Horizontal Mixed Media

Untitled, 2012 by Ana Seggiaro From the series "Cartographies" Embroidery on paper 25 cm H x 36 cm W Unframed In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through embroidery and painting. In these works she finds the universe of cartography, using maps as supports for the construction of imaginary geographies. This search leads her to tackle larger works. Thus, she recovers old school maps...

ohnny Banks (1912-1988) San Antonio Artist Image Size: 11 x 14 Frame Size: 17.75 x 20.75 Medium: Multimedia on Paper "Mountain Home" Biography Johnny Banks (1912-1988) In my opinion ...

"Sempiternity" unframed collage on fine art paper by artist Melanie Boone. Signed Melanie Boone ©, dated 1999 and titled "Sempiternity" verso. Melanie Bo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

"Tarot Cards" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged into lower right recto. Titled "Tarot Cards" verso. Coll...

This intaglio mixed media unique monoprint is on heavy hand made paper with beautiful deckled edges on all sides. it is a Surrealist image with nude figures and planets. This monoty...

Oil on C-print (Unique) Signed and dated, verso This work is offered by ClampArt, located in New York City. Informed by major events in his own life, Gaz’s “Ensnared” series explore...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

ABOUT THIS PIECE: 22.5" W x 17" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Cali...

Unique contemporary wall work mixing monotype print making, painting, and sculpture. The eye-catching movement and contrasting black and white colors make this unique piece shine ...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Untitled Collage made of foil, golf leaf and marbled book papers, c. 2004 Unsigned, from the Estate of the artist. Image size: 8 5/8 x 10 inches Sheet size: 14 x 17 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

"Next Year in Jerusalem" three-dimensional mixed media construction serigraph by artist Charles Fazzino. Hand numbered 76/475, titled "Next Year In Jerusalem" and signed Charles Fazz...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This original mixed media painting is for sale from Roy Fairchild's Personal Collection. This painting will come with a certificate of authenticity from London Contemporary Gallery a...

Textured colorful abstract painting by Reeves Art + Design owner and Houston TX artist Paul Reeves. This piece features abstract brushstrokes that form various forms and shapes and a...

Rare and unusual antique diorama of a street in a neighborhood, in a city capturing a time and a place for centuries to come. Crafted with metal and pa...

Nancy Cohen Seeing Through, 2022 paper pulp and handmade paper 20 x 54 in. (coh115)

Gabrielle Benot (Latvian, born 1978) "Big Rubber" 2024 Acrylic paint, Rice paper, Resin, Mixed Media, Canvas, Stretcher bars The artist signed the bottom right of the painting. "Big...

Titled: Pop (Samuel Rothbort) in our living room. Bears estate stamp of his father, famed American folk artist Samuel Rothbort. one of only about 10 in total large scale mosaics that...

1963 Mixed Media by Mateo Manaure (Venezuelan, 1926-2018) Frame: 12.25" X 15.25" Image: 11" X 13.75" Hand signed Thought provoking abstract, mixed media modern graphic art Not sure of the exact technique but it seems photo based. Mateo Manaure (11926 – 2018) was a Venezuelan modern artist. In Venezuela he is considered a master of modernist abstractionism, and is known for his works in the University City of Caracas and for creating the largest glass murals in the world. Mateo Manaure was born on 18 October 1926 in Uracoa, in Monagas state. Between 1941 and 1946 he studied at the Escuela de Artes Plásticas y Artes Aplicadas under the instruction of Antonio Edmundo Monsanto. Here, he studied graphic arts in the workshop of Pedro Ángel González, to whom he was an assistant. He also began participating in the artist salon of the Museo Bellas Artes in Caracas. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris. He made a trip back to Caracas the next year to work with the Taller Libre de Arte, before returning to Paris in 1950 and being involved with the artistic movement of Los disidentes. (The Dissidents), a coalition of Venezuelan artists (active from 1945-50) that also included -Jesús Rafael Soto, Narciso Debourg, Alejandro Otero, Pascual Navarro, Rubén Núñez, Nena Palacios, J.M. Guillermos Péres, Alirio Oramas, Luis Guevara Moreno, Aime Battistini, Armando Barrios, Omar Carreño (refer to lot 222), and Carlos Gonzáles Bogen. Through their journal of the same name and their accompanying radical manifesto No (1950), Los Disidentes championed a progressive vision, that eschewed the conservative academicism embodied by the Escuela de Artes Plásticas and the Escuela Paisajista in Caracas, and in its place advocated for experimentation and geometric abstraction. Upon his return to Caracas in 1952, Manaure set out in earnest to put these ideas into practice and found an immediate affinity with the modernist project unfolding so indicative of that era's unprecedented growth and development. The latter was most evident in the architectural and public art works designed by the legendary modernist architect Carlos Raúl Villanueva, whose Cuidad Universitaria, the main campus of the Central University of Venezuela, is considered a landmark of city planning and architecture. Villanueva commissioned Manaure to execute several murals, painted wood reliefs, and stained glass windows for Ciudad Universitaria all reflective of the young artist's newly adapted aesthetic. By 1956, the year both of these works were painted, Manaure was a leading figure of the abstractionist movement, exhibiting abroad at the Venice Biennial and locally at the Museo de Bellas Artes. His geometric abstraction painting infuse his compositions with a kinetic power and lyrical sensibility. Manaure's desire to evoke a sense of the local or regional amid the universal. He returned to Caracas in 1952 to found the Galería Cuatro Muros with Carlos González Bogan, and gave the first exhibition of abstract art in Venezuela. He also began collaborating with architect Carlos Raúl Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was "promoted" to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-garde of that time. He later returned to more traditional graphic art forms, especially lithograph prints, though still did some work in abstract expression. He is a Venezuelan Latin American art Master along with Gego, Lia Bermudez, Alejandro Colina, Narciso Debourg, Alejandro Otero, Gerd Leufert, Armando Reverón, Braulio Salazar, Jesús Rafael Soto and Martín Tovar y Tovar. His work was included in the MoMA show Sur moderno, Journeys of Abstraction— Patricia Phelps de Cisneros. It included artists: Israeli, Yaacov Agam, Brazilian, Lina Bo Bardi, Hércules...

Blue Abstract Expressionist Artist signed lower right corner 18.5 H x 23.5 W Rolph Scarlett 1889-1984 Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Sca...

John Haberle The Artist's Palette, circa 1890 Oil on panel with brushes & palette knife 18 x 27 inches Provenance: The artist Mrs. Vera Demmer (artist's daughter), by descent Kennedy Galleries, New York Berry-Hill Galleries, New York Private Collection, New York Keno Auctions, New York, Americana: Paintings, Furniture and Decorative Arts, January 17, 2012, Lot 27 Arader Galleries, New York Exhibited: New York, Kennedy Galleries, John Haberle: An Exhibition of Paintings, Drawings and Watercolors, June 8, July 15, 1970, no. 17, p. 11, illustrated. Fort Worth, Texas, Amon Carter Museum, John Haberle Master of Illusion, November 29, 1985- January 19, 1986, p. 28. New Britain Museum of American Art, John Haberle American Master of Illusion, December 11, 2009 - March 11, 2010, p. 72; this exhibition later traveled to Chadds Ford, Pennsylvania, Brandywine River Museum, April 17 - July 11, 2010; Portland Museum of Art, Maine September 18 - December 12, 2010. Literature: Kennedy Galleries, Inc., Exhibition catalogue, American Still Lifes 19th & 20th Century, Kennedy Quarterly, Vol. XI, No. 2, November 1971, p. 109, (84). William Gerdts, Exhibition Catalogue, Joseph Decker...

Steven H. Rehfeld (American, born 1954) "Coastal" 2003 Oil Paint, Canvas, Stretcher Bars The artist signed the back of each painting. Steven H. Rehfeld's 24" x 48" diptych, "Coastal...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

Medium: paint chip sample mosaic on panel, vintage frame [New Orleans, LA ::: b.1971 - Cincinnati, OH] Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters...

This circa 1980 mixed media work by Yvon Taillandier is a vivid example of the artist’s imaginative and narrative-driven universe. In Compagnie aérienne Taillandierlandaise (Compata...

Henry Newman: 1923-1996. Listed American artist with auction results Over $800. This assemblage is a really clever piece, showing an artist and his model. It is made of different mat...

Tema is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musica...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This 1970 mixed media and felt drawing by Yvon Taillandier perfectly illustrates the artist’s playful and imaginative universe. In L’éléphant jaune, Taillandier builds a dense, narr...

This 1975 mixed media work by Yvon Taillandier reflects the artist’s fascination with storytelling through image, text, and cultural references. Taillandier’s work is immediately re...

This 1985 mixed media work is by French artist Yvon Taillandier, known for his highly distinctive, playful visual universe. Taillandier developed a unique style that blends naïve ar...

Maggie LaPorte Banks . The Witchbeam Tree on Dartmoor. Collage, Acrylic, & Printmaking on Canvas. Image Size: H 30cm x W 40cm x D 2cm Unframed canvas. The study for this piece of wo...

A touching moment by artist Jack Reilly from his Eros, Love and Myth series, depicting love against hate. The work is stretched canvas over sculpted stretcher bars, oil, acrylic poly...

Maggie laporte Banks Tyger Tyger, Burning Bright. Original Contemporary Painting Acrylic and raw pigment from india on art board. Size: H 40cm x W 50cm x D 0.50cm. Sold Unframed Insi...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

This substantial mid-century mosaic panel depicts a procession of Navajo-style Yei figures—often referred to as Yei Dancers or Rainbow Guardians—executed in mixed media including cer...

Mr Brainwash "Everyday Life," 2023 Silkscreen and Mixed Media on Paper Paper Size: 22 x 30 inches Frame Size: 27 x 34 inches Hand signed by the artist in black ink on the right hand ...

Dilip Banerjee - Untitled Wash Painting on Paper 12 x 1 inches, 2021 (Framed & Delivered) Untitled, by Dilip Banerjee, is a contemplative wash painting on paper from 2021, measuring...

Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...

Roni Nicholson (American, XX), "Flight", Mixed Media on Linen with Assemblage Elements, 1982, signed, titled, and dated verso, unframed. 53.5" H x 54.25" W x 1.25" D. Provenance: A...

702 CLE Series: Three Rows in the Yard. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and the urban neigh...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

Abstract textured biomorphic shape painted with bright blue pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

Roni Nicholson (American, XX), "A Life #1", Mixed Media on Linen with Assemblage Elements, 1998, signed, titled, and dated verso, unframed. 52.25" H x 54" W x 1.25" D. Provenance: ...

Artist Thomas Hoitsma has been most influenced by the work of the Abstract Expressionist painters of the 50’s, 60’s and 70’s, specifically the “monumental” large scale painting of th...