Biel March Simó

Il cratere fumante

2000

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate.

The painting is being offered with a work and authenticity certificate.

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

negli anni approfondisce anche lo studio della storia dell’arte e, in particolare, si appassiona ai pittori che lui stesso ama definire “fuori dall’onda”, per lo “spirito di novità” ...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptur...

SALE ONE WEEK ONLY "The Banicor" is an exuberant lively piece full of intense color with a subtle coating of sparkles that catch the light in various ways and enhances the vibrant painted surface. It hangs free and explodes into lively movement against the wall. Al Loving...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

Will Cotton Untitled abstraction, ca. 1989 Mixed media painting on board Signed by the artist on lower right front Elegant recessed hand made frame Included with artist's original plexiglass bearing his markings on it Stunning, rare early signed abstract work on board by renowned artist Will Cotton in delicious candy-like pastel colors. Floated and framed in a white wood shadow box frame with the artist's original painted plexiglass. Measurements: Framed: 26 x 20 x 2.75 inches Artwork: 23.5 x 17 inches More about Will Cotton Will Cotton (born 1965 in Melrose, Massachusetts, U.S.A.) is an American painter whose work primarily features landscapes composed of sweets, often inhabited by human subjects. Will Cotton lives and works in New York City. Cotton’s works from the 1990s depicted pop icons sourced from contemporary advertisements such as the Nestlé Nesquik bunny. Cotton described his early works in a 2008 interview, saying “My initial impulse to make these paintings really came out of an awareness of the commercial consumer landscape that we live in. Every day we’re bombarded with hundreds, if not thousands of messages designed specifically to incite desire within us.” In 1996, Cotton began to develop an iconography in which the landscape itself became an object of desire. The paintings often feature scenery made up entirely of pastries, candy and melting ice cream. He creates elaborate maquettes of these settings from real baked goods made in his Manhattan studio as a visual source for the final works. Since about 2002, nude or nearly nude pinup...

Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm