Art by Medium: Pencil

Tea Time by Alice Lynde Raymond Ball is an exceptional example of late 19th to early 20th-century American illustration, capturing an intimate moment of childhood with masterful sens...

A lovely signed pen drawing in three colours by Thilo Maatsch. Artist: Thilo Maatsch Date: 1966 Framed size: 49 x 37.5cm Signature: Signed in pencil: “TM 66” Mounting: Conservation-...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Pencil drawing realized by Jean-Louis Forain in the late 19th Century. Published on "Le Figaro". Includes a contemporary wooden frame. Very good condition.

Original painting signed by the Artist on the lower right.

Acrylic & pencil on cardboard Levan Mekhuzla is Georgian artist born in 1945 who lives and works in Tbilisi, Georgia. Architect by profession, he is member of Georgian Painters Unio...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Title: Romantic Medieval Village with Castle on Hill Graphite Drawing Artist: Unknown artist (likely late 19th to early 20th century, Continental School) Medium: Graphite and charcoa...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

“Light Remains” is an original 50 x 40 cm acrylic and mixed-media painting on canvas by Finnish multidisciplinary artist Emmi Iida, known for her emotionally intelligent and minimali...

Original mixed media drawing created with acrylic, ink, and colored pencils on Fabriano 120g/m² paper. The artwork incorporates a unique technique developed with natural pigments ext...

Medium: Pencil on paper Size: 10 inches (height) x 8 inches (width) Signed: No Condition: Good condition, with slight wear on the edges Provenance: From the artist's estate Descrip...

Sugar High Society - Urban Manga Social Commentary - Explosive urban manga pop art with raw social critique by British Artist Artist: Chris Pegg Medium: Mixed Media on Canvas Acryl...

Charcoal and pencil on paper. Note: The painting shown on the wall may not be proportional to the room size.

Andrea Belag Beauty for Sale, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Unframed Pencil signed, dated and titled on the front; bears publisher name and copyright on the ba...

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

Merchant Abundant A merchant walks through a covered marketplace draped in rugs and holding intricately decorated knives. Signed lower right : Gustavo Simoni Medium: Watercolor ...

Signature: Signed Lower Left Dimensions: 21.00" x 14.00" Price on Request- The work was published in Cosmopolitan December 1905 from a story by Annie Hamilton Donnell, "The Expedi...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Untitled #SP-218, by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray ...

MINO DELLE SITE 1914-1996 [Domenico Delle Site] Lecce 1914-1996 Rome (Italian) Title: Untitled Senza Titolo, 1935 Technique: Signed and Dated Crayon...

Graphite on paper Image size: 5 1/4 x 8 inches (13 x 20.25 cm) Mounted Jane Ross Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met...

“Portrait, Hand to Cheek” is a graphite drawing by renowned figure artist Steven Assael. The female subject is pictured seated in ¾ view, with her left hand touching her cheek. She h...

Pencil on paper 39cm × 32cm (58cm × 48cm framed) Gilbery’s talent as an artist was first noticed aged 17, when his portrait of his father was hung in the Royal Academy. He gained a ...

Signed Lower Left by Artist The Saturday Evening Post cover, December 1, 1945

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA8993 ABOUT THE IMAGE: Looney Tunes is a series of animated short f...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

Robert Longo's "Pressure on Heaven/God" is a classic work from the 1980s, a period that is very much in vogue these days and subject of major critical, commercial and scholarly re-ex...

Beautiful monoprint - "Owl & Star" with hand applied, glitter, watercolor and screenprint on lanaquerelle watercolor paper. Pencil signed and dated. A must have for true Kiki Smi...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Nude Figure Sketch by Jacqueline Boisselot, French late 20th century size: 25.5 x 19.75 inches double sided pencil drawing on thin paper, unframed condition: very good and ready to ...

Melodie Provenzano lived and worked in New York City until 2020. After receiving her BFA from Parsons School of Design in 1996, she freelanced for more than a decade painting windo...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

A stylish, vintage, 1940s fashion study featuring an elegant design for women's evening wear. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches. Provenance: Co...

Antique Victorian Watercolour of Whitby Harbour by 19th Century British Artist William Langley (1852–1922) dating back to Circa 1891 Art measures 19 x 10.5 inches Frame measures 2...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 // Norton Museum of Art, West Palm Beach, Florida; High Museum of Art, Atlanta, Georgia; Brandywine Museum, Chadds Ford, Pennsylvania, October 1, 2022–September 24, 2023, Joseph Stella: Visionary Nature EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

Lynda O'Connor Lyons (American, XX-XXI), "Rockland", Mixed Media on Paper, signed "LL" lower right, signed and titled to the reverse, ebonized wood frame. Image: 48" H x 37.5" W; fra...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

In Instruments Waiting, acrylic paint, gold, and rust, handmade paper with tissue paper conjure a sense of something found in an ancient site, yet to be identified. These instruments...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Attack From Above, 2020, acrylic, oil, canvas, yarn and thread on canvas. Green, blue, pink, eagle, jet, spider-man, abstract.

Watercolor and Pencil on Board

PRODUCTION: The Lion King, 1994 MEDIUM: Storyboard, Double Sided SIZE: 10" x 5.5" SKU: CCV1940 ABOUT THE MEDIUM: Original Storyboard Drawings show what’s moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result, which is exactly what a professional storyboard should do. Having an original production storyboard from one of your favorite movies or short films is a great collector's piece! Comes with a Certificate of Authenticity! ABOUT THE FILM: The Lion King tells the story of Simba (Swahili for lion), a young lion...

Carl Axel Elvegård (1883–1962) Sweden Early Winter in Dalarna, 1923 signed and dated lower right Ax. Elvegård 1923 pastel and pencil on paper paper 48.5 × 61.5 cm (19.1 × 24.2 in) ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Studio 54 - Cherry Blossom sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC146 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Paris - Ober (Blue Tarp) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tenden...

Italian woman in traditional dress from Ciociaria or Abruzzo, holding a spindle, 19th century Watercolor and pencil on paper Height: 27 cm, Width: 20.5 cm Study depicting an Italia...

A stylish, vintage, 1940s fashion study featuring a colorful design for women's lounge wear & pajamas. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. ...

Signed lower right, 'Layton' for Gray Layton (American, 20th century) and created circa 1965. An exuberant and brilliantly colored, Post Impressionist collaged still-life painting comprising a bouquet of lilac blossoms, shown informally arranged in a patterned vase and set beside a jade glass bottle of absinthe and a ripe, yellow Boscobel pear, all contrasted against a background of scumbled and stippled rectangular elements in muted tones of ochre, violet and amethyst. Gray Layton first studied with Elizabeth Hazeltine at the University of Chicago and George Dutch...

D.H. Lawrence This graphite pencil drawing ‘Lady Chatterley’s Lover – 05-10-25’ honors English author D.H. Lawrence. My visual interpretation of his greatest novel. It mus...

In this contemporary drawing in pastel, graphite and acrylic on paper, layered undulating lines in blue, black and pale mint blue investigate the properties of abstract curvilinear f...

A unique sculpture of Nestor the Dog made from lacquered wood with colored pencil by American artist Jon Brooks (20th century). Brooks was born in Mancheste...

On Hansen bears the traces of lived experiences, exploring the possibilities of formal abstraction, seeking an organic experience between space and time through painting and photogra...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .