Art by Medium: Pencil

Beautiful original painting by French artist, Alexandre de Valentini (1787-1887). Pencil and gouache on paper, 14 x 18.5 inches; 19 x 23.5 inches matted. Signed and dated with Paris...

Watercolor paper Brown wooden frame with plexiglass 85,5 x 65,7 x 2 cm

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Pastel, Pencil, Petal Flowers, Color and Ink on Paper. The base of this drawing is 120g/m2 Fabriano paper. I use natural dyes from flowers, herbs, leaves, and tree bark as the first...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...

Fishing Boats and Figures on a Sunlit Beach with a Bright Blue Sky Maurice Mazeilie (French, 1924–2021) Watercolour and pencil on artist paper, unframed. Paper: 5 × 7 inches. Provena...

William Barnett (1918-1992). Portrait of a Man ca. 1950's. Pencil and Ink on paper measuring 10.25 x 13 inches. Signed lower right. Unframed. William Barnett ( called Will) was...

Jehudith Sobel (1924-2012 ) Polish/Jewish artist (also known as Judyta Sobel) Judith Sobel was born in Lwow, Poland in 1924. After Word War II she attended the Academy of Fine Arts ...

This is an intensely personal and iconic image that is instantly recognizable as a George Tooker. Framed under glass. Hinged to backing board along the upper edge. Mild toning to the sheet. Small 1/4 inch abrasion to the extreme left edge of the sheet, not visible in current framing. Framed Dimensions 21.5 X 17.5 Inches -The artwork will look slightly different under different light conditions. In the former collection of Art Paul, who with Hugh Hefner created Playboy. Peter B...

Ideal Decoration is an Artwork realized by the artist Carlo Parisi (1922-2007) in 1935. Black and white drawing on paper. Good conditions. Carlo Parisi...

A stylish, vintage, 1940s fashion study featuring colorful designs for women's red Robin Hood hat, suit and coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 in...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Title: Provence Vineyard Mountain Landscape Pastel Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed lower...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Graphite with white heightening on greenish beige wove paper, 17 1/4 x 12 1/2 (437 x 317 mm). Scattered edge wear, tears and losses around the perimeter of the drawing. Margins are wide and the image area is clean and intact. Scattered light soiling and toning, all consistent with age. A dramatic image by a highly skilled draftsman, this works is likely a life study of the Hellenistic sculptural masterpiece of the same title, which is housed in the Uffizi's collection of ancient statues...

Mary Marley's "Three Times as Much" is a mixed media collage created with cut paper and acrylic paint on 300 lb. watercolor paper. The artist signature is on the back and it is unfra...

Jorge Camacho (Cuban, 1934-2011) Signed and dated 1997. 30 x 36 Inches Abstract Surrealist Artist. A self-taught artist, he quit his law studies in 1952 to dedicate himself to pain...

Mary Marley's "Tres in Unum" is a mixed media collage created with cut paper and acrylic paint on 300 lb. watercolor paper. The artist signature is on the back and it is unframed, me...

French Coastal Cottage beneath a Dramatic Evening Sky Maurice Mazeilie (French, 1924–2021) Watercolour on artist paper, unframed. Signed with the artist’s initials. Artwork: 5 × 7 in...

Figures Relaxing Beneath a Parasol on a French Beach Maurice Mazeilie (French, 1924–2021) Pencil on paper, laid onto thin card, unframed. Signed. Artwork: 6.5 × 9.75 inches. Provenan...

Paris Riverside with Bridge and Domed Buildings Maurice Mazeilie (French, 1924–2021) Medium: watercolour and pencil on artist paper, unframed. Painting: 6 × 8.25 inches. Provenance: ...

Pencil drawing and watercolor on paper. Hand signed lower right. Very good condition.

Larry Rivers Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977 Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges Hand signed and inscr...

There is a reason why there are few contemporary painters who can paint a portrait of a man and bear this good. It's hard to do. It's easy to throw some paint or spray a mess of graf...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA8993 ABOUT THE IMAGE: Looney Tunes is a series of animated short f...

Wonderful 19th century French drawing of building by water, titled "Composition", 1864. Dated lower left. Original artwork on paper dis...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Art Sz: 10 1/2"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Contemporary painting in ink, gouache and pencil on archival paper of a silhouette suggesting the form of a dark gray mythical creature with claws and udders in bright crimson red. ...

Study of a Mother and Child Sepia ink and watercolor by Bernard Labbe (French mid 20th century) original sepia ink and watercolor on paper image size: 6.25 x 3.5 inches sheet overal...

Signature: Published Vogue Italy Client Halston Double Signature Signed lower right Antonio Also signed Halston Graphic remarks were written in pencil by Halston. work is elegantly m...

This collage reveals a quieter but equally forceful side of Wesley Kimler’s practice. Rather than the sweeping, mural-like scale and explosive painterly gesture for which he is often...

Mixed-Media / Oil Painting / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Representations of Everyday Objects / Illustration / Interiors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Chess with a Comic Collector" is an incredible figurative, pop surrealist piece made with oil and acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a "a bearded and bespectacled young man, beer bottle close at hand, cut-outs of the Incredible Hulk...

Newborn sound #99 is a work by the Japanese artist Maho Maeda. Acrylic, colored pencil and ink on cotton canvas. Dimensions: 25 x 16.9 x 1.7 inches (63.5 × 43 × 4.5 cm). Sold with a ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

French technical drawing of geometric shapes, c.1980. Academic drawing of geometric shapes and perspectives on hand laid paper. Original artwork on...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

MEDIUM: Limited Edition Hand-Painted Cel YEAR: 1990 IMAGE SIZE: 13.5" x 16.5" DESIGNED AND SIGNED BY: Friz Freleng SKU: FF1046 ABOUT THE IMAGE: Who did it! Fingers are pointing both ways...Looks like Granny will have to figure it out on her own. Each cel is signed by Friz Freleng. ABOUT THE ARTIST: Friz Freleng was an American animator, cartoonist, director, producer, and composer known for his work at Warner Brothers on the Looney Tunes and Merrie Melodies series of cartoons. He introduced and/or developed several of the studio's biggest stars, including Bugs Bunny, Porky Pig, Tweety, Sylvester the cat, Yosemite Sam...

With vibrant acrylic, pastel, and watercolor, I poured raw emotion into this piece—an energetic symphony of shape and color. The swirling patterns and fragmented forms echo movement ...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Maria Deely Positano 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided In this drawing, Maria Deely captures the vibrant spirit ...

USA (The Sciences), 2019 : Abstract Colored Pencil & Postage Stamp by Andrea Moreau 11" X 11" paper size colored pencil and postage stamp on paper 15 x 15 x 1 inches framed This co...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

MEDIUM: Original Storyboard Drawing PRODUCTION: Mother Goose Goes to Hollywood, 1938 IMAGE SIZE: 7" x 9" FRAMING: Double Aperture -Framing included in Pricing SKU: CCV1385 ABOUT THE IMAGE: In this scene we see The Pieman (Oliver Hardy) is busy tending a large stack of his pies on a wagon. Laurel refuses an offered pie, but picks one from the middle of the stack, which alarms Hardy, fearing the stack will collapse. Nothing happens, however and a reassured Hardy tries to do the same. When the stack collapses and one of the pies lands on his head, he looks angrily at Laurel. Laurel swallows his pie in one piece and then snickers at Hardy. Hardy throws one of his pies at Laurel, who ducks his head inside his shirt, and the pie lands in the face of Katharine Hepburn. This piece comes with a Certificate of Authenticity! ABOUT THE MEDIUM: Original Production Storyboard Drawings are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. They are a sequence of drawings, typically with some directions and dialogue, representing the shots planned for a movie or television production. ABOUT THE FILM: Mother Goose Goes Hollywood is a 1938 animated short film produced by Walt Disney Productions and distributed by RKO Radio Pictures.[1] The short was released on December 23, 1938.[2] The film parodies several Mother Goose nursery rhymes using caricatures of popular Hollywood film stars of the 1930s. The film was directed by Wilfred Jackson and was the third-to-last Silly Symphony...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Women illustrators were alive, well, and quite active in the early 20th century. Most of their production was associated with topics that dealt with the home, children or fairy tales. In this masterfully rendered work in pen and ink, Jacobs displays great technical skill in presenting three maidens dressing a beautiful female member of the Court wearing a tiara. Signed in a cartouche lower right From: Stella Mead, Great Stories from Many Lands, London: James Herbert and Co, 1936, page 78 " Red and White Roses" Provenance: Chris Beetles Work is elegantly matted and not framed. Helen Mary Jacobs was born in Ilford, Essex, the sister of the writer W.W. Jacobs; she studied art at the West Ham...

Nude Female Sketch by Jacqueline Boisselot, French late 20th century size: 19.75 x 11 inches pencil drawing on thin paper, unframed condition: very good and ready to enjoy provenance...

Artist: Peter Max Title: Cosmic Flyer (Green) Medium: Mixed Media On Paper Edition: Original Size: 12"x13.5" inches Hand signed by the artist Frame size 22.25"x18.25" inches Conditio...

A Grand Tour study of decorative objects at the Louvre. c1910. Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very good condition. The object appe...

An engaging modernist pencil study of a seated woman by French artist Wouyart (20th Century). The figure is rendered with a refined economy of line, where traced contours, subtle sha...

Pencil drawing realized by Jean-Louis Forain in the late 19th Century. Published on "Le Figaro". Includes a contemporary wooden frame. Very good condition.

“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...

Title: French Village Street Church Tower Architecture Ink Drawing Bernard Labbe Artist: Bernard Labbe (French, mid 20th century) Medium: ink on paper, unframed Size: 16.25 x 13 inch...

Art Sz: 8"H x 8 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

SOLD UNFRAMED Singing Rooster by Georges Manzana Pissarro (1871 - 1961) Colour crayon and pencil on paper 22 x 16 cm (8 ⅝ x 6 ¼ inches) This work is accompanied by a certificate of...

With vibrant acrylic, pastel, and watercolor, I poured raw emotion into this piece—an energetic symphony of shape and color. The swirling patterns and fragmented forms echo movement ...

A skilfully rendered graphite and charcoal study of a foot on blue paper. Smartly presented in an antique wooden frame. Unsigned. On paper. Image size: 22 x 31cm.

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SIGNED: Darrell Van Citters SKU: IFA7696 ABOUT THE IMAGE: Looney Tunes is a ser...