Art by Medium: Oil Crayon

Bijing-ga Series XXII (Nº 22) Title: THE FLICKLE TYPE Upper half of the body of a woman in yukata (summer kymono) with part of her chest bare. Depicted just after a bath, she is turning her head and drying her hands with the towel hang on her shoulder. Her just-washed hair is tied around an ornate hairpin, the hair style called bai-mage (spiral-shell chignon). The unkempt hair of the nape and the movement of the hands one on the other are clear examples of Utamaro's mastery, who had an exceptionally observant eye for women. The Fickle ( or Fancy-free) Type is flirting with more than one member of the opposite sex This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...

The grand scale of Metamorphosis Duo has a magnified cellular quality - as though they are strands of DNA recombining and bringing forth new life. The primary colours used here reinf...

An eye-catching acidic green transforms into a deep blue beneath the turbulent gray and black energy field. Through the centre of the field are interwoven lyrical lines that come fro...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

Bright white and radiating heat, and somehow contentedness, Helio shines like the sun on a blissfully hot summer afternoon. Teichert's painterly line, like the smooth, continuous, os...

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...

The energy of the oblong orb is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as it reaches the top. Housed in a rich cerulean blue the mass of energy is ever-so-slightly tethered to the bottom through the suggestive grounding of the green line...

This colourfield, awash with peony pink, suspends a grey wave that appears as though it is passing through. Working with a new medium and a new palette, Teichert is communicating wit...

The Conviction of Things Not Seen #5 by Judith North [2022] original Oil, oil bar and chinagraph pencil on canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 ...

An original 1942 oil on board painting by American female artist Catherine Koenig depicting the interior of the Buffalo Art Institute which was home to the legendary Charles Burchfie...

Modernist abstract oil painting. Oil on canvas, circa 1960. Unsigned. Displayed in a linen frame. Image size, 20"L x 18"H, overall, 23"L x 21"H.

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Fowler’s “Green Tea” is a vivid, electrified reimagining of botanical illustration, where the organic world is transformed into a pulsating explosion of color, abstraction, and surre...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

Title (FR) : Luxembourg This original drawing by Gabriel Riesnert (Luxembourg) presents a delicately arranged floral bouquet in a soft pink vase. Created with mixed media on toned pa...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with symbols and narrative motif, in bold black with yellow ...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with symbols and narrative motif, in bold black with yellow ...

Luis Miguel Valdes (Cuban, 1949) "My Left Hand" (Tribute to those who help", 2017 Oil and Acrylic on Canvas 58 × 83 in Framed or Unframed Luis Miguel Valdés, Biography Luis Miguel ...

Artist: Dan May (American, 1955-) Title: "The Apartment Building" *Signed by May lower left and dated lower right Year: 2001 Medium: Original Oil Pastel ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with symbols and narrative motif, in bold black with yellow ...

"Warhola" (FRAMED) Figurative Portrait Painting 24" x 18" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood "The Modern Renaissance" series Historically, the art wo...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

Pink with black, green and blue, vibrant action painting by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'No Me Olvides', which translates from Spanish into English, 'Don't Forget Me' is 72 x 72 inches, and is created in two parts that hang side by side. Each individual panel is 72 x 36 inches. 'No Me Olvides' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates paintings that are comprised of both abstract and representational elements, and consider the natural world as it intersects with utilitarian design. 'Landscape No. 3' — 3x6 feet (36 x 72 inches), — depicts a bird's-eye-view of the Delta as viewed by the artist during his frequent flights over California's Sacramento–San Joaquin River...

Artist: Daniel Gibson Title: The Spirit Remains Size: 9 x 12 Inches Medium: Sumi Ink and Oil Stick on Paper Edition: Original Year: 2024 Notes: Signed, Dated Lower Right. Ac...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Matt Mullican Untitled (Subject in the Middle), 2004 Duratrans in lightbox and aluminium box with Plexiglas 31.5 x 62.2 x 13.4 cm Using his subconscious as material, Matt Mullican o...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant affects everyone in different ways, and while young, this change of culture, country, and separation helped shape Jandrell as an artist. As she does not identify as British or as South African, this "lack" of cultural identity tends to manifest in her paintings. Her paintings are abstract, visceral and intuitive, as she is drawn to the flexibility and ambiguity of abstraction. Painting is a form of honesty for Jandrell, it allows her to relax and feel centered, almost becoming a style of meditation. "Intrusion" Contemporary Abstract Art 48 x 36 Acrylic and Oil Stick...

Bijin-ga series XXVIII (Nº 28) Title: Tatsumi Roko Portrait of Tatsumi Roko, a geisha of the pleasure quarters in the Edo period. The image belongs to the series Renowed Beauties Likened to the Six Inmortal Poets. The popular top-class geishas of the day , known as “oiran”, were depicted in this type of print. In ukiyo-e woodblock prints, this close-up portrait view of the upper body is known as an okubi-e (bust portrait). This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

"American Bald Eagle Flying Through Silver Clouds Between Heaven and Earth" is an original mixed media piece by David Barnett, signed on the lower left center. It incorporates watercolor, ink, iridescent acrylic, rubber stamps, collage, and oil pencil. This piece depicts a surrealist landscape. A cow with an cowl perched on its back stands in the lower left corner, and tracks lead away from it across the bottom of the picture. A small turtle approaches a pond in the lower right. In the center register of the image, two leaves have been collaged into an abstractly-drawn forest. The eagle of the title is shown in several stages of its flight through the blue and yellow sky. Art size: 7 15/16" x 9 1/2" Frame size: 15 1/4" x 16 1/8" David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Exhibits “Morph Dog Series”, David Barnett Gallery, 1996 “Renewal", Art Escape Gallery, Thiensville, WI, 2003 “Recent Watercolors", David Barnett Gallery, 2003, Lora D. Art Gallery, Chicago, IL, 2004 “Group Show”, Broden Gallery Ltd., Madison, WI, May-June 2004 "Homage to Kandinsky", David Barnett Gallery, Milwaukee, WI 2014 Collections Scottsdale Museum of Contemporary Art, Scottsdale, AZ Private collections throughout the United States and around the world including collections in Wisconsin, Maryland, New York, Washington D.C., Arizona, Illinois, Florida, Kentucky. International collections in Brazil, Singapore and Hong Kong. Articles Milwaukee Journal Sentinel, "Barnett Gives His Work an Exhibit" by James Auer, November 1996 Exclusively Yours...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines. Original Artwork on heavy paper. Pap...

How It Has Been Made Possible (Abstract Painting) Acrylic, Oil stick and Pastel on canvas — Unframed. This work will be shipped rolled in a tube. Poynder's method emphasizes gestur...

Deconstructing the icon: A raw, subversive take on pop culture. In 'Behind Hello Kitty', Diego Tirigall strips away the sweetness to reveal an exhausted figure amidst graffiti and ch...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Matt Mullican Untitled (Subjective), 1989 Signed and dated 'Matt Mullican 89' on the reverse Oil and oil stick on canvas 239.9 x 120.3 cm Using his subconscious as material, Matt Mu...

Artist: Debbie Reda Title: Like A Pirate Size: 13-3/4 x 10-3/4 inches (34.9 x 27.3 cm) Medium: Acrylic, Pencil, and Oil Stick on Canvas Edition: Original Year: 2021 Notes: Si...

"Summer Pond II" by Karen Blair – Mixed Media Painting on Canvas Featuring Fish (48 x 36 in) Bursting with color and life, Summer Pond II by Karen Blair is a 48 x 36 inch mixed medi...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

In the weeds ink bloom #6 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #5 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

[New Orleans, LA ::: b.1959 New Orleans, LA] ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

In the weeds ink bloom #4 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #4 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

2025 Oil and oil bar, marble dust on canvas 72 x 60 in. (182.88 x 152.4 cm) Unique Signed and dated, verso

James Vaulkhard Tom, 2023-24 Oil, charcoal, pastel and oil stick on fine linen 120 x 150 cm 47.5 x 59 inches James Vaulkhard Share James Vaulkhard holds a BA degree in History of Ar...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...