Monotype Abstract Drawings and Watercolors
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Medium: Monotype
Building VI: modernist city architecture collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
Building V: modernist city architecture collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
Building IV: modernist city architecture collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
Factory XIV: modernist urban architectural collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
Factory XIII: modernist urban architectural collage on monoprint, red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
Factory XII: modernist urban architectural collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category
2010s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Ink, Archival Paper, Handmade Paper, Monoprint, Monotype
III-8 (hand painted, signed monoprint composition on two individual sheets)
By Michael Heizer
Located in New York, NY
Michael Heizer
III-8 (two unique works), 1983
Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...
Category
1980s Abstract Expressionist Monotype Abstract Drawings and Watercolors
Materials
Paint, Mixed Media, Acrylic, Handmade Paper, Color Pencil, Monoprint, Mo...
"the wind telling stories", Abstract, Collaged Monoprints, Ink, Botanicals
Located in Philadelphia, PA
This piece titled "the wind telling stories" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece ...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"fortress of inseparability", Abstract, Monoprints, Ink, Fabric, Botanical motif
Located in Philadelphia, PA
This piece titled "fortress of inseparability" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piec...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"who’s there?", Abstract, Collaged Monoprints, Watercolor, botanitcals
Located in Philadelphia, PA
This piece titled "who's there?" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measures 30"...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"an ancient conversation", Abstract, Collaged Monoprints, Ink, Botanical
Located in Philadelphia, PA
This piece titled "an ancient conversation" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Ink, Monotype
"held like a dream", Abstract, Collaged Monoprints, Ink, Botanicals
Located in Philadelphia, PA
This piece titled "held like a dream" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measure...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"when darkness yields", Abstract, Collaged Monoprints, Watercolor, Botanicals
Located in Philadelphia, PA
This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"casting out, calling in", Abstract, Collaged Monoprints, Ink, fabric, botanical
Located in Philadelphia, PA
This piece titled "casting out, calling in" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
"said the zinnia", Abstract, Collaged Monoprints, Watercolor, Botanicals
Located in Philadelphia, PA
This piece titled "said the zinnia" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This diptych piece m...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Fabric, Ink, Monotype
Unique heart carborundum etching and monotype (hand signed & inscribed)
By Emily Mason
Located in New York, NY
Emily Mason
Untitled (For Douglas), 1990
Carborundum etching and monotype on paper
Pencil signed, dated and inscribed "For Douglas"
Vintage wood frame included
This work was created ...
Category
1990s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Etching, Monotype, Mixed Media, Pencil
New Moon (unique) by renowned contemporary abstract artist
By Andrea Belag
Located in New York, NY
Andrea Belag
New Moon, 1990
Monotype on Wove Paper
42 × 30 inches
Hand signed and dated on the front
Published by Pelavin Editions, with blind stamp recto
Unique
Unframed
Lovely cont...
Category
1990s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Monotype, Lithograph
Monotype with hand painting geometric abstraction by renowned color field artist
Located in New York, NY
Kenneth Noland
Untitled, 1987
Monotype with hand painting on wove paper
Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...
Category
1980s Color-Field Monotype Abstract Drawings and Watercolors
Materials
Acrylic, Monotype, Pencil, Screen
Abstract Expressionist Rue de Paris Oil on paper - Transfer Monotype
Located in Soquel, CA
Abstract Expressionist Rue de Paris
Original transfer Monotype painting by California artist Heather Speck (American 20th C) abstract scene using oil and...
Category
1990s Abstract Expressionist Monotype Abstract Drawings and Watercolors
Materials
Oil, Paper, Monotype
Large Triptych of California Pool Patterns, Handprinted Cyanotype, Summer Style
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This gorgeous triptych is called "Fresh California Pool Patterns" which shows the semi-abstract movements of light reflect...
Category
2010s Minimalist Monotype Abstract Drawings and Watercolors
Materials
Photographic Film, Photogram, Monotype, Lithograph, Color, C Print, Wate...
City 7. 1964, paper, monotype, 44x63 cm
Located in Riga, LV
City 7. 1964, paper, monotype, 44x63 cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
He was born a...
Category
1960s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Monotype
City 9. 1964, monotype, 44.5x64.5 cm
Located in Riga, LV
City 9. 1964, monotype, 44.5x64.4cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
He was born a...
Category
1960s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Monotype
City 13. 1966, paper, monotype, varnish, 47x77 cm
Located in Riga, LV
City 13. 1966, paper, monotype, varnish, 47x77 cm
Soikans Nikolay, pseudonym Niklo de Martell (till 1953.)
1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist.
...
Category
1960s Abstract Monotype Abstract Drawings and Watercolors
Materials
Varnish, Paper, Monotype
Iain Baxter& "Alpine Skiing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Alpine Skiing and furniture armoire in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Containing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with snow capped mountains in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Merging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with ironing board in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Reaching Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Ranch Fence in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Regurgitating Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with beach chair or lawn chair in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Recovering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with music record or disc in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Correcting Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with refrigerator in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Kissing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Sandwich Maker in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Lettering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with framed house in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Jumping Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Dislodging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with barbecue grill in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Monotype Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Blue Triptych of Trio of Palms, Tropical Botanical Cyanotype, Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space.
Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture.
The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly.
These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space.
Details:
+ Title: Desert Palm Trio
+ Year: 2023
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...
Category
2010s Naturalistic Monotype Abstract Drawings and Watercolors
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Monotype, Photo...
Map
Located in New York, NY
2015
Monotype, ink drawing, and collage on Japanese paper
57 x 37 in. (145 x 95 cm)
Signed and dated in pencil
Unframed, excellent condition
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Ink, Monotype
Planets
Located in New York, NY
2008-09
Monotype, ink drawing, and collage on Japanese paper
35 x 23 1/4 in. (90 x 60 cm)
Signed and dated in pencil
Unframed, excellent condition
Category
Early 2000s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Ink, Monotype
Flying Fish
Located in New York, NY
2015
Monotype, ink drawing, and collage on Japanese paper
20 x 36 in. (53 x 93.5 cm)
Signed and dated in pencil
Unframed, excellent condition
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Ink, Monotype
Ribbons
Located in New York, NY
2015
Monotype, ink drawing, and collage on Japanese paper
57 x 37 in. (145 x 95 cm)
Signed and dated in pencil
Unframed, excellent condition
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Ink, Monotype
Dream Catcher
Located in New York, NY
2015
Monotype, ink drawing, and collage on Japanese paper
57 x 37 in. (145 x 95 cm)
Signed and dated in pencil
Unframed, excellent condition
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Paper, Ink, Monotype
Prize Blade 1, abstract male nude, expressionist brushwork, dark, monochromatic
By Tom Bennett
Located in Brooklyn, NY
Monotype
Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism
About Tom Bennett:
With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic.
Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut.
His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light.
Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...
Category
2010s Expressionist Monotype Abstract Drawings and Watercolors
Materials
Archival Ink, Archival Paper, Monotype
Untitled, from the Lehman Brothers Art Collection unique signed framed monotype
By Andrea Belag
Located in New York, NY
Andrea Belag
Untitled, from the Lehman Brothers Art Collection, 2003
Watercolor monotype on paper
Pencil signed and dated on the front
Framed
Gorgeous ...
Category
Early 2000s Abstract Geometric Monotype Abstract Drawings and Watercolors
Materials
Watercolor, Monotype, Pencil, Graphite
Field of Flowers #2
Located in Bloomington, IL
"Field Of Flowers #2" is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The print is professionally framed: floated on museum board in lacquered maple, with a...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Watercolor, Monotype
A Second Hand II
By Andrea Belag
Located in New York, NY
Andrea Belag
A Second Hand II, 1990
Monotype on cotton rag paper
42 1/2 × 30 inches
Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number
Unframed
Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed.
American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...
Category
1990s Abstract Monotype Abstract Drawings and Watercolors
Materials
Monotype, Pencil, Graphite, Rag Paper
Beauty for Sale, monotype (unique) signed by contemporary abstract artist
By Andrea Belag
Located in New York, NY
Andrea Belag
Beauty for Sale, 1990
Monotype on cotton rag paper
42 1/2 × 30 inches
Unframed
Pencil signed, dated and titled on the front; bears publisher name and copyright on the back
Exquisite monotype; both gestural and minimalist. The title speaks for itself and defines the work.
American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...
Category
1990s Abstract Monotype Abstract Drawings and Watercolors
Materials
Lithograph, Graphite, Monotype, Pencil, Mixed Media
Old Glory
Located in Bloomington, IL
"Old Glory" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a sanded acrylic plate with watercolor paints. The impervious surface of the plate allowed the paint to flow, pool, settle and dry in ways that are distinct from painting in an unmediated manner on paper. When dry, the plate was printed onto damp Hahnemühle Copperplate paper; the moisture in the paper reactivated the watercolor paint and the pressure exerted by the press transferred the image, resulting in a one-of-a-kind monotype print. In "Old Glory" Ledgerwood alludes to the American flag in its rectangular format and red, white and blue color scheme. The artist's signature, title and date are verso, in pencil, and the Manneken Press blindstamp is impressed into the lower left corner of the print.
Since the 1980’s Judy Ledgerwood has been exploring light, color, and space in paintings that combine the formal vocabulary of concrete abstraction with influences from pop culture to create vividly colored compositions. She combines decorative patterning, elements of textile design and other traditionally female crafts, with bold color and assertive brush strokes, traits associated with the historically male-dominated tradition of gestural abstraction. Often using stereotypically “feminine” elements, such as pastel colors and stylized floral patterns, Ledgerwood merges formalist and feminist concerns in works that are both sensual and subversive, with the ability to resonate beyond their initial impact.
Judy Ledgerwood has received awards from The Richard H. Driehaus Foundation, National Endowment for the Arts; and Illinois Art Council. Ledgerwood has also received an Artadia Award and a Tiffany Award...
Category
21st Century and Contemporary Contemporary Monotype Abstract Drawings and Watercolors
Materials
Watercolor, Monotype
'Fishtail' - organic abstraction - monotype - rainbow - Agnes Pelton
Located in Atlanta, GA
"Fishtail" is a monotype with colored pencil on kozo paper featuring hues of green, red, yellow, pink and blue. This work is framed in a gold frame measuring 18 by 16 inches.
Claire Whitehurst is inspired by the works of Ruth Asawa, Louise Bourgeois, Agnes Pelton...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Archival Paper, Lithograph, Monotype
'As A Butterfly' - organic abstraction - monotype - ombre - Agnes Pelton
Located in Atlanta, GA
"As A Butterfly" is a lithographic monotype on Rives BFK paper featuring hues ofpurple, orange, blue and yellow. This work is framed in a gold frame measuring 25.5 by 22 inches.
Claire Whitehurst is inspired by the works of Ruth Asawa, Louise Bourgeois, Agnes Pelton, Hilma af Klimt, Alma Thomas...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Archival Paper, Lithograph, Monotype
'In France, On A Bike' - organic abstraction - monotype - rainbow - Agnes Pelton
Located in Atlanta, GA
"In France, On A Bike" is a monotype with gouache on kozo paper featuring hues of yellow, purple, blue and pink. This work is framed in a gold frame measuring 1...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Archival Paper, Lithograph, Monotype
"Frozen Lake" Abstracted Landscape
Located in Soquel, CA
Evocative abstract landscape by Martin Kallman (American, 1925-1992). This piece has large sections of light and shadow that overlap each other, as if c...
Category
1980s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Paper, Crayon, Ink, Monotype
'Mask in the Vanity Mirror' - organic abstraction - rainbow - Agnes Pelton
Located in Atlanta, GA
"Mask in the Vanity Mirror" is a monotype with gouache and colored pencil on kozo paper featuring hues of green, red, orange, pink yellow and blue. This work is framed in a gold frame measuring 29 by 23 inches.
Claire Whitehurst is inspired by the works of Ruth Asawa, Louise Bourgeois, Agnes Pelton, Hilma af Klimt, Alma Thomas...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Archival Paper, Lithograph, Monotype
Sylvaticus Aquaticus, nude water bather blue colors free brushwork
By Tom Bennett
Located in Brooklyn, NY
Monotype on paper
Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism
About Tom Bennett:
With quick brushstrokes, Tom Bennet...
Category
Early 2000s Neo-Expressionist Monotype Abstract Drawings and Watercolors
Materials
Paper, Monotype
Artaud's Arms (Exhibited at Brooklyn Museum)
By James Nares
Located in New York, NY
JAMES NARES
Artaud's Arms (Exhibited at Brooklyn Museum), 1988
Color Monotype on Gampi Torinoko Paper
36 × 27 inches
Signed James Nares and dated '88 l...
Category
1980s Abstract Expressionist Monotype Abstract Drawings and Watercolors
Materials
Monotype
Nocturne Cave, abstracted earth tones, energetic brushwork
By Tom Bennett
Located in Brooklyn, NY
Monotype on paper
Category
Early 2000s Neo-Expressionist Monotype Abstract Drawings and Watercolors
Materials
Paper, Monotype
'Gates of Summer' - geometric abstraction - monotype - grid - Agnes Pelton
Located in Atlanta, GA
"Gates of Summer" is a lithographic monotype on Rives BFK paper featuring hues of orange and yellow. This work is framed in a gold frame measuring 21.25 by 18.5 inches.
Claire Whitehurst is inspired by the works of Ruth Asawa, Louise Bourgeois, Agnes Pelton, Hilma af Klimt, Alma Thomas...
Category
2010s Abstract Monotype Abstract Drawings and Watercolors
Materials
Archival Paper, Lithograph, Monotype
How Would You Like To Have- Mixed Media Text Based Abstract Work on Paper
Located in Gilroy, CA
"How Would You Like To Have," is a text based mixed media contemporary abstraction by artist Vivian Liddell. This piece is very gestural with the application of the mediums cohesivel...
Category
2010s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Ink, Spray Paint, Monotype, Thread
Grant Me Speed - Textile Mixed Media Contemporary Abstraction, Blue and Pink
Located in Gilroy, CA
"Grant Me Speed" is a contemporary abstraction with mixed media such as textile by artist Vivian Liddell. This is one of her smaller and more simplistic compositions but an impactful...
Category
2010s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Textile, Paper, Spray Paint, Mixed Media, Monotype
Calm Before - Text Based Contemporary Abstraction, Red and Black
Located in Gilroy, CA
"Calm Before," is a text based contemporary abstraction by artist Vivian Liddell. This piece is built with washes of ink layered up leaving detailed forms through the piece inviting viewers to take it in up close. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works follow our storefront at Gallery 1202.
"As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender.
Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture.
Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...
Category
2010s Contemporary Monotype Abstract Drawings and Watercolors
Materials
Ink, Monotype, Paper, Spray Paint
Monotype abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Monotype abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Vivian Liddell, Iain Baxter, Mary Chang, and Andrea Belag. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Monotype abstract drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.