Art by Medium: Oil Crayon

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

Cover illustration for This Week Sunday magazine. March 7, 1937 A young boy holding a bunch of hats handing an older man a hat. Exhibited: The Triumph of Winter, National Arts...

Abstract painting by contemporary artist Anthony Polizzi. This colorful abstract work of art would be a lovely addition to anyone’s home. Anthony Poli...

This expressive fabric sculpture features language that reads “How ruthless are the gentle— How cruel are the kind— God broke his contract to his Lamb To qualify the Wind—“ -Emily Di...

Oil and oil crayon on canvas.

Oil and oil crayon on canvas.

Oil and oil crayon on canvas.

Oil and oil crayon on canvas.

This "Cow" painting vibrantly pops with hyper-realistic color. It depicts a highly detailed cow standing in against a blue background. Could it be an empty room? Could it be the sky? There is a very playful atmosphere as the cow is holding a dandelion gone to seed and the wonder is whether it will make a wish and blow. Its awash in a cartoonish blue with clouds and cloudy farm animals. This pairs with the lamb painting but is sold separately. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

Pop Art. Cool commentary on our culture. Vibrant. Conceptual. About the Artist: Blurring the line between mass consumerism and fine art, New York City based artist Jojo Anavi...

Susan Moss’ emotionally charged yet lyrical paintings attest to her strength, precise control of color and depth, and her maverick originality. In the words of a liquor-store thief w...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin’s stalwart images have an epic quality that grip the viewer with the idea that he or she is looking at a contemporary description of something timeless. For painter Gary Komarin, abstraction has never been a formal dead end. Rather, it has allowed him to challenge the limitations of the style - to make painting ‘include more’ precisely because a recognizable image excludes too much. Komarin has been called a “painter’s painter”. His status in this regard is based on the authenticity of his work, its deep connection to the tradition of Modern painting as well as its sustained individuality as an utterly personal voice. Like many of the best artists of his generation he is indebted to the New York School, especially his mentor Philip Guston with whom he studied at Boston University where he was awarded a Graduate Teaching Fellowship. Komarin has been particularly successful at filtering these influences through his own potent iconography. “From these seemingly unlovely methods Komarin gets paintings that vibrate with historical memory, echoing such things as Matisse’s driest most empty pictures. Robert Motherwell’s spare abstractions of the 1970’s, or the early New Mexico and Berkeley paintings...