Art by Medium: Offset

Andy Warhol Banana Cover Art c.1968: The Velvet Underground & Nico: A rare, highly sought-after, 1960s pressing uniquely featuring an unpeeled banana. Accompanied by its original rec...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Artist: Keith Haring (1958-1990) Title: Safe Sex! (Döring & Osten 60) Year: 1987-88 Medium: Offset lithograph on archival gloss paper, archivally mounted on r...

This is a first edition exhibition poster designed by Canadian realist painter Ken Danby for Gallery Moos in 1976. Known for his precision and lifelike detai...

This large advertisement poster was created by the legendary graphic designer Yvan Chermayeff to promote the televised adaptation of James Clavell's "The Children's Story" for the Mo...

This compelling exhibition poster reproduces Damien Hirst’s iconic installation Pharmacy, published by the Tate Gallery in 2003 in conjunction with a major retrospective of the artis...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

In 2006, the Solomon R. Guggenheim Museum in New York held an exhibition honoring Flavin's contributions to art. To commemorate this event, an offset lithograph poster titled "Artifi...

Richard Serra Drawings Zeichnungen 1969-1990 (Hand signed by Richard Serra), 1990 Softback monograph Book (Hand signed by Richard Serra) Hand signed by Richard Serra on the half titl...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

Alekos FASSIANOS Cyclist and his Laurels Crown, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Game...

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one compo...

The 2010 Roland Garros print by Nalini Malani, an acclaimed Indian contemporary artist known for her innovative use of multimedia and her exploration of socio-political themes, offer...

Ronnie Cutrone Original bird drawing (hand signed and inscribed by Ronnie Cutrone), 1990 Original signed drawing done in marker held in hardback monograph with dust jacket Boldly signed, dated and inscribed by Ronnie Cutrone on the first front end page 11 × 9 1/2 × 3/4 inches Original signed drawing done in marker held in monograph, dated and inscribed by Ronnie Cutrone on the first front end page. The inscription reads: For David & Barbara Ronnie Cutrone 90 Book information: Publisher: ‎ Martin Lawrence Limited Editions, (January 1, 1990) English; Hardcover; 46 pages with 44 color and 11 monochrome illustrations About Ronnie Cutrone: Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

Pablo PICASSO (1881-1973) Lady with Glasses (Nouveaux chefs-d'oeuvre) Original poster High quality offset print Unsigned On glossy paper 60 x 40 cm (c. 23.6 x 15.7 in) INFORMAT...

This original poster, titled Slush Thrust, was created by the renowned artist James Rosenquist for an exhibition held at Galerie Ricke in Köln, Germany. The poster is pencil-signed b...

This reproduction showcases an early rendering of the Chrysler Building in New York City, created by draftsman Andy Hickes. The image represents the building before its construction,...

Paper Size: 5.5 x 8 inches ( 13.97 x 20.32 cm )_x000B_Image Size: 14.5 x 17 inches ( 36.83 x 43.18 cm )_x000B_Framed: Yes_x000B_Condition: A-: Near Mint, very light signs of handling_x000B__x000B_Additional Details: Original exhibition invitation to Johan Creten...

Poster created by Roy Lichtenstein for the 24th Olympics held in 1988 in Seoul, South Korea. Published by Lloyd Shin Gallery, Inc. Edition size unspecfied, some printed, none distrib...

Vintage offset poster realized in occasion of Mimmo Jodice's exhibitions at Galleria Rondanini, Rome. Excellent condition.

Richard Lindner, German/American (1901 - 1978) - 3 Biennale Internationale de l'Estampe (Miss American Indian), Year: 1970, Medium: Poster, Size: 35.5 x 23.5 in. (90.17 x 59.69 cm)

Christopher Wool Christopher Wool (Hand signed and dated by Christopher Wool), 2013 Hardback monograph with dust jacket (hand signed and dated by Christopher Wool) Boldly signed and ...

Poster of the historic collective exhibition held at Galleria Rondanini in Summer 1976. Offset and screen print on paper. Featuring works by: . Adami - Aricò - Baj - Battaglia ...

In a style similar to Modigliani, Boulanger depicts a saint holding a baby and crossing the water on the back of a ram (Belier in French). This poster was printed as a reproduction o...

Vintage poster realized in occasion of the exhibition by Fritz Baugartner at Galleria Rondanini, 19th-24th of June, 1974. Offset print. Very good condition.

Vintage offset print realized in occasione of Takahashi's exhibitions at Galleria Rondanini, Rome/Volterra, in 1973. Excellent condition.

Offset print realized in occasion of the exhibition of Giuseppe Viviani's graphic work at Galleria Marino. Edition of 1000. Excellent condition.

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 18.75 x 27.25 inches ( 47.625 x 69.215 cm ) Framed: No Condition: A: Mint Additional Details: Reproduction of Redon...

Original Vultee "Vengeance" World War II, 1942, vintage spotter airplane poster. Original linen-backed U. S. Naval Aviation Training Division, Nov.,...

Philip Guston Monograph: Philip Guston (Hand signed and inscribed to major collector by Philip Guston), 1980 Softback monograph (hand signed, inscribed and dated by Philip Guston to Mary Keesling) Warmly signed and inscribed by Philip Guston to Mary Keesling on the title page 10 1/4 × 9 × 3/4 inches If you're reading this description, then we hardly need to tell you, dear collector and Guston enthusiast, that autographed books...

An iconic poster realized after James Rosenquist for the 1984 Winter Olympics in Sarajevo, Yugoslavia, commissioned as part of the official Olympic Art Series.  Rosenquist, a centra...

Vintage poster realized in 1984 in occasion of the XIV Olympic Winter Games in Sarajevo. Edition of 1000. Created by the Slovenian painter Gabriel Stupica, one of the foremost repr...

Original La Baule le Midi de le Bretagne, small format vintage French travel poster. Plage de Sable Fin: 20 Clubs de Culture Physique. Tennis: 50 courts ; casino, golf sur le Pouliguen. Printed in Paris. Professional, acid-free, archival, linen-backed, mint condition, ready to frame. Jean-Denis Malclès - with accent marks. Paris Boasting France’s longest beach, running no less than eight kilometers, La Baule is an ever-popular destination for seaside amusements. Here, there are 20 health clubs, 50 tennis courts, a casino, and golf courses, which are promoted below, while a fantasy world of costumed dandies, curvaceous sunbathers, equestriennes, theatrical performers, and the general haute monde wander the perfectly preened paths along the shore. This La Baule - de la Bretagne is an Original Vintage Poster, not a reproduction. This poster is conservation-mounted, linen-backed, and in excellent condition. The artist is also known for his famous French Beauty and the Beast poster...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

Valentino Large: Hand signed and numbered Monograph (gift book) in elegant Clamshell Box Una Grande Storia Italiana Valentino Garavani (Hand Signed and Numbered Collectors Edition),...

Original poster: Original World War II poster: Strong in the Strength of the Lord (L) Note that this is the large version of this poster. Acid-free archival linen-backed original WWII, U. S. Government printed vintage poster. A factory worker and a soldier all played a key part in the U.S. war effort. Published by the War Information Office in an attempt to foster greater cooperation between some different segments of society. AMERICANS SUFFER WHEN CARLESS TALK KILLS! Original 1943 U.S. Government (military propaganda) poster. Archival linen backed in A- - B+ condition, ready to frame. Note that WW2 U. S. Government posters were folded prior to being distributed. This is not considered a defect. The fold marks were restored during linen backing. Tiny chips along the bottom border. This poster promoted cooperation among various segments of American society- a woman, a soldier, and a factory worker. It is a mixture of crusading, religious, and industrial symbolism. The text quotes Henry Wallace, then Vice-President. Artist: Martin, David Stone...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Paper Size: 23.75 x 27.5 inches ( 60.325 x 69.85 cm ) Image Size: 20.5 x 27.5 inches ( 52.07 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Original exhibition poster featuring the work of the acclaimed American realist painter Neil Welliver (1929–2005). Welliver is best known for his monumental landscapes of the Maine w...

This is a true collectible! The regular edition of only 100 is hand signed and numbered by Larry Rivers; but the present work is ALSO hand signed and inscribed by George McGovern- a ...

Original vintage poster: "BUS RILEY'S BACK IN TOWN". Horizontal format theater release movie poster. Very good to excellent condition. Ready to frame. Cleaned and starched.. This is an original 22...

Owl Gallery by Wayne Cooper, (1942 - ) Date: 1981 Medium: Poster Size: 36 in. x 24 in. (91.44 cm x 60.96 cm)

Owl Gallery (Bridge) by Wayne Cooper, (1942 - ) Date: circa 1977 Medium: Poster Size: 24 in. x 36 in. (60.96 cm x 91.44 cm)

"Cardinal" - Jim Dine at Albright Knox poster, 1984 LARGE: 40 inches (vertical) x 24 inches (horizontal) (Ships rolled in a tube measuring 36" x 6" ) Offset lithograph poster Limite...

This rare original exhibition poster was created for the 1973 Arakawa show at Dayton’s Gallery 12 in Minneapolis and features distinctive stencil typography attributed to Jasper John...

This vintage offset lithograph postcard reproduces Andy WarholÂ’s Two Marilyns (Reversal), an image drawn from the artist’s iconic explorations of celebrity, repetition, and color in...

This compelling mixed-media poster by Darryl Pottorf was created for an exhibition at the Paul and Lulu Hilliard University Art Museum in Lafayette, Louisiana, and exemplifies the ar...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Marina Abramović Walk Through Walls : A Memoir (Official Hand Signed copy), 2016 First Edition hard cover monograph, hand signed by artist and Stamped "Signed" with Strand Bookshop s...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...

Paper Size: 19.25 x 23 inches ( 48.895 x 58.42 cm ) Image Size: 15.25 x 20.25 inches ( 38.735 x 51.435 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling A...

Original Orangina vintage horizontal poster. This poster is not linen-backed and is in Grade A—A—condition, ready to be framed. It was designed in 1984 and is documented as image #38...

Original The Beauty of Desktop Engineering on the Apple Macintosh, 1989 pop-art style poster. Archival linen backed in very good condition, ready to ...

Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. Signed o the plate on the lower. The print suite was realized in a...

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up....