Art by Medium: Pencil

Miriam Story Hurford was a prolific and major American female illustrator in the 1930s to the 1950s. Her work was for cover art for women's magazines and home magazines and religious magazines. This work depicts t the wise men being guided by the star of Bethleham to the birth of the Christ child for a Christmas magazine...

Wonderful set of four original pencil drawings depicting vintage motor cars from the 1930's. They are an ideal gift or interior furnishing for any 'man cave' or 'boys room...

Étang de Cernay by Ludovic-Rodo Pissarro (1878 - 1952) Watercolour and pencil on paper 24.5 x 35.5 cm (9 ⅝ x 13 ⅝ inches) Inscribed and dated lower right, Étang de Cernay 12 Aug 05 ...

Title: Original French Anatomical Study of Horse's Skeletal Structure Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Coloured Pen on Paper Size: 19.75 (Height) x 12.75 (...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Serie "U no és ningú" No. 21 by Antoni Tàpies (1923-2012) Acrylic, felt and pencil on cardboard 50 x 65 cm (19 ³...

Wilhelmina Barns-Graham (1912-2004) Monreale, Sicily (1955) 48 x 58 cm Pencil and wash on paper Provenance: Barns-Graham Charitable Trust, authentication no 1665. A heady evocation of summer in Sicily, characterised by burnt oranges and yellows. Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country. As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that "painting chose me, not I it". After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun...

'Georgia'. Original Artwork. Framed ready to hang _________________ Soft mist is lifting, blue and golden in the early light along the Savannah river, the rising heat of this May mor...

This new series by Danish artist Peter Kramer (1959, Roskilde, DK) based in Spain shows us a new way of working with natural and exotic elements. In this case, he uses the turmeric r...

MEDIUM: Limited Edition Cel IMAGE SIZE: 12 Field EDITION SIZE: 200 SKU: CCV2724 ABOUT THE IMAGE: This cel is hand-signed by Chuck Jones and is numbered 84/200.

Augustus John (British, 1878 – 1961) Kneeling nude Pencil on paper Signed ‘John’ (lower right) 19 x 13 in. (48.3 x 33 cm.) Provenance: Bonhams, 26th March 2025

Title: Mid Century French Portrait Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 26 (height) x 19 (width) Stamped: Verso...

Henry Moore O.M., C.H. (British, 1898-1986) Four Ideas for Sculpture Signed and dated ‘Moore/81’ (lower right) Pencil, watercolour, crayon, charcoal and ball point pen on paper 24.5 ...

For the Love and the Minotaur. Figurative Pencil Drawing on archival paper. Cuban Artist Jesus Nodarse 11 x 8 inches unframed THE MAN: Jesús Nodarse Valdés was born in Sagua la ...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

A piece from Bartolome Sastre's mixed media on paper collection. 11.25" x 8.5" Pastel and pencil on paper

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

Signed with the artist's initials E.S.G.E. (lower right) Exhibited: Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Thirteenth Annual Philadelphia Water Color Ex...

Golfam Jozdani Saint Minecraft XVII 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Fram...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Interwoven Elegance Dual-Tone Leaf Motif Band Ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unfra...

Vintage Tibetan Thangka is an original modern artwork realized by a tibetan artist in the mid-20th Century. It depicts the Wheel of Life. Mixed Media. Includes frame: 46.5 x 2.5 x ...

In this contemporary abstract painting in watercolor and colored pencil on paper, carefully ordered patterns, geometric shapes and delicate lines in indigo, bright lapis blue and oli...

Title: French Watercolor Painting of “La Plage de Bidart” with Coastal Landscape by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unfr...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...

Untitled 2 (JF 23) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Gall...

Framed Size 28.5 x 21 Jaro Fabry was a brilliant illustrator with a defined style of his own. There is not a brushstroke out of place in his works that appear loosely rendered. He is best known for his depiction of Golden Age of Hollywood...

Jessica Pliez comes back with small works representative of her childhood universe, playful and magical. Canard Roulette 2020 20X20cm Pencil / Coloured pencil Original work Signed i...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

Contemporary painting in ink, gouache and pencil on archival paper of a silhouette suggesting the form of a gold mythical winged creature with claws and a split tail. Available unfr...

Title: Original French Anatomical Equine Study of the Role of Tendons Artist: Robert Ladou (French, 1929-2014) Medium: Pen, Acrylic and Pencil on paper Size: 18.5 (Height) x 13.25 (W...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

Detailed abstract geometric painting inspired by city grids in light grey, blue, and yellow "Specifically Nowhere", made by Hudson Valley based artist, Donise English, in 2023 gouach...

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Jessica Pliez, artist in the poetic and infantile world, which reminds one of the filmmaker Tim Burton, loves the surprising supports. 2020 Drawing / pencil on cardboard 25 x 19 cm ...

This contemporary painting in ink, gouache and pencil on archival paper, is composed of a silhouette figurative form in costume suggesting a strong female character holding a broom a...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Island for Umberto 12, 2014 Colored pencil on paper ( Signed and dated front left corner, framed) 11.6 H x 16.5 W in. 29.5 H x 42 W cm "Island for Umberto" has the literary source i...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Taylor Anton White, an American contemporary artist, is known for his bold, large-scale abstract assemblages that blend traditional painting techniques with unconventional, utilitari...

Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...

This is an original drawing by Virgil Ross featuring Bugs Bunny, Rocky, and Mugsy, likely from the classic looney tunes cartoons. Graphite, colored pencil on animation paper. Untrimm...

A tratti diventa più chiaro, Pittura fotosensibile su tela, agenti atmosferici, matita colorata, 69x51,5 cm, 2021

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

MEDIUM: Limited Edition Hand-Painted Cel SIZE: 16.5" x 13.5" EDITION SIZE: 50 SKU: CC1189 ABOUT THE IMAGE: Although the famous Warner Bros. bullseye is recognized as an icon around the world, without characters it feels empty. Yet, when a Looney Tunes character is added to the bullseye's center, its meaning becomes indelible as it signifies an animated creation unsurpassed by any other of its genre. Once one sees Bugs Bunny, Daffy Duck, Road Runner, Tweety and Marvin Martian...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

Original pencil drawing on brown paper by Artistide Maillol (1861-1944), showing his typical shapes of human figures. In excellent conditions, it comes from an important private coll...

Ben Shahn Silkscreen inspired by Old Testament Psalm 57, 1967 Silkscreen on Japon paper Hand signed and numbered 255/300 by the artist on the front, with a copy of the provenance let...

Ellen Frances Tuchman creates contemporary collages using various ephemera such as vintage postcard, books, leather, embroidered patches, ribbon,...

A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...

An uncanny and unexpected pose characterizes this work as Julius Ceasar warily looks over his shoulder and blood-stained toga. Signed lower right "M. Gl...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Title: Mid Century French Pencil Study of a Seated Female Nude Artist: Josine Vignon (French 1922-2022) Medium: Pencil and Paper Size: 10.75 (height) x 8.25 (width) Stamped: No ...

Helios In Boots In Colors is a mixed media artwork realized by Richard Lindner in the 1970s. Pencil and watercolor on paper. Hand-signed on the lower. Very good conditions. Richa...