Board Mixed Media

Linda Stein, Voyage Beyond 122 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Voyage Beyond 122 is from Linda Stein's Missives series--a body of work born from her ear...

Linda Stein, Interested Party 124 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Interested Party 124 is from Linda Stein's Missives series--a body of work born from h...

Linda Stein, High Wind 126 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting High Wind 126 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Rolling Wave 127 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Rolling Wave 127 is from Linda Stein's Missives series--a body of work born from her earli...

Signed lower right, 'Alex Gonzales' (American, 1927-2020) and dated, '11/58'. A delicate and enigmatic, mid-century, painted collage showing a processio...

Robot Butler Stole My Girl 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Rhythmic 4 is an original oil and mixed media painting on panel realized by the Italian artist Marco Amici in 1992. Original Title: Ritmico Title and monograms are written by the ...

Wonderful large scale mixed media abstract by Elliott Fouts (American, b. 1955), 2000. Titled "Straight up" and signed on verso. A channel of green orbs...

Carmine Bilardello White Ducks, 2026 Resin Figurines on MDF Board Epoxy Resined 13 x 13 in (33.02 x 33.02 cm)

Mixed media on board

Borderland III 2020 Encaustic wax on board Image 500 x 500 mm Signed in a Welsh Oak frame Image 50cm x 50cm 2020

Monica DeSalvo’s “A Bus Tour in the Woods—Stage 5” is a 22 x 30 inch triptych with three collages on acrylic monotypes with black, gray, dark and lime greens, orange, pink, purple, a...

We are pleased to sell works on behalf of Celia RobertsBorn 1950 in Stafford Educated at Oxford University 1969-1973 BA Hons in Hebrew. She has exhibited in the Arterie Gallery in ...

Carmine Bilardello White Bunnies, 2026 Resin Figurines on MDF Board Epoxy Resined 22 x 22 in (55.88 x 55.88 cm)

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Fra...

Lemurs is an artwork realized by Umberto Mastroianni in 1978. Mixed colored scratched and colored cardboard on canvas. Includes frame. Han signed on the lower margin.

Acrylic on an impasto ground. With gold paint and atomized acrylic glazes. Colonists have a habit of naming their new homes after their old ones. If we have to leave this planet, wil...

Agudelo (XX), Abstract Composition Assemblage, Oil on Board with Collage Elements, 1966, strings mounted to left side and abstract painted canvas mounted to lower half of board, 1966...

Linda Stein, Letter to an Archeologist 20 - Mixed media, acrylic and shells on board, sculptural painting Letter to an Archeologist 20 is from Linda Stein's Missives series. The mi...

Zvi Gali, painter, born 1921, Haifa. 1962 works exhibited at Venice Biennale after his death, and showed at MoMA. Lived in Motza, near Jerusalem. Education Italy, painting, fresco, ...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Au...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a somewhat amusing, colorful abstract portrait portraying a black family seated together having breakfast. McIntosh shows his inventive use of collage using cut bits of colored paper in shades of red, brown, blue, pink, black. Visible are magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents that create an energetic and rambunctious breakfast table scene. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, beveled cherry wood colored frame with green and gold liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Patrick Hughes (British, b.1939) House Bricks Collage and oil on board Inscribed with title and dated ‘1966’ (on the reverse) 24 x 24 in. (61 x 61 cm.) Patrick Hughes is a British ...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Jute Nebula - 3D Abstract Expressionist Mixed Media on Cardboard Abstract in bold red, yellow and sky blue on a soft black background, by California-based artist Ricardo de Silva (B...

Amazing double sided Original Artwork by Al Diaz. Al Diaz is also famous for being the other half of 70’s- 80’s SAMO© duo along with Jean Michel Basquiat. One side has Far 2 Embarras...

"All Summer Long" is a layered mixed media composition filled with pink colored symbolic boats, ladders, and fragments of memory suspended against a textured white ground. Four vesse...

In this captivating mixed media piece, Anya Simmons brings the majestic Emperor Penguin to life with her signature blend of gesso, acrylics, and vibrant inks. The penguin stands prou...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Held Together embodies Lisa Pressman’s long investigation into how memory lives within the body, surface, and time. This sculptural mixed media work is both painting and object—built...

Everything I Ever Wanted Ryan Cronin Oil Paint on Board 48" x 72" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them....

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

Marcus Centmayer - "40/38". Abstract acrylic works on corrugated cardboard from the series Rouge et Noir. Concrete Art that develops its own artistic expression with materials from the art movements of Street Art and Ready Made...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Bill Shields "Micro Biomorphic Abstract Drawing " 1990's Pastel, pencil charcoal on illustration board Site measures 3"x3" silver wood frame 9.75"x10.75" Unsigned came from artist's ...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

By April Street 80" x 72" Mixed Media on Board This diptych depicts an Asian street scene with a woman in the foreground in April Street's distinctive style.

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

New series - over the moon with our beautiful coastal birds. We are so blessed with a gorgeous variety of coastal birds and Puffins are my absolute favourite! The little parrots of t...

Lalu Prasad Shaw Untitled (Biwi with the Flower) Untitled (Babu with the Cigarette & Flower) 28 x 22 Inches Tempera on Board, 2016 ( Set of 2 works ) ( Framed & Delivered in a teak f...

Taste Sweet Revenge Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

Me, We, Us Ryan Cronin Oil Paint on Board 48" x 32" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almo...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

We are so blessed with such a variety of beautiful bird species within the UK. I feel inspired and 'Over The Moon' with joy, watching them and listening to their quirky chatter. Thes...

Alexander Raymond Katz (Hungarian-American, 1895-1974) initialed l.r. "A.R.K." inscribed verso "Prayer Tree", A Raymond Katz." Sight size: 39-3/4"h x 30"...

Card Sz: 1 3/4"H x 2 3/4"W Art Sz: 20"H x 16"W Frame Sz: 25 5/8"H x 21 1/2"W

Pop Art inspired original artwork

Linda Stein, 1221 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Linda Stein, 1222 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Knights in a series called Knights, Revisited. A Prominent Greek Profile...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Marcus Centmayer - "007_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.