Art by Medium: Mylar

Storm Horizontal 82 (Abstract drawing) Graphite and color pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and S...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

Dina Brodsky's realist oil on mylar animal miniature, "Egret," 2018, depicts an Egret preening itself, its neck arched elegantly as it reaches for its furthest wings. The bird's bril...

Steve Baris considers his abstract painting to be diagrams that he creates in a persistent attempt to visually define and articulate the amorphous, and ineffable processes of everyda...

Steve Baris considers his abstract painting to be diagrams that he creates in a persistent attempt to visually define and articulate the amorphous, and ineffable processes of everyda...

Steve Baris considers his abstract painting to be diagrams that he creates in a persistent attempt to visually define and articulate the amorphous, and ineffable processes of everyda...

A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our r...

Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...

This beautiful orange work is by Cathy Choi. Her pieces are minimalist, colorful and highly glossed surfaces. Finding inspiration from the physical and metaphysical qualities of wate...

Robin Cole's (US based) "The Return" is an original, handmade charcoal painting that depicts a grey monochrome sky with clouds. Nature and those that inhabit it—our human selves in...

acrylic, ink and mylar on aluminum

An original oil on mylar by American contemporary artist Robert Fleming from the artist's Support Series. The work is 36" (h) x 40" (w) unframed.

Camp

Up Hill

Dramatic oil on mylar on panel painting by Elena Zolotnitsky depicting a chair from her Extinct series of abandoned chairs and their unique histories. Professionally framed in a clea...

Sublime yellow roses in a water filled vase, from Elena Zolotnitsky who is Inspired by the concepts of beauty, adolescence, and time passing, Zolotnotsky’s personal and intimate oi...

Dina Brodsky's realist oil on mylar animal miniature, "Tiny Yellow," 2018, depicts a petit, black and yellow bird perched on a small branch. The bird's delicately textured black and ...

Roots of Matter provides a portal exploring a unique biological relationship between man and nature. Through similar network dynamics in the brain and the root systems of mycelium (...

Roots of Matter provides a portal exploring a unique biological relationship between man and nature. Through similar network dynamics in the brain and the root systems of mycelium (...

Gudrun Mertes-Frady Music of Chance #112, 2016 water-based and metallic media on Mylar 19 x 24 in. This original abstract mixed media painting on Mylar by Gudrun Mertes Frady featur...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

mixed media on mylar Among the best selling works by Audrey Frank Anastasi are the birch trees, "process-oriented works, drawn and painted in various media. According to Ms. Anast...

[Tucson, AZ ::: b. 1987, Atlanta, GA] LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...

glass beads, medium, and Mylar mounted on aluminum

This beautiful blue work is by Cathy Choi. Her pieces are minimalist, colorful and highly glossed surfaces. Finding inspiration from the physical and metaphysical qualities of water....

A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...

artwork dimensions (unframed): 20h x 14w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hand of Neptune 26 x 18 in. Ink and Mylar mounted on watercolor paper Unframed Framing av...

Artwork dimensions (without frame): 60h x 40w inches During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...

This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hematite is a mineral and is the most important component of iron. In nature, it has a beau...

This is a beautiful ink on Mylar by Alexis Portilla, unframed. Daylight 26.5 x 21 in. Ink and Mylar mounted on acid free foam core Unframed Framing a...

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...

Artwork by artist Kayo Shido. Shido’s work is a testament to the incredible talent found across the five boroughs of New York City. The city’s hidden corners are brimming with promi...

Mixed media piece on mylar by artist Kayo Shido. Shido’s work is a testament to the incredible talent found across the five boroughs of New York City. The city’s hidden corners are ...

abstract geometric black and white ink drawing on mylar framed in white frame For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...

Storm Horizontal 82 (Abstract drawing) Graphite and color pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and S...

Maelstrom Series 67 (Abstract drawing) Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on ...

Tipping Point #7 (Abstract drawing) Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...

Storm Series (Ref 844) (Abstract drawing) Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, th...

Big Melt #10 (Abstract drawing) Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...

Tipping Point #7 (Abstract drawing) Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...

Storm series (ref. 845) (Abstract drawing) Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, t...

Tipping Point #5 (Abstract drawing) Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...

Maelstrom Series 77 (Abstract drawing) Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a...

Small Maelstrom (Ref 854) (Abstract drawing) Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the cente...

Maelstrom Series 67 (Abstract drawing) Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on ...

Storm series (ref. 845) (Abstract drawing) Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, t...

Storm series (ref. 845) (Abstract drawing) Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, t...

Artwork by artist Kayo Shido. Shido’s work is a testament to the incredible talent found across the five boroughs of New York City. The city’s hidden corners are brimming with promi...

Maelstrom Series 77 (Abstract drawing) Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a...

Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, this artwork was made by tightly clasping a s...

Pigment pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and Sandy, this artwork was made by tightly clasping a s...

LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers ...