Art by Medium: Monotype

Crazy days, City Lights by Sarah Russell Original and hand signed by the artist Sold unframed Image size: H:37cm x W:60cm Complete size of unframed wo...

Artist Commentary: This work is part of a portfolio of art inspired by my 2013 summer trip to the magnificant Mt. Denali in Alaska. About the artist: Monice Morenz...

Artist Commentary: Monotype Print on Arches 88 paper, using oil base printmaking inks, completed in February, 2021 Geometric in shape, each colors are printed separately. This is on...

About the artist: Oi Fortin is an award-winning monotype printmaker, working in New Haven, CT, USA. Her contemporary abstract expressionist prints are notable for a vivid palette and...

About the artist: Oi Fortin is an award-winning monotype printmaker, working in New Haven, CT, USA. Her contemporary abstract expressionist prints are notable for a vivid palette and...

Claudia Martínez Lanz Música de las esferas 1 (Music of the Spheres 1), 2022, (1/1) Monotype (linocut, chine collé and encaustic on paper) Unfram...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

Monotype

Monotype

Monotype

Monotype

Monotype

Bernal Etude, 2020 24" x 18" (HxW) Original Abstract Monoprint A unique print by artist Oi Fortin. A gorgeous color scape of blue and green is broken up by ...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

Monotype on white BFK Rives Printmaking Paper. Could pair with "OrangeBlast(R)" Approx image size: 16" x 16" Paper: 22.5" x 22.5" At the core of the dialogue between the artist and...

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

Sarah du Feu Corn and Clouds 3 Original Monorprint Image size 40 x 50 cm Mounted size 55 x 63 cm Unframed Printed on acid free Somerset Velvet 280gsm paper This monoprint print was ...

Mousa, 2020 24" x 18" (HxW) Original Abstract Monoprint A unique print by artist Oi Fortin. A gradient color palette of blue and red-orange shifts across th...

Artist Commentary: Together Apart It’s a CoronaVirus pandemic reality of the world! We are all in this together but to be safe we must be ...

Artist Commentary: Homage to Saccio Joe Saccio, a doctor, a wonderful sculpture artist, and friend who recently passed away. In memory of his friendship, I use shapes that were left in his studio to create this piece. About the artist: Oi Fortin...

Artist Commentary: Passeig de Grácia' is an avenue in the heart of the largest district of Barcelona, Spain. It is the most opulent Avenue of the city, where the celebrated and awe-...

About the artist: Oi Fortin is an award-winning monotype printmaker, working in New Haven, CT, USA. Her contemporary abstract expressionist prints are notable for a vivid palette and...

Artist Commentary: Passeig de Grácia' is an avenue in the heart of the largest district of Barcelona, Spain. It is the most opulent Avenue of the city, where the celebrated and awe-...

Artist Commentary: Passeig de Grácia' is an avenue in the heart of the largest district of Barcelona, Spain. It is the most opulent Avenue of the city, where the celebrated and awe-...

Artist Commentary: This original monotype combines shapes, patterns and leaf elements in soft earth tones. About the artist: Monice Morenz was introdu...

City 13. 1966, paper, monotype, varnish, 47x77 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. ...

Artist Commentary: This work is part of a portfolio of art inspired by my summer trip to a totem pole nature center in Alaska in 2013. Rich Colors, ...

"No one can escape being an artist, being one indelibly at all times and circumstances; since the spectator is an artist even when what he observes has nothing to do with art." - Ant...

Landscape with Sandwich Maker in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

In most of Nora's work, she combines realism and fantasy. Here, the viewer's position is the back of a theater. In front, there are four raised hands, cheering a monumental image of a sleeping wrapped infant resting on a crescent moon and surrounded by two stars. The infant is floating above the seats and centered in the middle theater curtain...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Caviar20 is excited to be offering this exceptional "Single Autographic Print" from 1954. It is the earliest "SAP" we've handled and come directly from the estate of Harold Town. Harold Town (1924-1990) remains one of the most fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse ever-changing. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monoprints - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...

This atmospheric landscape monotype print by Kris Ekstrand, depicts shoreline in the Pacific Northwest. Matted and signed by the artist, 1/1 original. Kris' perspective on the natur...

This atmospheric landscape framed monotype print by Kris Ekstrand, depicts marshland, mountains and sky in the Pacific Northwest. Preserved in a custom frame with archival matte, sig...

This painting came about mid summer, while I was beginning my paintings as monotypes and working through them after. The mayapples were flourishing and their shape became a motif thr...

Parthenocissus came about in the spring, I was focusing quite a bit on my monotypes in the print studio and wanted to create a painting that incorporated my monotyping technique in a...

Frame size: 24.625x32.25" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to...

Frame size: 28.75x23" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to beg...

Les cygnes by Georges Manzana Pissarro (1871-1961) Watercolour monotype 49 x 63 cm (19 ¹/₄ x 24 ³/₄ inches) Signed lower left, manzana Executed circa 1920 Provenance: Private collec...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the...

This original monotype was made from found textures and objects to make this unique landscape. This monotype is printed on Rives BFK 280 gsm Printmaking Paper. I used found objects ...

Signed, titled and dated verso Monotype on lithographic plate (unique) Created while the artist was at the University of Delaware With distre...

Magic Scotch Tape, 2021 Katherine Bernhardt Monotype printed in colours on wove paper Signed, titled, dated and numbered from the edition of 50 Published by Counter Editions, Marga...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

Friedel Dzubas (1915-1994) was a Berlin-born American abstract painter. He was emphatically associated with both the New York School and the Color Field movement. Dzubas studied ar...

This original monotype was made from found textures and objects to make this unique landscape. This monotype is printed on Rives BFK 280 gsm Printmaking Paper...

This Is What Happens When You Are Not Careful Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She us...

The View Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Unearthed III Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

Sketches IX Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

Red Dawn Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Red and Black Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

In the Air Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including ac...

Descending Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including ac...

Friedel Dzubas (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. Dzubas studied art i...