fine Art • Newport Beach, CA Solo Exhibition • Canyon Contemporary Art • Columbus, OH 1992 Perigrinari • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1991 Ex Arcanum Locus • Solo Exhibition • Friesen Gallery • Seattle, WA A Sense of Place • Group Exhibition• Peyton Wright Gallery • Santa Fe, NM 1990 In Lucem Proferre • Solo Exhibition • Friesen Gallery • Sun Valley, ID Monotypes from Black Mesa Workshop • Group Exhibition • Lone Pine Gallery • Irvine, CA Ritual Images/Ritual Objects • Two-Person Exhibition with Ann Mallory • Lone Pine Gallery • Irvine, CA 1989 Solo Exhibition • Friesen Gallery • Sun Valley, ID 1983 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA 1981 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA PUBL ICATIONS 2017 The Beauty in Painting A Time After Time. Sun Valley Property News, article by Courtney Lauck. 30 July 2017. “Chaco Issue,” Pasatiempo, Santa Fe New Mexican. Multiple photographs illustrating various articles about Chaco Culture National Historical Park. 21 April 2017. 2015 Chaco Canyon: Wandering the Past in the Present. Photographs & essay by the artist of Chaco Culture National Historic Park. Publisher: Andrews Art Books, Santa Fe, NM. 2015 Apparatus: in a Painter’s Studio. Photographs of vignettes in the studio of Lawrence Fodor by the artist, essay by Aline Branduaer. Publisher: Andrews Art Books, Santa Fe, NM. 2012 Holding Light, a catalogue documenting the work for an installation of paintings at the Laguna Art Museum, essay by Cyndi Conn. Publisher: Andrews Art Books, Santa Fe, NM 2009 Speak for the Trees, Composed by Andria Friesen, publisher Marquand Books, Inc., Seattle, WA. Illus.: In Lucem Proferre VIII, 1989-90, oil on canvas. Sarah S. King, Lawrence Fodor – Linda Durham Contemporary Art, Art in America, National Reviews, October 2009. Illus.: Ligature 12 Green/Blue-Green/Violet, oil/wax/alkyd on canvas. Kōan Boxes, catalogue to accompany Lannan Foundation Exhibition, essay Timothy Rodgers Ph. D., Chief Curator, New Mexico Museum of Art. Publisher: Lannan Foundation, Design Twin Palms Press, 2009. 2007 Hollis Walker “Larry Fodor...

This artwork, titled "Aerial V" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-2”. I believe this indicates the artist did 2 impressions of the monotype, and that they are not identical. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

Untitled, 1981, unique embossed monotype print on handmade paper. Created at the Institute of Experimental Printmaking by lauded American artist, Sam Francis (1923-1994). The Sam Fra...

This striking set of three original abstract monotypes by acclaimed Denver modernist Wilma Fiori (1929–2019) showcases her signature use of color and form. Rendered in a refined pale...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...

Monotype Charbonnel Ink Archival paper

This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...

Unique monotype with oil pastel, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, ...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...

Color monotype with collage. Kushner recently completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Bett...

This artwork "Untitled #3" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.65 inches, sheet size is 15 x 11 inches. It is in excellent condition. About the artist. Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...

This artwork "Untitled #1" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.75 inches, framed is 18.5 x 17.5 inches. It is framed in a wooden maple frame. It is in very good condition, frame have very minor scratches. About the artist. Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...

Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #7 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 22 x 1...

Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #5 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 20.5 x...

This vibrant abstract monotype by Colorado artist Wilma Fiori is a striking example of late 20th-century modern abstraction, featuring bold pink and yellow tones that create an energ...

Not Quite Green - Minimalist Transfer Monotype in Oil on Paper Original hand painted and transfer monotype painting by California artist Heather Speck (American, 20th C). A layer of...