Art by Medium: Wood

"Golden Egg" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing with si...

Combining patterns reminiscent of tessellation and a large grid-like system, Vasarely turns a plain hexagon into a concave surface. Shades of light and dark play across the 'facets' ...

"Homage to Mondrian - Falling" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refer...

Linda Stein, 1219 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Embrasse (work no. HVP01131) is a unique contemporary modern abstract geometric wood sculpture by acclaimed Dutch constructivist Henk...

A very original and striking wood collage work by Modern British artist Ewart Johns Ewart Johns (British, 1923 – 2013) Forest Figure Wood collage Executed circa 2006 19 x 14.1/8 in....

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

Grande vierge en majesté de l'époque romane en bois polychrome. Cette Vierge à l'enfant inédite s'inscrit dans le corpus des Vierges romanes de Bourgogne. Marie est assise sur un trô...

"Bull&Bear" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing with sim...

MATT BILFIELD '8173-BEACH-01' 8,173 Wooden Dowels in Architectural Plywood 47 x 47 in _________________ My creative journey is guided by a deep appreciation for order, precision, a...

"Homage to Mondrian - The Pool" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

Title: The Jester - Wisdom Keeper - Portrait Portrait Painting Bold Wisdom Fine-art Statement Contemporary Abstract Flower In this painting, I poured my emotions into the bold colo...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

Original oil on masonite painting by the Russian/ American artist, Nahum Tschacbasov. Signed lower right. Circa 1950. Unframed. Condition: Good. Provenance: Estate of the artist. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Lofty vintage sailors valentine handcrafted with exotic organic seashells ambitiously composed with a heart and flowers inside geometric borders. Prese...

I am crafting a visual language that aims to be interpreted or understood freely. I wish the viewer to have a free association with the work.

The exquisite still life can be paired with another still life with apples (symbolizing spring and autumn) also published on 1stdibs. Gianluca Corona expresses the values of the mo...

Hunt Slonem is a celebrated American artist known for his neo-expressionist paintings of bunnies, birds, and butterflies—motifs that reflect his deep connection to nature, spirituali...

Goblets XXV is a signed original wall sculpture made from sweet wrappers by Joanne Tinker of a selection of colourful wine goblets on a black shelved frame. Joanne Tinker wall sculpt...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so th...

Along the road, we see several travelers: some are walking at a leisurely pace, others are engaged in animated conversations. At the top of one mountain, a small castle stands proudl...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Parallax III is a discreet and elegant minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. The...

Mid Century Modern, American Abstract Expressionist Painting on artist board. This wonderful work combines unique shades of orange yellow and purple and comes house in a contemporar...

"WavyBlue" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration Ryan creates miniaturized three dimensional portraits of urban lan...

PERIOD FRAMES c. 1915 American painting frame pair, (earlier Stanford White design), Newcomb-Macklin, New York makers, gold leaf, gray bole, gesso, on c...

The painting features a centaur depicted in an expressive style using acrylics on a pristine white background on the target with bullet holes in it .Holding a horn, which symbolicall...

A dynamic, abstract expressionist image by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower r...

Ana Hefco's (Miami based) "Hummingbird #6" is an original, handmade layered tinted resin & mixed media on wood panel. This piece is framed and ready to hang. Born and raised in Buc...

Jean-Claude Gaugy (b. 1944, French) Title: "La Branche" Dimensions: 72" x 60" Medium: Oil on Carved Wood Markings: Signed LR "Gaugy" Framed Jean-Claude Gaugy is a contemporary Fren...

Rainy Day is an oil on panel painting, 22.12 x 46.31" panel size, signed ‘HOFMANN’ lower left and framed in a custom, contemporary, gold-leafed frame. Dougl...

This series of paintings explores the depth of human relationships and the spiritual world through dynamic compositions, where lines and color planes create a sense of constant movem...

Zhai Xinjian (China, b. 1950) "The Nude Model Girl" Oil on canvas depicting a female nude model posing seated on a draped stool, within a giltwood frame. Signed in Chinese and dated:...

oil, canvas, & wood

Artist Commentary: the series Strata explores pure abstraction and a reference to natural formations Words that describe this piece: strata,nature,deep colors,lines,mixed media Ar...

This tender interior scene by Henry Bacon captures a moment of warmth and domestic harmony. A young mother leans gently over a carved red cradle while her daughter, dressed in a whit...

Stunning forest landscape of trees reflecting in water at sunset by Charles Grove (American, 20th Century). Signed "Charles Grove" lower left. Unframed. Image, 24"H x 20"W.

Swan Scalabre "Ambition n°27" Oil on Wood 9.75 x 7.75 in. 13 x 11 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent ...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Oil Painting / Contemporary Academic Realism / Figurative Art / Animals / Earth Tones

"HARMONY" (FRAMED) Figurative Nude Painting 30" x 24" inch by Isaac Pelayo Medium: oil and acrylic on wood Comes in frame Size framed: 32" x 26" inch ABOUT THE ARTIST: Isaac Pela...

An impressive painting in size and execution, a frosty winter day in a birch grove with a small pond. The orange-yellow sunset reflected on the surface of the pond creates the illusion of bizarre reflections. The frosty haze that has enveloped the forest intertwines with the approaching twilight, enhancing the sense of depth and atmosphere. On the right we see a traveler returning from the forest with an armful of brushwood on his back. In the distance a small flock of birds flies in, alarmed by something, bringing a sense of movement to this scene. The contrast of bright and cold shades creates an atmosphere of calm and silence...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion an...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...

Console table with cast bronze structure, wooden top burnt with shou sugi ban technique and bronze details

Corey Pickett's (US based) "Ray Gun 922" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Pickett received his Bachelor of ...

"Spomenik" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede and brass tacks, the piece has an overtly architectural feel. Inspired by brutalist mo...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the traditional fresco painting techniques of ancient Rome, she used several l...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

"Flashe" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

Summer rustic scene depicts an idyllic picture of country life in which harmony and happiness reign. The muted, slightly blurry colors convey the artist's inner world and mood, while...