Art by Medium: Wood

Wayman Elbridge Adams (1883-1959). From a Balcony, New Orleans, French Quarter, ca.1930. Oil on masonite panel, 12 x 16 inches; 17.5 x 21.5 inches framed. Excellent condition. ...

Size: 12x10x13 cm Pedestal not included. Medium: Wood, acrylic and holographic print At Escat Gallery we are committed to maintaining the highest standards of trust and professio...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents an ideal abandoned church...

A monumental unique painting in four 48 x 48 inch panels by Donald Sultan. Artist: Donald Sultan, American (1951 - ) Title: Two Dog Pass Year: January 12th, 1988 Medium: Tar and L...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

The fruit on the table is a gliding light on the texture of a lemon, and a peeled peel, translucent and twisted in a spiral. Broken pomegranate with many grains, like a man in a big ...

Small but mighty. A moment caught, an explosion of energy, of color. And such a departure for California artist Heinie Hartwig (b. 1937), who is known primarily for his Western subje...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

Bust Of A Young Girl In Arte Povera Style, Italy,mid 20th century. Bust of a young girl , follower of Arte Povera artistic movement, Italy, around 1970. Sculpture in fir wood. Italy...

Signed lower left, 'Baba' and dated 1977. A large and colorful Pop Art derived perspective on the aquatic circle of life.

The Sand Barge by Jozef Israëls Oil on wood panel. 18 x 40 cm (7 1/16 x 15 3/4 in). Signed Artist biography Dutch-Jewish artist Jozef Israëls was born ...

"Winking Olive" is a piece by Kendra Dandy made from acrylic on wood. This piece measures 14"h x 12"w. Based in Philadelphia, Kendra Dandy (b.1987) is a...

Bold yet delicately portrayed, "So Plant, So Animal II" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence o...

Impressive early American impressionist landscape painting by Will S. Taylor (Born 1882). Oil on board. Framed. Signed. Image size, 12 by 13 inches.

This late variant of "Portrait of a Young Girl" is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. Completed ...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Sculpture LEAF is made of wallnut tree and combined with bronze. An abstract form with organic aesthetic. Interior sculpture, that may looks your place fancy and original. One of a...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Grayson Perry Kate Board, 2017 Screenprint on skateboard Made of 7-ply Grade A Canadian Maple wood 31 1/2 × 7 9/10 in 80 × 20 cm Edition of 999 co-published by the artist and The Sk...

This piece titled "Eye Feel So Seen" is an original painting by Sarah Detweiler and is oil paint on canvas. This piece originally debuted in Detweiler's solo exhibition "Unmasquerad...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Primary Hughes' "Presque Isle (Day 25) August 16" is an original, handmade oil painting that depicts an ocean landscape of waves coalescing around a ro...

hand embroidered wool and thread work with wood top and bottom from Norwegian superstar Hama Woods HaMa Woods (b.1981) is a stencil artist based in Oslo. H...

Mitzy Renooy Together again Ø 80ccm Frame included in price, size with frame: 90 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Tom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

This is a perfect example of Christine Romanell's wall mounted abstract sculpture based on her interests in sacred geometry. It is a small size for the artist making it a piece that...

"Magic Mushroom" contains those repetitive features of mantras or mandalas patiently made by hand. It projects a psychedelic image thanks to the chaotic...

A Wonderfully Subtle, Atmospheric, Mid-Century Modern Dune Landscape Painting by Noted Chicago Artist, Rudolph T. Pen. Most likely painted in the 1960s along the shores of Lake Mich...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Mitzy Renooy Together again Ø 120 cm Frame included in price, size with frame: 120 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art acade...

Abstract painting, ca. 1970s measures 25 x 30 inches. Oil on canvas, unsigned. Stunning modernist custom carved picture frame by Newcomb Macklin. ca. 1950 production. Long, elegant...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Lively assemblage with various items: Paintings, small mirrors, biological illustrations of bird...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Unique circular artwork from Natasha Lelenco’s acclaimed Currencies series, featuring the right-facing profile of a young male figure set against a saturated purple background. His s...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Covet" 2023 Oil paint, Varnish, Wood The artist signed the back of the painting. "Covet" by Rizaldy Celi Jr. is a striking exploration of expressionist-disrupted realism, depicted on a 48" x 36" wood board. This provocative piece challenges traditional norms of beauty and desire by juxtaposing a nude woman donning an Oni mask...

Work composed of a wooden frame supported by a high-quality cotton fabric. I have used acrylic and enamel paints to make the composition and generate relief and shapes. I want to fu...

C. Jeré ( or Curtis Jere) is a metalwork artist of wall sculptures and household accessories. C. Jeré works are made by Artisan House. Curtis Jer...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Blossom III is a wood sculpture (cherry) by Wouter van der Vlugt, dimensions are 36 × 42 × 36 cm (14.2 × 16.5 × 14.2 in). It is a unique signed piece and it comes with a certificate...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Singularity II is a wood sculpture (walnut) by Wouter van der Vlugt, dimensions are 42 × 65 × 55 cm (16.5 × 25.6 × 21.7 in). It is a unique signed piece and it comes with a certific...

FREE SHIPPING TO WORLDWIDE! Artisan: Francisco Martinez Espinoza MASTERPIECE Made with Tzomplantli wood, woodcarving technique gouges, machete and sandpaper, decorated with tradi...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

"Evolution, Bison" (2019) by Julia Mulligan is an original, handmade ceramic and gold leaf sculpture on a wooden base that depicts a bison with gold horns. My childhood, from about...

Carl Lasch (1822-1888 German) "The Walk Back Home" A Monumental Exhibition Painting, Oil on canvas laid to masonite in original gilt-wood frame. ...

This sculptural painting by Natasha Lelenco, created on a wooden circle with a thickness of two centimeters and a diameter of 26 centimeters, is one of the recent works from the Curr...

Special offer only in this artwork of this series: 50% off from May 21 to May 28 only. This limited-time campaign highlights selected works from Currencies, the long-running series b...

"Self Portrait" is an original oil painting on masonite board by Francesco Spicuzza. The artist signed the piece in the lower left. It depicts the artist holding a pipe in front of a...

A magnificent 1931 Art Deco painting by master artist John Storrs. Artwork size: 18" x 12". Framed Size: 21 1/4" x 21 3/4". In a handsome, dark fram...

Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Sometimes, the most celebrated artists are not the most original. Such is the case with Jean-Michel Basquiat, known for bringing into mainstream abstract yet representational street ...

Bold San Francisco Abstracted Still Life Composition in Oil on Board Bold still life composition by Frank Koci (Czech-American, 1904-1983). A table is set with a jug of wine and a bowl of fruit and a landscape in the background. It is composed of several layers of paint, with bold outlines. In some areas, paint has been scraped away to create additional texture. In broad terms, you can describe Koci’s paintings as a series of “people-scapes,” wherein people are shown having relationships (some fleeting, some enduring) with fellow humans. A better term is probably “preludes” — wherein each painting sets the stage for something momentous that will occur in the very next frame. In the best Kocis, the tension is palpable. Signed in the lower right corner "Koci". Presented in a wood frame. Board size: 13"H x 30"W x .5"D Born in 1904 in Pilsen Czechoslovakia to a widowed mother. Koci grew up in poverty. Leaving Pilsen at 17 he was already too sophisticated about arts and literature, drama, and polished...

Acrylic on wood.