Sergio Lazo

Freddie, Drawing, Pen & Ink on Paper

2018

"Earth Day" Original Drawing on Paper 11" x 14" (actual size with frame 16" x 20") 2022 :: Drawing :: Pop-Art :: This piece comes with an official certificate of authenticity sign...

"Messi" Original Drawing by Sergio Lazo Mixed Media and Enamel on Paper 11" x 14" (actual size framed 16" x 20") 2022 :: Drawing :: Pop-Art :: This piece comes with an official certi...

Original Art by Sergio Lazo "Kiss" Original Enamel & Ink Drawing on Paper 11" x 14" (actual size with frame 16" x 20") 2020 :: Drawing :: Pop-Art :: This piece comes with an of...

Original Art by Sergio Lazo "English Trifle" Enamel & Ink on Paper 11" x 14" (actual size with frame 16" x 20") 2019 :: Drawing :: Pop-Art :: This piece comes with an officia...

Original Art by Sergio Lazo "BB King" Enamel & Ink on a matted GOLD frame with a protective glass, ready to hang. 11" x 14" (actual size with frame 16" x 20") 2019 :: Drawing :...

Original Art by Sergio Lazo "Couch" Enamel & Ink on Paper 11" x !4" (actual size with frame 16" x 20") 2019 :: Drawing :: Pop-Art :: This piece comes with an official certifica...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Black ink marker on paper. This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the V...

"Study for Red Head Nude" 1978 Colored pencil & pen on paper Signed Provenance: Ehrlich Gallery, New York, New York; Private Collection, Washington, D...

Original hand painting, markers on paper

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand sgned and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artwo...

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Frame included: in museum frame with UV plexiglass Measurements: 22.75 inches vertical by 19.75 inches horizontal by 1.5 inches Work 16.5 inches vertical by 13.5 inches horizontal This work on paper, Ruckus Rodeo, is a unique study by Red Grooms for one of the most popular works of art in the Museum of Modern Art, Ft. Worth, Texas's collection. Ruckus Rodeo is an immense, walk-through work of art that covers 1,237 square feet of gallery space. It consists of painted two-dimensional surfaces and sculptural three-dimensional figures that re-create the Fort Worth rodeo. Grooms has referred to this work as a "sculpto-pictorama." Sculpture wire, canvas, burlap, acrylic paint, and a fiberglass compound known as celastic were used to construct the work’s Texas-sized, larger-than-life, three-dimensional caricatures of rodeo archetypes, which include the rodeo queen and her steed, a bucking bronc, playful rodeo clowns, and a giant yellow bull named Butter. Ruckus Rodeo was commissioned for the Museum's 1976 exhibition The Great American Rodeo. Grooms was one of eleven artists invited to create a work for this show. In preparation, he attended every rodeo performance during Fort Worth's 1975 Stock Show and made many sketches. From these studies, Grooms drew a panoramic rodeo scene spanning more than seven feet, which served as the basis for Ruckus Rodeo's design. Grooms returned to his studio in New York to fabricate the work's major figures. In 1976, he returned to Fort Worth with the talented fifteen-member group of painters, sculptors, engineers, and carpenters known as the "Ruckus Construction Co.," who helped in the final assembly of Grooms's robust tableau. Associate Curator Andrea Karnes commented, "Ruckus Rodeo portrays the chaos, entertainment, and danger of the Fort Worth rodeo. Grooms's engaging work is characterized by a grand sense of spectacle, encompassing the ritual, pageantry, and disorderly commotion of a real rodeo event. The artist's interest in naive and primitive objects, such as folk art puppets and toys, is easily seen in this work. His rich, arbitrary use of bold and unmodulated colors combined with angular contours creates a loud, brash ambience. Despite the work's cartoonish flair, it is clearly inflected with an urban sensibility. The characters' outfits, for example, are more like the vibrant apparel of the urban cowboy...