Art by Medium: Panel

Amidst Thunder is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 60 × 90 cm (23.6 × 35.4 in). The artwork is signed, sold unframed and c...

Flourishing is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 60.6 cm × 45.5 cm (...

Carol Stewart Ontario Summer Painting oil on paper on panel 24 x 20w in 60.96h x 50.80w cm CST010 Through her ethereal and often dreamlike paintings Car...

I am interested in the abstract elements of the art work as much as the subject matter. My still life paintings are not still. I feel that my paintings are lasting over time and invite repeated exploration. –Carol Stewart...

Carol Stewart Late Afternoon, February oil on paper on panel 59.50h x 40w in 51.13h x 101.60w cm CST011 Through her ethereal and often dreamlike paintin...

Summer II is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments and gold leaves on Japanese paper mounted on wood, dimensions are 50 × ...

"Taking Tea" by Jan-Baptist Huysmans, an accomplished Orientalist painter of the 19th century, unveils a captivating world in his oil painting on panel. Born in 1826, Huysmans was re...

By the Waterside III is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 50 × 50 cm (19.7 × 19.7 in). It is part of the “Silhouettes” series....

Rick Beerhorst Looking Through Love oil on canvas 13h x 13w in 33.02h x 33.02w cm RIB008 Rick Beerhorst B. 1960 Education 1987 University of Illino...

This painting measures 45 X 45 cm and is painted on stretched linen. The cat and the bird, typically mortal enemies are held together by this noble woman. This becomes a metaphor for how opposed aspects of our inner nature coexist and add dimension and richness to our personalities. –Rick Beerhorst...

Blast is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 85 × 110 cm (33.5 × 43.3 ...

François Bonvin French 1817–1887 Pair titled 'Le plat rempli de fruits' and 'Le Pot d'étain' Pristine condition Signed and dated F. Bonvin 1866 and F. Bonvin Bruges 1866 Provenance:...

Marinas No. 3 is a unique oil on wood painting by contemporary artist Calo Carratalá, dimensions are 22 × 35 cm (8.7 × 13.8 in). The artwork is signed, sold unframed and comes with ...

Willem van Nieulandt the Younger, the son of Adriaen van Nieulandt the elder, was born to a family of artists from Antwerp. They moved to Amsterdam in 1589, after the Siege of Antwer...

Crevice 2 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of clay, wall putty, textured paint, wooden frame, dimensions are 45 × 45 × 10 cm (17.7 × ...

Blue Marsh I is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with ...

Rick Beerhorst Venetian Venus oil on canvas 23.50h x 23.50w in 59.69h x 59.69w cm RIB006 Rick Beerhorst B. 1960 Education 1987 University of Illinois...

Flax Field is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 41 cm x 33 cm (16.1 ...

Turbulences is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with b...

The Emerald Archipelago is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized bronze leaves on aluminium panel, patina fixed wit...

The Drunk" is an oil on panel painting created by Dutch school student. This artwork provides viewers with a captivating glimpse into the past, offering a detailed and vivid portraya...

A couple embraces, one looking directly out at the viewer. His piercing blue eyes are enhanced by the dark backdrop. A colorful moth sits upon his fingertips but he seems more enga...

Snow of May II (2016) is a painting by contemporary Taiwanese artist Yiching Chen. Mineral pigments and silver leaves on japanese paper mounted on wood. 50 cm × 70 cm. Sold unframed...

Marinas No. 12, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Abyss is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminum, patina fixed with beeswax, dimen...

Hope is a unique painting by contemporary artist Yiching Chen. This painting is made with earth and mineral pigments on Japanese paper mounted on wood panel. This artwork is a dipty...

Vertigo is a painting by French contemporary artist Frédérique Domergue. Oxidized zinc and bronze leaves on aluminum panel, patina fixed with beeswax polish. 100 x 100 cm // 39.37 in...

Marinas No. 29, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Pigments, India ink, gold leaf on panels mounted on Japanese paper. 65.2 × 100 cm. Sold unframed. Urban landscape II – Tokyo (2023) is a diptych painting by Paris-based Japanese arti...

The Event V is abstract painting reminiscent of a landscape by contemporary artist Joachim van der Vlugt. Together with a voluntarily restricted palette of colors and sombre, black a...

The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...

Marinas No. 18, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Vincennes forest, painting by contemporary Taiwanese artist CHEN Yiching. Mineral pigments on Japanese paper mounted on wood, 2018. 41 cm × 33 cm. This artwork is sold framed with a...

The Amour II is a painting by contemporary artist Joachim van der Vlugt. Oil on wood, 110 x 110 cm. This work is signed, sold unframed. This portrait represents a man wearing a gas ...

Plenitude II is a painting by Paris-based Taiwanese contemporary artist CHEN Yiching. As a specialist of Nihonga (traditional Japanese painting), the painter expresses all the poetr...

Ink, Japanese pigments, and golden leaves on Japanese paper mounted on wood, 38 cm × 45.5 cm. Sold framed (black shadow gap frame). Dimensions framed: 43,3 x 51 cm Square with Palac...

Untitled CIX is a large-scale painting by French contemporary artist Frédérique Domergue. Oxidized zinc and bronze leaf on wood panelling, patina fixed with beeswax polish, 180 cm × ...

Murmur (2017) is a painting by contemporary Taiwanese artist Yiching Chen. Mineral pigments on Japanese paper mounted on wood, 153 x 90 cm. Artwork sold unframed As a specialist of ...

The Night, The Moon, painting by contemporary Taiwanese artist Yiching Chen. As a specialist of Nihonga (traditional Japanese painting), the painter expresses all the poetry she fin...

Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

GREG MILLER "Secret Cove (Diptych)" Acrylic, Collage on Panel 36 x 36 in. each 36 x 72 in. overall Drawing from the diverse cultural and geographic makeup of his Californian roots...

Innocence is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 70 × 150 cm (27.6 × 5...

Set of 4 paintings from the 'Marinas' series by Spanish contemporary artist Calo Carratalá. Oil paintings on wood panel, 22 cm × 35 cm each. Dimensi...

This painting, inspired by Albrecht Durer's "Melancholia 1," was done during the COVID Pandemic and the last year of the Trump presidency. Hopes for the ...

A female nude dances in a private moment yet the figure in the background seems to be watching. The figure's face is obscured adding to the intrigue of the subject. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the overall aesthetic. Georgia Hinaris...

Jean-Gabriel Domergue 1889-1962 French La loge Signed (bottom right) Oil on panel Jean-Gabriel Domergue presents an elegantly seductive woman seated in a l...

A model pirate ship dominates the geometric backdrop of this perplexing painting titled, "Night Crossing." Constellations painted on the tiled surface suggest the ship is headed on a journey to be guided by star-filled sky above. Notions of voyage and conquest come to mind, but the boat is moored to its wooden base, dashing any hopes for adventure. The painting is framed in a simple walnut stained wooden frame measuring 25.25 x 21.25 inches. John Hrehov Night Crossing, 2022 oil on canvas on panel 24h x 20w in 60.96h x 50.80w cm JHR009 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Lamenting the lack of clear queer imagery in Renaissance painting I decided to paint a Gay version of "La Tempesta" by Giorgione. The small creature in the for...

After Athena was born fully armed from Zeus' forehead, Triton, acting as a foster parent to the goddess, raised her alongside his daughter, Pallas. The sea god taught both girls the ...

This exquisite portrait of a gentleman depicted in a sumptuous black coat edged with silver and slashed sleeves is an excellent example of the type of portrait fashionable in England and the Low Countries during the 17th century. The confident pose, striking orange sash - the colour of the house of Orange Nassau - and the leather gorget imbue the sitter with a sense of masculinity and power. The profusely decorated costume is of the highest quality and de rigueur of an elite class - the artist has carefully cultivated this portrait to emphasise the sitter’s wealth and standing in the society that he belonged to. The casual pose, with one arm resting on a hip, is much less formal than earlier decades, and it speaks of ‘sprezzatura’ – one’s appearance should not appear laborious, but instead, effortless. The oil on cradled panel portrait can be dated to circa 1650 based on the hairstyle and the attire - small falling collar, short doublet (doublets reduced in size to just below the ribcage in the late 1650’s), and the type of slashed sleeves with the sleeve seams left open to reveal the white fabric. The demand for portraits in the Netherlands was great in the 17th century. Bartholemeus van der Helst was considered to be one of the leading portrait painters of the Dutch Golden Age surpassing even Rembrandt as the most sought-after portraitist in Harlaam. The Dutch Golden Age, roughly spanning the 17th century, was a period when Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still life’s of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The new wealthy class were keen to have their portraits commissioned and many artists worked in this lucrative field. Such was the popularity of art that everyone had a painting, even the humble butcher, and hundreds of thousands of paintings were produced. By tradition the sitter is Maarten Tromp (1598-1653) who was an Admiral in the Dutch Navy (the reverse of the portrait contains an old handwritten inscription “van Tromp”). Certainly, the distinctive orange sash is similar to those worn by officers of the Dutch army in the Netherlands who served under the Princes of Orange and the House of Nassau. However, it should be noted that the physiognomy differs from other images of Tromp. Tromp was the oldest son of Harpert Maertensz, a naval officer and captain. He joined the Dutch navy as a lieutenant in July 1622 and was later promoted from captain to Lieutenant-Admiral of Holland and West Frisia in 1637. In 1639, during the Dutch struggle for independence from Spain, Tromp defeated a large Spanish fleet bound for Flanders at the Battle of the Downs, which marked an enormous change - the end of Spanish naval power. He was killed in action during the First Anglo-Dutch War in 1653 where he commanded the Dutch fleet in the battle of Scheveningen. Gloves were an absolutely vital accessory and the elaborate pair in this portrait are embellished with threads of silk and precious metals and salmon-coloured lining. He wears only one glove and holds the other, providing an opportunity to better display the cuffs and detail on his right wrist and forearm. The gloves are probably made from the most prized leather which came from Spain, in particular from Cordova. Cordovan leather was tanned with a special vegetal process that left it both highly impermeable and divinely soft. King Charles I, posed in a rather relaxed manner for Daniel Mytens’s portrait in 1631, is wearing gloves and boots in matching Cordovan leather. The hide is thick, but you can see just how supple it is from the way the gauntlet dimples and the long boot legs fold over themselves, rippling and wrinkling at the ankles. Apart from keeping hands warm the use of gloves during the 15th through the 19th centuries were full of symbolism and they were worn regardless of the season. They kept the skin unblemished - soft, smooth hands were considered highly attractive. This combination of necessity and proximity to bare skin made gloves a deeply personal gift and they took on a strong symbolic significance and were regarded as emblematic of fidelity and loyalty for hundreds of years. Such was the importance of their symbolism was that some gloves were never intended to be worn at all. Their luxury made them ideal gifts at court, and so in the 15th and 16th centuries, ambassadors often presented them as symbols of loyalty. Until the mid-19th century, it was customary to give gloves as tokens to guests at weddings and to mourners at funerals. Gentleman often gifted their bride-to-be with a pair of gloves (the obligatory gift) and were handed over at the betrothal and put on display before the wedding took place. It was probably their direct contact with the skin that led to the eroticism of gloves. Not only were pairs often exchanged between lovers, but from the 16th to the 18th centuries, it was common practice to remove one glove and give it as a gift to a favourite. The idea of the item being presented still warm from the wearer’s hand is certainly suggestive. Following the death of King George IV, his executors purportedly found over a thousand mismatched ladies’ gloves among his possessions. The sentiment of a 17th-century poem reveals the popularity of the practice: “Come to our wedding to requite your loves / Shew us your hands and we’ll fit you with gloves.” Such generosity might be pricey for the hosts, but gloves of varying quality could be offered depending on the status of the recipient. Pairs made with the finest Spanish leather might be reserved for immediate family, while coarse sheep’s leather could be distributed among the servants and tradesmen. The apportioning of quality according to class provided a very clear message of the gloves’ intended use. For refined guests, they were decoration; for the lower classes, they were functional. Bartholomeus van der Helst...

Two figures, cast in shadows, stand in the foreground between a nude female figure in the background. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the mystery of this gathering of characters. This artwork is mounted to a wood cradle and can hang directly on the wall. Please contact the gallery for framing options. Georgia Hinaris...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

The fifth emperor of Rome, Nero was the last in the Julio-Claudian dynasty line of emperors following his suicide. Nero was popular with the lower-class Roman citizens during his tim...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

A secluded path leads into a dense woods begging the viewer to ask the question - what is beyond the path? "The Walk" is a small scale landscape painted with painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. This oil on panel painting is framed in a silver and black wooden frame measuring 20.5 x 15 inches. "Pozas" René Monzón...

Jennifer unveils her bare breast, luring her unsuspecting rapist towards her so that she may seek her revenge. Should her morals be questioned? It makes no difference to her animal companion. This dog’s family was murdered and his response is to bite on a pair of dentures. Morality is exclusive to humanity. Nature simply carries forward. Featuring the films "I Spit on Your Grave", 1978, "High Tension", 2003 and "Angst", 1983. Georgia Hinaris I Spit on Your Angst oil on panel 28h x 56w in 71.12h x 142.24w cm GHS012 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...