Art by Medium: Pastel

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

An original mixed media painting of a portrait and still life images by Israeli artist, Michael Eisemann. The artwork is hand-signed and dated in ink...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork comes framed in a bo...

Magdalena Morey Exploring Every Path 2 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Courtyard with Sculpture by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

John Piper (1903-1992) Bullslaughter Bay Watercolour, gouache and pastel on paper 27.5 x 35.5cm John Piper CH was an English painter, printmaker, and designer of stained-glass windo...

Scaling up This pastel drawing Golden Lilac - 07-02-21 is based on a previous graphite pencil drawing 'Nude - 13-01-16'. Once in a while I realize I draw in graphite more often than...

Ferry view to Fetlar by Natalie Bird [2022] original Watercolour and pastel on paper Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:35 c...

Self Portrait in Underwear John Hardy, American (1923–2014) Date: 1962 Pastels on Watercolor paper, signed and dated Image Size: 23.5 x 18 inches Size: 32 x 27 in. (81.28 x 68.58 cm)

Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Paul GROSSIN Gambais (Seine-et-Oise), 1857 - 1912 View of Naples gulf from Capri ? Pastel on canvas 65 cm x 100 cm (91 x 116 cm with frame) Signed lower left "Grossin" Very good cond...

When the Seasons Turn 10.0 x 9.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love the changes of seasons and the juxtaposition of both w...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Heckingham, towards the barns by Cornelia Fitzroy [2022] Please note that insitu images are purely an indication of how a piece may look Heckingham, towards the barns is an original...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

Christopher Ganz Neon Cat 2021 Pastels & charcoal on tinted paper 18h x 24w in 45.72h x 60.96w cm CG0073 -ARTIST STATEMENT- I depict my person in multiplicity with different ...

Jogen Chowdhury Untitled, Figurative, Ink & Pastel on Paper 5 x 6.5 inches , 2003 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Lisa Fricker's "Shocked!" is an original, handmade pastel painting that depicts an abstract portrait of a man, it measures 6 x 6 inches. This painting is framed and ready to hang.

A brightly coloured and joyful abstract pastel work by Modern British artist Ewart Johns. Ewart Johns (British, 1923 – 2013) Red Garden Pastel Signed with initials and dated ‘EJ 87’...

"Light House Eagle Bluff Peninsula State Park" is an original pastel drawing by Michael DeFrancesco. The artist signed and dated the piece in the lower right. This drawing depicts a red-roofed house next to a light house in an expansive green field. 22" x 30" art 29 1/2" x 37 1/2" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Daggi Wallace's "Not All That Glitters I" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany ...

Daggi Wallace's "Silence Of The Lambs XI" is an original, handmade mixed media painting that depicts a female's model face overlaid with circular shapes. Born and raised in Berlin,...

Elena Degenhardt's "Waves Mountain High II" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 6 x 6 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 8 x 8-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

Elena Degenhardt's "Waves Mountain High I" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 6 x 6 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 8 x 8-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Inspired by a hike on the Trail of Cedars at Glacier National Park. :: Drawing :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

"Houses at Night" is an original mixed media painting by Dan Muller. The artist signed the piece lower right. The artist used cut & pasted paper, waterc...

Pastel, colored pencil with collage elements Unsigned Condition: Repaired tear in the area of the moon, only visible from verso Pin holes in the corners and in the ...

Chris Anderson, Small Clocks (2006), mixed media, acrylic, pastel painting and drawing. Timepieces by American artist Chris Anderson consists of a series of mixed-media paintings on...

This Vicente has a color glow akin to a Mark Rothko. Vicente explored parallel ideas to Rothko and others of the abstract expressionist and color field era. The pastel gives this w...

Tammy Liu-Haller presents "Green Sunset," an original mixed media painting on encaustic panel created in 2023. This intimate artwork measures 5 x 5 x 0.87 inches (12.70 x 12.70 x 2.2...

Tammy Liu-Haller presents "Blue Sunset," an original mixed media painting on encaustic panel created in 2023. This intimate artwork measures 5 x 5 x 0.87 inches (12.70 x 12.70 x 2.21...

Tammy Liu-Haller presents "Rose Sunset," an original mixed media painting on encaustic panel created in 2023. This intimate artwork measures 5 x 5 x 0.87 inches (12.70 x 12.70 x 2.21...

"Horse in the Moonlight #3/20" (2021) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is in...

A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocabulary. This practice allows her to contain the...

Theodor Alescha (1898-1991). Netherlands harbor scene, ca. 1935. Pastel on paper mounted to illustration board, 18 x 24 inches. Measures 24 x 30 inches framed. Signed lower right. Ex...

A really eye-catching black and white figurative work by Modern British artist Ewart Johns (1923 - 2013) 'A Homage to Picasso' Ewart Johns (British, 1923 – 2013) Homage to Picasso P...

La Place Carnot Sous la Neige (Lyon) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanie...

"Chrysanthemum II #4/10" (2021) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is internat...

Judith Brenner Please note that insitu images are purely an indication of how a piece may look. Alberto Standing 3 is a contemporary nude painting by Judith Brenner. This is an orig...

Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...

Hubert Finney (1905 – 1991) Soldiers Waiting Charcoal 37 x 55 cm A reclusive figure whose work has remained largely unseen, Finney studied under Eric Gill before winning a scholarsh...

Irene Georgopoulou's "Cherished Playthings" (2024) is an original soft pastels on paper artwork, measuring 8 x 8.50 inches. Part of her solo exhibition "Nostalgic Treasures: A Journe...

Sin titulo original pastel abstract painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de ...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Maria Teresa Viecco, Colombian (1953) Title: Untitled 2 Date: 1992 Mixed Media on Paper, signed and dated Size: 22 x 30 in. (55.88 x 76.2 cm) Born in Bogota, Colombia, graduate in a...

Springtime in the park By Natalie Bird [2023] Pastel on pastelmat paper - mounted on antique white card and wrapped in protective cellophane. Additional information: Original Paste...

This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily st...

Gilliam M Hobbs (British, 20th Century) Padstow from Rock at Dusk Pastel on paper Signed ‘Gillian M Hobbs’ (lower right) 7.1/4 x 10.3/4 in. (18.4 x 27....

Work on paper Workshop stamp on the back of the work

Work on paper Workshop stamp on the back of the work

This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily st...

Work on watercolor paper laminated Born in the canton of Friborg, Gilbert Pauli (1944 - 2020) lived in Geneva, where he devoted himself to painting and sculpture, a passion he deve...

Samantha Gare Les Arcs, France Pen, Marker and Pastel on Mountboard Unframed 51cm x 76cm Landscape, skiing, black and white, mountain, snow, France Please note that insitu images are...

A beautiful and peaceful abstract still life painting done in pastel. Vibrant colours such as red, yellow, blue and green burst through the picture to create a living and loving peac...

A vibrant abstract expressionist work by Dirkjan Ribbeling (1932–2013), distinguished by dynamic energy and movement, with confident mark-making. Rendered in oil pastel. Signed to th...