Mary Chang

Still Life, abstact monotype, nature

2011

Title -Green Light Go Year- 2011 MonoType / Embossment =They are made by drawing on a plate or glass with a substance such as printer"s ink or oil paint. An impression is infused i...

Monotype Charbonnel Ink Archival paper

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

Oil on paper, signature Tom Bennett freedom of rich brushwork, warm colors

JAMES NARES Artaud's Arms (Exhibited at Brooklyn Museum), 1988 Color Monotype on Gampi Torinoko Paper 36 × 27 inches Signed James Nares and dated '88 l...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered on the front in ink Pub...

Michael Heizer III-8 (two unique works), 1983 Two monoprints on white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic paints Hand-signed by artist, Signed Heizer and dated in pencil lower left of left panel; chop mark lower left of left panel Two stunning unique works on paper with extensive hand painting were created by Michael Heizer at Tyler Graphics...

Friche / Fallow Land, 2018, Dry point on hand painted chine collé, 27 3/5 × 47 1/5 in; 70 × 120 cm, Edition Number 2 of 9 (unframed) Using black ink, anthracite charcoals and thin w...

Ouverture, 2018, Dry point on hand painted chine collé, 47 1/5 × 27 3/5 in; 120 × 70 cm Edition 2/9 (unframed) by François Pont Using black ink, anthracite charcoals and thin washes...

Friche / Fallow Land, 2018, Dry point on hand painted chine collé, 27 3/5 × 47 1/5 in; 70 × 120 cm, Edition Number 2 of 9 (unframed) Using black ink, anthracite charcoals and thin w...