Art by Medium: Woodcut

Sword Fight is an original artwork realized in 1878 by Kunichika Toyohara. Color woodcut 1878. Dimensions: 22 x 48 cm. Actors portraits against red bac...

Amoureux de Molière is an original artwork realized by Robert Bonfils (1886-1972). Original woodcut print on paper, realized on early-20th century, hand signed in pencil by the artis...

The Apparition of Saint James - Song 26 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n...

Ex Libris  - Bianca Balbi is an Artwork in Mid 20th Century. Woodcut. Good conditions.

Ex-Libris - Over Goethe is an Artwork realized in Mid 20th Century. Etching on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Maurice DENIS Peace and Ceres, 1932 Original woodcut print Printed signature in the plate On Arches vellum 37 x 26 cm (c. 15 x 10.5 in) Excellent condition

Les Martyrs Chrétiens is an original artwork realized by Johann Nepomuk Geiger in the beginning of the XIX century. Original xilograph on paper. The sheet i...

The Archangel Gabriel is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.28 (as reported on the back o...

Ex Libris -A. Formenti is an Artwork realized in 1937,  by the Italian Artist Fabio Mauroner (1884-1947) Etching print on ivory paper. Hand Signed on t...

Antiquity 1935s is an original woodcut print on paper glued on ivory-colored cardboard, realized by Anonymous Artist of the XX Century. In excellent conditions: as good as new. Ima...

Ex-Libris - SV. kjaer is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Brunetto Latini - Hell Plate 34 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Composition is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print on cardboard. Good conditions. Image Dimensions: 18 x 14 cm. Lojze Spacal, also known as Luigi Spacal, was born on the Trieste Karst, at the time of the Austro-Hungarian Empire, from a family of Slovenian nationality.In 1930 he was arrested on charges of anti-fascism and confined for some time to Accettura, in Basilicata. Here he discovered his artistic vocation. In 1934 he graduated in Venice. He began to exhibit his first works in 1937. In 1942 he was again sent to confinement, this time in Abruzzo and, later, assigned to a special working battalion in Forte dei Marmi. Nevertheless, he managed to continue to exhibit his works so much that, in 1944, he set up his first solo show. In 1948 he participated for the first time in the Venice biennial. In 1958 he won the International Grand Prix "for a draftsman and engraver" at the Venice Biennale. In 1959 he received the 2nd prize at the International Biennial of Graphic Art in Ljubljana. In 1974 he was awarded the Prešeren prize, the highest Slovenian artistic recognition, and the “San Giusto d'Oro” in 1977. In 1998 a museum was dedicated to him in the castle of San Daniele...

Ex-Libris -Fascismo is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Dante Recovers his sight is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n...

Raoul Dufy, French (1877 - 1953) - Le Serpent, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descr...

Infantryman is an Original Woodcut Print on paper realized by Gino Barbieri in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-balanc...

The Blasphermers - Hell Plate 14 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Plate n.32 (as reported on...

Ex-Libris - Hubert Dewez is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Ex Dr. Vencl is a Contemporary Artwork realized in the mid-20th Century.  Colored Lithograph with watercolor on ivory-colored paper.   The work is glued on cardboard.  Total dimen...

Landscape from "Fugaku Hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei"...

Saint Peter is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.27 (as repor...

Ex Libris - Eugène Strens is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech paint...

Ex-Libris - Jocelyn Mercier is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Ex Libris - Attilii Vicentini is an Artwork realized in 1930 s. by the Italian Architect Luigi Angelini(1884-1969)  Woodcut print on ivory paper. Hand Signed on the right corner and...

Steel Workers, 1946. By Antonio Frasconi, 1990. "Steel Workers, 1946" is a woodcut and offset lithograph created by Antonio Frasconi in 1990. This p...

Ex Libris Puty is a Contemporary Artwork realized in the mid-20th Century.  B/W woodcut print on ivory-colored paper.   The work is glued on cardboard.  Total dimensions: 21 x 15 ...

Gianni Schicchi's Bite - Hell Canto 30 is a Color Wood-cut on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Me...

Doubting Dante -  "The Divine Comedy" - Song 7 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. ...

The Quilter Color woodcut printed on cream color wove paper c. 1990 Signed in pencil lower right (see photo) Signed with the artist's stamp lower right in the pencil signature (see p...

The Tree of Punishment -  "The Divine Comedy" - Song 24 -  Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante A...

Raid On A Sand-Swallow Colony " How Many Eggs?" is an original wood engraving from Harper’s Weekly June 13, 1874 in very good condition. One of Am...

Ex- Libis Dr. Josef Hamrla is an Artwork realized in 1945, by the Czech Frantisek Kobliha (1877-1962). Woodcut B./W. print on ivory paper. Hand Signed and dated on back. Good condi...

The bad influence is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled...

Quo Vadis? is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on the...

Retif de la Bretonne is an original woodcut print realized by Fernand Siméon. Hand signed, on the lower right margin. Included a Passepartout: cm 30 x 24 . Good conditions except f...

The Simonists - hell 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Actor Segawa Kikunojô III Performing the Lion Dance is a woodcut print realized in the early 20th Century after Torii Kiyonaga's Woodcut. Good conditions....

Cacciaguida’s History -  "The Divine Comedy" - Song 16 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Ali...

Kabuki Actor is an original Woodcut print realized in mid 19 century and attributed to Utagawa Kunisada. Beautiful colored woodblock print, included a cardboard passpartout. Includ...

Ex Libris - J-H  Hunckler is an Artwork realized in 1946, by the French Artist Charles Favet (1899-1982).  Woodcut print on ivory paper. Hand Signed on the right margin. The work i...

Ex Libris  - Giorgio Balbi  - Vita e Gioia is an Artwork realized for Ada Balbi in Mid 20th Century. Woodcut. Good conditions.

The Giants - Hell Plate 2 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

 Ex Libris - R. Gijselhart is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

The Blind of Envy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.14 (as...

More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...

The Liars - Hell Plate 22 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

Dufy, Raoul. LA PECHE (FISHING). Woodcut, c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches (image) 1...

Ex-Libris - De Chirico is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Hell, Plate 31 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good conditions. ...

Passi di Parata is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Woodcut on paper. Hand-signed on the lower right corner. Numbered 2/89 specimens and tit...

Ex Libris - Ruter is a Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Numbered on the left corner, ex. n. 6/30 Very good condition. Michel Fing...

Genjie is an original artwork realized in 1852 by Utagawa Kunisada (1786-1865). Oban yokoe. From the series "Sono Sugata yukari no utsushi-e" (Faithful images of the Radiant Princ...

The Archangel Gabriel -  "The Divine Comedy" - Song 32 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Ali...

Brunetto Latini from the Series "The Divine Comedy" - Song 16 - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante...

‘The Protest’ 2019 Image 5.25 x 7.5 cm wood engraving (available from edition of 40. 30 prints) Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...