Art by Medium: Pastel

Thelma Appel Rescued Doll, with Flower Vase, 2016 Pastel on paper drawing Signed on the back of the artwork; also signed and titled by artist on the back of the accompanying board; u...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...

Still life featuring brightly colored car and toys

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and dated 1964. Born in Queens, New York, James Joseph DeMartis served with distinction in World War I...

Jogen Chowdhury Untitled Dry Pastel on Paper 11.6 x 8.3 inches, 2023 ( Framed & Delivered ) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

Augmented Meteorite II is a unique pastel, 23k gold leaf, cotton paper drawing by contemporary English sculptor Oliver Ashworth-Martin, dimensions including oak frame are 113 × 75 cm...

Color pastels on paper, 1964. Signed by the artist in pencil, lower left recto. Framed dimensions 13.75 x 15.5 inches. Provenance: Graham Gallery, New York, with the label on ver...

Title: Water Jug And Fruits Medium: Pastel on paper Size: 25 1/2" x 19 1/2" Frame Size: 30 1/2" x 24 1/2" Age: 1984 dated Signature: Brian Foster Provenance: Collection fro...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

Abstracted Figure in Nature in Ink and Pastel on Paper Beautiful and unique abstract piece of a figure in nature by Frank Rowland (American, 1927-2012). The graceful and simplifie...

Tribute to Artists 2 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with India ink, acrylic, pastel and engraving on cardboard mounted on canvas, dime...

Landscape mixed media on cotton canvas 100x100 cm 2021 original art the painting is sold stretched on a handmade wooden frame the painting is ...

Brightly colored landscape of a cabin in the woods by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in a cream mat. No frame. Image size: 30"H x...

A charming study of a Scottish boy in traditional dress. The artist captures the young boy in colourful pastel detail, showing the patterns in his uniform...

ink, pastel on paper

signed "RP" at lower left

Irene Georgopoulou's "M is for Monopoly" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

Rocio Rodriguez December 4, 2020 Pastel and charcoal on paper 11 x 14 in. (rodr054) Rocio's work represents an exploration of the transient and temporal and a process of creating a ...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Untitled, 2016

Buttoned Up

Exhibited: 1973 San Francisco Museum of Art 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born...

Martin Yeoman is a figurative oil painter and a member of the New English Art Club. His work is founded upon the traditional values he believes firmly in...

"Talking Lines" This intuitive abstract drawing in chocolate tones is made with Chinese ink and pastel on thick kraft paper. It conveys an impulse born in the space of sensations. ...

This artwork "Napa Vineyard" c.2000 is a color pastel on paper by noted American artist Reif Ray Charles Erickson, 1949-2015. It is signed at the lower left corner by the artist. The artwork size is 12.25 x 19.25 inches, Framed size is 24.5 x 31.5 inches. Custom framed in a wooden gold and black frame, with gold color bevel and fabric matting. It is in excellent condition, the frame has very minor restorations, practically invisible. About the artist: Reif Erickson...

Pastel and watercolour on high quality acid free Fabriano 200 gsm watercolour paper. Painted following an a misty dog walk, Scotland. ADDITIONAL INFORMATION: Pastel, Watercolour on...

When I painted this intuitive drawing, I imagined my brush dancing in a white room. Golden sunlight pours from the window. A feeling of happiness is in the air. "Movement Pattern" is...

Open field with tree and building

Artist: Jose Canes aka Dore, Spanish (1931 - ) Title: Woman Kneeling with Flowers Year: circa 1975 Medium: Acrylic and Pastel on Paper, signed 'Dore' l.r. Size: 25.5 x 19.5 in. (64....

Pastel on Canson Pastel card. Pastelled following au autumnal walk on Wimbledon Common. ADDITIONAL INFORMATION: Pastel on Paper 24 H x 30 W x 1 D cm (9.45 x 11.81 x 0.39 in) Sold u...

ink and pastel on paper

Rock formations in landscape

"Wild Dance" is an improvised expressive drawing conveys an impulse born in the space of sensations. Artwork is done in ink and blue pastel on white paper. "Every time I draw such a...

This abstract calligraphic drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of in...

Blue, purple, and green toned winter landscape pastel drawing by German-American painter, Wolf Kahn. Signed by the artist in the lower right corner. Framed and matted in a gold frame...

Storm on the horizon

Rose in Ball Jar, Vintage Floral Pastel Still-Life Wonderful floral pastel still-life of roses by Des Matthews (American, b. 1935), circa 1970s. Signed...

This dreamlike composition explores perception and reflection — both literal and inner. A resting figure drifts through flowing waves of turquoise and indigo colors, her hair is mer...

Confident, bold, decisive, bright! This artwork conveys such a mood. This intuitive abstract drawing is made with Chinese ink and pastel on watercolor paper. It conveys an impulse born in the space of sensations. "Every time I draw such abstract lines, a flow of energy moves my hand. For this to happen freely, I need to be calm and focused at the same time. I draw very quickly to keep expression and spontaneity. I never know what the result will be. The process of drawing like this is a kind of magic that turns an invisible impulse into a reflection on paper. Each drawing is unique and one of a kind." Sve...

Augmented Meteorite I is a unique pastel, 23k gold leaf, cotton paper drawing by contemporary English sculptor Oliver Ashworth-Martin, dimensions including oak frame are 120 × 120 cm...

Wildflower Plein Aire Landscape in Pastel on Paper Colorful miniature landscape by California artist Jeanne Rosen Sofen (American, b. 1954). This piece has various California wildflowers...

"Streamlet" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw...

Marc Scheff's "The Feathers are Blue" is a multi-layered resin painting that is made using acrylic, pan pastel, pencil, gold leaf, layered resin, moleskine sketchbook, About the art...

This artwork "Untitled #5" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 22 x 17 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

A delicate pastel study of a female nude reclining on a bed in a simple setting. Unlike other works by the artist this one has been done in brighter pink and purple tones contrasting...

This spontaneous gestural drawing is made with Chinese ink and silver pastel on heavy white paper. Looking at it you can feel the freshness of instant impulse and the charge of cheer...

Beautiful original pastel on archival paper of Mount Shasta in Northern California by the well known Hudson River artist, George Douglas. Signed and dated 1874 lower right. Condition is excellent. Recently professionally matted and framed in a antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Woman is an original artwork realized by François Chapuis in the first years of the 1970s. Colored pastels on paper. Signed in pencil by the artist on...

This artwork "Untitled #2" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed with initial in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

A classic Richard Haas (born 1936) New York City view. Signed in pencil lower right. The fact that it is signed within the image, the drawn-upon area, leads me to think the artist wa...

Agnes Mills (American, -2008) Untitled (Girl Eating an Apple), c. Late 20th - Early 21st Century Watercolor (?) and pastel on canvas 30 1/8 x 23 3/4 in. Framed: 37 3/4 x 31 5/8 x 1 ...

Bernard Nacion Untitled (Santa Claus Over Los Angeles), Late 20th Century Watercolor and pastel on artist board Image: 7 x 9 3/4 in. Board: 15 x 20 in. ...

Treasured Gift - a single feather, original drawing created with gouache and pastel on handmade paper by Susan Manchester. 21 1/2 x 16 1/2 inches. Pro...

Chrysler Building No 1 by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, ...

Beautiful soft pastel drawing. Spring flowers and green grass. Very romantic drawing by professional artist Anna Valshchikova. Please contact us if ...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Kukla” Materials : Chalk pastel and pencil on Arches Paper Date : 2019 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

A wonderful pastel portrait of a liver and white cocker spaniel by British artist Edith Honor Earl (1901-1996). Signed and dated to the lower right. Well-presented in a lime-washed f...