Art by Medium: Paper

John F. Carlson Forest Landscape, circa 1925 Signed lower right Watercolor on paper Sight 21 x 24 1/2 inches The native Swede John Fabian Carlson became a household name in New Yor...

Renato Guttuso was one of the most important Italian painters of the 20th century. The work is a lithograph made in etching and aquatint circa 1960s and depicts a famous painting of...

Fashion Show, 1963, Harlem, USA by Leonard Freed, is an 11” x 14” gelatin silver print, which appears in the photographer's seminal Black in White America book. The photograph is sta...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Legs, Backside and Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). This is a double s...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Graphite and watercolor on grayish-tan wove paper, 7 5/8 x 6 7/8 inches (194 x 175 mm), the full sheet. An unfinished study in good condition. On the mat-back is a notation that the...

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

This limited edition giclée print by Cyd Fontaine explores the language of geometric modernism through a precise arrangement of concentric color fields. Gradual tonal transitions mov...

90 Minutes Tinted Blue, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, perso...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Dreamy symmetry in shades of blue mesmerise your eyes in this photograph by Richard Heeps. This a...

Self-Portrait - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on a Polaroid. Not mounted. Leanne Surfleet is an analo...

Ten color screenprint on hand torn archival paper. Dimensions of 20.5×22.5 in. Released in 2016 from a sold out edition of 125. Mr. Brainwash is an icon and a great investment. Pri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

oil on paper mounted on cardboard unframed 18.5 × 14.5 cm (7.3 × 5.7 in) framed 29.5 × 25.5 cm (11.6 × 10 in) signed with monogram “OA” Provenance: From the artist’s estate; by desc...

"Fantasy with Flowers" (series of 200+ pictures)   paper 58x41cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

Keith Haring handwritten letter 1989: A rare 1989 handwritten letter by Keith Haring executed on the artist's personal stationary. An endearing personal response by Haring to a young...

"Kate Moss Curlers" Photography 20 x 16 in Edition of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist K...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1983: RARE historic Basquiat announcement card published on the occasion of: Jean- Michel Basquiat. Larry Gagosian Gallery, Los ...

Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf ...

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight mulberry paper create an undulating composition suggesting layers of the earth's crust...

'Bay of Poets' Lerici, Italy 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper....

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Paul Emile Berthon ( 1872- 1909 ), was a French decorative artist. He began studying painting in Villefranche. From 1893, he moved to Paris, where he attended the École normale d'enseignement du dessin. Among the courses taken at the time, those of the professor of decorative art Eugène Grasset had the greatest impact on him. The first works of Paul Berthon (around 1896) show a style close to that of Grasset. By freeing himself from the style of his master, his own style develops based on a palette of autumnal pastels with sharp lines and contours. This is his most famous lithograph, a portrait of Sarah Bernhardt in the title role of "La Princesse Lointaine...

Leon Kelly (American, 1901-1982) Three Surrealist Drawings Framed separately, floating mount. Bather Throwing a Ball Ink on paper, 6 1/2 x 5 inches FRAMED: 11 1/2 x 9 1/2 inches (a...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

Green oil pastel on paper realized by Mino Maccari in 1960s. Hand signed lower right. Very good condition.

New York Landscape - The High Line III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, silver leaf and black leaf on Japane...

Conca dei Marini - Amalfi Coast Italian Coastline Cove Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Conca dei Mar...

The artwork will be sent unframed, with passpartou Linocut „Moor” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ros...

Mintu Naiya - Lady - 11 x 8 inches ( unframed size ) Wash on Paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Graduate from Calc...

About the artist: Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers a...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

Room with a View Male nude, made with ultramarine blue tempera, inspired by Matisse. 70x50cm / 27.5x19.5in Shipped rolled in a tube directly from Florida. Part of Nude Men series. T...

A rare unique panoramic format photograph of an iconic summer beach scene along the Mediterranean coast of Tuscany by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure. Published in March 2024 on the occasion of the 30th anniversary of his beach project, Massimo Vitali selected this never published work for a special 30th Anniversary panoramic edition: Viareggio Pano (1999) 42” x 93” / 106 x 236cm (framed) limited edition of 12 + 2AP signed, titled, dated certificate of authenticity original archival photography print with diasec (acrylic glass) face mount in light grey lacquered gallery frame Each original photograph is printed at the artist studio in Italy under artist supervision in strictly limited edition (12 + 2AP), signed/titled/dated upon final inspection and expertly framed at a renowned art framing facility in Germany specializing in large scale art photography works. Disclaimer of authenticity: although it is possible to acquire (smaller size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. _____________________ About the artist Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed, epic scale panoramas, sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just released Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2024 Photolux Festival - Il Bel Paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art - Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 Human Constellations Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories Mazzoleni, London 2018 Coastal Colonies Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers with highly detailed captures Flora Italiana ( Papavero Bianco ) delicate white poppy flower petals 40 x 30 inches (102 x 76cm) signed edition of 25 64 x 48 inches (162 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Alphonse Mucha's "Lorenzaccio" poster, featured as Plate 114 in "Les Maîtres de l'Affiche," encapsulates the Art Nouveau spirit and the enchanting collaboration between the iconic ar...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

Offset lithograph postcard Boldly signed in black marker by Richard Estes on the front This card depicts Estes famous 1970 oil on canvas painting "Food Shop", that had been in the co...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Format : 2 Volumes, In-4° Typology : Print Suite Edition of 100 copies, including 65 original lithographs by Giorgio De Chirico in the text. This copy is in two volumes, unlike the standard edition printed in a unique volume. This edition is part of the only 6 made on Japan Supernacré Paper...

245 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Great Tit Size: 12 x 16 inch...

Wood and metal metronome with printed eye. Initialed and numbered 16/200 in felt tip pen and ink on printed label on bottom of object. Published by the New York Cultural center. Con...

Taken upon arriving in Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, with the famous Vegas cityscape ...

Late Mid century watercolour on paper interior view of tulips in a terracotta pot by Joelle Gainon. The painting is signed bottom left and presented in a modern frame with cut card m...

Study of a nude woman on a stool by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her work. Presented in a cre...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

This vibrant yet softly nuanced composition draws inspiration from coral ecosystems, translating underwater biodiversity into expressive, organic forms rendered in delicate pastel to...

large format abstract photograph of water color clouds and horizon from a series of photographic works capturing the sea blue color palette of the ocean SEASCAPE I Diptych by Frank...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special enthusiasm on astr...

This was my 3rd time visiting Masai Mara, probably the best place to see the big cats. My guide Patita, I cannot praise him enough by the way. He could almost speak to the lions. He ...

This rare and exquisite 1896 calendar by Swiss-born French illustrator Eugène Grasset, created for the Parisian department store La Belle Jardinière, is a masterpiece of Art Nouveau ...

Colored pencil & graphite on paper

Figurative abstract cubist style drawing in a painted antique wood frame, inspired by artwork by Graham Sutherland “Winged Figure III” by Hudson Valley artist, David Dew Bruner, mad...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...