Art by Medium: Tapestry

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

Artist: Charles Chamot, Peruvian/American (1951) Title: Artichoke Year: 1979 Medium: Woven Wool Tapestry, signed and numbered on label, verso Edition: 1/6 Size: 84 x 72 inches

Last one in this size! Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #02, 2022 Tapestry 290 x 218 cm (114 1/8 x 85 7/8 in.) Edition of 5; Ed. no. 1/5 Born in 1957 in Neuilly sur Se...

Limited edition Woolen Tapestry of Andy Warhol's iconic Cambell's Soup Can in Red. Campbell's Soup Can: Red 1 by Andy Warhol, 1928 - 1987 Date: 1998 Medium: Woolen Rug Tapestry Edit...

Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...

"Egyptian Prayer Rug" is a wool tapestry by Joan Ward Summers. It was created in an edition of three and depicts a camel standing atop a column. With a geyser erupting in blue and br...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Vintage In the center of Mumbai city is an unorganized labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewelry, the list i...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #01, 2022 Tapestry 205 x 277 cm (80 3/4 x 109 in.) Edition of 3; Ed. no. 1/3 Born in 1957 in Neuilly sur Seine,...

Acrylic paint on textile and embroidery on canvas Signed by the artist

Maize Seed in the Earth, by Ángel Pahuamba -Tapestry -120 x 100 cm -Folk Art, 2026 Ángel Pahuamba works from three traditions deeply rooted in Mexican culture: corn, the figure of...

Edition of 10 ex individual tapestries are unnumbered. Artist’s signature woven into the tapestry, lower left corner. Handwoven silk tapestry. Published by: Modern Masters Tapestries...

Traces, sisal and hand spun wool, 108" x 42", 1979. This large, figurative, mid-century modern tapestry was done by Polish textile artist, Lilla Kulka...

Studio Archive No. 85 is a definitive work from the Rebecca Wing Sze Lam Atelier, representing a maturation of a decade-long exploration into the tension between raw substrate and ge...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

A large needlepoint scene in wool with gold silk thread depicting two chevaliers returning from battle, likely after an original tapestry or painting, dating to the late-19th or earl...

Jamavar The Jamavar of Kashmir is an exquisite heritage textile of India. The original Jamavar was a yard-long shawl of pashmina wool with delicate patterns handwoven in multicolored silk weft threads. Its authentic designs are finely intricate, imparting gentle aristocracy with its most outstanding and popular motif being the elongated teardrop, originally called 'buteh'. The 'buteh' is what one now recognizes as the 'paisley'. These artworks are compositions of the timeless 'buteh' of the Jamavar. The wall panels are embroidered with fine thread cords couched along the pattern. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

ARTIST: Salvador Dali TITLE: Still Life By The Light of The Moon - Nature au Clair De Lune MEDIUM: Woven Tapestry SIGNED: Woven in the Tapestry EDITION NUMBER: 27/50 MEASUREMENTS: 35.6" x 54" YEAR: 1980 PUBLISHER: Walton-Gilbert Galleries, San Fransisco WOVEN BY: Art in Tapestry, El Paso Texas CONDITION: Excellent NOTE: Designed from a 1927 painting...

We received 5 tapestries from a dealers collection who retired from business and been stored properly, currently 4. There in no fading or damage to each and ready to hang condition....

Happy world. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expa...

Anne Andersson Sisal fiber wall sculpture Monkey Head (# 1) Hand signed to verso Dated 2009. Measures approx. 11" height x 10" width x 6 1/4" depth. Her sculptures are made of na...

One of a kind and spectacular work by the renowned artist Julián Grau Santos, “a master of color in 20th-century Spain.” This is an interesting print on tapestry entitled “Bullfighting Arena,” depicting a bullfighting scene, very much in keeping with Spanish tradition. In the foreground, several bullfighters appear in their suits of lights, and in the background, in the stands, a group of women with mantillas and fans, as well as spectators wearing hats. Both planes are presented with equal importance and prominence, creating a powerful contrast between action and contemplation. This underscores the cultural dimension of the event. It portrays bullfighting and the festival as a social spectacle, which is very consistent with the overall style of his work, particularly interested in capturing everyday life and its traditions, always with a personal use of color and light. Also noteworthy is the fact that the focus is not on individual portraits, but on chromatic harmony and artistic expression itself. He does not seek realistic detail, but rather a festive atmosphere and dynamism. The scene unfolds through quick, fluid movements that reinforce the sense of bustle. Blue, red, and pink tones predominate against an ochre background. Beautifully framed with a wide wooden frame with an aged finish. A truly interesting work due to its subject matter, its exclusivity, and its authorship. A truly interesting work in every aspect.It,s signed Julián Grau Santos, heir to a family of artists Julián Grau Santos is one of the most outstanding painters and illustrators on the national scene. He was born in Canfranc (province of Huesca) in 1937. Heir to a family tradition, he is the son of the painter Emilio Grau Sala, a significant artist of the School of Paris, and of the equally extraordinary painter Ángeles Santos, a prominent member of the Surrealist group of painters of the 1920s and of the Las Sinsombrero (The Hatless Ones). In 1954, he moved with his family to Barcelona, ​​where he attended the Sant Jordi School of Fine Arts. In his early years, he was greatly influenced not only by Van Gogh, but also by Impressionists and Post-Impressionists such as Sisley, Cézanne, Renoir, Seurat, and Vuillard, whom he discovered during his first visits to Paris, the city where his father lived. In the 1960s, he was closely associated with Cuenca, where he lived temporarily. At that time, he was experiencing a period of intense artistic activity, and there he produced numerous works characterized by strong expressiveness and a highly textured brushstroke. In 1978, he settled permanently in Madrid, where he currently lives, working not only as a painter but also as an illustrator and draftsman, contributing to several magazines, including ABC Cultural, La Razón, and El Cultural of El Mundo, among others. Since 1980, he has been a member of the Société Nationale des Beaux-Arts. A painter not affiliated with any particular artistic movement, he has nevertheless contributed to the renewal of the figurative art tradition. He is considered by some to be a master of color in 20th-century Spain. Throughout his artistic career, he has participated in numerous solo exhibitions in various galleries both nationally and internationally, including Sala Parés, Galería Biosca, Galerie Saint Placide (Paris), Grand Palais (Paris), Justin Lester Gallery (Los Angeles), and Art Expo (New York). In 1993, the Mapfre Vida Cultural Foundation organized a retrospective exhibition of his work. Since 2004, he has exhibited permanently at the Beatriz Bálgoma Gallery, participating with them in several prestigious national and international art fairs such as Feriarte, the Lisbon...

Tree of Life One ancient mythical symbol appears across various cultures as the esoteric Tree of Life. The Tree represents life's abundance and immortality. The cosmic mountain is often depicted as the highest point on earth where heaven and earth meet, where Gods dwell; the Tree stands atop it. Specific trees are held sacred and worshipped as the Tree of Life by the different cultures, and it does not bode well to cut the Peepal in India, Bodhi (Peepal) in Buddhist countries, Cyprus in Iran etc. About: "Art is just perception. The first glance is an emotion, your emotion. The title of the canvas is read after that."- Shabbir Merchant...

San Francisco artist Gary Bukovnik has created a new series of tapestries in a limited edition of ten; ‘Garden of Earthly Delights’. The im...

Predator, 2011 Mixed technique: tapestry, textile, lace 48.81 H x 60.62 W in 124 H x 154 W cm Raluca Arnăutu creates a zoomorphic world, where animals from a different world are mix...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

French made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. 65% wool with/cotton/rayon/polyester. Also available in size 67 x 88 ( $1250.00) . Please me...

Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Also available with black background. Available in smaller size 42x36 ($17...

French made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and polyester. Navy background shown and also available in beige background. Both back...

Unknown Artist - Flemish Tapestry, Medium: Tapestry, Size: 26 x 23 in. (66.04 x 58.42 cm), Frame Size: 34 x 31 inches

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Broken White Band with Pink, Linen, wool, and cotton, 32" x 32" (2008). This two-tone contemporary abstract woven tapestry and textile wall sculpture is by UK-based textile artist, Sara Brennan...

San Francisco artist Gary Bukovnik has created a new series of tapestries in a limited edition of ten; ‘Flower Cascade’. The images draw from the artists floral still-life series of ...

Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and viscose. Available in single arch in sizes 66x36 ($320) and 94.75" x 53.5" ($86...

VICENTE PÉREZ BUENO (Fuentelencina, Guadalajara, Spain, 1887 – Valencia, Spain, 1963). "The Waterfall", Naïve Oil on Tapestry by Vicente Pérez Bueno." Oil on tapestry. Signed and dat...

A delightful embroidered scene depicting an elderly couple laughing together in a landscape. Their pet cat and dog sleep at their feet. Unsigned. Well presented in a gilt frame with ...

Technique: Fused collage, machine stitched and quilted. Materials: 100 % cotton panel on wooden stretcher Size: 60cm x 60cm (24 x 24inches) each panel

Jacquard weaving is at once simple and complex. The language used to set up weave structures is straightforward and binary: the warp is either up or down. With the Jacquard loom, h...

A 19th Century Sampler by Eliza Hanna Oddy June 20th 1861 in original frame Dimensions framed: height 15" x width 16" All of the items that we advertise for sale have been as accu...

Early 19th-century embroidery with watercolor collage details. Unsigned. Presented in a Hogarth-style frame with a damask silk mount. On panel.

Coup de Grace,  brushed wool, 7’9" x 4’4", 1997. This contemporary abstract woven tapestry was done by renowned Canadian textile artist, Mariette Rousseau-Vermette (1926 - 2006). Born in Trois-Pistoles, Québec, Mariette Rousseau married painter/ceramicist Claude Vermette...

Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

A vibrant floral & botanical embroidery depicting parrot tulips intertwined with red berries and smaller spring flowers. Presented in a stunning o...

Glitch Tapestry 21, 2012 Jacquard woven tapestry made of dyed cotton thread. 60 x 80 inches The Digital Tapestry Project continues my exploration of notions of materiality, craft,...

A vibrant tapestry by Peruvian artist Victor Delfin, depicting four birds feeding on the nectar from a large flower. Four Birds Victor Delfin, Peruvian (1927) Date: 1978 Tapestry Si...

Biagga (Sea Wind), painted viscose and linen, 67" x 71", 2010. Contemporary Abstract Tapestry Painting, Wall Sculpture. Ulla-Maija Vikman (b. 1943, Oulu, Finland) is a fiber artist w...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...

Artist: Charles Chamot Title: Artichoke Year: 1979 Medium: Woven Wool Tapestry, signed and numbered on label, verso Edition: 1/6 Size: 84 x 72 inches

This work, titled "The Milk Rivers" is a tryptic of 135x70 cm works and it's a jacquard weaving from cotton and recycled plastic thread Eco Nat. Artist Monika Zaltauskaite Grasiene...

Lauren Davis project titled "Industry Unraveled” presents images of abandoned Rust Belt manufacturing locations produced via a cell phone camera and digital processes derived from th...

Out of Focus 1-9, handwoven cotton, 87" x 85.5" x 1.5", 2007. This colorful wall piece, consisting of nine hand-woven abstract tapestries, was done by Danish fiber artist, Grethe Sørensen...

Geometric tapestry made of various red, green, purple, and blue fabrics titled "Geometric" by Bill Condon, circa 1970's. Similar to the early geometric designs of Ida Kohlmeyer. Ar...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

Lancelot / from Zolotnitsky's Extinct Series - a series of paintings of chairs. This Jacquard Tapestry by Magnolia Editions is one of six. Ed. 1/6....