Art by Medium: Panel

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...

In this expressive work by modernist Burton Kramer multi-coloured geometric shapes appear to dance rhythmically across the canvas. A capriccio is a short, lively, free-form piece of ...

Artist: Harout Danielyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Panel, Year: 2022 Style: Impressionism Title: Sunset, Size: 16" x 20" x 02'' inc...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

This exquisite early 16th-century Italian panel captures one of Christianity’s most cherished moments - the Adoration of the Magi. Painted around 1530, this panel belongs to a moment...

August Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn $950 Framed 11" x 13". Is part of newly released small works from V....Vaughan's collection of recent travels. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

A Large, Captivating, 1960s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dynamic color and patterned forms. Painted in the 19...

Brad Davis' "Campfire" is an original, handmade oil painting that depicts an orange fire glowing as its embers drift out from the fire ring.

Pondering in a Field Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . Pondering is Realist, Light/ Shadow Oil Painting 20"x16" Landscape that is part of a ne...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Attributed to Emmanuel Costa (French, 1833-1921) Untitled, c. Late 19th century Oil on wood panel 9 1/2 x 13 1/4 in. Framed: 14 x 18 x 1 1/4 in. Signed lower right: Costa Emmanuel B...

Intersections 8 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Sunset Song Series was created entirely en plein air, painted directly under the dimming light of late-summer and autumn sunsets. This body of work is a meditation on seeing without...

Peter Hoffer White Pine, 2020 oil, acrylic and resin on panel 36 x 60 in (hoff189) This original landscape painting on panel by Peter Hoffer is simultaneously contemporary and tradi...

View of Venice. Inscribed indistinctly with signature lower left and painted circa 1900. Additional inscriptions, verso, in graphite. Framed dimensions: 10H x 1.25D x 16.5W inches. ...

The Tide of the Setting Sun is an artwork by French contemporary artist Frédérique Domergue, crafted with oxidized zinc and bronze leaves on an honeycomb aluminum panel. Dimensions: ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Robin Cole’s “Cloud Study 1” is a compelling, 2025, oil on panel piece that depicts a skyscape at dusk. The painting embodies a tranquil scene, where the beauty of the sunset meets...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Aeling frequently depicts landscapes at moments when atmosphere dominates the ground, a fascination born from his time living in the West, where storms roll in across unbroken horizo...

Frank Dekkers Landscape 18 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Fireplace flame with angular base deep. Customization possible and designed in 2010. Also available to order in stainless steel. The included burner a...

Devin Michael Roberts' (US based) "Orange on Blue" is an oil painting depicting a cloudy shore with a bright orange sunset shining through the clouds. Artist bio/statement: Devin Mi...

This contemporary acrylic abstract painting was inspired by nature. This joyful mélange of colour looks and feels like a moment in early spring has been captured on canvas. Claudia ...

Damien Hirst, Politeness - Cherry Blossom, 2021 Laminated Giclée Print on Aluminium Composite Panel 120.1 × 96 × 0.1 cm (47 3/10 × 37 4/5 × 1/50 in) Edition of 1549 Hand-signed and ...

Introducing an extra-large painting, measuring an impressive 180cm x 180cm/70,9in x 70,9 in by the visionary artist Alejandro Hermann. Within this painting you experience an contempo...

Keimpe van der Kooi Garden Party 101 x 116 cm Framed: 110 x 124 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. The impre...

Dutch painter Egbert Modderman made this painting in the beginning of 2021. 2020 was a very successful year for the young Dutch painter, he did win ...

As a trompe l’oeil painter, Jay Davenport is rooted in representational art, but his subject matter departs from tradition in offering commentaries on contemporary life--often humoro...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with red accents with ...

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Provenance Consigned to the gallery by private collectors Signed "Marion Kavanagh Wachtel" lower right Description Marion Kavanagh was a pupil of William Keith in San Francisco who, upon learning of her move to Southern California, urged her to contact Pasadena artist Elmer Wachtel. A romance blossomed and the two were married in 1904. During their marriage, out of respect for her husband, Marion Wachtel painted in watercolor, giving Elmer Wachtel the honor of painting in the more “serious” medium of oil. After the untimely passing of her husband and a period of grieving, Marion took up oil painting in 1930, working both en plein air and in the studio. This masterful plein air painting is a poetic interpretation of the snow-capped mountains in Grand Teton National Park...

Peter Knapp’s “At the Stroke of Midnight” is a 24 x 32 x 1 inch abstract mixed media painting on cradled panel in blue, aqua, red, and gold acrylic, ink, and pencil. First of the “Sp...

Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...

"The Musicians" Charles H. Van den Eycken (Belgium, 1859 - 1923) Oil on wood panel with highly ornate original wood, stucco and gilt frame. Signed upper right and dated "1893.' 10 1...

Acrylic on wooden panel with a white frame Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing ...

Artist Statement I grew up in a small town west of St. Louis, MO.  To be more specific, I grew up in the woods outside of that small town.  Not having many human children around, my...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Judd Mercer's (US based) "Illumination" (2024) is an original handmade oil painting depicting a landscape with the sun rising, shining brightly on a large rock formation in the dista...

Oil on canvas laid down on panel. This serene landscape depicts a tranquil countryside scene dominated by two slender poplar trees rising gracefully from an open field. Softly rende...

Erik van Elven Lightbulb 50 x 70 cm Framing options available This painting is by Dutch Impressionist painter Erik van Elven. This young artist likes to paint in the style of the...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Peter Knapp’s “The Denizens of Delight – Fun with Matisse” is a 27.375 x 38.25 x 1 inch mixed media abstract painting on panel in blue, purple, orange, and green acrylic, ink, and co...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Oil painting on wooden panel realized by Marco Fariello in 2025.

Charming 19th-century oil on panel attributed to the Flemish School, anonymous artist. This work depicts an intimate interior scene with several figures engaged in daily life, charac...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Michel Delacroix was born in 1933 on the Left Bank, in the 14th Arrondissement of Paris. He started painting at the early age of seven just as the German Occupation of Paris began. P...

"Hunting Dog at a Stop." Unknown (signature indecipherable) Oil on panel Signed lower left 7 1/4 x 9 (10 3/4 x 12 frame) A very fine depiction of a hunting dog at a stop anticipatin...

Nocturne, Venice, 1924 – Gino Albieri (1881–1949) Gino Albieri (Cavarzere, near Venice, 1881 – Rome, 1949) was an Italian painter with a distinctive international career. Trained at...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Franciscus Melzer (1808-1865) Interior painting with a cat that gives out a scratch Signed lowerright corner F. Melzer Oil on mahogany wooden pane...