Art by Medium: Panel

Jennifer McChristian's "Looking For Respite" (2008) is an original, handmade oil painting that depicts a busy sidewalk with people walking and bus...

The relaxed atmosphere is characteristic of the oil paintings by Dutch artist Laetitia de Haas (1948). Her work radiates a distinction and tranquility that we...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural red Tulip on a silver background with thick use of paint. It is housed in a wonderful ...

The Seer

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Was a French Orientalist artist who worked within the Salon of the Société des Artistes Français. Lucas-Robiquet enjoyed over forty years of artistic honour and success within the hi...

Selfie Figurative Magical Painting, oil on board, textured mixed media, created in 2021. This piece represents one of my earlier works, which explores our connection with animals thr...

Hand painted and stencilled on panel In 1999 BustArt began his artistic career with classic Graffiti. Until 2005, he became familiar with the whole spectrum of Graffiti and reached...

Hunt Slonem "Randy" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed...

Francesco Tammaro was born in Naples in 1939 where he attended the Instituto D'Arte di Napoli, one of the most reputed Fine Art schools in Italy. Shortly after graduation he traveled...

Calvin Lai's (US based) "Opaque" is an original, handmade oil painting that depicts a seated female with her face in profile and dappled in light. The painting is framed, with overall dimensions of 18 x 15 inches, Artist Bio: Calvin Lai's art is a mixture of medicine, meditation, and personal growth. He found early on that drawing was something he loved, and to make a picture appear lifelike became his goal. Through constantly drawing, his work began to breath, and his fascination with value and perspective led Calvin to become a student of realism. Eventually he moved from where he grew up in Los Angeles to San Francisco. There he studied drawing and printmaking at San Francisco State University. In 2008, he enrolled in the Academy of Art for illustration, but began painting instead. He found that he preferred the fine arts over commercial illustration...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Hunt Slonem "Untitled" Metallic Butterflies A pair of butterflies on a gold and silver background in a vintage frame Unframed: 6 x 4 inches Framed: 8 x 6 inches *Painting is framed ...

Hunt Slonem "Chinensis Travel Plan" Multicolor Bunnies A family of six rabbits gestured in black on a colorful metallic background in a vintage frame Unframed: 38 x 19.5 inches Fram...

Rabbit from a Hat 24 X 24 oil on birch wood panel Look at that face- his whiskers and his ears. He is a huggable little guy from Joe Concra's menagerie. Joe Concra says " The paintings I create exist in a fantastical world of possibility. I want these images of pigment and oil to be beautiful and emotional, full of life and imagination. There is a narrative thread that hangs loosely...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...

Arturo Mallmann’s abstract landscapes radiate a shiny gloss that makes them appear as glass canvases, but they are not in fact glass. Mallmann’s process includes a complicated approa...

Edward Ladell (English, 1821–1886) Still Life of Fruit, oil on panel, signed and dated 1862 This richly detailed still life by Edward Ladell is a superb early example of the artist’...

Sybiline's (CAN based) "Hemerocallis III" is an original, handmade oil painting that depicts a portrait of a pink and white day lily. About the Artist: Sybiline is a Canadian artis...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Presence" (2024) depicts an American midwestern plains scene, focused on the skyscape above, with a farm and mou...

Artist: Michelle Boyle (1967 - ) Title: Sisters In The Landscape Medium: Oil on Panel Date: 2024 Framed Size: 25 x 31 x 3 cm Image Size: 18 x 24 cm In ...

Matt Talbert's "Remember When" (2024) is an original, handmade oil painting on panel that depicts a portrait of a seated brunette in deep contemplation. Artist bio/statement: Matt ...

Muy interesante puerta de sagrario de madera tallada y policromada del siglo xvii. Es de comienzos del barroco, hay la representación del agnus dei con...

Hunt Slonem "Purple Haze" Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is framed -...

This is an original oil painting on a linen panel. Mums, the traditional flower of All Saints Day in France, are pictured in a reflective silver cup. A jewel-like deep green-blue bac...

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Judd Mercer's (US based) "Sunset Melt" (2019) is an original handmade oil painting depicting a street covered in snow that is melting from the warmth of the sunset. Artist bio/stat...

This painting is part of a series of portraits by Richard Gibbons in which the subject displays shock, dismay, anger or ambivalence in response to an unknown outside event. The portr...

John Ferry Mid-Century Modern X2 #1 Medium: Oil on Panel Year: 2020 Size: 4.75x15.25 in Signed, dated and inscribed by hand COA provided Re.: JF-20-10 “Fer...

Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...

In this contemporary beach landscape in oil on canvas mounted on panel, figures in the distance can be seen along the shore of a beach, gazing out at the deep, dark navy blue ocean, ...

Hunt Slonem "Stanford" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is fra...

Artist Jeff Aeling captures a volcano as it spews a giant column of lava and gas into the air creating a massive ash cloud. The artist's use of loose brush strokes and gentle dabs of paint evokes impressionist painting while the palette sets a tranquil scene for this landscape. The painting is framed in a heavy black wooden frame burnished to reveal reddish undertones measuring 16.5 x 14.5 x 1.5 inches. Jeff Aeling Volcano oil on panel 10h x 8w in 25.40h x 20.32w cm JAE037 Jeff Aeling b. 1958, Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2022 Kiss Me, It’s Beginning to Snow, Gallery Victor Armendariz, Chicago, IL 2021 2019 Es-Scape, Gallery Victor Armendariz, Chicago, IL Earth Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Places: Select works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Art Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Front and Center, Gallery Victor Armendariz, Chicago, IL 2004 Art Chicago, Navy Pier...

Silent Shores is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

This mid-19th-century oil painting, attributed to English artist Edward Charles Williams (1807-1881), depicts a wooded river landscape with a boathouse, cottage, fishermen and figure...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Antique Sacristy Door with Skull and Crossbones - Italy, 17th Century Exceptional wooden vestry door, dating from the 17th century, from Italy. This unique piece was originally used...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Anthony Falcetta niké, 2025 acrylic, gypsum compound & spray paint on canvas 40 x 30 in. (fal013)

Thorgrimur Einarsson's "Arctic Fox" is an original, handmade oil painting that depicts a white fox in an arctic tundra landscape. About the Artist: Thorgrimur is an Icelandic artist...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Brad Davis’s Business District is a luminous oil painting on wood panel, framed and ready to hang, measuring 36 x 36 inches (framed to 38 x 38 inches). Executed in 2025, this work ca...

Hunt Slonem "Mexican Red Head" Multicolor Amazon Parrot A single bird gestured in yellow, red and green on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13 x...

Fireplace flame with angular base deep. Customization possible and designed in 2010. Also available to order in stainless steel. The included burner a...

"Fragment" by Rudolf Kosow is a deeply introspective miniature painting on wood that subtly plays with shadow and light to evoke a sense of hidden depths within the human form. This ...

Karina Rodríguez's "Diversity," rendered in oil on panel, measures 12 x 12 x 75 inches, with a framed dimension of 13.25 x 13.25 inches, ready to hang. This strikingly realistic stil...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

Signed and dated impressionist oil on panel landscape by French painter Camille Roche. This beautifully coloured piece depicts a view of the River Seine in Paris, France on a bright ...

Mollie Erkenbrack. New Men XXXIX, 2014 Oil on linen panel, 5 x 7 inches. Signed with artist monogram, lower right.

The drama of the sky in New York State's Hudson Valley is captured in this contemporary landscape painting in oil on panel by David Konigsberg. In this painting, ivory and gray cloud...

Bright Air by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throughout ...

Hunt Slonem "Hutch Scored" Family of Four Bunnies on Red and Gold 4 bunnies gestured in black on a gold and red background in a vintage frame. Unframed: 30 x 20 inches Framed: 41.5 ...

Alley Shed, 2020

Signed impressionist figures in landscape oil on panel circa 1875 by French painter Stanislas Victor Edouard Lepine. The piece depicts depicts of a view of workers constructing the q...

David Shingler’s "Mt. Evans and Bierstadt, Colorado" (2016) is an original oil painting on wood panel, measuring 16 x 20 inches (40.64 x 50.80 cm). Known for his dynamic landscapes r...

This abstract, floral, still-life oil painting was created by Jennifer Hornyak. Highly regarded as one of Canada’s finest contemporary artists, Jennifer Hornyak has been painting fo...

Brad Davis’s "Progress on Memorial," oil on wood panel, measures 16 x 20 inches with a framed size of 18.50 x 22.50 inches, and is framed, ready to hang. This painting captures a sta...