Panel Art

Morgan Cameron’s (US based) “Shade and Shadow” is an oil painting that depicts a white wolf peering through a fallen tree. This painting is unframed, ...

Artist Bio: Robin Hextrum is a contemporary oil painter who lives and works in the Denver area. She grew up in a small coastal town called Stinson Beach in Northern California where ...

Russian Female Portrait, Empire Period, around 1812. French Inscription, cm 21.5 × 17 Oil on wooden panel. 15.7 × 13 cm (without frame) – 21.5 × 17 cm (with frame). Small Russian ...

A wonderful impressionist oil portrait of a Spanish Flamenco dancer with tambourine by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg ...

Tin Florias, Dance of Corfu, Greek artist of the 20th century between Greece and Paris. Constantin (Tin) Florias Corfu, 1897 – 1969. Dimensions with fram...

Lesley Powell’s Endless Rooftops beautifully conveys the layered charm of Parisian architecture. From a high vantage point, rows of slate rooftops and pale stone facades stretch into...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Unknown Artist (Dutch School, late 18th century) Pastoral Scene with Goatherds, ca. 1780–1800 Oil on canvas In this lively pastoral composition, a group of figures reclines in rusti...

ARTIST STATEMENT: Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by te...

Highland Painter (late 19th century) - Highland Cattle by the Lake. 35 x 54 cm unframed, 44.5 x 62.5 cm framed. Oil on panel, in a giltwood frame (not signed). Condition report: T...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts 2 gestural figures of black bunnies on a bring orange background with thick use of paint....

California Sunset - The West Coast enjoys the luxury of the extravagant, dramatic sunsets in hues of vibrant oranges fading to pure yellow diminishing to lavender and traces of lime ...

Leigh Ann Van Fossan's "Rain To The North" (2024) is an original, handmade oil painting that depicts a valley with a few houses in the distance and a storm brewing above. Van Fossan...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light yellow bunny on a yellow background with thick use of paint ...

Silk Road 261 is an aqua green and pale yellow encaustic (pigmented beeswax) painting on birch panel with a teal green edge. Signed, dated and titled on verso. Joanne Mattera’s pain...

In the manner of Jan Davidsz De Heem. This painting is in the Dutch Golden Age manner and is catalogued as such, however we believe the picture dates around the 18th Century and cou...

A beautiful oil on panel depicting the Piazza of San Gimignano, a walled medieval town in the hills of Sienna province in Tuscany, by Bruno Guaitamacchi...

Katheryn Holt (American, born 1951) "Quarry" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. About the Artist: Katheryn Holt paints memory....

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas or panel.

Bathed in luminous Mediterranean light, Wisteria in Italy captures a dreamlike hillside scene glimpsed through a curtain of violet-blue wisteria blooms. The composition reveals Faith...

Edward Bent Walker (British, 1850–1917) Figures on a Sunlit Common Circa 1900 Oil on panel Signed lower left A light-filled and spirited composition, this charming landscape by Edw...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

About the Artist: For as long as I can remember, I have been on a quest to convincingly represent on canvas what I see in the physical world, what I see in my mind and what I feel. M...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Suchitra Bhosle's "Vintage Beauties" is an original, handmade oil painting that depicts a vase of white, pink and red roses with a gray background. Abo...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Ingrid Smuling Yellow Cowslip Flowers in Chinese Vase 24,5 x 29 cm olieverf Framed size! 34,5 x 39 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Stil...

This contemporary acrylic abstract painting was inspired by nature. Expressive brushstrokes and veils of colour dance across this canvas, painted by Claudia McCabe. This painting ex...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Here is David Shevlino's Skull with crown created with a minimal range of colors, and features the artist's sensuous application of paint and controll...

Peter Hoffer White Pine, 2020 oil, acrylic and resin on panel 36 x 60 in (hoff189) This original landscape painting on panel by Peter Hoffer is simultaneously contemporary and tradi...

A ground of viridian green frames an iconic bouquet of cerise and white in this classic oil on panel by Jennifer Hornyak. Framed dimensions are 14.25 x 18.25 inches. Inspired by Ge...

Elizabeth Zanzinger's (US based) "Market Flowers VI" is a masterfully created realistic oil still-life. This painting measures at 12 x 10 inches, and is framed in a thin black frame...

Finely executed oil painting on panel by the Austrian artist Alfred (Ritter von Malheim) Friedländer (Vienna, 1860 – 1933). The work depicts an elegant company that has paused alon...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

"Ignite" (2025) by Josh Sorrell depicts a portrait of a woman with reflected orange light. This painting measures 12 x 9 x 1.5 inches and is unframed but ready to hang. Artist Stat...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Liseth Visser Dance me to the end of love 80 x 60 cm (Frame is included, framed 85 x 75 cm) Oilpaint on wood panel Dutch Female Artist Lis...

A fine pair of antique oil paintings Scottish Highland Scenes by George Frederick Buchanan (1800-1874) Landscapist George Frederick Bucha...

The Death Of General Wolfe,The Battle of Quebec 1759, 18th Century after of BENJAMIN WEST (1738-1820) Large 18th Century scene of the Death Of General Wolfe, oil on panel. Excellen...

➡️ Summer in Normandy⬅️ ⏩It is signed H D'Avesnes⏪ ⭐Medium:⭐ Oil on wood / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐37x48cm / 14.6x18.9 inch with ...

Signed oil on panel figures in landscape circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts families enjoying a day at the beach in Deauville - some ...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape with a wonderful dappled light. The work is superbly executed, very atmospheric an...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Signed full length portrait circa 1890 by French impressionist painter Jean Beraud. The work depicts a Parisian lady in a green tuile skirt, a blue jacket with fur and black lace up ...

Charles Van Den Eycken 1859 – Brussels – 1923 Belgian Painter 'The Little Writer – L’écrivain' 1913 Signature: signed lower left and dated 'Ch. Van den Eycken 1913.' Medium: oil on...

Judd Mercer's (US based) "Sentinel" (2022) is an original handmade oil painting depicting a large lone tree on a mountainside. Artist bio/statement Judd Mercer is a contemporary la...

Elizabeth Zanzinger's (US based) "The Leap" is a masterfully created realistic oil landscape still-life. This painting measures at 40 x 28 inches, and is framed at 42 x 30 inches re...

Tracy Spadafora's “Dumpster 1-800”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of red, white, black and brown colors, w...

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

Acquired by a private collector, Palo Alto, San Carlos and Oceanside, California, from Bingham Gallery in the Fairmont Hotel, San Jose, California; By descent to a private collector,...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

Suchitra Bhosle's "Mood in Orange" is an original, handmade oil painting that depicts a dark haired woman, in vivid orange clothing, tilting her head a...

John F. Pasmore (British, 19th century) Young Woman by a Cottage Door with Cat, Dog and Bird, circa 1880 Oil on panel, signed lower left A finely observed late-Victorian genre paint...

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil On Panel. Signed Upper Right. Image size 31.1 inches x 24.4...

A beautiful late 19th century English oil on panel depicting sheep and chickens in a n old barn. Excellent quality work in superb original condition, presented in a good quality swe...