Art by Medium: Monotype

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 85 cm. Frame size: 117 × 100 x 5 cm. Acquired directly from the artist. Free ship...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103×70 cm. Frame size: 118 × 85 x 5 cm. Acquired directly from the artist. Free shipment...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 80 × 104 cm. Frame size: 95 × 119 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 95 × 103 cm. Frame size: 110 x 118 x 5 cm. Acquired directly from the artist. Free shipme...

Ribs 12 (Abstract Print) Monotype - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everyt...

Rubato #10 (Abstract print) Monotype - Unframed. Plate size: 13.5” x 11.75 - 34 x 30 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizonta...

Rubato #10 (Abstract print) Monotype - Unframed. Plate size: 13.5” x 11.75 - 34 x 30 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizonta...

Ribs 12 (Abstract Print) Monotype - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everyt...

Inspired by her close connection to nature, and by what she calls “the spirit of investigation and observation of the natural world,” Suzi Davidoff creates mixed-media drawings and p...

"Crucifix" is an abstract Post War oil over monotype painting by Hans Burkhardt in 1981. The artwork is 11 x 7 5/8 inches and, with the frame, is 14 1/4 x 10 3/8 x 3/4 inches. It is ...

Oil based ink and paint monotype on fine printmaking paper. Expressionist female figure in abstracted landscape, active ink and paint manipulation.

Monotype - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everything begins with color. Sh...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper

From a series of monotypes of the figure with head turned from the viewer. The ambiguous symbolism is both personal yet universal.

Monotype by painter, master printmaker Tom Bennett

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstr...

May Lesser graduated with a Bachelor of Fine Arts from H. Sophie Newcomb College at Tulane University with honors in drawing. She then earned her Master of Fine Arts from the Univers...

One of a series of oil based monotypes on fine printmaking paper, subtle color design, symbolic and atmospheric figure/figures in cityscape

An oil-based ink monotype of an expressive figure turned from the viewer against a patterned green-grey background.

Monotype on paper

Monotype on paper

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Monotype on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent o...

Monotype on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent o...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Friedel Dzubas (1915-1994) was a Berlin-born American abstract painter. He was associated with both the New York School and the Color Field movement. Dzubas studied art in Germany ...

Harold Town (1924-1990) is the best-known and most dynamic artist from the "Painters Eleven" group. His reputation goes beyond his association with the group as arguably one of Can...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the Color-Field movement. Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland nearly rejected printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested in using their applications to make unique one-of-a-kind artworks. This unique and intimately-scaled monotype is an excellent example of Noland's signature forms and aesthetic from the late 1970s/early 1980s. The chevron was a frequently employed motif of his, first debuting around 1963 and realized repeatedly through the years in different styles and medium. Here, Noland dissolves the strict geometric lines of his signature chevron or pointed "V", overwhelming the structure with color that appears to be either smeared, splattered or scraped. Lavender, pale rose, mauve, cornflower, chartreuse, ocean blue, ivory and pearl shift into and out of each other, yet avoiding the clear-cut stacked triangular outline of his signature chevron arrangement. Noland's chevrons are some of the most iconic and desirable works in the 20th-century art canon. This piece is a fine example of one of Noland's creations that showcases his ingenuity and mastery of color. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Chevron" 1983...

Monotype on paper, Framed 25 x 25 x 3 cm Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where sh...

Monotype & collage on paper Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where she learned the...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Monotype print on paper (Acrylic) Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching...

Color monotype Juarez’s most recent prints are four groups of monoprints Cowboy’s Delight II, Copper Mallow, Yucca Bloom and Flowers and Pearls. Juarez gathered wild flowers from ar...

Edition: 5 or less. One of possibly 3 variants

Color monotype with collage. Kushner recently completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Bett...

The boat symbolizes the passage of our coming into birth, journeying through life, and eventually guiding us to our last crossing. "...leading us back to the swaying, gliding somnole...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Clinton Storm was born in Grand Rapids, Michigan and received his bachelor of fine arts from the University of Michigan. He has shown in numerous solo an...

Color monotype Juarez’s most recent prints are four groups of monoprints Cowboy’s Delight II, Copper Mallow, Yucca Bloom and Flowers and Pearls. Juarez gathered wild flowers from ar...

Color monotype with collaged antique paper and gold leaf. Robert Kushner is a painter and a sculptor. He gained attention in the early seventies as a ...

Color monotype The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divi...

VALERIE HIRD BREAK IN THE HORIZON, 2019 oil, monotypes, gesso, Arches paper, silver leaf, silver amulet 23 1/2 x 22 in. 59.7 x 55.9 cm. mythology

This atmospheric landscape framed monotype print by Kris Ekstrand, depicts marshland, mountains and sky in the Pacific Northwest. Preserved in a custom frame with archival matte, sig...

Unique monotype

The ladder enables the soul to climb to the hereafter where the ancestors reside. It is a means of ascending or descending to places otherwise inaccessible. In the shamanic tradition...

Colors have long been known to have psychological and emotional effects, and in the past months, using the calming color blue has been a therapeutic self-treatment. Blue is the color...

I will meet you there, back in the eternal cosmic waters. Angelica’s multi-layered works are informed by her ongoing efforts to create a less reactive and more responsive presence i...

Unique monotype

> Monotype, ink, varnish on red Ingres paper > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Ung...

Contemporary collage by Anne-Joëlle Galley. Anne-Joëlle’s works predominantly with collage, collage-paintings, paintings, and monotypes. The artist studied in Europe, joining various painting ateliers and art courses such as Sotheby’s and ICA - Institute of Contemporary Art/Christies in London.  In the late 90s’, she enrolled at “The Art Students’ League of New York”, where she first became involved with printmaking. Galley uses various techniques and materials, and color remains her signature.  The artist has participated in more than 50 group and solo exhibitions in the US, Mexico, Italy, England, Switzerland, Spain, and Romania. In 2005, she was selected to participate in the I Biennale of Etching and Graphic Work organized by the Cultural Council of Cáceres’ Town Hall, in Spain. That year, she also participated in the Arad International Biennale of Contemporary Art (Arad, Romania). In 2007, she participated in the Florence Biennale of Contemporary Art in Italy. More recently, in 2019, she was invited to participate in the Exhibition “Where I come from: The Works and Influences of Charles Criner...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...