Art by Medium: Offset

From the Nudes portfolio, single sheet titled "Nude Reading" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 8.5 x 11 inches ( 22 x 28 cm ) I...

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one compo...

This is the official poster for the installation of "Wrapped Reichstag" by Christo in Berlin, 1993. This historic project involved wrapping the Reichstag building in fabric, transfor...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

Marina Abramović Portraits in the Presence of Marina Abramovic (Hand signed by BOTH Marina Abramovic and photographer Marco Anelli), 2021 Hardback monograph with no dust jacket as is...

Shepard Fairey Immigration Reform Now! We Are Human Offset Print on Heavy Paper Year: 2009 Size: 35 x 24 inches (88.9 × 61.0 cm) Signed by Shepard Fairey and Ernesto Yerena, dated by...

New Work With A Camera, 1983 Offset Lithograph Poster Autographed by David Hockney lower right front 39 × 24 1/2 inches Unframed This offset lithograph poster was created on the oc...

Jim Dine Jim Dine Paintings", Pace Gallery poster, 1979 Offset lithograph poster on lithographic paper Signed in plate, with the Pace Editions, INC stamp Limited Edition 500 30 × 38...

Original James Dean, Rebel without a Cause vintage Swiss movie poster. Linen backed ready to frame. Grade A excellent condition. Size: 50" tall by 36" wide. Own a piece of mo...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

William Eggleston William Eggleston The Democratic Forest Selected Works (Hand signed), 2016 Hardback monograph with dust jacket Hand signed by William Eggleston...

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profi...

This reproduction of an original 1984 cibachrome photograph, The Origin of Drawing by Dianne Blell, showcases her signature approach to staged photographic tableaux. Inspired by myth...

Keith Haring record art 1983 & 1988: A set of 2 rare 1980s Japanese vinyl records featuring original artwork by Keith Haring: David BOWIE "Without You" & Hiroshima All Stars. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectibles. *1st Pressings 1983 & 1988 (not re-issues). Medium: Off-Set Lithograph on vinyl record covers. Dimensions: 7 x 7 inches. Printed signatures on lower right & left dated - 1983 & 1988 respectively. Light signs of handling; otherwise good to very overall vintage condition. Includes the original records (very good condition). Literature/References: Taschen: Art Record Covers. _ Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Keith Haring prints. Keith Haring figurative. East Village art...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profi...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

This original exhibition poster for Romare Bearden's work titled The Woodshed refers to a piece he created in 1967. The Woodshed depicts a scene filled with rich, layered imagery tha...

This framed artwork by Nikki de Saint Phalle, titled Volleyball, features a vibrant and playful volleyball scene. The shiny black metal frame with a 3/8-inch front profile and a 7/8-...

This is a single-sheet offset lithograph titled "Two Nudes, State I" from Roy Lichtenstein's iconic Nudes portfolio, published by Tyler Graphics. Framed in a white wood frame with a...

David Salle HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016 Hardback monograph with dust jacket (hand signed and inscribed to Kevin) Hand ...

Robert Mapplethorpe Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains poster, 1991 Offset lithograph poster 17 × 11 inches Unframed, unsigned and unnumbered Accompan...

The poster titled Tapies Monotypes was produced for an exhibition showcasing the works of the renowned Catalan artist Antoni Tàpies at Galerie Maeght in Paris, held in June 1974. Thi...

Paper Size: 33 x 23 inches ( 83.82 x 58.42 cm ) Image Size: 26.5 x 23 inches ( 67.31 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detail...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper mag...

Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

Paper Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) Image Size: 38.5 x 24.75 inches ( 97.79 x 62.865 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

This first edition exhibition poster was created for David Hockney's Complete Prints show at Galerie Mikro in Berlin in 1968. It features the artwork Two Boys Aged 23 or 24 from the ...

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Cape Cod Still Life II reflects Roy Lichtenstein's exploration of everyday objects reimagined through the bold, graphic language of Pop Art. Published in 1994 by Te Neues Publishing ...

Vintage 1952 Vintage Motivational Poster "The First and Worst of All Frauds," Linen Backed. Grade A condition. A striking piece of mid-century motivational art, this original 1952 ...

Original exhibition poster for Sheila Gardner at Tatistcheff Gallery in 1982. Hand signed in black marker by the artist. Paper Size: 20 x 24.5 inches ( 51 x 62 cm ) Image Size: 14.7...

Exhibition poster produced in 2004. Referencing Pollock's 1950 original. Exemplifies his "drip technique" which was accomplished by hovering over a piece of canvas stretched out on ...

Vintage 1952 Motivational Success Poster – "The Sure Way to Miss Success..." This original 1952 motivational poster is a rare piece of mid-century American sporting ephemera, professionally archival linen-backed and ready for framing. Featuring a solitary hunter in a striking, atmospheric sepia-toned palette, this authentic vintage lithograph captures the patience and reflection inherent to the sport. Below the realistic imagery is the iconic mid-century adage: "The sure way to miss success is to miss opportunity." Unlike typical vibrant advertising posters, this piece uses a sophisticated monochromatic depth with shades of warm brown and tan to create a classic photographic feel. Professionally preserved to smooth out minor handling marks from its 70-year history, this rare hunting poster...

Original exhibition poster for a Joan Miro retrospective at Fondation Maeght in 1990. Paper Size: 28.75 x 18.5 inches ( 73 x 47 cm ) Image Size: 22 x 18.5 inches ( 56 x 47 cm ) Fra...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

Irises in a Vase by Vincent van Gogh was originally painted in 1888. This painting falls within his Arles period, a time when van Gogh was living in the South of France and producing...

Jean-Michel Basquiat 1982: RARE original 1982 Jean-Michel Basquiat illustrated poster for “Ikonoklast Panzerism versus Tricnology” lecture with Rammellzee, Squat Theater, New York, ...

La Loge by Pierre-Auguste Renoir was painted in 1874. This iconic work, created during the early days of the Impressionist movement, portrays a fashionable couple seated in a theater...

Original 1937 US One-Sheet Poster Manhattan Merry-Go-Round Featuring Joe DiMaggio. The film starred Jackie Gleason, Gene Autry, Leo Carrillo, Louie Prima, and Cab Calloway. And in...

Galerie Beyeler Exhibition Poster Signed in plate Jean Philippe Arthur Dubuffet (French, 1901 – 1985) was a French painter and sculptor of the École de Paris (School of Paris). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art brut movement, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic training to be distasteful, he left the Académie to study independently. During this time, Dubuffet developed many other interests, including free noise music, poetry, and the study of ancient and modern languages. Dubuffet also traveled to Italy and Brazil, and upon returning to Le Havre in 1925, he married for the first time and went on to start a small wine business in Paris. He took up painting again in 1934 when he made a large series of portraits in which he emphasized the vogues in art history. In 1942, Dubuffet decided to devote himself again to art. He often chose subjects for his works from everyday life, such as people sitting in the Paris Métro or walking in the country. Dubuffet painted with strong, unbroken colors, recalling the palette of Fauvism, as well as the Brucke painters, with their juxtaposing and discordant patches of color. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. Dubuffet's work at that time was unknown. Paulhan was impressed and the meeting proved to be a turning point for Dubuffet. His first solo show came in October 1944, at the Galerie Rene Drouin in Paris. This marked Dubuffet's third attempt to become an established artist In 1945, Dubuffet attended and was strongly impressed by a show in Paris of Jean Fautrier paintings in which he recognized meaningful art which expressed directly and purely the depth of a person. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. This allowed him to abandon the traditional method of applying oil paint to canvas with a brush; instead, Dubuffet created a paste into which he could create physical marks, such as scratches and slash marks. The impasto technique of mixing and applying paint was best manifested in Dubuffet's series 'Hautes Pâtes' or Thick Impastoes, which he exhibited at his second major exhibition, entitled Microbolus Macadam & Cie/Hautes Pates in 1946 at the Galérie René Drouin. His use of crude materials and the irony that he infused into many of his works incited a significant amount of backlash from critics, who accused Dubuffet of 'anarchy' and 'scraping the dustbin'. He did receive some positive feedback as well—Clement Greenberg took notice of Dubuffet's work and wrote that '[f]rom a distance, Dubuffet seems the most original painter to have come out of the School of Paris since Joan Miro...' Greenberg went on to say that 'Dubuffet is perhaps the one new painter of real importance to have appeared on the scene in Paris in the last decade.' Indeed, Dubuffet was very prolific in the United States in the year following his first exhibition in New York (1951). After 1946, Dubuffet started a series of portraits, with his own friends Henri Michaux, Francis Ponge, George Limbour, Jean Paulhan and Pierre Matisse serving as 'models'. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. A few years later he approached the surrealist group in 1948, then the College of Pataphysique in 1954. He was friendly with the French playwright, actor and theater director Antonin Artaud, he admired and supported the writer Louis-Ferdinand Céline and was strongly connected with the artistic circle around the surrealist André Masson. In 1944 he started an important relationship with the resistance-fighter and French writer and publisher Jean Paulhan who was also strongly fighting against "intellectual terrorism", as he called it. Reception in America Corps de dame jaspé [Marbleized Body of a Lady] (1950) at the National Gallery of Art in 2022 Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. His association with Matisse proved to be very beneficial. Matisse was a very influential dealer of contemporary European Art in America, and was known for strongly supporting the School of Paris artists. Dubuffet's work was placed among the likes of Pablo Picasso, Georges Braque, and Henri Rouault at the gallery exhibit, and he was one of only two young artists to be honored in this manner. A Newsweek article dubbed Dubuffet the 'darling of Parisian avant-garde circles,' and Greenberg wrote positively about Dubuffet's three canvases in a review of the exhibit. In 1947 Dubuffet had his first solo exhibition in America, in the same gallery as the Matisse exhibition. Reviews were largely favorable, and this resulted in Dubuffet having at least an annual, if not a biannual exhibition at that gallery. His reception in America was very closely linked to and dependent upon the New York art world's desire to create its own avant-garde environment. Specific examples of American artists interested in Dubuffet’s art were Alfonso Ossorio and Joseph Glasco. At the end of 1949, while Pierre Matisse was preparing Dubuffet’s January 1950 show, Alfonso Ossorio had traveled to Paris to meet Dubuffet and buy some of his paintings. Then in 1950, at Ossorio’s urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet. Glasco credited this encounter as having had an influence on his own art, and Dubuffet frequently asked about “Jackson Pollock and Glasco” in his letters to Ossorio. Between 1947 and 1949, Dubuffet took three separate trips to Algeria—a French colony at the time—in order to find further artistic inspiration. In this sense, Dubuffet is very similar to other artists such as Delacroix, Matisse, and Fromentin. However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. The impermanence of this kind of movement attracted Dubuffet and became a facet of art brut. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. This association was dedicated to the discovery, documentation and exhibition of art brut. Dubuffet later amassed his own collection of such art, including artists Aloïse Corbaz and Adolf Wölfli...

Mary Bauermeister Pittsburgh International Carnegie Museum, 1967 Offset Lithograph Poster 20 × 37 inches Edition of 500 Unframed This is the original, historic poster designed by Mar...

Hilary Knight, American (1926 -) - Fran Warren, Year: 1981, Medium: Poster, signed and titled in pen lower right, Image Size: 25.75 x 18.5 inches, Size: 29.5 x 20.5 in. (74.93 x...

This exhibition poster was created for a 2005 show at Fondation Maeght by Ellsworth Kelly, titled Red, Yellow and Blue. The artwork features three superimposed squares in Kelly’s sig...

Dni Zdrady vintage poster is an original offset print on paper realized by Unknown Czechoslovakian Artist of the 20th Century. Original colored offset. Good condition and aged.

This reproduction of Canto XV by Barnett Newman is a high-quality poster that captures the essence of the original artwork. This poster features printed signature and numbering, givi...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (Landscape with Red Sky)" Year: 1985 Medium: Original Offset-Lithograph, Exhibition Poster on smoo...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

Bicentennial Bandwagon by Red Grooms, American (1937) Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 10 x 13 inches Size: 14 in. x 17 in. (35.56 cm x 43.18 cm) Frame S...

Note: This is from the hand signed and numbered limited edition of only 50 - extremely scarce collectors item; not to be confused with the larger poster edition signed (but not numbe...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Offset lithograph poster This is a scarce vintage offset lithograph exhibition poster for a 1980 Bridget Riley touring show of silkscreen prints created between 1965 and 1978.sponsor...

Paper Size: 19.25 x 23 inches ( 48.895 x 58.42 cm ) Image Size: 15.25 x 20.25 inches ( 38.735 x 51.435 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling A...

Title: Cosmic Flyer Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Book page 171 in Chagall Lithographe II (1957-1962). Original image from 1960. ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The second of f...

Original exhibition invitation for John M. Armleder at Almine Rech Gallery, Paris, held from June 6 – July 28. The invitation features the image Pruniers Fleuris (Plum Tree Blossoms)...

This original exhibition poster for David Hockney’s 20 Flowers and Some Bigger Pictures at Galerie Lelong in Paris is a vibrant and visually compelling piece that encapsulates the es...

Offset lithograph poster Printed signature and date on offset paper This poster was published in a limited edition of 250, separate from the lithographic portfolio of the same title ...