Cord Mixed Media

HANNAH REEVES There May Bloom (Bleeding Heart) 2021 Chalk, graphite, and stitching on paper and found object Framed: 11.5 x 8 x 1 inches

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop culture, social causes, and our reconnection with nature. Influenced by history, culture and human relationships in a fragmented post-digital world, the bold dynamism of her work is revealed in uncut thread. It lends a surreal and unfinished aesthetic that reflects the importance of acceptance of change, evolution and imperfection. Villa’s approach to textile is sensitive and intuitive. She draws inspiration from the craftsmanship and the textile traditions in Mexico and from across cultures, but uses textiles...

Inspired by contemporary fashion, Nilraya Bundasak’s colorful textile paintings celebrate adornment and individuality through the application of fabric and embroidery to canvases of re-purposed materials. Inspired by the beauty and uniqueness that fashion offers, as well as the emotional dynamism of femininity, she creates large-scale works resplendent with bright luxurious fabrics and detailed stitching. This one-of-a-kind textile art...

Looking at the Moon Paper collage 4.5 x 4.5 unframed

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Needlepoint designed by artist, hemp cord, paper, white gesso, modeling paste, resin, and Flashe Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Lo...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes o...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes o...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

This fabric work titled "Stolen Stickers & Visions" is an original artwork by Kelly Kozma made of hand embroidery, sticker and gem on paper. The piece measures 13”h by 13”w. Kelly K...

This fabric work titled "Little April Shower" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w fra...

This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...

Tree of Life One ancient mythical symbol appears across various cultures as the esoteric Tree of Life. The Tree represents life's abundance and immortality. The cosmic mountain is often depicted as the highest point on earth where heaven and earth meet, where Gods dwell; the Tree stands atop it. Specific trees are held sacred and worshipped as the Tree of Life by the different cultures, and it does not bode well to cut the Peepal in India, Bodhi (Peepal) in Buddhist countries, Cyprus in Iran etc. About: "Art is just perception. The first glance is an emotion, your emotion. The title of the canvas is read after that."- Shabbir Merchant...

Floating in Space Paper collage 4.5 x 4.5 unframed

Birdman Paper collage 4.5 x 4.5 unframed

"Morph II" is an original mixed media painting that began with a commitment to upcycling. Discarded fabric and yarn remnants from design projects have been given new life as an integ...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop culture, social causes, and our reconnection with nature. Influenced by history, culture and human relationships in a fragmented post-digital world, the bold dynamism of her work is revealed in uncut thread. It lends a surreal and unfinished aesthetic that reflects the importance of acceptance of change, evolution and imperfection. Villa’s approach to textile is sensitive and intuitive. She draws inspiration from the craftsmanship and the textile traditions in Mexico and from across cultures, but uses textiles...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in a soft palette of pale salmon, pi...

Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Dakota Nightshade (Native American, Indian piece) Mixed media (ink, paint etc. red thread stitching) Framed 43 X 57 sheet 36 X 49 Hand signed, dated and titled by artist. (with a l...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes o...

Barcelona artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to material. De La Torre allows the materials to take over during the process and collaborates wi...

This work is framed with a simple white float to allow the jewel-like, diaphanous strips of fabric to glow without distraction. Linda Kamille Schmidt received an MA in drawing and a...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

The connection between love and embroidery is nowhere stronger than among the minority peoples of China. Hand-stitched by a mother herself or gifted by the women in her family, the t...

Linda Kamille Schmidt is inspired by the colors and textures of transparent and opaque fabrics that she collects and sews into layered, geometric collage...

Grace Awe's "Submission to Authority (1)" is an original 2024 artwork that intertwines thread and acrylic on a 20 x 16 inch canvas. The portrait, rich in texture and color, reflects ...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Contemporary black and white mixed media portrait by Houston-based artist Jaymes Earl. The work features an abstract portrait made of strategically placed pins wrapped in embroidery ...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Space Between (2017) by Hillary Waters Fayle. Magnolia leaves...

Angelica Raquel is a multidisciplinary artist living and working in San Antonio, Texas. She earned her MFA from The University of Texas at San Antonio and a BFA from Texas State Univ...

Black in Gold series, 2017 Camellia leaves and hand dyed thread 12 x 12 inches Hillary Waters Fayle is an artist from Elma, New York. Fayle received an MFA in Craft/Material Stud...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

Embroidery by Yanne Kintgen: "Poetry 33" Born in Redon (France) on April 26, 1960, Yanne Kintgen has been a painter and illustrator since 1985. To enter...

Embroidery by Yanne Kintgen: "Poetry 30". Born in Redon (France) on April 26, 1960, Yanne Kintgen has been a painter and illustrator since 1985. To ente...