Art by Medium: Screen

The glittering contemporary pop-art ‘Colour Chart’ by Damien Hirst is a study of “pinning down the joy of colour” - a concept that began in the 1980s with his iconic ‘Spot Series’ pa...

TITLE: Wide Awakes Campaign 2020 Shepard Fairey Stay Woke Print Street Art YEAR: 2020 Silkscreen on Fine Art paper with Gold Metallic Inks DIMENSIONS: 2...

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Agra is a serigraph on paper measuring 27 x 30 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered 176/200 from the editio...

Screenprint on Somerset Satin Cotton paper with Aluminium frame Edition of 200 + 20 AP 42 x 42 cm - Sheet 51 x 51 cm - Framed hand-signed and numbered by the artist Invader is a French street artist known for his distinctive mosaic art inspired by the pixelated graphics of classic video games, particularly Space Invaders. Since the late 1990s, he has placed his ceramic tile artworks...

Andy Warhol retrospective exhibition at the Ludwig Museum in Cologne / Koln 21 November 1989-11 February 1990 Andy Warhol Retrospektive Museum L...

Hand signed and numbered by the artist. Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 100. Frame size approx 37 x 29 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Pose (Jordan Nickel...

This Blue Dog work consists of a blue dog sporting a tie with the appearance of an American flag of stars and stripes. The background is alternating red and white stripes as on an A...

"Marley was sometimes fiery, sometimes joyful, sometimes contemplative, but always visionary and poetic. I love this intimate, thoughtful moment Dennis captured and I’m honored to tr...

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

Hand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

Hand signed by Andy Warhol in ball-point pen on the reverse Numbered (155/250) with a rubber stamp on the reverse Published by Factory Additions, New York F&S II.55 One of the most ...

Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Noveno Festival de Theatro Puertorriqueno, 1966. Screen print poster on p...

This Blue Dog work consists of a multi-shaded blue dog on contrasting shades of white background with a blue border. The last name of the artist is displayed in red vertically on th...

Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 in pencil Size of image: 32.5 x 24 inches Size of paper: 39.25 ...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

Sonia Terk Delaunay ( 1885 - 1979 ) - hand-signed color silk-screen - 80 x 57 cm, 1970 Additional information: Material: Color Silk-screen on pape...

This Blue Dog work consists of 2 blue dogs sitting on either side of a purple triangle with a large steer skull. The background is of blue sky, desert sand, and mountains in a South...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 10.5 x 8 inches. Custom framed as pictured. Frame si...

Abstract Composition is an original mixed-colored serigraph realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of...

Unique hand painted with acrylic paint color screen print on 300 gsm somerset paper. Paint adds around 5mm of height to the print. Hand signed and dated lower right corner by Shane Turner...

Money (Red) is a serigraph on canvas, signed lower right 'Bertho' and numbered 11/185 lower left, from the edition of 237 (there were also 50 AP and 2 PP). Framed in a contemporary b...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

JEAN DUBUFFET 1901-1985 (Philippe-Arthur) 1901 Le Havre - Paris 1985 (French) Title: Galloping Race, from: Fables Course la galope: Fables, 1976 Technique: Original Hand Signed, D...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Frame size approx 17.25 x 20.25 inches Littmann p. 83. Published by Martin Lawrence...

Eyes Flying in the Sky, Edition 70/120. Screenprint [5 screens, 5 colors, 5 runs]. Image: 76 x 60 cm. Sheet: 76 x 60 cm. Published in 2006 by Ishida Ryoichi. A print of the same edit...

Set of 3, Oil Ink Silkscreen on Acrylic on tondo plexiglas. Clifford Singer had produced several Spiral Series pieces in the late 1980s.

R.B. Kitaj (British American 1932-2007) Hand signed and numbered Screenprint Measures approximately 24.5 X 16.65 inches This is from the Robert Creeley daybook. They were done in ...

Shusaku Arakawa Blankless Tone, 1979 Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left Hand-signed by artist, Titled "Bl...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Archival Pigment Print with a 14 Colour Screen Print on 300 gsm Somerset Satin Paper 23 3/5 × 39 2/5 in 60 × 100 cm Printers Proof (PP) COA included

Paloma Picasso, from Hommage à Picasso. Screenprint in colors on Arches. Hand signed and numbered on verso by the artist. Published by Propyläen-Verlag, Berlin, and Pantheon Presse, ...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.

Lithograph in colors on paper. Hand signed and dated on front by Keith Haring. Hand numbered 497/1000 on front. Artwork size 11 x 8.5 inches. Frame size approx 16.5 x 13.5 inches...

ENDLESS POWER PETROL PALACE (RED) screen print by Shepard Fairey with dimensions 18 inches by 24 inches. Edition 299 of 350, signed and numbered by Shepard Fairey. Energy awareness and renewable energy activism inspired collage style with beautiful red, black and cream block style with clean lines. A lot of shrewd advertising has been created to suggest that things we want are also good for us and society. Perfect examples are the ads celebrating the health benefits of liquor and cigarettes. My inclusion of the badge stating “with lung tonic” is a humorous nod to the absurd health claims historically made for harmful products. The claim that petrol provides an unlimited future is a snapshot of the overly-optimistic wish that oil is unlimited. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited, a situation that inspired the title ‘Endless Power”. Oil and gas companies and the car manufacturers who profit heavily from gas powered engines used their power and influence to overturn a zero emissions law in the state of California, effectively delaying electric cars arriving on the market accessibly for ten plus years. It is dangerous for an industry to have that much power. Scientists hired by fossil fuels corporations represent the minority of the scientific community who claim oil stocks...

Title: ''La Cage et l'iréel du rêve'' Limited edition of 75 Size: 24X32'' Giclee on Deckled edge paper Signed, numbered and comes with COA

This artwork titled "Sierra Country" 1969 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is ha...

Signed, titled, numbered and dated in pencil Edition: 150 Serigraph on paper Sheet: 22 1/4 x 30"

Shepard FAIREY (Obey Giant) Harmony : The Lotus Flower Original sceen print Handsigned in pencil blind stamp to margin Numbered 42 / 89 On vellum 41 x 30 inch (c. 104 x 76 cm) Come...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 13.5 x 16...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 194/300 DX lower left. This Deluxe Edition features three layers of dimens...

Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...

Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books

This work is edition number 33/50. Signed/numbered in pencil, lower lect. By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive proc...

Alfredo Sosabravo (Cuba, 1930) 'Torre de Babel', 1999 silkscreen on paper 36.7 x 27.6 in. (93 x 70 cm.) Edition of 40 Unframed ID: SOS1289-004-040 ______________________________________ "Manuel Alfredo Sosabravo  Born: 1930, Sagua la Grande, Matanzas, Cuba.  Studies: Between 1955-1957 he studied at the Elementary School of Applied Plastic Arts attached to the Academy of Fine Arts San Alejandro, in Havana, Cuba.  Experience: Member of the Association of Cuban Recorders and teaches several drawing and engraving courses at the National School of Art Instructors. In 1965 he entered the Graphic Experimental Workshop of Havana. In 1993 he teaches a mural ceramic course at the Faculty of Fine Arts of the University of Tenerife in the Canary Islands, working in turn at the Giuseppe Mazzotti Museum House 1903 in Albissola Mare, Italy.  Exhibitions: It is included in the 1959 annual Salon, Palace of Fine Arts, Havana. He made the first personal exhibition of importance in 1967 with oil-collages and ceramics in the Havana gallery. In 1973 he placed on the mezzanine floor of the Habana Libre Hotel a mural composed of 555 pieces of ceramics started since 1971. In 1997 he presented Sosabravo, The Guardian of the Small, in the Art Gallery, Madrid, Spain. In 2001 he exhibited graphic and painting works in El Comune de Orvieto Italia, in the Sala Conca de la Laguna, Tenerife and at the Feria de la Estampa in Madrid. In Cuba, he built the 10 m2 mural called Carnaval de la Habana for the Residencial América real estate. In 2002, Galería Cernuda Arte, Coral Gables, Florida, shows his works at the Art Miami Fair. In the United Kingdom he exhibited Murano glass oil paintings and sculptures. The Biennale di Ceramica nell'Arte Contemporary of Albissola Mare, Savona, invited him to participate with works that he would carry out in the San Giorgio da Poggi workshop. In 2003 his work was part of the Important Cuban Artworks...

Mimmo Rotella - PAZZO PER LE DONNE (GIRL HAPPY) Date of creation: circa 2005 Medium: Multiple decollage screen print on heavyweight paper Edition: 125 + L + P.A. Size: 100 x 70 cm Co...

This Bue Dog work consists of a brown 2-story house with white columns, a railing on the upper floor and white lattice around the base of the house. There are 2 dark trees on either...

Medium: Serigraph Image Size: 24 x 36 inches Year: 1999 Signed and numbered by the artist from the edition of 150. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Numbered 37/125 (there were also 25 AP's). Publis...

Artist: Dan May (American, 1955-) Title: "Baker" *Signed and numbered by May in pencil lower left Year: 1994 Medium: Original Screenprint on unbranded white wove paper Limited editio...

This Blue Dog work consists of a background of an American flag of 13 red and white stripes and a square block of 50 stars. Patriotic Print. The blue dog...

Mr. Brainwash, Love Catcher (Blue), 2023 Screenprint on Archival paper 22 × 22 in (55.9 × 55.9 cm) Frame included Edition 30 of 75 Mr. Brainwash, the pseudonym of Thierry Guett...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

ROBERT WEIL (American, b.1945). Poster-Byrd Fine Arts Finchcocks Goudhurst, Kent, UK. Plate signed. Measures 28.25 x 19.25 in. Unframed. Good Condition-sho...

Serigraph by Mexican painter Rafael Coronel. The artist made 100 signed and numbered editions. This is a signed Artist Proof edition (handwritten as "P/E" on the lower left corner wh...

Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeW...

Artist: Sultan, Donald Title: Reds, Dec 2, 2020 Date: 2021 Medium: Color silkscreen with over-printed flocking on Rising, 4 ply museum board Unframed Dimensions: 25" x 25" Frame...

Living For Kicks (2009) by Prefab77 Screen Print, handfinished 76,5 × 57,5 cm Limited Edition of 30 Signed, Numbered (24/30), and Stamped by the artist The print was stored flat but...