Framed Mixed Media

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

Mixed media. Feathers in shadow box, painted with acrylic on top surface of the plexi glass.

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity.

Joan Breckwoldt is an American contemporary artist living in Houston, Texas. This collection of mixed media abstractions Solitude and Stripe on paper is drawn from the beauty found ...

Fallen Angels Always Rise is a layered meditation on resilience, transformation, and the quiet persistence of spirit. Katherine Filice’s composition unfolds in a textured field of su...

Katherine Filice — A View From the Moon No. 5 Ink, paper, chalk & oil stick on canvas, 33 × 48 in (2025) Framed: 40.5 × 54.5 × 2.5 in A large striking work from her ongoing A View F...

Joan Breckwoldt is an American contemporary artist living in Houston, Texas. This collection of mixed media abstractions Solitude and Stripe on paper is drawn from the beauty found ...

Bless You All Tony Award Broadway Costume Design Mid 20th Century Theatre Modern. Miles White (1915 – 2000) "Bless You All" 15 x 11 (sight) inches. Signed center right Inscribed: With all love, Mary McCarty and titled "Bess You All" Mixed media on paper. The musical opened December 13, 1950 at the Mark Hellinger Theatre. The show starred Mary McCarty Miles won the 1951 Tony Award for Costume Design. Miles was one of my closest friends for the last 20 years of his life. We live with one of his two Tony Awards and a dozen drawings. BIO White was a top Broadway and Hollywood costume designer. The artist created the costumes for the original Broadway productions of OKLAHOMA, CAROUSEL, PAL JOEY and BYE BYE BIRDIE...

2 Cybergraph (M11)). Colourful abstract geometric painting Mixed media and Acrylic Paint on panel, 2023. Dimensions: 34 x 31 x 4 cm. In inches: 13.39" x 12.2" x 1.57" . Simplicity,...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity.

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

Stephanie Dees (b.1974), original mixed media drawing with gouache. Entitled 'Boats at Rest'. Pencil signed to the lower left. Presented in a contemporary box-style frame. On board.

Paper and Adhesive collage by Wayne Timm. Image and mat opening measures 11 3/4 x 12 3/4 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchen...

Joan Breckwoldt is an American contemporary artist living in Houston, Texas. This collection of mixed media abstractions on paper is drawn from the beauty found in nature. The simpli...

Pine trees are indeed blessed and wise. In their silence, they hold secrets. Noel series is inspired by color and pattern found in Christmas. edition # 1 of 1 mixed media based p...

Photo ID VI one of a kind of surreal framed painting In this one of a kind original mixed media series, I have composed my work from many elements with layers of texture. manipulat...

Rafael says of his work… "The damn circumstance of water everywhere..." Born and raised on an island like Cuba, with all its peculiarities, my work borders on an obsession with themes such as insularity, identity and freedom. I frequently make both historical and everyday symbols my own to describe and question the environment that surrounds me through work with a marked social cut. I make art with any resource and/or material within my reach while taking advantage of the energy of recoverable objects and mixing them with traditional and contemporary supports and technologies. ⎯⎯⎯⎯⎯ Rafael Pérez...

"Homage to Dali" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed as...

This deceptively simple study of a downward view of a crab by modernist master Marsden Hartley is as much a well-observed document of a crab as it is a marvelous abstraction. Hartley...

A mixed media work by Russel Young. “Brando Portrait” is a black and white screenprint on linen with diamond dust by UK Pop artist Russel Young. The work ...

"Look for Traces" is an original mixed media artwork edition by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 51 x 49 cm framed in a silver wood-fr...

L. Arello Untitled, 1981 Mixed media on wood 27 1/2 x 28 7/8 x 1 3/8 in. Signed lower right: L. Arello 1981

Annika Liljedahl (Swedish, b. 1946) After The Party, 1978 Mixed media in acrylic casing Frame: 30 3/4 x 25 x 1 1/2 in. Case: 33 1/4 x 27 1/2 x 3 1/4 in. Signature stitched lower righ...

"So, We'll Go No More a Roving" (2005) By Anna Pennati Inspired by Lord Byron Italian artist Anna Pennati gives visual expression to one of Lord Byron's most poignant and beloved poe...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

Trees are indeed blessed and wise In their silence, they hold secrets Griffith park series is inspired by embracing them and sharing their energy. One of a kind mixed media bas...

"Hallowed Ground" 47" x 33" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

Originally from North London, Andrew Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. His work is now found in galleries thr...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

"Golf Malheur" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a witty reference formed as a hand-made as...

Jim’s of Lambertville is proud to offer this artwork by: Joseph Amar (1954 – 2001) Joseph Amar was born in Casablanca, Morocco in 1954 to a Sephardic Jewish father and a Spanish mo...

More A Lover than a Fighter - 2013 - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 30x22 inches Frame size: 35x27x2.5 inches Frame style: black wood box frame, UV glass, archival matboard The Smokes consist of images that are created by capturing smoke on paper as evidence of a transformation and preservation of the ephemeral. During the process, credit cards, gift cards, photos, and even slides of the artists’ artwork are burned to remove their growing presence in daily life, and explore the idea of transformation. In 2014, Rob was awarded the John Ringling...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

In "High Maintenance (Pool Boy)," Nelson de la Nuez, the "King of Pop Art," masterfully captures the essence of pop culture. This mixed media artwork showcases a woman with yellow ha...

Taylor Swift Original (Cat) Created out of unplayable vinyl records and their packaging on canvas 48 × 30 in 121.9 × 76.2 cm Frame included

Title of the work "Focus". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function playful...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against vibrant red abstract background ...

This is a one of a kind original mixed media (Ink, paper, plexiglass) abstract work depicting beautiful gold leaves against a vibrant blue background by California artist and educato...

This is a one of a kind original mixed media (Paper, ginkgos, acrylic paint and plexiglass) abstract painting depicting beautiful golden Gingko leaves by California artist and educat...

Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired by it. From the top of his thirty years, he succeeded in retranscribing his observations, his feelings and his impressions. Thanks to his childlike supports, his contemporary details, he achieves a delicious harmony between softness and violence. This discrepancy constitutes his identity. Like life, marked by hardship, his works refer us to our own experiences. Finally, the use of luxury brands in a spirit of "Pop'art" allows him to pay homage or to denounce the way our societies...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

Nelson de la Nuez's "Pop. Fizz. Clink." emerges as a captivating pop art masterpiece. The mixed media artwork features a woman with yellow blonde hair, red lips, and blue eyes set ag...

Acrylic on plywood Framed 100 x 100 x 2 cm Udi Cassirer is an Israeli visual and contemporary artist born in 1965 who lives and works in Tel Aviv - Yafo...

This vibrant mixed media artwork by Fritz Brunner (1908-1996) captures the lively energy of a musical ensemble. The piece employs a loose, sketchy style, creating a sense of spontane...

framed in white wooden floater frame Andrew Kinmont: ''I have an overwhelming urge to create. This drive comes from deep within me, a need to explore a...

Gene Hedge Untitled, circa 1958 Mixed media 21 1/2 x 21 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, he b...

Acrylic strips are mounted on an acrylic panel with a handsome double frame. Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was sent to Miami to escape ...

Gene Hedge Untitled, circa 1956 Mixed media 14 3/4 x 14 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, he b...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

"Any Life of Home" is an original mixed media painting on paper by Xiao Ming. The artist signed the piece lower right. This artwork features a variety of the artist's personal symbol...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

This artwork titled "Soho #48" c.1990 is mixed media, acrylic paint and collage on museum board paper by noted American artist Robert Inman, 1927-2016. It...

Paper and Adhesive collage by Wayne Timm. Image measures 13 x 17 In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the ...

In this series, the artist takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The frescos are from the subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. This exploration of the past and its connection to the present is a central theme running through Pylant's work. Here Pylant takes particular notice of the flora and fauna which was also present at her then North Carolina studio. This work is framed and measures 14.75h x 14w inches. Carol S. Pylant La Villa di Livia V oil on paper 6h x 6w in 15.24h x 15.24w cm CSP010 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore, Wisconsin State Journal, Madison, Wisconsin, November 18 1990 "Artists Bring New Visions", by Ina Pasch, Wisconsin State Journal, Madison, Wisconsin, October 7 1990 "Madison's Wisconsin Triennial Makes a Statement in Many Ways", by James Auer, The Milwaukee Journal, October 7 1990 "Wisconsin Artists Represented at Triennial", by Kirsten Simonsen, The Daily Cardinal, University of Wisconsin, Madison, September 28 1990 "Wisconsin Triennial Art Show", by Kevin Lynch, The Capital Times, Madison, Wisconsin, September 22 1990 "School of Art & Design opens photo exhibit" The Intelligencer Journal, Lancaster, Penn., September 1990 "Art courts drama at PSA&D" Lancaster, Pennsylvania, September 1990 "Windows on an Artist", by Larry Mallak, Research Sampler ,The Graduate School, University of Wisconsin, Madison 1989 "Upward Mobility and Disposable Imagery", by Edgar Allen Beem, Maine Times, September 24 1989 "Award Winning Pylant Displays Realism", The Bowdoin Orient, Brunswick, Maine, September 8 1989 "Art Exhibit Opens at University Art Gallery", The Daily Star Journal, Warrensburg, Missouri, September l 1989 "Arts Calendar has Variety /Pylant Paintings in Bowdoin Show", The Times Record, Brunswick, Maine, August 1989 "Amerikanerinnen im Oberpfalzer Kuntslerhaus, Gegenseitiges Lernen", by Harold Raab, Die Woche, West Germany, July l3 1989 "American Spirits im Oberpfalzer Kunstlerhaus, Mittelbayerische Zeitung, West Germany, July 6 1989 "Zum Abscheid eine Ausstellung Arrangiert", Mittlebayerische Zeitung, West Germany, July 5 1989 "Amerikanerinnen in der Kebbel Villa", Mittelbayerische Zeitung, West Germany June 9 1989 "A Day With Carol Pylant", by Jackie Michard, On Wisconsin, University of Wisconsin- Madison, July 1989 "VCCA Artists in Germany", The News and Daily Advance, Lynchburg, Virginia, May 28 1989 "City Notes-Dear Diaries", by Paul Gerard...

This work is part of SOCIAL "research" and sees children divided into two categories both by skin color and wealth (social and economic). Instead, children MUST all be the same becau...