Art by Medium: Oil Crayon

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Preliminary drawing for the sculpture Catacombs Black crayon on paper, 1971 Signed and dated lower right (see photos) Provenance: Estate of the artist Michael and Alan Lipton (sons) ...

"VUELO" Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 33.5" x 27.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on cras...

framed in white wooden floater frame Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through ...

framed in white wooden frame Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Marti...

James Vaulkhard Whitefish, 2025 Signed by the artist Oil stick on linen 180 x 150 cm 71 x 59 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and ha...

Street Art, graffiti, bright colors, Gestural Abstraction

Street Art, graffiti, bright colors, Gestural Abstraction

Street Art, graffiti, bright colors, Gestural Abstraction

This piece is part of a special collection curated by Saatchi Art, where 154 artists were carefully selected from among hundreds of thousands of Saatchi participants. The premise of ...

"Vincent Van Gogh Skull" is a striking piece from a series that boldly merges historical artistry with contemporary symbolism. Created in 2022, this painting reenvisions the iconic f...

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...

For these works on paper, he’s combining paintings of objects and collected ephemera with texts and graphics from other sources. He’s superimposing th...

🔸 _Title: Geppetto’s GPT Awakening 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 97 W x 130 H x 2.5 D cm 🔸 _Medium: Acrylic, ...

For these works on paper, he’s combining paintings of objects and collected ephemera with texts and graphics from other sources. He’s superimposing th...

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

"Vincent Van Gogh, Space Junk" catapults the iconic Dutch artist into a surreal collision of art history and futuristic fantasy. This bold creation from 2022 reimagines Van Gogh as a cosmic adventurer, navigating the abstract and chaotic realms of both outer space and digital frontiers. The painting portrays Van Gogh's head as a striking blue skull, one eye transformed into a cartoon-style eyeball, the other a mouth, illustrating a whimsical yet profound melding of forms and perspectives. A playful bubble gum balloon emerges from his mouth, injecting a casual, cool vibe into the composition. Van Gogh's attire further emphasizes this blend of past and future: he dons a sleek astronaut suit...

"Vincent Van Gogh, In Space" redefines the legendary painter as a celestial sovereign, blending classic artistic reverence with futuristic exploration. This 2022 painting offers a visual narrative that launches Van Gogh into the cosmos, adorned not only with an astronaut’s suit...

Kobe Bryant portrait in abstract background. About the Artist: Jack Florczyk, known professionally as Jack Flo, is an American contemporary fine artist. Working with acrylic pai...

"Nestcafe Society" and Corporate Ideals A striking painting by Diego Tirigall prompts deep thoughts about the relationship between appearances and reality. The painting features a rough sketch of a well-known instant coffee brand logo with words "N3stcafe Society" beneath it. This serves as a powerful symbol of the illusions that society and corporate ideals can create. The Illusion of High-Quality Coffee The painting highlights the gap between the promise of high-quality coffee and the reality of mass-produced, preservative-filled coffee packaged in an industrial jar. The large axe that cuts through the words "N3stcafe Society" symbolizes the destruction of these false promises and the consequences of pretending to be something one is not. The red coffee jar...

Artist: Heather Wilcoxon Title: Blow Out Medium: Oil on Board Year: 2007 Size: BFA San Francisco Art Institute, Painting MFA San Francisco Art Insti...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

Katie Yaquinto says of her work… My practice is rooted in identity and transformation. Working primarily with found and repurposed textiles, I assemble fragments into large, patchwo...

In the weeds ink bloom #6 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #5 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #2 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

In the weeds ink bloom #3 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

In the weeds ink bloom #1 (Abstract painting) Charcoal & Oilstick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into vis...

This composition inspired by the Artist Commissioned Sculptures. Hummingbird stylized through geometric shapes signifying space, form, and lines.

Artist: Eliot Greenwald Title: Night Car (Near Sphere) Size: 17 x 16.5 Inches (43.2 × 41.9 cm) Medium: Oil stick, acrylic and inkjet on shaped Sintra panel in a Solid Maple Fram...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, 1965, male and female figures, signed and dated low center, signed, to verso, wood frame. Imag...

Available at Madelyn Jordon Fine Art. 'Serenity In Hues' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 30 x 30 in. This pastel painting ...

Abstract painting by contemporary artist Anthony Polizzi. This colorful abstract work of art would be a lovely addition to anyone’s home. Anthony Poli...

Available at Madelyn Jordon Fine Art. 'Magnetized Form' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 40 x 40 in. This colorful painting is constructed as a dense compostition...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, circa 1965, apparently unsigned, wood frame. Image: 7" H x 10.75; frame: 8.25" H x 11.75" D x ...

GARDENS & GALAXIES: MAGENTA ROSE (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 4...

GARDENS & GALAXIES: YELLOW ROSE (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42...

GARDENS & GALAXIES: RED GERBERA (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42...

GARDENS & GALAXIES: HELICONIAS (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42”...

GARDENS & GALAXIES: PURPLE FLOWERS (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. Paper Size: 24” h x 42” w Image Size: ...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Marc Andre Untitled (field) 2022 Acrylic and oil stick on canvas 16 x 20 inches Marc Andre meditates on the moments we step out of our comfort zone. Infused with neo-expressionist influences and demonstrating a figurative approach akin to the portraits and sculptures of Benin infused with a refreshing wave of energy. By channeling a playful flirtation with mark-making, Andre shows us that childhood creativity is “as pure as it gets”. Andre was born in Toulouse, France and spent much of his childhood traveling the world and frequenting museums with his mother, primarily visiting exhibitions featuring Pan...

'The Route Home' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 44 x 62 inches. This colorful painting is constructed as a dense compostition of abstract forms, featuring variou...

the painting is being offered with a work and authenticity certificate

triptych of adele, oil on canvas 16 x 20 in size each Christina Major was born in Concord, New Hampshire in 1982. She has lived all over the world including Hawaii, France, New York...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

"Up North Series: Birch Bark Otter Lake" is an original oil pencil on birch bark piece by David Barnett, signed in the lower center. The pieces of bark often suggest to him what the ...

"Two Vases" is an original ink and oil pencil drawing by David Barnett, signed and dated in the lower right. This drawing is composed of hatched black lines, accented by a myriad of ...

"American Bald Eagle Flying Through Silver Clouds Between Heaven and Earth" is an original mixed media piece by David Barnett, signed on the lower left center. It incorporates watercolor, ink, iridescent acrylic, rubber stamps, collage, and oil pencil. This piece depicts a surrealist landscape. A cow with an cowl perched on its back stands in the lower left corner, and tracks lead away from it across the bottom of the picture. A small turtle approaches a pond in the lower right. In the center register of the image, two leaves have been collaged into an abstractly-drawn forest. The eagle of the title is shown in several stages of its flight through the blue and yellow sky. Art size: 7 15/16" x 9 1/2" Frame size: 15 1/4" x 16 1/8" David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Exhibits “Morph Dog Series”, David Barnett Gallery, 1996 “Renewal", Art Escape Gallery, Thiensville, WI, 2003 “Recent Watercolors", David Barnett Gallery, 2003, Lora D. Art Gallery, Chicago, IL, 2004 “Group Show”, Broden Gallery Ltd., Madison, WI, May-June 2004 "Homage to Kandinsky", David Barnett Gallery, Milwaukee, WI 2014 Collections Scottsdale Museum of Contemporary Art, Scottsdale, AZ Private collections throughout the United States and around the world including collections in Wisconsin, Maryland, New York, Washington D.C., Arizona, Illinois, Florida, Kentucky. International collections in Brazil, Singapore and Hong Kong. Articles Milwaukee Journal Sentinel, "Barnett Gives His Work an Exhibit" by James Auer, November 1996 Exclusively Yours...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

"Up North - Campfire Logger Spirit" is an original mixed media piece on a piece of birch bark, signed along the lower left edge. The artist only collects birch bark that he finds on ...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...