Square Mixed Media

Jean-Michel Basquiat, a prodigious talent who tragically left this world too soon, was a force of nature in the art world of the 1980s. His works were characterized by a unique fusio...

Always be your BIGGEST cheerleader, first. Remember to stay true to yourself and have faith in yourself. Even on difficult days, never give up on making your dreams happen. Go after them with all that you are and work hard until they all become a reality. Good things take time, so remember to honor those little steps every day. Celebrate the small victories, as they are still accomplishments. All of these small steps...

ABOUT THIS PIECE: 24" W x 24" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...

Carmine Bilardello White Ducks, 2026 Resin Figurines on MDF Board Epoxy Resined 13 x 13 in (33.02 x 33.02 cm)

"We all want a teenage fantasy Want it when we can't have When we got it, we don't seem to want it" "Teenage Fantasy" was adapted from one of Jorja Smith's song "Self-Made" is a captivating series of artwork created by the talented artist Alawaye Tope, which pays homage to the strength, resilience, and diversity of women. Through this powerful collection, Tope delves into the multifaceted nature of womanhood, portraying women from various walks of life, cultures, and backgrounds. Each piece in the "Self-Made" series is a testament to the indomitable spirit of women, celebrating their accomplishments, dreams, and struggles. Tope skillfully uses his artistic prowess to capture the essence of femininity, infusing his paintings with a sense of empowerment and grace. The series showcases women as architects of their destinies, capable of creating their paths and defying societal norms. Tope depicts women as self-reliant and unyielding, breaking free from conventional stereotypes and emerging as individuals who chart their course with determination. Through vivid colors and intricate details, Tope captures the myriad emotions experienced by women. From moments of joy and triumph to introspection and resilience in the face of adversity, each artwork tells a unique story. The artist's portrayal of women as strong, confident, and self-assured challenges traditional representations, uplifting the spirits of those who engage with his art. "Self-Made" is not just an art collection; it is a celebration of the unsung heroines who have paved the way for progress and inspired generations. Tope Alawaye's artwork serves as a visual tribute to the countless women who have defied expectations, shattered glass ceilings, and left an indelible mark on history. In conclusion, "Self-Made" by Alawaye Tope is a mesmerizing series of artwork that celebrates the resilience and strength of women. Through his talent, Tope brings to life the untold stories of remarkable women, igniting a sense of pride and admiration for the female spirit. The series serves as an inspiration, urging us to acknowledge and appreciate the immense contributions of women to our world. With every stroke of his brush, Tope Alawaye reminds us that women are architects of their destinies, and their stories deserve to be told, heard, and celebrated. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tope Alawaye, is a young contemporary artist hailing from the vibrant city of Ibadan, Nigeria. Born with an innate passion for art, Alawaye has emerged as a dynamic force in the Nigerian art...

sleeping Beauty, Canvas, mixed media, 80x80cm The work is sold without a frame.

Tracy Spadafora's “Seek Higher Ground”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of tan, grey, blue, black, and red c...

This series explores the tension between manufactured perfection and authentic human identity. Inspired by the philosophy of kintsugi — the Japanese art of embracing fractures rather...

Alagbe's artwork beautifully captures the desire for calmness and relaxation. The act of pouring fruit juice into a glass cup represents the quest for a soothing beverage to calm the...

Tracy Spadafora's “A Place for Thought”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of aqua blues, brown, pink, orange,...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of Design with a Bachelor Degree of ...

This painting reveals the image of a flower as a silent guardian of life and cultural heritage. Its petals, reminiscent of delicate artifacts, catch the light, reminding us of the pr...

Always be your BIGGEST cheerleader, first. Remember to stay true to yourself and have faith in yourself. Even on difficult days, never give up on making your dreams happen. Go after them with all that you are and work hard until they all become a reality. Good things take time, so remember to honor those little steps every day. Celebrate the small victories, as they are still accomplishments. All of these small steps...

This is a mixed media painting with acrylic on canvas with texture, and one of the six circles with a reflective surface (blue, lower right). These pieces work particularly well in a...

Art has always been a medium to express emotions, tell stories, and convey messages. The artwork titled "Have My Back" is a stunning portrayal of the bond between two women, showcasing the essence of trust, support, and camaraderie. In today's world, the tale of success is often portrayed as a one-person journey, highlighting the individual's hard work, perseverance, and determination. However, this artwork brings to light the indispensable role that trusted mentors and colleagues play in one's journey toward success. The artwork features two women, standing shoulder to shoulder. The women's posture exudes confidence, determination, and a sense of unity. The use of vibrant colors adds a sense of vibrancy to the artwork, creating a visually appealing image. The title of the artwork, "Have My Back," reinforces the idea of trust and support. It speaks volumes about the bond between the two women, highlighting the fact that they are each other's trusted confidants, supporters, and cheerleaders. The artwork's message is particularly relevant in today's world, where women often find themselves struggling to break the glass ceiling and establish themselves in their respective fields. The artwork reminds us that success is not a solo journey, but a collective effort, with the support of trusted mentors and colleagues. The use of two women in the artwork is particularly significant, as women have historically faced significant challenges in their professional and personal lives. The artwork challenges the traditional narrative of women as competitors and highlights the importance of collaboration and support among women. In conclusion, the artwork titled "Have My Back" is a powerful representation of the role that trusted mentors and colleagues play in one's journey toward success. The artwork's message is particularly relevant in today's world, where women often face significant challenges in their professional and personal lives. It reminds us that behind every great tale of success, there is an indispensable circle of trusted mentors and colleagues, and that success is a collective effort. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Roseleen Labazacchy, a true Nigerian born in the year 2000 and based in Ibadan, Oyo state Nigeria. Roseleen holds a National Certificate of Education in Fine Art from Emmanuel Alayande College of Education, Oyo State. She is a mixed-media painter. Roseleen was exposed to art from a very young age; Her father being an artist himself enrolled her in the popular Nike Art Gallery at a very young age to learn traditional Adire making, a skill she still practices to date. This was how she started art professionally and she has been getting better at what she does since then. In the just-concluded international art exhibition and competition organized by Talentia Foundation, Roseleen Labazacchy who participated in the competition amidst other international artists came first in the Mix Media category and was presented with a certificate of achievement in recognition of her artistic endeavor. Roseleen uses oil and acrylic with fabrics on canvas to consciously project African women's dignity and true African beauty. As an African painter, Roseleen hopes to bring about the emancipation of the true African Women image...

"Solace" is a striking piece of art created by Oluwafemi Akanmu that features a woman in a very relaxed position. The painting captures a serene momen...

This is a one of a kind original mixed media (Paper, ginkgos, acrylic paint and plexiglass) abstract painting depicting beautiful golden Gingko leaves by California artist and educat...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Dharmendra Rathore - Apaam nidhi - 36 x 36 inches (unframed size) Mixed Media on canvas Inclusive of shipment in roll form. Style : Dharmendra loves experimenting with different for...

Carmine Bilardello White Bunnies, 2026 Resin Figurines on MDF Board Epoxy Resined 22 x 22 in (55.88 x 55.88 cm)

This series explores the tension between manufactured perfection and authentic human identity. Inspired by the philosophy of kintsugi — the Japanese art of embracing fractures rather...

Artist Comments
The mixed-media artwork presents a surreal creature. A hybrid of bird and monster emerges with exaggerated teeth, oversized eyes, and vibrant, layered shapes th...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

What I wanted was a little more structure, a little more sense of purpose, and some acknowledgment from somewhere that I was important. Give them a sense of belonging to the society...

Photographic Mosaic Joel creates thousands of small images of the female form to express irony or sarcasm which empathises what society invades on a daily basis. The piece is pre...

Looking at the Moon Paper collage 4.5 x 4.5 unframed

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass, silk) painting depicting beautiful yellow Gingko leaves against abstract background by Calif...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Tracey Emin (British, b. 1963) I Promise to Love You, 2012 Medium: Embroidered cotton napkin with swing tag Dimensions: 41 x 41 cm (16.15 x 16.5 in) Markings: Hand-signed, dated and ...

Stunning mixed media artwork, featuring Marilyn Monroe. The artwork is on box canvas with a soft red background Finished with Diamond dust that sparkles and shimmers when the light...

This has been my life; I found it worth living. Some of our hearts are broken, we need love to heal and a shoulder to lean on. Painting Ships in a well-protected tube from Nigeria T...

This abstract painting engages the sides of the composition with mixed media materials and paint drips., and shows to best advantage if unframed. The surface is layered with a good deal of texture, including the artist's fingerprints, and the surface has a high polish. It is wired for hanging and ready to install. "I am interested in comparing connections between my eastern roots and my western experiences. I embrace the possibility that we can exist in a world free from labels." - Antonio Puri...

This hand-painted ceramic tile is a unique work of art infused with Saraiva's signature style. Type: Hand-painted ceramic tile Dimensions: 14 × 14 × 01 cm Year: 2018 Edition: Limited edition of 100 + 10 Artist Proofs (AP) Signed and numbered by the artist Andre Saraiva...

Original, mixed media and glitter pills. Emma's work is so popular, given its bright, vibrant nature. She even has a solid celebrity following. Her work is contemporary but sits wel...

Artist Comments
Artist Linda Shaffer created this vibrant, multi-layered mixed media abstract using black, red, and gray tones. The work incorporates monoprints, washi paper, m...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"I started after watching a report on the National Assembly where reigns a cacophony and egos that rub shoulders, each claiming their own truth. This increases the impression that a...

"WOW-American Express", 2021, 30 x 30 cm, is an acrylic pop-art mixed media sculpture work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth an...

Eyes Shut Stitching on naturally dyed cloth on cardboard

Music makes you lose control' (Square box canvas in custom frame) Edition version – 10 colour spray paint and stencils with paint markers on deep edge canvas. Mounted in custom spa...

House on the Prairie Paper collage 3.5 x 5.5 unframed

This artwork is dedicated to the moment of wheat blossoming — one of the most vital plants that feeds humanity. The green spikes unfolding in shades of white and yellow symbolize ren...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate. Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling. Exhibitions at Feature Inc. Head Sex took place at Feature Inc. in Chicago, Illinois from July 7 - August 7, 1987. Larmon was accompanied by artists Kathe Burkhart, General Idea, Mike Kelley, Lillian Mulero, Raymond Pettibon, Johnny Pixchure, Richard Prince, Kay Rosen, Rene Santos, and Kevin Wolff. Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz. I Gaze a Gazely Stare took place at Feature Inc. in New York, New York from March 9 - April 14, 1995. Larmon was accompanied by Jeanne Dunning, Robert Flack, Jason Fox, Tom Friedman, Jim Isermann, Pruitt-Early, Brett Reichman, Richard Rezac, David Robbins, and Nancy Shaver. THOUGHTS took place at Feature Inc. in New York, New York from April 14 – May 19, 2007. Larmon was accompanied by Pam Golden, Jonathan Heartshorn, Andrew Masullo, Tracy Miller, Travis Molkenbur, David Moreno, Oren Slor, the unnameable, and Tyler Vlahovich. Tom of Finland and then Some took place at Feature Inc. in New York, New York from June 25 - July 31, 2010. Larmon was accompanied by Tom of Finland, Richard Kern, Judy Linn, Bastille, Jerry Phillips, Martin of Holland, Joe Brainard, Fred Esher, Larry Clark, Robert W. Richards and Brian Kenny, Sean Landers, Richard Prince, Robert Fontanelli, GB Jones, Jeff Burton, Mie Yim, Raymond Pettibon, Catherine Opie, Carl Ferrero, Jared Buckhiester, Judy Rifka, Jeffrey Pittu, Scooter Laforge, The Hun, Tyler Ingolia, David Frye, Kinke Kooi, Juan Gomez, Rex, and Gengoroh Tagame...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Artist Comments
This mixed media abstract brings together fluid shapes and clear linear structure. The composition balances organic movement with measured geometry using collag...

Artist Comments
The collage incorporates yellowed book pages, fabric, and cotton with layered pastel acrylic paint. The blend of soft colors, simple shapes, and found objects c...

Amy Sands Revolution XXVI Monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in a white wood frame 2017 Amy Sands' works of art embody so...

This series explores the tension between manufactured perfection and authentic human identity. Inspired by the philosophy of kintsugi — the Japanese art of embracing fractures rather...

This unique artwork is created through interweaving and twisting strips of painted brown paper in order to create a complex composition with depth and texture. The works relate conce...