Art by Medium: Pen

Translated title: "Interrupted path". Marker on paper. This is part of an album. The price refers to the single drawing.

Original drawing with felt pen on paper Unique piece Handsigned at the bottom center Mint condition Rare artwork

Original drawing with felt pen on paper Unique piece Handsigned at the bottom center Mint condition Rare artwork

Translated title: "Face with a flower on the head". Marker on paper. This is part of an album. The price refers to the single drawing.

Translated title: "Rooster". Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

"Tempted by..." (FRAMED) Abstract Painting 30" x 22" inch by Booboo Stewart Artwork size: 30" x 22" in Size framed: 38" x 31" in Artwork comes in a black frame with a museum-grade ...

BOWERY BUGS Signed by Art Davis MEDIUM: Limited Edition Cel SIZE: 17" x 11" EDITION SIZE: 500 ARTIST: Art Davis SKU: WB1034 ABOUT THE IMAGE: This limited edition was inspired by ...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Bittersweet Cephalopod, Original Contemporary Abstract Nautical Mixed Media Work, 2018 11" x 8.5" (HxW) Collage and Pen on Paper With clear inspiration from natural botanicals and oceanic life, artist Jenny Brown combines found imagery and her own mark making to create delicate yet bold designs. This work features an ocean-inspired creature taking shape from a combination of paper ephemera on a coral colored piece of paper. Fine white lines and small white dots emerge and scatter around the composition, bringing the work to life. Images with frames are examples only; this work comes unframed. Artist Commentary: The Unique Bittersweet Cephalopod is a creature of Jupiter's sunset seas, not yet found in any other part of the universe. This work was created with antique collage materials and pen on paper. About the Artist: Jenny Brown is a visual artist living and working in Providence, Rhode Island, whose primary mediums are drawing, collage, and works on paper. Her work brings to life a mythical world of sea creatures and celestial beings, realized through her love of paper ephemera. Jenny studied art at Bennington College and received her MFA from the School of Visual Arts in New York in 2005. In addition to working with galleries in New York, Providence, and metro Boston, Jenny has collaborated with brands such as Hudson-Chatham Winery, Sheaffer Pens...

Evening Moon Fruit, Original Contemporary Abstract Nautical Mixed Media Work, 2018 11" x 8.5" (HxW) Collage and Pen on Paper With clear inspiration from natural botanicals and oceanic life, artist Jenny Brown combines found imagery and her own mark making to create delicate yet bold designs. This work features an nature-inspired creature taking shape from a combination of paper ephemera on a charcoal colored piece of paper. Fine white lines and small dots in white, purple, and pink emerge and scatter around the composition, bringing the work to life, like glittering stars in the night sky. Artist Commentary: Evening Moon Fruit is a burst of color in the night sky, perhaps the light of another galaxy or interstellar nebula? Existing between constellations and planets, lush with roses and pink apples, this work is inspired by our dreamscapes and fascination with science fiction. Original is comprised of pen, ink, acrylic paint, & antique collage clippings. About the Artist: Jenny Brown is a visual artist living and working in Providence, Rhode Island, whose primary mediums are drawing, collage, and works on paper. Her work brings to life a mythical world of sea creatures and celestial beings, realized through her love of paper ephemera. Jenny studied art at Bennington College and received her MFA from the School of Visual Arts in New York in 2005. In addition to working with galleries in New York, Providence, and metro Boston, Jenny has collaborated with brands such as Hudson-Chatham Winery, Sheaffer Pens...

LeRoy Neiman "Miracle on Ice Study" Original Mixed Media on Artist Board 11 1/2″ x 14 1/2″

Pen & ink c1950s fashion sketch in a gilt bamboo frame Art Sz: 8"H x 4 1/2"W Frame Sz: 11 3/4"H x 7 3/4"W

Danny O’Connor is an artist based in Liverpool, he graduated from Liverpool John Moores Art School where he studied graphic arts. Danny is predominately a figurative and portrait ar...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA4834 ABOUT THE IMAGE: Looney Tunes is a series of animated short films b...

An original compact mid century watercolor in its original frame presentation. The work is signed "Schwab" with an illegible first initial.

An original acrylic on board by Israeli American outsider artist Robert Sellers.

MEDIUM: Limited Edition Cel SIZE: 9.5 x 12.5 EDITION SIZE: 150 SKU: MLC09 ABOUT THE IMAGE: Kicked off the Beach, ejected from the library, what's next... the Literary Ace fires a l...

Minimalist Figurative Drawing by Cuban artist Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He cur...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

A contemporary drawing by American artist Tina Dillman from her recent "Our Desires" series. Drawings from this series are being offered for sale to benefit Dillman's residency progr...

A contemporary drawing by American artist Tina Dillman from her recent "Our Desires" series. Drawings from this series are being offered for sale to benefit Dillman's residency progr...

You are viewing an original mixed media work by emerging American artist Anne Muntges. Anne Muntges is an artist who makes highly detailed drawings, prints, and installation art b...

Somnath Hore - Untitled Pen & Ink on Paper, 10.6 x 6.7 inches, 25-03-1987 (Unframed & Delivered) Inclusive of shipment mounted not framed, Should you wish to receive the same framed...

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...

Attributed to Léon COGNIET Paris 1794 -1880 Portrait of Condottière Pen and brown ink 10,5 x 8cm 30 x 25cm framed Period frame

An original illustration for the Franklin Library publication in 1975 of The Adventures of Huckleberry Finn by Mark Twain (Page 5).

Jogen Chowdhury - Untitled - 12 x 16 inches (unframed size) Ink on Paper, 2022 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Unique hand embellished with silver marker on serigraph. Hand signed lower right by Ronnie Cutrone. Hand numbered 6/50 lower left. Artwork size: 40 x 30 inches. Frame size: 44 x ...

Conceptual Artist Gahan Wilson is also a cartoonist. He is a master at telling a story in one picture. Thirdly, he delights the viewer's eyes with his instantly recognizable drawing ...

Andrea Boscoli (Florence, Italy, 1564 – Rome, Italy, 1608) Title: 𝘛𝘩𝘦 𝘱𝘢𝘺𝘮𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘶𝘵𝘺, 𝘧𝘳𝘰𝘮 𝘗𝘰𝘭𝘪𝘥𝘰𝘳𝘰 𝘥𝘢 𝘊𝘢𝘳𝘢𝘷𝘢𝘨𝘨𝘪𝘰 Medium: Pen and brow...

Yusuf Arakkal - Travel Drawing Series - London Pen & Ink on Paper , 21 x 14 inches , 2008 About the Artist & his work : Born : Yusuf Arakkal (1945 – 2016) was born in Kerala. Education & Art Career : Both his parents died when he was young. Leaving the comforts of his house behind, he left for Bangalore, lonely but with a passion to become a painter. The hardships that he faced at Bangalore honed the artist in him and sharpened his sensibility. He took a diploma in painting from Karnataka Chitrakala Parishat (KCP), Bangalore and later specialized in graphic print making from National Academy community studios, Garhi, Delhi. Solo International Show : 1992 - Relays De Monts - Siux, Limousin, France. 1993 - Gallerie Taormina Del Arte - Le Hwre, France. 1994 - Srijana Contemporary Art Gallery - Kathmandu, Nepal & Art Forum Gallery, Singapore. 1996 - Wallace Gallery, Chelsea, New York & Air Gallery, Dower Street, London. Group International Shows : 1985 - Thirty contemporary Indian Artists at Habana, Cuba ; Contemporary Indian Art show at the National Museum Mexico City, Mexico ; Second Asian Art show, Fukuoka, Japan & Indian Printmaking, Festival of India, USA. 1986 - Sixth biennale de beau Art, Beaumount, France ; Third Asian Art Biennale, Dhaka, Bangladesh ; Inaugural exhibition of the National Museum of Modern Art, Seol, Korea. 1994 - Indian printmaking show, Maltwood Art Museum & Gallery Victoria, British Columbia & Indian Contemporary Art Show, Gallery Maya, Hong Kong. 1996 - Indian Contemporary Art show, Nagai Garo, Tokyo, Japan ; 32 Contemporary Indian artists - exhibition and auction by Christies, London & Women in Indian Art, by The Gallery, Visual Art Centre, Hong Kong. 1997 - Auction of Indian Contemporary Art by Christies, London. Awards : 2005 : Lorenso-De-Medici Gold...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Hardrock 2020. Paper/mixed media, 21x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, arch...

Devie Elzafon (Israeli, born 1957) "Green Hat, Yellow Bird" 2021 Permanent marker, acrylic paint, and ink on paper The artist signed the right corner of the artwork. “Green Hat, Yel...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Captain Adams, 20th Regt Gouache, pen, and ink 52 x 44 ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Major Chaplin, 3rd Dragoon Guards...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) The Hon Miss Winn Gouache, pen, and ink 52 x 44 cm Pr...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Miss Alice Lowneley Gouache,...

Devie Elzafon (Israeli, born 1957) "My Lovebird" 2021 Permanent marker, acrylic paint, and ink on paper The artist signed the bottom right of the artwork. “My Lovebird” by Devie cap...

Devie Elzafon (Israeli, born 1957) "Icon" 2021 Permanent marker and ink on paper Signed on the bottom right of the artwork. In “Icon,” the woman has confidence, poise, and allure. W...

Devie Elzafon (Israeli, born 1957) "Confident" 2021 Permanent marker, acrylic paint, and ink on paper Signed in the bottom right corner of the artwork. Devie celebrates the strength...

Devie Elzafon (Israeli, born 1957) "Mystery" 2021 Ink, Permanent Marker, Acrylic Paint, Paper The artist signed the bottom left of the artwork. Devie captures the essence of timeles...

Devie Elzafon (Israeli, born 1957) "Untitled" 2021 Permanent Marker, Ink, Acrylic Paint, Paper Signed in the bottom right corner of the artwork. Devie captures a moment of quiet ref...

Sakti Burman (a) Untitled - 7.5 x 9.5 inches (Unframed size) Watercolour on Paper (b) Untitled - 3 x 6 inches (Unframed size) Pen on Paper , 1992 (c) Untitled - 4.5 x 9 inc...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Miss Hay Newton Gouache, pen, and ink 52 x 44 cm The ...

Juan Lazaro REPARANDO 2018 51 x 83 in Acrylic painting; Ballpoint pen Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle...

Devie Elzafon (Israeli, born 1957) "The Sparkle in Her Eye" 2016 Permanent marker, ink, on paper Signed and dated by the artist in the bottom left corner of the artwork. Devie captu...

Devie Elzafon (Israeli, born 1957) "My Little Companion" 2020 Permanent marker, acrylic paint, ink, on paper Signed on the bottom left of the artwork. In “My Little Companion,” the ...

Shuvaprasanna Bhattacharya - Untitled - (unframed size) Pen & Ink on Paper , 11 x 8 inches , 2009 (Delivered) One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic renedition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction' in 2014. There have been many articles about Shuvaprasanna, including 'An exclusive edifice' written by Kunal Ray for The Hindu in 2014. Selected Solo Exhibitions : 2011 - Shuvaprasanna: Recent Works, CIMA, Centre of International Modern Art, India, Kolkata 2010 - Summer Show 2010, CIMA, Centre of International Modern Art, India, Kolkata 2007 - ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong 2006 - ‘The Divine Flute’, Aicon Gallery, USA 2002 - ‘Icons and Illusions’, Gallery ArtsIndia, New York 1998 - ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings...

Devie Elzafon (Israeli, born 1957) "The Stork" 2020 Ink, Acrylic Paint, Paper The artist signed the bottom right of the artwork. “Red Lips” is an elegant study in simplicity and all...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Miss Fletcher Gouache, pen, and ink 52 x 44 cm Prior ...

Sunil Das - Untitled - 6 x 7 inches & 7 x 7 inches (unframed size) Pen and Ink on Paper, 2012 (Set of 2) Inclusive of shipment in ready to hang form. for auction : Please Note: The reserve price set is for one work only The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face...

Sunil Das - Untitled - 9 x 7 inches & 9.25 x 7 inches (unframed size) Pen and Ink on Paper, 2012 & 2010 (Set of 2) Inclusive of shipment in ready to hang form. The exceptions are the faces such as the profiles of bearded men in which the content is a mere excuse for the lines to create a pattern of untrammeled playfulness. Of course the Japanese face...

Sunil Das - Untitled - 9 x 7 inches (unframed size) Pen and Ink on Paper, 2010 & 2012 (Set of 2) Inclusive of shipment in ready to hang form. The exceptions are the faces such as th...