Art by Medium: Screen

Signed lower left, 'Pras Lewchalermwong A.P.' (Thai, 20th century) and dated, lower right, November 1976.

Joseph Grippi, American (1924 - 2001) - Orange Sunset, Year: circa 1975, Medium: Screenprint Monoprint, signed in pencil, Image Size: 29.25 x 40 inches, Size: 31.5 x 42 in. (80.01 x ...

Lothar Quinte, Polish (1923 - 2000) - Blue Horizon, Year: circa 1970, Medium: Screenprint on heavy stock, signed and numbered in pencil, Edition: 40/100, Size: 25.5 x 25.5 in. (6...

Event: New Deal 1990 PUBLIC RECEPTION September 28, 2019 EXHIBITION D CATEGORIES: Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS Edition 79 of 250 “I was already a big fan of Andy Howell’s art and skateboarding in the late ’80s, so I watched eagerly as he and his partners launched new Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell’s art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the “power to the people...

Carmen Louis Cicero, American (1926 - ) - Untitled 9, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 i...

RETNA X BTS Silkscreen Skateboard Edition of 250 2018 Limited edition Silkscreen on maple wood skateboard deck. 31 × 8 × 1 in 78.7 × 20.3 × 2.5 cm Edition of 250 Comes with Certifica...

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper Edition of 125 Signed and numbered on the back Mint. Minor imperfections may appear due to the production process. Sold with COA from Jealous Gallery...

This Blue Dog work consists of a Blue Dog sitting to the left of a saxophone-playing chef. The chef is wearing a white apron, chef hat, and a brown shirt and trousers. The chef is ...

Satirical view of two humpback whales viewing a plastic back floating by. Sances is well known for his murals and prints featuring whales, including an upcoming exhibition "Or the W...

David Shrigley, Into the Void, 2023 12 Colour Screenprint with Varnish Overlay on Somerset Tub Sized 410gsm Paper 55 x 55 cm (21.65 x 21.65 in) Edition of 133 of 125 Hand-signed and...

You really need to bring home this wonderful large serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 b...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

12 colour screenprint on Somerset Tub Sized White 410 gsm paper Edition of 125 (Frame: 81 x 61 x 4 cm / 31.9 x 24 x 1.6 in) Signed, numbered and dated on the back Artwork in excellen...

John Plumb 'Colour Step C' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 18/75 John Plumb is one o...

Pink-Brown Cut Flowers by Oisin Byrne, 2023 Additional information: Medium: screenprint 102 x 102 cm 40 1/8 x 40 1/8 in signed, numbered and dated in red ...

Screen print realized by Antonio Saliola in 1990s. Hand signed and titled in pencil. Very good condition.

Artist: Erte Title: "La Princesse Lointaine" Type: Serigraph Image Dimensions: 21 x 16 Framed: 38x27 inches Year Produced: 1984 Edition: AP 6/50 Condition: Excellen The Russian born...

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Ralph Goings Pizza Stromboli Mezzalluna - Mezzogiorno - New York, NY, 1996 Ceramic Plate Artist signature fired into the plate on the front and back and numbered 105 from an edition of 510. 10 1/5 inches diameter by 1/4 inch height Unframed This beautiful, limited edition, signed and numbered bowl...

Lowell Nesbitt Rust Iris - 1979 Screen print on Arches archival paper    29'' x 29'' inches Edition: Signed in pencil, dated and marked 151/175 Lowell Nesbitt emerged as one of the ...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Walking the line between respectful homage and tongue-in-cheek appropriation, Deborah Kass mimics and reworks the signature styles of iconic 20th-century male artists including Frank...

Image dimensions: 24.8 x 19.7 cm. Canzone di Pomeriggio is a beautiful original colored serigraph on paper, realized by the Italian artist, one of the pioneer of the Abstract art, M...

Brushstrokes was created by Roy Lichtenstein in 1967 as a screenprint in colors on wove paper, and is hand-signed and numbered in pencil. Measuring 23 x 31 in. (58.4 x 78.7 cm), unf...

Robert Indiana, American (1928 - 2018) - Die Deutsche Liebe, 1968, Portfolio: The American Dream, Year: 1997, Medium: Screenprint on Wove Paper, Edition: 395, Image Size: 14 x 1...

Keith Haring's best-known imagery is each represented in the artist’s highly revered, Icons Portfolio - the complete portfolio of five screenprints in colors on embossed Arches cover...

"Road Runner 7" is an original four-color screenprint artwork by Miriam Singer measuring 26"h x 17"w framed. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA ...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Geneva Year: 1973 Medium: Screenprint on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 in....

Serigraph on paper. Hand signed and numbered by the artist. Printer's Proof edition. Sheet size 7.75 x 5.75 inches. Certificate of Authenticity Included. Artwork in Excellent Condi...

Created by the artist in 2024, Yellow Mimosa with Orange is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwo...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Untitled - Red Year: 1991 Medium: Silkscreen on Panel mounted to Silkscreened Paper, signed and numbered in pencil Edition: 6...

Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster artistically represents regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features Oklahoma City, New Orleans, Dallas, and Midland / Odessa destinations. Above each name is a design that represents each destination city. Oklahoma City has rodeo horseback riding. New Orleans has steamships, Dallas has football players, and Midland has large oil tanker trucks. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...

Signed and numbered in pencil in lower right hand margin. Proposed edition of 1000 (edition never completed). This print is an interesting piece of history, as the United States Oly...

William Waitzman July (from the Memorial Sloan Kettering Art Collection), 2016 Hand made color silkscreen on wove paper Pencil signed and numbered 6/14 on the front Frame included: M...

George Rodrigue, Later Gator, 1992 Screenprint Hand signed and numbered 30/90 lower right Sheet size 63.5 × 89.5 cm Here, he presents a bold reimagining of the Louisiana landscape, ...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

John Hinchcliffe (1949-2010) Roof Boss Sherborne Abbey Dorset 2002 Screenprint 28.7 x 20.0 cm 30.2 x 21.5 cm Signed John Hinchcliffe (1949-2010) John Hinchcliffe's career encompasse...

Paper Size: 15 x 40 inches ( 38.1 x 101.6 cm ) Image Size: 13 x 15.75 inches ( 33.02 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

CRIS GIANAKOS Send Our Boys Home, 1970 Silkscreen on wove paper 35 × 23 inches Edition 37/225 Pencil signed, dated and numbered from the edition of 225 on the recto Unframed Provenan...

Signed, titled and numbered by the artist from the edition of 76. Artist and community activist Leo Límon lives and works in Los Angeles, where he was born ...

Screenprint

"Statue of Liberty" unframed silkscreen on paper by artist Peter Max. Numbered 177/300 on front lower left corner and signed "Max" in front lower righ...

Alberto Burri (1915-1995) Trittico A: 3, 1973 Screenprints in colors on wove paper, with full margins Hand signed lower right with publisher's blindstamp Numbered 70/90 lower left Im...

Doug Ohlson Untitled 1960s Op Art Silkscreen, 1968 Color silkscreen on wove paper 22. × 18 1/5 inches x .5 inches Hand signed, dated and numbered 15/50 on the front Frame included: h...

This beautifully printed serigraph titled "Falling Man" by Ernest Trova is a limited edition piece created for his exhibition held at Pace Columbus in Columbus, Ohio, in 1972. Known ...

Artist: Salvador Dali (1904-1989) Title: Jardin biologique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Organic garden, Imaginations and Objects of the ...

The work of Blue Chip artist Frank Stella is in the collection of every Major Museum Worldwide. In 2019 a work of his sold at Christies for over 28 Million Dollars. This etching, screenprint, and relief on white TGL handmade paper by Frank Stella is from a very limited edition of only 25 works, there were also eight artists proofs. Titled, "Green Journal", Created in 1985, it is hand signed, dated, and numbered in pencil 13/25 F. Stella 85 in the lower right. The TGL Blind Stamp is located on the lower right from the publisher Tyler Graphics Ltd. Paper size is a large 66x51" and the framed size 76x62". Catalog Raisonne reference is Axsom 163. "Green Journal" is a first for Frank Stella, in that it is the first time a printed word occurs in a Stella print...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Untitled - Target I Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Image Size: 21.5 x 26 inches ...

Color Interpenetration is an original artwork realized by Carlo Lorenzetti (Venice, 1858 - Venice, 1945) in 1969. 60 numbered and signed copies. Edi...

Donald Sultan's 'Seven Silvers Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seve...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the University of Cincinnati, Ohio in 1968, returning later to do independent study there. He also did independent study at Pratt Institute, Brooklyn, New York, in 1969 and received an M.F.A. in Sculpture and Printmaking from Ohio University, Athens. From 1964 through 1971 he worked for design firms in Ohio, New York and California. From 1971 through 1973 he taught at the University of Cincinnati and Ohio University, Athens. He has exhibited in galleries, museums and art groups. In 1971 he was one of a number of artists who created enormous outdoor murals in a Cincinnati project called "Urban Walls." His graphic designs and illustrations for such firms as Container Corporation of America have appeared in publications such as Fortune, Business Week...

Artist: Hunt Slonem, American (1951 - ) Title: Chez Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 29 inches Size: 26 in. x 30 in....

Peter Max, German/American (1937 - ) - Poet, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 10/200, Image Size: 20.5 x 30 inches, Size: 26.5 in. ...

Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...

"World Water Day is Monday and is a fitting day to precede the release of these Wave of Distress prints. World Water Day not only focuses attention on the water crisis and drinking w...

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...