Art by Medium: Screen

A surreal juxtaposition of geometric forms and uncannily realistic pedestrians forms the composition of this moody screen print. Framed by a flat of charcoal grey, a man in shadow i...

Screenprint in colors on wove paper. Hand signed, dated and numbered 'AP' by the artist (main edition of 150 plus 10 artist proofs made). Image size 19.5 x 37 inches. Sheet size 25.7...

This exceptional 1980 screenprint by Richard McLean captures the racing horse Buzz Ballou with the photographic precision and hyperrealistic detail that defines American Photorealism...

Artist: Darryl Hughto, American (1943 - ) Title: Good Earth Grey XV Date: 1982 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 37 x 24 inches Size...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

CB Hoyo’s irreverent multidisciplinary practice—which spans painting, sculpture, and installation—approaches art-world fraud, forgery, and hype with a sense of humor. The self-taught...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

Behind the Curtain, 2017 — Martin Whatson A unique 1/1 canvas by Norwegian street artist Martin Whatson, Behind the Curtain exemplifies one of the artist’s most recognized visual mo...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Works usually begin on the streets and then expand to limited edition prints and originals on canvas. “Disobey” – Acrylic Screen Print on Paper endorsed unofficial collaboration with shepherd fairey...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Night meetings is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left m...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Portals Year: 1976 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 80 Image Size: 24 x 18 inches Size:...

Artist: Robert Indiana (1928-2018) Title: Susan B. Anthony (Virgil Thomson, Mother of Us All Suite) Year: 1977 Medium: Silkscreen on wove paper Edition: 11/150...

Jack Hofflander, American (1920 - 2003) - Rocky Mountain Balloons, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 23x18 inches, ...

Musee D'Art Moderne Paris 1993 Serigraph poster after Niki de Saint Phalle Niki de Saint Phalle was a French-American artist and sculptor known for her bold, large-scale works, inc...

David Shrigley Ignore the Ghosts, 2022 Screenprint in eleven colours with varnish overlay on Somerset Satin Tub Sized 410gsm paper Signed by the artist and numbered, on verso 76 x 56...

The Choice is Ours by Cleon Peterson Hand Pulled Screen Print Printed on 290gsm Coventry Rag Paper Hand Deckled Edges Size: 18" x 24" Edition of 100 In the realm of contemporary art...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N horizontal)', 2021 collagraph on paper Guarro Biblos 250g. 21.1 x 27.2 in. (53.5 x 69 cm.) Edition of 20 ID: NAA-111 Unframed

Artist: Donald Sultan Title: Reds and Black August 20, 2020 Year: 2020 Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board Sheet: 44 x 84...

Artist: Julian Stanczak (1928-2017) Title: Conferring Blue Year: 1979 Edition: 66/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscripti...

Thomas W. Benton, American (1930 - 2007) - Blue Knight, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Image Size: 32 x 32 inches, Size: 35 in. x ...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Farmhouse 3. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 13 x 19 inches, Size: 19.5...

Kozo Inoue, Japanese (1937 - ) - Camellia Slant, Year: 1990, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 23/120, Image Size: 33 x 23 inches, Size: 43 x ...

Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Hand-signed and numbered in pencil Condition: Very good

Sirena is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 26 x 32 inches, signed 'Felix Mas' lower right and numbered 73/295 lower left. Framed in a gold-tone,...

"Artémis et Nature" is a striking piece by the internationally acclaimed Spanish artist duo PichiAvo, created during the 2019 MURAL Festival. Known for their masterful fusion of clas...

- Perfect Condition - Directly from the artist's Gallery A striking work by American Pop artist Mel Ramos, celebrated for his distinctive combination of figurative imagery, adverti...

Jardin Rouge is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work is a commanding monochromatic piece from the Sea of Roses series. At firs...

Medium: screenprint Year: 1994 Image Size: 11 x 8.5 inches Edition of 75 Diane Gamboa (b. 1957) has been producing, exhibiting and curating visual art in Los Angeles since the 1980s...

This abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...

Original screenprint on Gloss Enamel Ink on Somerset Radiant White Tub sized 410gsm paper Signed and numbered by the artist in black archival ink From the Pop Heart Portfolio 60 x 60cm Edition of 300 comes in original box Mr. Doodle, born Sam Cox, is a contemporary artist renowned for his playful and intricate doodle art...

Keith Haring’s Andy Mouse 4, 1986, is a vibrant and electrifying celebration of Pop Art, merging two of the twentieth century’s most recognizable visual icons: Andy Warhol and Mickey...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 22.75 x 28.5 inches. Image size: 17 x 23 inches. Edition of 250. Artwork is in excellent condition. Cert...

Ilile D Screen print, 1990 Signed lower right (see photo) Numbered lower left (see photo) Edition: 300 plus 50 EA Published by Circle Art Gallery Reference: Benavides 1116 Condition:...

Intermezzo TFWHT, 2020, Murakami and Futura, Street Art, Limited Edition of 100. Hand-signed by artist, Signed by Futura in ink lower right Signed, dated, and numbered by Takashi Murakami in ink lower right. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles the division between fine art and pop culture as it unites elements of anime, Japanese nihonga, and ukiyo-e woodcuts. Common motifs across Murakami’s oeuvre—which spans paintings, sculptures, prints, and more—include smiling flowers, bears, and the Mickey Mouse–inspired character Mr. DOB. They also appear throughout Murakami’s thriving market for merchandise and collectibles. Murakami has presented at institutions including the Guggenheim Museum Bilbao, MoMA PS1, Mori Art Museum, Garage Museum of Contemporary Art, Brooklyn Museum, Museum für Moderne Kunst, and the Museum of Contemporary Art Chicago, among others, and his work has sold for millions on the secondary market. Murakami also runs a large influential art production and artist management company, the Tokyo-based Kaikai Kiki Co. Futura (formerly Futura 2000), née Lenny McGurr, pioneered abstract street art in New York during the 1970s. While his contemporaries practiced traditional lettering, Futura combined text, imagery, thin aerosol lines, swaths of vibrant color, and a distinctive use of white space as he created dynamic, futuristic compositions; science fiction and computing technology have long informed his aesthetic. In the 1980s—alongside fellow artists Keith Haring, Jean-Michel Basquiat, and Kenny Scharf—Futura...

This original screenprint in colours is hand signed in pencil “E. Ruscha” at the lower left sheet edge. It is dated “1973” next to the signature. It is also hand inscribed in pencil ‘Artist...

Artist: Keith Haring Title: Apocalypse 10 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 75 of 90 Year: 1988 Notes: Hand-signed by a...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Jacques Soisson, French (1928 - 2012) - Tete Flame, Year: 1981, Medium: Screenprint on glossy stock paper, signed, numbered and dated in pencil, Edition: EA I/XX, Size: 30 x 22.2...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Offset and screen print realized by Pouchard in the 1970s. Hand signed in the lower left in pencil Good condition.

Hand signed and numbered by the artist in pencil, Shepard Fairey. Has hand-deckled edges. Obey publishing chop in lower left corner. War By Numbers Manufacturer: Obey Giant Edition...

Jane Kent, American (1952 - ) - Thwee, Year: 1999, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: 5/100, Size: 20 x 16 in. (50.8 x 40.64 cm)

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

Shepard Fairey "Grieve" Fine Art Screenprint Street Contemporary Obey Giant Screen Print on fine art paper 12 × 12 in 30.5 × 30.5 cm Edition 84/250 Part of a limited edition set In...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Silkscreen on archival paper Size: 19.75 x 15.25 inches Condition: Excellent Inscription: Signed in permanent marker ...

Juan Alcalde Alonso (Spain, 1918-2020) 'Cascorro', 2003 silkscreen on paper 25.6 x 30 in. (65 x 76 cm.) Edition of 100 ID: ALC1002-037-100 Hand-sig...

Medium: Serigraph Image Size: 38 x 26 inches Year: 2012 Edition: 140 Signed and numbered by the artist from the edition of 140. This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha...

Artist: Jack Brusca, American (1939 - 1993) Title: Magnolia Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Size: 28 in. x 26 in. (71.12 cm x 66.04 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Tug Hill Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 101/150 Image Size: 39 x 29 inches Size: 42 x 30 in. (...

Life is better in colour - Metallic inks main edition Date of creation: 2016 Medium: Screen print on Somerset paper Edition: 30 Size: 76 x 56,5 cm Observations: 10 color screen prin...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints Our mission is to connect art co...

David T. Kessler, American (1950 - ) - Reflected Overhang III, Year: circa 1980, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 96/100, Image Size: 23.5 x 3...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 32.25 x 44.25 inches. From the main edition of 275. Artwork is in excellent condition. Certificate of...

This artwork titled "String of Pearls" 1988 is an original color serigraph by noted American artist Robert (Bob) Peak, 1927-1992. It is hand signed an...

Inviernosexoprimaveral 1995 17-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with laye...