Art by Medium: Screen

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

Richard Lin 1933-2011 May 2, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

The present work is the fifth sheet from ‘Hommage au carré’: portfolio with 12 colour screenprints, a French foreword by Michael Seuphor, French and English annotations by Josef Albe...

Screenprint, signed and numbered in marker Edition of LXIV/LXX Size: 39 x 29.75 in. (99.06 x 75.57 cm) Publisher: American Image Art

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Red Rodeo Rider 1981 Bill Schenck Serigraph, edition of 75 Image size 35 x 25 inches UNFRAMED Billy Schenck has ...

Bob Gruen met John Lennon in 1971, shortly after he moved to New York. For the next 9 years, Bob worked as John’s personal photographer and captured a wide variety of moments in John...

Artist: Heiner Meyer Title: Mobiloil IV Medium: Screenprint with oil on canvas Year: 2023 Edition: Unique Frame Size: 32 3/4" x 24 3/4" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand ...

A rare hand-dated and signed serigraph by world-renowned Giancarlo Impiglia. Part of his famous "Cafe Society" series immortalized in films such as Big and Boomerang, this is an oppo...

Bridget Riley (b. 1931) is an influential British abstract painter who came to prominence in the 1960's as the Op Art movement emerged. Riley first gained international recognition ...

Calle De La Ermita, Valencia Spain, Limited Edition Screen Print Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). The tower of a local church stands...

Hiro Yamagata Galerie Moderne Serigraph Hanf-signed lower right Numbered 86/295 Image size 39.5 x 19.5 cm Sheet size 52.8 * 40.6 cm

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

SANDRA CHEVRIER - La Cage, Benediction Ou Malediction (Gold & Silver Leaf Edition) Date of creation: 2023 Medium: Screen print on Somerset paper with gold and silver leaf Editio...

This Blue Dog work consists of a 2-tone silver background with a blue dog centered between 2 black tree branches. The dog has soulful yellow eyes. This pop art animal original silk...

Untitled screenprint published in 1972 in an edition of 42. This is example number 4.

Zhiyong Jing's "Aerobic/Limited" is a captivating limited edition print that showcases the essence of dynamic movement and vibrant energy. This 46 x 53.4...

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

J. Jay McVicker, Dark Figure, color serigraph, edition 20, 1954. Signed, dated, titled, and numbered 9/20 in pencil. A superb, richly-inked, painterly impression, with fresh colors, ...

24-color screenprint on Mohawk Superfine UltraWhite 160 lb cover paper. Hand signed, dated and numbered by Kenny Scharf. Edition of 99. Sheet size is 24 inches in diameter. Frame ...

"Smoke" is a suite of hand painted silkscreen prints on plastic. Each is signed and numbered by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, drawings an...

Florence, Italy is an exquisitely crafted 24-color silkscreen print by renowned American artist Gretchen Dow Simpson, celebrated for her architectural precision and serene, minimalis...

Joe Bradley Horse No 2, 2014 Signed and dated 'BRADLEY 2014' (on the overlap) Silkscreen on canvas 122 x 147.5 cm 48 x 58.1 inches Joe Bradley’s raw, sparse paintings filter the pare...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a red background, another is 2 dogs on a dark blue background with a moon and the 3rd is ...

Artist: Charles Hinman, American (1932 - ) Title: Dance Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 16 inches Size: 14 x 18 in...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

Unknown Artist - Quiet Rooms, Medium: Screenprint, signed, titled and numbered in pencil, Edition: AP, Image Size: 20 x 28.5 inches, Size: 23 x 30.5 in. (58.42 x 77.47 cm), Descrip...

Keith Haring’s Andy Mouse 4, 1986, is a vibrant and electrifying celebration of Pop Art, merging two of the twentieth century’s most recognizable visual icons: Andy Warhol and Mickey...

Ranchos Church Screen print, Late 1940's Signed lower right (see photo) Titled lower left (see photo) Edition: Unknown This image depicts the famous church San Francisco de Asis Mission Church in Ranchos de Taos. It was built between 1772 and 1816. It was importailized in American Art History by Georgia O'Keefe and Ansel Adams. Condition: Excellent Image size: 5 x 7 inches Sheet size: 6 x 8 3/8 inches Anna Barry (1970-2001) “In 1944, after several prior trips to the area during which they had become friends with several of the Taos Founders, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. They would reside in the area on and off until 1955. Like many others, Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard; the Southwest was starting to be recognized as an art center. Moskowitz and his wife became acquainted with Oscar Berninghaus, Andrew Dasburg, Ernest Blumenschein, and Mabel Dodge Lujan, among others. Ira wrote of that time that "Our house was always open and we had scarcely a single meal without visitors dropping in." "Anna Barry was an artist/printmaker. She married Ira Moskowitz (from a long line of Polish rabbinical leaders) in New York in 1938. They soon visited Taos and Santa Fe in New Mexico, returning there for extended periods until in 1944 they moved there permanently—staying until 1949 when they returned to New York. Her work in New Mexico depicts mostly the pueblos and their people, capturing ritual ceremonial dances in colorful serigraph prints and other artworks. She and Ira (also an artist) worked closely together during their New Mexico sojourns. The pueblos seemed their favored subjects there. She signed her New Mexico work as, "Anna Barry." Her prints are colorful and often detailed. The only ones I have seen (6 in all) were 5"x7" in size. Anna probably lived longest in New York, but perhaps was also in both Europe and Israel for extended periods. (See the AskART Ira Moskowitz biography.)" Courtesy of Fred McCraw Anna Barry (née Anna Barshefsky), painter, printmaker and teacher, was born to Russian émigrés Max and Ida Goldberg Barshefsky on 20 May 1909 in Philadelphia, Pennsylvania. In the 1930 U.S. Federal Census her family name is changed to Barish and they are listed as living in Bronx, New York. It is not yet known where she had formal art training but she was listed as a teacher on the 1940 U.S. Census. She married artist Ira Moskowitz on 13 November 1938 and they began frequenting New Mexico. They befriended such luminaries as Mabel Dodge Lujan, Georgia O’Keeffe, Oscar Berninghaus, and many others who had become attracted to the unique landscape. Barry and Moskowitz moved to Taos, New Mexico in 1944 and remained until 1949 when they returned to New York. One can’t help but wonder if Anna Barry studied with serigrapher/painter Louie Ewing...

One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 ...

Christopher Pratt (1935-2022) is one of Canada’s most prolific and recognizable Maritime artists. Born in St. John's, Pratt has dedicated the majority of his artistic practice to d...

TECHNICAL INFORMATION: Andy Warhol Geronimo, from Cowboys and Indians 1986 Screenprint on Lenox Museum Board 36 x 36 in. Edition of 250 Pencil Sig...

18 3/4" x 24 1/2" Unframed Digital and Screenprint with Blind Embossing Hand Signed by Ronnie Wood

Hand signed numbered by the artist. Artwork image size 20.25 x 27 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable off...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 10.5 x 8 inches. Custom framed as pictured. Frame si...

Romare Bearden: 1911-1998. Very important and well listed African American artist with auction records over $770,000. He has an auction high over $31,000 for a single print. This imp...

Hand-Finished Screenprint Size: 75 x 54.6 cm 29.5 x 21.5 inches Limited Edition of 70 Signed, numbered, and embossed Certificate of Authenticity included

Color screenprint on Rives BFK with full margins. Signed and numbered by the artist in pencil.

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Sheer Numbers Artist: William Schwedler...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Firm Believer Artist: William Schwedler...

This Blue Dog work consists of a dark blue background with various sizes of Blue Dog soulful yellow eyes and 3 dogs; 1 white & black, 1 red and one blue. All dogs...

Artist: William Schwedler, American (1942 - 1982) Title: Fall For It II Year: 1979 Medium: Screenprint, Signed and numbered in pencil Edition: AP 50 Size: 39 x 26 in. (99.06 ...

Adrian Barquero For Now, 2025 Mixed media 60h x 40w in 152.40h x 101.60w cm ABQ018 Influenced by his Colombian heritage and background, Barquero uses his personal experience to exp...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Printer's Proof /2 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. He...

"Homage to the Square - P2, F32, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Unique silkscreen on canvas. Hand signed on verso by Russell Young. Canvas is stretched. Gallery issued COA included. Additional images available upon request. Please do not...

2 Lazy 2P, ca. 1939 Lon Megargee Serigraph 20 x 24 inches Signed in screen Original serigraph print by Lon Megargee 1883 - 1960 Featured in "Hot Irons" by Oren Arnold and John Hale, 1940 SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print. The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well". COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life. In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute. He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn. Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting. From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Island Lighthouse. Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Image Size: 15 x 20 inches, Size: 22 in...

ust Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Please note that insitu images are purely an indication of how a piece may look ADDITIONAL INFROMATION: Edition of 50.  sold unframed Print Medium: Giclee with screenprints varnish layers and 24 carat gold detailing. These detailing's are used to enhance the elements within the print; Griffiths is known for using unique mediums to create his art works primarily working with products such as tea, vodka, whiskey, brandy and calligraphy inks.  Image size: Height: 50cm (19.69 in) Width: 70cm (27.56 in) Complete size of sheet  Height: 60cm (23.62 in) Width: 80cm (31.50 in) Depth: 0.1cm (0.04 in) ARTIST BIOGRAPHY: Originally from Liverpool, Griffiths graduated from the Kent Institute of Art and Design in Maidstone in 1995. After completing a one-year KIAD fellowship and moving to London he served an apprenticeship at the longest-established gold wire embroidery firm in the world. Here he worked as a gold wire embroidery designer for twelve years, eventually becoming the creative director. Carne produced intricate designs for the military and the film, theatre...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Ser...

Artist: Georg Karl Pfahler (1926-2002) Title: Version 8 Year: 1969 Edition: 36/100, plus proofs Medium: Silkscreen on wove paper Size: 25.5 x 25.5 inches Condition: Excellent Inscrip...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. The ‘Man's Best Friend' IV by KAWS is a signed, numbered...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with off...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Pales I Michael Steiner, American (1945) Date: circa 198...

Frank Stella print The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984, recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky (1890-1941) who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created his own, one of which you see before you. With movement and vibrancy, each piece in the series illustrates each line of the song, as Lissitzky had done. What makes The Had Gadya series so pivotal in Stella’s oeuvre however is that it is the introduction of both the 'wave' motif, which inspired the seminal Moby-Dick series and his Cones and Pillars iconography. This stunning work is bursting with color and movement. Shades of green, coral and yellow dominate the piece. Like a music piece, each component of the collage forms an upbeat composition. Central to the scene are lime green cones and pillars which are reminiscent of Stella’s previous Cones and Pillars series. Above, sinuous red lines curve to form an abstract image. Viewed together, the colors and forms are a testament to Stella’s artistic past and future. Created in 1984, Frank Stella The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984 is a color screen print, lithograph and linocut with hand-coloring and collage is hand-signed by Frank Stella (Massachusetts,1936 - New York, 2024) in pencil in the lower right of the image. Numbered 16 from the edition of 60 in pencil in the lower margin. Frank Stella Had Gadya...