Board Mixed Media

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.940 screws have been used. By alternating colou...

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Giuseppe Cellini (Rome 1855 - 1940), Portuguese Landscape Mixed media on cardboard 68 x 96 cm signed at lower left, on back: on frame inscribed "Giuseppe Cellini/ (passeggiata di Ri...

Image Sz: 17 3/8"H x 17 1/2"W Frame Sz: 19 3/4"H x 21"W Dating from 1946, the game was made in England by Castell Brothers under their Pepys brand name.

Unique Screenprint Collage on Board 41.5" x 35.5" AW, 43.38" x 37.38" F Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homa...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

Date: 1933 Medium: Mixed Media on Board Dimensions: 18.50" x 25.50" Signature: Signed Lower Left Shows Poe seated at a desk in the offices of The Evening Mirror (early publishe...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The blue and violet purple in this pigm...

Medium: Mixed Media on Board Signature: Signed and Dated Lower Center "Love Me, Love My Horse", postcard, Stokes Co., 1907 Also illustrated in "Girls of Today". Copyright by Frederi...

Modesto Aceves Dallas, TX 25 x 21 in Technique: Mixed Media – Coffee Grind Ink on Illustration Board

This work depicts a modern Mr. X, following the artists personal concepts about portraiture. He uses bold color and thick brushstrokes to successfully obtain the 3-dimensional painting. The artist aims to inspire to viewer to wake up from “unconscious automations” caused by capitalism and technology in our society. ABOUT THE ARTIST - Massimo Damico...

Hyun Ae Kang is a famous South Korean Artist, who combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that...

1904 Renault Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a blue vintage 1904 Renault car. Antique car stamp ...

beeswax, paraffin, cardboard on wood 8" x 8.5" Joanne Ungar’s use of wax obscures and mystifies the origin of the materials she has imbedded. In this work, the composition is det...

beeswax, paraffin, cardboard on wood 8.25"x7.75" Joanne Ungar’s use of wax obscures and mystifies the origin of the materials she has imbedded. In this work, the composition is d...

1950 Morgan Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1950 Morgan vintage green car. Antique car stamp ...

Available framed (8"x7" unframed) 9.5"x 8.5" framed Joanne Ungar’s use of wax obscures and mystifies the origin of the materials she has imbedded. In this work, the composition...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 8.5 inches high and 9 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This vertical wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12 inch...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12.5 inches high and 10 inches wide and 6 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

Call Me By My Name is a fine art wall relief collage by mixed media artist Angelica Bergamini. Deep blue printed foliage extends from a square wooden can...

1939 Lagonda Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a vintage 1939 Lagonda car. Antique car stamp Artis...

1947 Bristol Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1947 Bristol vintage red car. Antique car stamp ...

1904 Mercedes Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1904 Mercedes vintage red car. Antique car st...

Date: 1990 Medium: Mixed Media over Graphite on Illustration Board Dimensions: 10.00" x 9.50" Jack Davis (attributed) Dallas Cowboys Football Illustration Original Art (Hot Shot...

Signed Lower Right

Olga Vassilievna CHOUMANSKY Collage on cardboard 80,5 x 61,3 cm (85,4 x 65,7 cm with frame) 31.6 x 24.1 in (33.6 x 25.8 in with frame)

A work by Carl Andre. "Five Hundred Terms for Charles A. Lindbergh" is an ink on paper on board and a classic text piece from the early 1960's by Post War artist Carl Andre. Andre’s poem "500 Terms for Charles A Lindbergh" is typical of his works which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Signed verso, "Five Hundred Terms for Charles Lindberg (Carbon) 1962 Carl Andre." Provenance: Collection of Hollis Frampton...

the painting is being offered with a work and authenticity certificate

Mixed Media house paint on cardboard

Contemporary collage by a New York based artist Paul Antonio Szabo. Paul searches for interesting and eye-catching images to later use and arran...

Martín Pelenur emulates the delicate nature of human thought through intricate line patterns and geometric forms. In the use of paint and synthetic mediums on paper, he heavily relie...

Contemporary collage by Stacy Bergener. In Bergner's own words, she approaches her work as taking something close to chaotic and creating order from it almost like putting together ...

Los embajadores 4, 2012 Mixed Media on board 12.20h x 12.20w in Julio Alan Lepez graduated from the National School of Arts Prilidiano Pueyrredón in 1997. He has been the subject ...

Mixed media on board Image size: 22 1/2 x 14 1/2 inches (57 x 37 cm) Original frame A very fine three-dimensional original by the well listed British born artist, Peter Manzaroli (b...

Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...

Solucion 10, 2011 Mixed Media on board 12.20h x 12.2w Julio Alan Lepez graduated from the National School of Arts Prilidiano Pueyrredón in 1997. He has been the subject of solo and...

Medium: Mixed Media on Board with Collage Signature: Initialed Lower Center

This series of new work is Elizabeth Gregory Gruen’s exploration of the human psyche during this challenging era where humanity has been thrust into reckoning with its soul. The se...

This series of new work is Elizabeth Gregory Gruen’s exploration of the human psyche during this challenging era where humanity has been thrust...

Contemporary collage by Stewart Siskind. Stewart Siskind has been intrigued by the elements of printed matter ever since he worked as an art director in New York City. His love of t...

Hyun Ae Kang is a famous South Korean Artist, who combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time,...

Date: 1906 Medium: Mixed Media on Board Dimensions: 19.00" x 22.00" Signature: Initialed K.R.W. Good Housekeeping Story Illustration Novebmer 1906. ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Purvis Young (1943 - 2010) People Out, 1995 Mixed Media house paint and carpet on plastic & cardboard 17 x 41 in

Medium: Mixed Media on Board Signature: Signed Lower Right Dimensions: 26.00" x 37.00" A hand-written caption at the lower right reads, "Why don't you call him Lauralee and tell...

Signed Lower Left Label on the back of this piece listing a story entitled “Waterfront Swindler". The story title was likely changed before publication, something that the POST did ...

Initialed Lower Right Story illustration for “Endymion Uncut” by Arthur Stanwood Pier, Harper's Monthly for April 1909. “He was not much given to reading”