Board Mixed Media

Original mixed media on board with carpet/rug trim. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

Original mixed media on board. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

A fine abstract expressionist mixed media collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy,...

Signed Lower Left Label on the back of this piece listing a story entitled “Waterfront Swindler". The story title was likely changed before publication, something that the POST did ...

Modesto Aceves Dallas, TX 25 x 21 in Technique: Mixed Media – Coffee Grind Ink on Illustration Board

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Richard Smith Untitled (lavender green), 1992 Acrylic and pastel on paper and foam core 22 1/2 x 22 1/2 inches (sheet) 23 x 23 inches (frame) Signed and...

Hyun Ae Kang is a famous South Korean Artist, who combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

1904 Renault Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a blue vintage 1904 Renault car. Antique car stamp ...

1932 MG Midget Vintage Car and Golfers - Antique Automotive Stamp Series- Illustration Illustration showing a 1932 MG Midget vintage red car with golfers in the backgrounds. Antiqu...

Purvis Young (1943 - 2010) People Out, 1995 Mixed Media house paint and carpet on plastic & cardboard 17 x 41 in

1950 Morgan Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1950 Morgan vintage green car. Antique car stamp ...

Mixed Media Painting. About the artist: John Grande is a New York-based artist who reflects upon modern and contemporary culture with his constructed paintings, sculptures and mu...

Illustration of a Red Buick Super Vintage Car - from the Antique Automotive Stamp Series A couple stands next to the red car in front of a mid-cent...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

Date: 1906 Medium: Mixed Media on Board Dimensions: 19.00" x 22.00" Signature: Initialed K.R.W. Good Housekeeping Story Illustration Novebmer 1906. ...

Unique Screenprint Collage on Board 41.5" x 35.5" AW, 43.38" x 37.38" F Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homa...

Fabien Dettori is a painter and photographer who seamlessly embodies both art forms, never separating one from the other.This becomes evident through his photographs, capturing femal...

Illustration of the 1925 Delage Vintage Car - from the Antique Automotive Stamp Series Illustration showing a blue French luxury race car. Antique ...

1904 Mercedes Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1904 Mercedes vintage red car. Antique car st...

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

1939 Lagonda Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a vintage 1939 Lagonda car. Antique car stamp Artis...

1947 Bristol Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1947 Bristol vintage red car. Antique car stamp ...

1910 Mercedes Knight Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1910 Mercedes Knight vintage yellow car. ...

1928 Bentley Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1928 Bentley vintage green car. Antique car stamp...

Image Sz: 17 3/8"H x 17 1/2"W Frame Sz: 19 3/4"H x 21"W Dating from 1946, the game was made in England by Castell Brothers under their Pepys brand name.

Contemporary collage by Stewart Siskind. Stewart Siskind has been intrigued by the elements of printed matter ever since he worked as an art director in New York City. His love of t...

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Solucion 10, 2011 Mixed Media on board 12.20h x 12.2w Julio Alan Lepez graduated from the National School of Arts Prilidiano Pueyrredón in 1997. He has been the subject of solo and...

5 layers of acrylic sheets mounted on each other forming a pyramid like structure on an open white wooden frame, ready to hang, limited edition of 4 Sumit Mehndiratta is an Indian a...

Contemporary collage by Cindy Zaglin. Zaglin has been creating art since early childhood. Her current work has evolved from a representational depiction ...

Medium: Mixed Media on Board Signature: Signed and Dated Lower Center "Love Me, Love My Horse", postcard, Stokes Co., 1907 Also illustrated in "Girls of Today". Copyright by Frederi...

Mixed media on board Image size: 22 1/2 x 14 1/2 inches (57 x 37 cm) Original frame A very fine three-dimensional original by the well listed British born artist, Peter Manzaroli (b...

Contemporary collage by Stacy Bergener. In Bergner's own words, she approaches her work as taking something close to chaotic and creating order from it almost like putting together ...

Medium: Mixed Media on Whatman Drawing Board Signature: Signed Lower Right Titled and marked "P4447" on Saturday Evening Post label verso. "The Refugee" by Bud Hutton and illustrated by Robert Fawcett...

Los embajadores 1, 2012 Mixed Media on board 12.20h x 12.20w in Julio Alan Lepez graduated from the National School of Arts Prilidiano Pueyrredón in 1997. He has been the subject ...

Date: 1933 Medium: Mixed Media on Board Dimensions: 18.50" x 25.50" Signature: Signed Lower Left Shows Poe seated at a desk in the offices of The Evening Mirror (early publishe...

Medium: Mixed Media on Board with Collage Signature: Initialed Lower Center

Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...

Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...

Initialed Lower Right Story illustration for “Endymion Uncut” by Arthur Stanwood Pier, Harper's Monthly for April 1909. “He was not much given to reading”

Original cover illustration for The American Weekly, published October 9, 1949. Depicting a scene from “Cymbeline,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. From the Estate of John McLaughlin. Medium: Mixed Media on Board Signature: Signed Lower Left William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

This series of new work is Elizabeth Gregory Gruen’s exploration of the human psyche during this challenging era where humanity has been thrust into reckoning with its soul. The se...

This series of new work is Elizabeth Gregory Gruen’s exploration of the human psyche during this challenging era where humanity has been thrust...

This series of new work is Elizabeth Gregory Gruen’s exploration of the human psyche during this challenging era where humanity has been thrust...

A work by Carl Andre. "Five Hundred Terms for Charles A. Lindbergh" is an ink on paper on board and a classic text piece from the early 1960's by Post War artist Carl Andre. Andre’s poem "500 Terms for Charles A Lindbergh" is typical of his works which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Signed verso, "Five Hundred Terms for Charles Lindberg (Carbon) 1962 Carl Andre." Provenance: Collection of Hollis Frampton...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

We are pleased to offer this Ceravolo's classic "New York Model in Zebra with Yellow Stripes" a strong minimalist portrait, with great presence and po...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...